| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
67377 | 1006 |
20 |
188 |
122 |
109 |
69 |
77 |
67 |
67 |
57 |
60 |
72 |
98 |
0 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
3 |
7 |
5 |
8 |
5 |
5 |
5 |
5 |
5 |
6 |
3 |
5 |
3 |
2 |
6 |
6 |
12 |
5 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
8 |
3 |
4 |
8 |
2 |
5 |
7 |
3 |
4 |
3 |
2 |
3 |
4 |
4 |
6 |
3 |
2 |
4 |
6 |
4 |
5 |
8 |
4 |
Дик Хэбдидж, Субкультура, значение стиля |
6569 | 819 |
20 |
176 |
106 |
91 |
56 |
65 |
52 |
53 |
20 |
41 |
58 |
81 |
0 |
7 |
10 |
3 |
11 |
11 |
3 |
8 |
4 |
5 |
7 |
5 |
8 |
3 |
2 |
7 |
5 |
8 |
5 |
0 |
5 |
3 |
5 |
6 |
3 |
5 |
2 |
1 |
6 |
6 |
12 |
3 |
8 |
11 |
8 |
8 |
2 |
2 |
3 |
8 |
2 |
4 |
8 |
2 |
5 |
7 |
3 |
4 |
3 |
0 |
3 |
1 |
2 |
6 |
3 |
1 |
2 |
6 |
1 |
3 |
8 |
4 |
Мемуары стареющего хиппи |
1589 | 263 |
0 |
16 |
12 |
13 |
6 |
12 |
34 |
30 |
32 |
31 |
37 |
40 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
Paul Goodman "Growing Up Absurd" |
1897 | 198 |
1 |
31 |
40 |
25 |
19 |
17 |
7 |
5 |
5 |
12 |
18 |
18 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
4 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
4 |
0 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
Словарик терминов полиамории |
1210 | 177 |
1 |
39 |
41 |
28 |
16 |
11 |
4 |
4 |
5 |
5 |
8 |
15 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
5 |
2 |
0 |
5 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
Иисус Христос был хиппи |
1002 | 171 |
2 |
46 |
20 |
26 |
10 |
9 |
3 |
5 |
3 |
16 |
18 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
4 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
Теория праздного класса, Торстейн Веблен |
1319 | 159 |
1 |
19 |
30 |
18 |
11 |
9 |
12 |
13 |
9 |
11 |
18 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
2 |
Теодор Роззак Создание старшей культуры |
1421 | 131 |
1 |
17 |
22 |
22 |
13 |
8 |
4 |
7 |
5 |
9 |
12 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
Youth: The Hippies |
1085 | 131 |
0 |
28 |
23 |
11 |
9 |
12 |
5 |
7 |
6 |
6 |
10 |
14 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1557 | 130 |
1 |
22 |
20 |
18 |
11 |
7 |
9 |
8 |
2 |
9 |
10 |
13 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
Американская психоистория |
1537 | 129 |
1 |
27 |
24 |
16 |
8 |
12 |
7 |
3 |
2 |
6 |
11 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
Контркультура vs левые, история конфликта |
1413 | 127 |
1 |
33 |
17 |
22 |
10 |
6 |
6 |
5 |
3 |
7 |
9 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
6 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Кеннет Рексрот, «создавая Контркультуру» |
1525 | 125 |
1 |
18 |
28 |
13 |
7 |
8 |
6 |
9 |
4 |
6 |
10 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
Школьные банды |
1083 | 124 |
0 |
22 |
20 |
17 |
9 |
5 |
6 |
8 |
3 |
6 |
17 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Субкультуры и самоубийства, социологический аспект |
1069 | 122 |
1 |
22 |
24 |
11 |
11 |
7 |
5 |
6 |
7 |
7 |
9 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
1 |
2 |
Herbst der Gammler |
1433 | 119 |
0 |
23 |
24 |
17 |
8 |
6 |
4 |
3 |
0 |
5 |
18 |
11 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
986 | 119 |
0 |
15 |
17 |
16 |
11 |
18 |
13 |
3 |
3 |
6 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
Теодор Роззак, Декларация Взаимозависимости |
1209 | 113 |
2 |
19 |
23 |
15 |
10 |
9 |
5 |
4 |
2 |
4 |
9 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
Банды Манчестера: История «scuttlers» |
1292 | 111 |
3 |
20 |
25 |
10 |
8 |
3 |
7 |
4 |
1 |
5 |
8 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
Джоан Баэз - Воины Солнца |
1192 | 110 |
4 |
17 |
15 |
14 |
11 |
7 |
3 |
11 |
3 |
4 |
9 |
12 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Неформальная литература, размышления о непонятном |
1388 | 108 |
0 |
19 |
18 |
20 |
9 |
5 |
7 |
4 |
2 |
3 |
12 |
9 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
Теодор Роззак, Альфа-самец человека |
1348 | 108 |
0 |
24 |
21 |
13 |
7 |
5 |
5 |
6 |
3 |
7 |
9 |
8 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
Лоуренс Липтон, Святые варвары |
1436 | 107 |
0 |
25 |
18 |
15 |
8 |
6 |
5 |
3 |
4 |
3 |
12 |
8 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
Хаос и разруха, Танцуй рок с утра до утра |
1485 | 106 |
2 |
20 |
17 |
18 |
10 |
7 |
6 |
5 |
4 |
1 |
9 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
Культы и Космическое сознание: видение религии в 1960 годах |
948 | 105 |
0 |
23 |
23 |
13 |
8 |
6 |
4 |
5 |
1 |
3 |
7 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
5 |
1 |
0 |
Атеизм в шестидесятых: Ссср и Сша |
1076 | 105 |
1 |
27 |
20 |
13 |
10 |
4 |
2 |
2 |
3 |
2 |
10 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
Мириам Уильямс, Из жизни сакральной проститутки |
1869 | 104 |
1 |
16 |
18 |
15 |
10 |
6 |
8 |
4 |
2 |
3 |
11 |
10 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1199 | 104 |
2 |
21 |
23 |
14 |
7 |
6 |
4 |
4 |
0 |
7 |
9 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
Неправда фотографии - Огюст Роден |
1420 | 103 |
1 |
24 |
15 |
19 |
8 |
5 |
5 |
2 |
2 |
4 |
10 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
Парижские байкеры 70-х годов от Яна Морвана |
891 | 103 |
1 |
20 |
18 |
11 |
10 |
6 |
2 |
12 |
4 |
6 |
6 |
7 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
Пилат и другие - до Петровича, но с Вайдой |
1321 | 102 |
1 |
27 |
17 |
15 |
6 |
4 |
6 |
2 |
1 |
3 |
10 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
Свободная Любовь или Интеллигенция посещает баню |
1096 | 101 |
0 |
19 |
16 |
11 |
8 |
3 |
4 |
2 |
18 |
5 |
6 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
Young Lords Party |
1199 | 101 |
1 |
24 |
13 |
16 |
10 |
6 |
3 |
2 |
1 |
4 |
10 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
О хиппи, панках и битниках, взгляд антрополога |
910 | 101 |
1 |
21 |
14 |
15 |
8 |
10 |
3 |
4 |
2 |
5 |
9 |
9 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Знаменитый Port Huron Statement (1962) |
1011 | 98 |
0 |
18 |
17 |
11 |
10 |
5 |
6 |
2 |
2 |
3 |
11 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Эпизоды альтернативной эротики |
930 | 98 |
1 |
20 |
12 |
11 |
9 |
8 |
6 |
3 |
4 |
4 |
8 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Неизвестная классика атеизма, Джордж Уильям Фут |
1525 | 98 |
3 |
17 |
16 |
15 |
7 |
7 |
2 |
1 |
0 |
6 |
10 |
14 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1153 | 98 |
1 |
22 |
15 |
13 |
8 |
8 |
1 |
2 |
3 |
5 |
8 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
Welcome to the Digger Archives |
795 | 98 |
0 |
16 |
15 |
17 |
10 |
8 |
4 |
4 |
4 |
3 |
8 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
0 |
Август Зандер — между непристойностью и документалистикой. |
1334 | 97 |
0 |
18 |
19 |
15 |
9 |
6 |
2 |
2 |
4 |
2 |
9 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Русские панки - взгляд с Запада |
1104 | 96 |
0 |
16 |
18 |
14 |
11 |
3 |
5 |
4 |
1 |
4 |
8 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
Исследования Фбр, Lanning Report |
949 | 96 |
0 |
18 |
20 |
12 |
7 |
4 |
4 |
3 |
5 |
1 |
10 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
Дом Гекльберри - первый контркультурный приют для детей |
930 | 95 |
1 |
24 |
19 |
11 |
7 |
4 |
3 |
3 |
3 |
3 |
6 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1257 | 95 |
1 |
18 |
20 |
12 |
6 |
5 |
7 |
3 |
3 |
1 |
9 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Социалистический гендерный трап |
1189 | 94 |
0 |
23 |
17 |
13 |
9 |
6 |
4 |
1 |
1 |
4 |
6 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Culture, Crime, and Cultural Criminology |
1061 | 94 |
1 |
21 |
16 |
12 |
9 |
5 |
5 |
2 |
1 |
4 |
9 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1968 год в Америке: Музыка, политика, хаос, контркультура |
1077 | 93 |
0 |
19 |
16 |
14 |
9 |
4 |
6 |
2 |
2 |
1 |
6 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Провалился ли проект религиозной контркультуры? |
983 | 91 |
0 |
22 |
17 |
13 |
7 |
5 |
1 |
5 |
2 |
2 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Из истории фотожурналистики |
1108 | 90 |
0 |
16 |
18 |
14 |
9 |
4 |
2 |
3 |
1 |
2 |
10 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Это не трубка |
980 | 88 |
0 |
19 |
13 |
12 |
5 |
5 |
6 |
4 |
2 |
6 |
8 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
Hunga Dunga: Исповедь непримиримого хиппи |
809 | 85 |
1 |
19 |
14 |
13 |
5 |
2 |
3 |
5 |
4 |
3 |
8 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
Port Huron Statement (1962) |
1208 | 84 |
1 |
14 |
13 |
11 |
11 |
5 |
4 |
2 |
2 |
3 |
10 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |