| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
По разделу |
45497 | 699 |
64 |
84 |
63 |
61 |
44 |
46 |
44 |
57 |
60 |
63 |
66 |
47 |
1 |
3 |
4 |
3 |
2 |
4 |
2 |
3 |
4 |
2 |
3 |
2 |
3 |
2 |
4 |
2 |
4 |
3 |
5 |
2 |
3 |
3 |
2 |
4 |
3 |
2 |
1 |
2 |
3 |
2 |
3 |
4 |
3 |
2 |
3 |
2 |
3 |
5 |
4 |
2 |
2 |
2 |
2 |
3 |
3 |
1 |
3 |
2 |
3 |
3 |
4 |
2 |
4 |
2 |
3 |
2 |
1 |
3 |
3 |
2 |
5 |
4 |
Питер Уоттс "Ложная слепота" |
1388 | 247 |
27 |
38 |
30 |
41 |
18 |
22 |
11 |
7 |
7 |
12 |
21 |
13 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
Чайна Мьевиль "Посольский город" |
1272 | 195 |
20 |
42 |
13 |
12 |
9 |
8 |
12 |
22 |
15 |
18 |
9 |
15 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
5 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
Марло Морган, "Послание с того края земли" (1990) |
1340 | 166 |
29 |
26 |
20 |
14 |
6 |
6 |
6 |
13 |
17 |
9 |
14 |
6 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1172 | 160 |
13 |
24 |
12 |
13 |
10 |
14 |
13 |
10 |
17 |
15 |
14 |
5 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
Адам Нэвилл "Судные дни"(2012) |
1358 | 155 |
21 |
22 |
15 |
11 |
12 |
7 |
7 |
11 |
12 |
17 |
10 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
956 | 154 |
19 |
24 |
12 |
18 |
10 |
9 |
5 |
8 |
15 |
14 |
14 |
6 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
983 | 153 |
21 |
19 |
14 |
17 |
7 |
8 |
7 |
5 |
11 |
19 |
16 |
9 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1269 | 148 |
15 |
26 |
21 |
9 |
4 |
8 |
6 |
12 |
12 |
12 |
20 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
5 |
1 |
Артур Кларк "Свидание с Рамой" |
1279 | 147 |
18 |
25 |
15 |
11 |
5 |
9 |
6 |
15 |
7 |
18 |
10 |
8 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
Олаф Стэплдон "Создатель звёзд" (1937) |
1257 | 144 |
24 |
19 |
16 |
8 |
13 |
8 |
10 |
8 |
6 |
16 |
7 |
9 |
0 |
2 |
1 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
Марк Леви, "Где ты?" |
1209 | 141 |
11 |
26 |
21 |
12 |
9 |
6 |
6 |
8 |
11 |
16 |
11 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
914 | 140 |
10 |
25 |
8 |
14 |
7 |
8 |
5 |
8 |
16 |
18 |
11 |
10 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
Фредерик Бегбедер, "99 франков" (2000) |
1230 | 136 |
12 |
23 |
13 |
11 |
8 |
6 |
8 |
7 |
17 |
13 |
11 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1359 | 133 |
12 |
18 |
16 |
14 |
6 |
6 |
5 |
13 |
9 |
11 |
15 |
8 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
742 | 133 |
10 |
21 |
12 |
9 |
3 |
6 |
4 |
13 |
12 |
13 |
25 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
Антон Первушин "Почтальон сингулярности" |
1442 | 130 |
8 |
23 |
12 |
9 |
2 |
8 |
0 |
7 |
8 |
15 |
27 |
11 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
Глава первая - Боевая зона |
294 | 125 |
11 |
19 |
12 |
16 |
4 |
13 |
7 |
6 |
6 |
18 |
12 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
886 | 119 |
17 |
20 |
9 |
11 |
2 |
9 |
1 |
8 |
7 |
17 |
10 |
8 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1102 | 118 |
16 |
21 |
7 |
12 |
4 |
4 |
5 |
8 |
14 |
13 |
10 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 |
Альберто Васкес Фигероа "Туарег" (1980) |
1202 | 117 |
12 |
20 |
15 |
8 |
6 |
5 |
7 |
11 |
10 |
10 |
11 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
Арчибальд Кронин "Ключи Царства" |
1141 | 116 |
15 |
23 |
14 |
11 |
5 |
3 |
5 |
5 |
11 |
11 |
10 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
Жан Мари Леклезио, "Пустыня" |
1284 | 115 |
12 |
26 |
11 |
11 |
6 |
3 |
2 |
5 |
11 |
15 |
7 |
6 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
Фредерик Бегбедер, «идеаль» (2007) |
1035 | 113 |
11 |
20 |
16 |
8 |
8 |
7 |
4 |
6 |
11 |
11 |
7 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
Наташа Кампуш, "3096 дней" |
1178 | 113 |
12 |
19 |
13 |
10 |
4 |
4 |
5 |
8 |
11 |
12 |
10 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Глава первая - Тесты |
263 | 112 |
13 |
19 |
18 |
14 |
2 |
2 |
3 |
4 |
7 |
18 |
8 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
Эрик Эммануэль Шмитт, "Ночь огня" |
1234 | 109 |
13 |
16 |
11 |
10 |
7 |
7 |
1 |
3 |
10 |
16 |
9 |
6 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
Мама! / mother! (2017) Сша |
737 | 109 |
14 |
21 |
8 |
13 |
2 |
2 |
3 |
9 |
11 |
14 |
8 |
4 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Мика Валтари "Синухе - египтянин" |
1159 | 106 |
8 |
20 |
12 |
12 |
3 |
5 |
3 |
7 |
10 |
12 |
9 |
5 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
871 | 106 |
10 |
17 |
11 |
12 |
2 |
5 |
1 |
8 |
6 |
15 |
9 |
10 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
Глава вторая - В аду она уже была |
268 | 104 |
10 |
13 |
6 |
16 |
3 |
3 |
5 |
8 |
6 |
20 |
11 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
Дикая / Wild" (2014) Сша |
816 | 104 |
6 |
20 |
14 |
11 |
2 |
1 |
2 |
6 |
10 |
12 |
14 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
910 | 103 |
7 |
18 |
10 |
8 |
3 |
3 |
4 |
9 |
9 |
13 |
11 |
8 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
Глава вторая - Балаган |
231 | 103 |
7 |
16 |
11 |
14 |
1 |
1 |
1 |
5 |
10 |
17 |
8 |
12 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
Бегущий по лезвию / Blade Runner (1982) Сша |
722 | 102 |
8 |
17 |
10 |
9 |
5 |
1 |
3 |
7 |
7 |
16 |
14 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
Глава третья - Чпок-чпок! |
260 | 102 |
13 |
20 |
10 |
11 |
3 |
2 |
4 |
6 |
5 |
18 |
7 |
3 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
Глава пятая - Смертные демиурги |
242 | 102 |
10 |
20 |
9 |
11 |
4 |
3 |
2 |
7 |
6 |
13 |
14 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
Марина Степнова, «где-то под Гроссето» (2016) |
1147 | 100 |
9 |
16 |
11 |
8 |
5 |
5 |
4 |
7 |
9 |
14 |
8 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
Жан Мари Леклезио "Онича" |
1092 | 100 |
9 |
19 |
12 |
8 |
4 |
5 |
0 |
5 |
10 |
11 |
11 |
6 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
Джеймс Хэрриот "О всех созданиях прекрасных и удивительных" (1974) |
1078 | 99 |
7 |
17 |
13 |
8 |
6 |
4 |
1 |
6 |
2 |
17 |
12 |
6 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |