| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
По разделу |
48368 | 779 |
52 |
95 |
89 |
84 |
84 |
63 |
61 |
44 |
46 |
44 |
57 |
60 |
0 |
8 |
7 |
4 |
2 |
2 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
4 |
2 |
3 |
3 |
3 |
3 |
2 |
2 |
3 |
2 |
4 |
3 |
5 |
3 |
3 |
4 |
2 |
2 |
6 |
10 |
3 |
4 |
2 |
3 |
3 |
3 |
2 |
4 |
2 |
2 |
2 |
3 |
1 |
2 |
3 |
2 |
4 |
2 |
Питер Уоттс "Ложная слепота" |
1494 | 307 |
21 |
53 |
24 |
35 |
38 |
30 |
41 |
18 |
22 |
11 |
7 |
7 |
0 |
5 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
6 |
10 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
Чайна Мьевиль "Посольский город" |
1361 | 242 |
19 |
25 |
33 |
32 |
42 |
13 |
12 |
9 |
8 |
12 |
22 |
15 |
0 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Марло Морган, "Послание с того края земли" (1990) |
1427 | 224 |
18 |
33 |
30 |
35 |
26 |
20 |
14 |
6 |
6 |
6 |
13 |
17 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
Ясунари Кавабата, «мастер игры в го/мэйдзин/名人» (1951-1954) Япония |
1366 | 210 |
21 |
29 |
33 |
29 |
26 |
21 |
9 |
4 |
8 |
6 |
12 |
12 |
0 |
5 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
Обзор на триллер "Стрингер / Nightcrawler" (2013) Сша |
1072 | 198 |
16 |
41 |
25 |
28 |
19 |
14 |
17 |
7 |
8 |
7 |
5 |
11 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
4 |
3 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
Адам Нэвилл "Судные дни"(2012) |
1430 | 190 |
14 |
36 |
16 |
27 |
22 |
15 |
11 |
12 |
7 |
7 |
11 |
12 |
0 |
6 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Лиза Си, «снежный Цветок и заветный веер» (2005) |
1233 | 187 |
9 |
26 |
21 |
18 |
24 |
12 |
13 |
10 |
14 |
13 |
10 |
17 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
Артур Кларк "Свидание с Рамой" |
1349 | 181 |
12 |
38 |
16 |
22 |
25 |
15 |
11 |
5 |
9 |
6 |
15 |
7 |
0 |
4 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
8 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Марк Леви, "Где ты?" |
1273 | 174 |
16 |
29 |
14 |
16 |
26 |
21 |
12 |
9 |
6 |
6 |
8 |
11 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Обзор на драму "Всё ещё Элис / Still Alice" (2014) Сша, Франция |
1008 | 172 |
10 |
22 |
16 |
23 |
24 |
12 |
18 |
10 |
9 |
5 |
8 |
15 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Олаф Стэплдон "Создатель звёзд" (1937) |
1316 | 171 |
11 |
26 |
18 |
28 |
19 |
16 |
8 |
13 |
8 |
10 |
8 |
6 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
Фредерик Бегбедер, "99 франков" (2000) |
1286 | 161 |
11 |
26 |
14 |
17 |
23 |
13 |
11 |
8 |
6 |
8 |
7 |
17 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Глава первая - Боевая зона |
358 | 158 |
17 |
24 |
15 |
19 |
19 |
12 |
16 |
4 |
13 |
7 |
6 |
6 |
0 |
5 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
Арчибальд Кронин "Ключи Царства" |
1205 | 156 |
11 |
30 |
16 |
22 |
23 |
14 |
11 |
5 |
3 |
5 |
5 |
11 |
0 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Обзор на психологическую драму "Стена / Die Wand" (2011) Германия, Австрия |
966 | 153 |
5 |
24 |
19 |
14 |
25 |
8 |
14 |
7 |
8 |
5 |
8 |
16 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
Орбита 9 / Órbita 9 (2017) Испания, Колумбия |
805 | 153 |
14 |
20 |
23 |
16 |
21 |
12 |
9 |
3 |
6 |
4 |
13 |
12 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Жан Мари Леклезио, "Пустыня" |
1347 | 150 |
17 |
19 |
22 |
17 |
26 |
11 |
11 |
6 |
3 |
2 |
5 |
11 |
0 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Екатерина Казакова и Елена Харитонова, "Жнецы страданий" |
1409 | 149 |
7 |
21 |
19 |
15 |
18 |
16 |
14 |
6 |
6 |
5 |
13 |
9 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Альберто Васкес Фигероа "Туарег" (1980) |
1254 | 146 |
15 |
19 |
14 |
16 |
20 |
15 |
8 |
6 |
5 |
7 |
11 |
10 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 |
Эрик Эммануэль Шмитт, "Ночь огня" |
1301 | 145 |
9 |
37 |
13 |
21 |
16 |
11 |
10 |
7 |
7 |
1 |
3 |
10 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
9 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Антон Первушин "Почтальон сингулярности" |
1507 | 142 |
22 |
26 |
12 |
13 |
23 |
12 |
9 |
2 |
8 |
0 |
7 |
8 |
0 |
8 |
6 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
Фредерик Бегбедер, «идеаль» (2007) |
1084 | 140 |
14 |
23 |
8 |
15 |
20 |
16 |
8 |
8 |
7 |
4 |
6 |
11 |
0 |
5 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Обзор на фантастическую драму Алексея Германа "Трудно быть богом" (2013) Россия |
940 | 138 |
12 |
23 |
14 |
22 |
20 |
9 |
11 |
2 |
9 |
1 |
8 |
7 |
0 |
5 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
Наташа Кампуш, "3096 дней" |
1229 | 137 |
12 |
21 |
14 |
16 |
19 |
13 |
10 |
4 |
4 |
5 |
8 |
11 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Чон Унён, «прощай, цирк» (2015) Южная Корея |
1148 | 137 |
7 |
21 |
14 |
20 |
21 |
7 |
12 |
4 |
4 |
5 |
8 |
14 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
Мика Валтари "Синухе - египтянин" |
1213 | 134 |
9 |
23 |
18 |
12 |
20 |
12 |
12 |
3 |
5 |
3 |
7 |
10 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
Глава первая - Тесты |
314 | 133 |
10 |
20 |
16 |
18 |
19 |
18 |
14 |
2 |
2 |
3 |
4 |
7 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Мама! / mother! (2017) Сша |
786 | 132 |
8 |
18 |
17 |
20 |
21 |
8 |
13 |
2 |
2 |
3 |
9 |
11 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Обзор на музыкальную, психологическую драму "Одержимость / Whiplash" (2013) Сша |
929 | 130 |
22 |
23 |
10 |
13 |
17 |
11 |
12 |
2 |
5 |
1 |
8 |
6 |
0 |
8 |
7 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Глава третья - Чпок-чпок! |
315 | 129 |
9 |
26 |
16 |
17 |
20 |
10 |
11 |
3 |
2 |
4 |
6 |
5 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Глава пятая - Смертные демиурги |
298 | 128 |
11 |
24 |
14 |
17 |
20 |
9 |
11 |
4 |
3 |
2 |
7 |
6 |
0 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
Марина Степнова, «где-то под Гроссето» (2016) |
1196 | 123 |
13 |
19 |
14 |
12 |
16 |
11 |
8 |
5 |
5 |
4 |
7 |
9 |
0 |
5 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Бегущий по лезвию / Blade Runner (1982) Сша |
777 | 122 |
11 |
28 |
10 |
14 |
17 |
10 |
9 |
5 |
1 |
3 |
7 |
7 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
Дикая / Wild" (2014) Сша |
866 | 122 |
10 |
23 |
14 |
9 |
20 |
14 |
11 |
2 |
1 |
2 |
6 |
10 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Жан Мари Леклезио "Онича" |
1141 | 121 |
11 |
22 |
10 |
15 |
19 |
12 |
8 |
4 |
5 |
0 |
5 |
10 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Обзор на фантастическую молодёжную драму "Матрица времени / Before i fall" (2017) Сша |
958 | 119 |
12 |
19 |
12 |
12 |
18 |
10 |
8 |
3 |
3 |
4 |
9 |
9 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Глава четвёртая - Вопросы требуют ответов |
263 | 119 |
13 |
23 |
14 |
14 |
15 |
6 |
10 |
0 |
3 |
5 |
6 |
10 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
Глава шестая - Всегда есть рыба крупнее |
318 | 118 |
14 |
24 |
9 |
12 |
17 |
9 |
11 |
0 |
4 |
3 |
7 |
8 |
0 |
4 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
О Чхунь Хи, «птица» (2008) |
1061 | 117 |
9 |
20 |
14 |
19 |
19 |
9 |
8 |
4 |
3 |
3 |
5 |
4 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |