| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
По разделу |
34738 | 908 |
40 |
82 |
72 |
62 |
75 |
63 |
71 |
98 |
102 |
76 |
95 |
72 |
1 |
3 |
3 |
3 |
5 |
3 |
3 |
2 |
2 |
3 |
4 |
4 |
3 |
1 |
3 |
1 |
2 |
4 |
2 |
5 |
3 |
4 |
2 |
3 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
2 |
4 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
5 |
5 |
3 |
3 |
3 |
4 |
4 |
3 |
1 |
2 |
3 |
3 |
3 |
4 |
3 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
|
Повесть Даниила Хармса "Старуха": петербургский миф в обэриутской интерпретации |
3835 | 455 |
17 |
34 |
35 |
27 |
33 |
28 |
38 |
53 |
53 |
42 |
63 |
32 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
"Ужас телесности": секс и страх в традиционной японской гравюре эпохи Эдо (1603-1868) |
3642 | 441 |
25 |
38 |
26 |
25 |
33 |
29 |
21 |
57 |
51 |
51 |
49 |
36 |
0 |
2 |
2 |
1 |
5 |
0 |
2 |
1 |
2 |
3 |
0 |
4 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
4 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Ходячие мертвецы в русском страшном повествовании 1810-1840 гг. |
3092 | 355 |
17 |
43 |
33 |
21 |
32 |
21 |
15 |
33 |
42 |
29 |
44 |
25 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Развенчание страха в рассказе "В ожидании страха" Огуза Атая |
2736 | 289 |
16 |
35 |
26 |
15 |
20 |
22 |
15 |
27 |
31 |
21 |
38 |
23 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
"Ужасное" в эстетике и поэзии Жуковского |
3066 | 277 |
16 |
27 |
25 |
11 |
28 |
20 |
25 |
22 |
32 |
24 |
25 |
22 |
0 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
Тема |
2124 | 274 |
14 |
30 |
35 |
20 |
23 |
19 |
15 |
26 |
28 |
16 |
21 |
27 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Правила |
3150 | 263 |
14 |
32 |
38 |
20 |
21 |
17 |
14 |
29 |
25 |
17 |
17 |
19 |
0 |
1 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
4 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
|
Манускрипты |
1804 | 255 |
14 |
29 |
27 |
22 |
22 |
14 |
11 |
26 |
40 |
12 |
21 |
17 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
"Живые мертвецы" в фантастических новеллах символистов |
1976 | 247 |
10 |
23 |
21 |
15 |
19 |
19 |
13 |
31 |
31 |
22 |
21 |
22 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Знай и умей свой хоррор |
2218 | 236 |
18 |
30 |
28 |
21 |
20 |
15 |
11 |
19 |
24 |
23 |
14 |
13 |
0 |
2 |
3 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Склеп |
1813 | 229 |
17 |
39 |
18 |
17 |
23 |
13 |
7 |
17 |
21 |
19 |
21 |
17 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
0 |
5 |
0 |
3 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
5 |
3 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Демоническое пространство в балладах акмеистов |
2295 | 217 |
9 |
23 |
27 |
9 |
24 |
15 |
12 |
23 |
26 |
16 |
17 |
16 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Голое сование |
1444 | 211 |
11 |
27 |
22 |
16 |
24 |
11 |
7 |
24 |
25 |
15 |
13 |
16 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Чаша Йада |
1543 | 208 |
8 |
20 |
26 |
18 |
24 |
15 |
6 |
15 |
28 |
17 |
13 |
18 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |