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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
По разделу | 511881 | 1483 | 20 | 129 | 140 | 113 | 155 | 134 | 138 | 148 | 128 | 192 | 98 | 88 | 1 | 4 | 6 | 5 | 4 | 7 | 4 | 2 | 3 | 6 | 3 | 3 | 6 | 5 | 3 | 5 | 5 | 5 | 6 | 5 | 4 | 6 | 5 | 5 | 4 | 4 | 5 | 5 | 3 | 3 | 4 | 3 | 3 | 4 | 3 | 5 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 6 | 4 | 5 | 4 | 5 | 5 | 3 | 4 | 3 | 2 | 9 | 6 | 5 | 5 | 6 | 4 | 4 |
7. О символизации насилия. Песочный Человек | 3525 | 682 | 5 | 56 | 46 | 40 | 55 | 74 | 60 | 96 | 82 | 76 | 56 | 36 | 0 | 2 | 1 | 1 | 1 | 5 | 0 | 0 | 1 | 6 | 0 | 1 | 1 | 4 | 0 | 5 | 2 | 4 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 3 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 3 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 3 | 2 | 2 |
Художественные описания механизмов психологической защиты | 13342 | 614 | 6 | 42 | 49 | 39 | 44 | 47 | 75 | 93 | 73 | 51 | 62 | 33 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 5 | 0 | 0 | 2 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 3 | 3 | 2 | 0 | 3 | 1 | 9 | 2 | 2 | 0 | 0 | 1 | 0 |
1. Расставание брата и сестры | 3888 | 514 | 5 | 31 | 44 | 37 | 113 | 47 | 38 | 41 | 54 | 42 | 36 | 26 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 3 | 1 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3979 | 510 | 10 | 48 | 70 | 62 | 47 | 55 | 46 | 43 | 38 | 38 | 25 | 28 | 0 | 4 | 1 | 4 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 3 | 0 | 5 | 2 | 2 | 4 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 5 | 2 | 0 | 3 | 1 | 4 | 4 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 5 | 1 | 2 | 0 | 3 | 0 | 4 | 2 | 1 | 5 | 1 | 3 | 2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1909 | 482 | 9 | 46 | 55 | 47 | 50 | 50 | 59 | 43 | 38 | 26 | 27 | 32 | 0 | 3 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 2 | 4 | 2 | 3 | 0 | 0 | 4 | 3 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 3 | 1 | 2 | 4 | 1 | 2 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 3 | 0 |
7. Интерпретация эпоса об Урал-Батыре | 2057 | 450 | 14 | 62 | 54 | 50 | 42 | 55 | 41 | 37 | 34 | 27 | 18 | 16 | 0 | 4 | 5 | 1 | 4 | 2 | 2 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 3 | 2 | 5 | 3 | 6 | 3 | 4 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 3 | 2 | 2 | 3 | 2 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 6 | 1 | 1 | 3 | 2 | 5 | 0 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 2 | 0 | 4 |
Ритуал и выгорание в субкультуре скорой помощи | 9670 | 429 | 2 | 35 | 48 | 23 | 93 | 36 | 38 | 41 | 30 | 37 | 21 | 25 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 0 | 3 | 3 | 2 | 1 | 2 | 3 | 0 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2540 | 394 | 6 | 57 | 30 | 30 | 33 | 29 | 31 | 42 | 50 | 46 | 22 | 18 | 0 | 1 | 2 | 2 | 1 | 2 | 4 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 2 | 4 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 4 | 1 | 3 | 2 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 |
26. Динамика развития психики по оси Самость-Эго | 2025 | 330 | 7 | 29 | 29 | 29 | 25 | 27 | 39 | 41 | 34 | 27 | 23 | 20 | 0 | 1 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 |
Мотив Города | 3377 | 328 | 3 | 30 | 38 | 22 | 22 | 29 | 24 | 33 | 41 | 34 | 19 | 33 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 |
6. Насилие и интеграция психики в архаической сказке | 1501 | 309 | 6 | 25 | 21 | 23 | 27 | 19 | 21 | 24 | 24 | 85 | 22 | 12 | 0 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 |
Психосоматика наизнанку | 5160 | 305 | 10 | 31 | 28 | 29 | 20 | 19 | 39 | 30 | 39 | 23 | 19 | 18 | 0 | 0 | 3 | 3 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 6 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 |
4. О символизации насилия в эддической поэзии | 2430 | 291 | 7 | 35 | 24 | 21 | 21 | 19 | 23 | 34 | 46 | 28 | 16 | 17 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 2 | 1 | 1 | 2 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 |
12. Интеграция и Анимы, и Анимуса | 1965 | 290 | 3 | 29 | 34 | 25 | 24 | 20 | 33 | 37 | 29 | 20 | 17 | 19 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 |
14. Мастера и шарлатаны Гофмана | 2190 | 286 | 8 | 28 | 22 | 24 | 38 | 15 | 22 | 31 | 45 | 21 | 15 | 17 | 0 | 2 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 |
Упражнение Бог | 3810 | 285 | 9 | 25 | 34 | 27 | 27 | 19 | 28 | 30 | 37 | 27 | 16 | 6 | 0 | 1 | 4 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 2 |
5. Особенности архаической сказки | 1867 | 282 | 7 | 32 | 33 | 29 | 18 | 19 | 27 | 30 | 32 | 25 | 15 | 15 | 0 | 3 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 1 | 1 |
2. Андрогинность в сказке и мифе | 1810 | 282 | 7 | 19 | 26 | 30 | 18 | 20 | 16 | 34 | 41 | 33 | 19 | 19 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 |
Совершая труд | 4853 | 279 | 3 | 33 | 22 | 24 | 18 | 17 | 21 | 24 | 31 | 52 | 16 | 18 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
8. Запутанная история Джона Ди | 1714 | 276 | 6 | 28 | 25 | 20 | 24 | 28 | 23 | 24 | 41 | 26 | 15 | 16 | 0 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 |
Симбиоз гештальта и символдрамы | 3327 | 275 | 5 | 35 | 25 | 23 | 17 | 25 | 30 | 29 | 26 | 29 | 16 | 15 | 0 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 3 | 3 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 |
10. Об Аниме женщины | 2010 | 274 | 5 | 19 | 40 | 25 | 27 | 20 | 28 | 23 | 41 | 17 | 13 | 16 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 6 | 2 | 1 |
24. Травмирующие архетипические персонажи Х. Мураками | 1773 | 272 | 5 | 32 | 32 | 26 | 21 | 22 | 22 | 29 | 28 | 21 | 24 | 10 | 0 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 0 |
Графоманские стихи | 3591 | 272 | 4 | 33 | 32 | 23 | 22 | 23 | 31 | 25 | 31 | 22 | 13 | 13 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 3 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 |
Архетипические мотивы в фольклоре єскорой помощи" | 2402 | 265 | 2 | 25 | 24 | 20 | 12 | 23 | 21 | 21 | 25 | 69 | 9 | 14 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2565 | 262 | 4 | 21 | 26 | 27 | 26 | 21 | 22 | 35 | 30 | 17 | 14 | 19 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 |
16. Список литературы | 1349 | 261 | 8 | 29 | 29 | 25 | 12 | 16 | 21 | 37 | 32 | 31 | 11 | 10 | 0 | 0 | 3 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1947 | 260 | 6 | 24 | 34 | 23 | 21 | 21 | 16 | 33 | 30 | 21 | 15 | 16 | 0 | 2 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 |
Клеменс Брентано. Лоре Лай | 1576 | 258 | 4 | 28 | 26 | 16 | 17 | 16 | 17 | 32 | 40 | 26 | 24 | 12 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 5 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 |
13. Аида: комментарии к либретто | 1928 | 258 | 8 | 29 | 24 | 24 | 30 | 14 | 19 | 30 | 25 | 19 | 20 | 16 | 0 | 2 | 5 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 4 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 |
2. Представления об Анимусе мужчины | 2100 | 258 | 5 | 29 | 30 | 20 | 14 | 16 | 14 | 34 | 31 | 34 | 12 | 19 | 0 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 |
Эмоциональное выгорание, травма и нарциссизм | 5825 | 254 | 5 | 28 | 25 | 21 | 16 | 16 | 23 | 32 | 33 | 19 | 18 | 18 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 1 |
4. Ад без жала | 1676 | 254 | 7 | 20 | 25 | 18 | 16 | 18 | 23 | 21 | 28 | 32 | 21 | 25 | 0 | 1 | 5 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 |
13. Внутрениие вредители в произведениях Гофмана | 1783 | 253 | 4 | 26 | 27 | 17 | 24 | 22 | 27 | 28 | 28 | 18 | 13 | 19 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 |
О книге Матрица и потенциал характера | 1633 | 252 | 6 | 30 | 34 | 18 | 13 | 21 | 20 | 21 | 36 | 20 | 18 | 15 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 |
5. Сказка о Персоне, что учится самосознанию | 1780 | 251 | 4 | 27 | 27 | 24 | 17 | 17 | 19 | 23 | 32 | 27 | 19 | 15 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
4. Влияния Анимы и Анимуса на мужское Эго | 2822 | 251 | 3 | 31 | 26 | 22 | 14 | 19 | 17 | 33 | 30 | 19 | 18 | 19 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
6. О символизации насилия. Значимые персонажи | 2103 | 249 | 4 | 25 | 30 | 24 | 24 | 18 | 19 | 24 | 27 | 28 | 11 | 15 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Отношения врача и пациента с точки зрения созависимости | 6590 | 249 | 3 | 27 | 27 | 24 | 21 | 23 | 21 | 24 | 36 | 17 | 15 | 11 | 0 | 1 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
10. Современные андрогинные персонажи, Душа и Дух | 1757 | 248 | 8 | 18 | 28 | 22 | 23 | 13 | 18 | 25 | 29 | 27 | 15 | 22 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 2093 | 247 | 4 | 22 | 35 | 24 | 13 | 15 | 18 | 26 | 26 | 19 | 21 | 24 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 4 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 1 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2317 | 247 | 7 | 20 | 23 | 23 | 16 | 16 | 20 | 28 | 36 | 21 | 19 | 18 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 1 |
Графоманские стихи | 2509 | 246 | 4 | 25 | 31 | 24 | 15 | 22 | 21 | 25 | 34 | 24 | 10 | 11 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 |
13. Женщина перед расстрелом | 1324 | 246 | 5 | 24 | 24 | 19 | 25 | 18 | 29 | 23 | 30 | 23 | 11 | 15 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 |
3. О символизации насилия в поэзии скальдов | 3338 | 246 | 6 | 26 | 26 | 18 | 21 | 37 | 14 | 24 | 25 | 19 | 14 | 16 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 5 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 |
Оценка эффективности работы психолога с клиентами | 2996 | 245 | 6 | 23 | 23 | 26 | 19 | 20 | 30 | 24 | 32 | 17 | 10 | 15 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
3. Как мужчины обращаются с Анимой | 3519 | 245 | 4 | 25 | 33 | 34 | 13 | 16 | 18 | 23 | 24 | 22 | 17 | 16 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 |
Непрожитая старость | 10445 | 243 | 8 | 27 | 25 | 25 | 18 | 18 | 14 | 31 | 24 | 20 | 16 | 17 | 0 | 3 | 5 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
Двойные ловушки Плоского мира | 1771 | 243 | 5 | 26 | 33 | 17 | 16 | 13 | 17 | 28 | 32 | 29 | 10 | 17 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 1 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1722 | 242 | 7 | 28 | 31 | 30 | 10 | 16 | 35 | 19 | 26 | 16 | 13 | 11 | 0 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 1 |
2. Неюнгианские механизмы интеграции психики в сказке | 1635 | 242 | 5 | 19 | 32 | 22 | 15 | 19 | 23 | 23 | 35 | 15 | 18 | 16 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 |
15. Николай Ставрогин и его адепты | 1955 | 241 | 5 | 25 | 23 | 33 | 15 | 15 | 19 | 18 | 32 | 22 | 19 | 15 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 5 | 0 | 1 | 1 | 0 | 0 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1686 | 236 | 8 | 20 | 30 | 20 | 19 | 16 | 30 | 21 | 27 | 18 | 13 | 14 | 0 | 2 | 4 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 0 |
1. Преамбула: феминное и маскулинное | 1875 | 236 | 5 | 26 | 28 | 20 | 20 | 15 | 17 | 22 | 33 | 20 | 16 | 14 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 |
9. Лихтенберг - мыслящее тело | 1213 | 236 | 2 | 23 | 28 | 29 | 21 | 16 | 33 | 17 | 27 | 17 | 8 | 15 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 |
6. Сходство и различия сюжетов о Переодетой сестре | 1783 | 236 | 4 | 30 | 24 | 18 | 16 | 23 | 17 | 21 | 35 | 16 | 16 | 16 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 4 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1612 | 235 | 4 | 21 | 25 | 23 | 11 | 18 | 24 | 28 | 35 | 23 | 11 | 12 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1755 | 235 | 2 | 21 | 23 | 24 | 14 | 25 | 21 | 31 | 21 | 28 | 14 | 11 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 |
9. Персона и Тень | 1778 | 235 | 7 | 25 | 22 | 21 | 19 | 16 | 30 | 22 | 28 | 21 | 14 | 10 | 0 | 4 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
7 Заклинатели | 1793 | 235 | 6 | 28 | 36 | 14 | 20 | 14 | 19 | 20 | 35 | 18 | 12 | 13 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 6 | 0 | 1 | 1 | 0 | 3 |
8. Тотем, Трикстер, Первопредки | 1567 | 234 | 4 | 22 | 26 | 25 | 15 | 14 | 20 | 28 | 28 | 25 | 10 | 17 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 |
3. Сказочные злодеи: Консолидатор Тени | 1627 | 234 | 4 | 20 | 29 | 19 | 13 | 17 | 16 | 25 | 33 | 27 | 20 | 11 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2266 | 234 | 4 | 23 | 28 | 21 | 19 | 13 | 25 | 28 | 25 | 20 | 15 | 13 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 |
Больница глазами гештальт-терапевта | 4116 | 234 | 6 | 22 | 30 | 20 | 17 | 11 | 20 | 27 | 35 | 23 | 13 | 10 | 0 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 |
4. Зловещие магнетизеры | 2322 | 233 | 4 | 29 | 35 | 31 | 19 | 13 | 17 | 18 | 26 | 15 | 12 | 14 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 1 |
9. Психика как пара | 1740 | 233 | 2 | 19 | 27 | 20 | 18 | 13 | 20 | 20 | 34 | 32 | 12 | 16 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
7. Созидающее насилие: подвиги Геракла | 1692 | 231 | 4 | 26 | 25 | 20 | 18 | 11 | 31 | 25 | 22 | 15 | 19 | 15 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 |
3. Молитвенная мельница | 1576 | 230 | 5 | 19 | 23 | 17 | 14 | 15 | 27 | 29 | 32 | 22 | 12 | 15 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 3119 | 230 | 3 | 18 | 29 | 21 | 12 | 18 | 37 | 22 | 26 | 17 | 16 | 11 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 1 |
Больной Крысолов | 1530 | 229 | 5 | 22 | 25 | 24 | 13 | 15 | 17 | 24 | 30 | 27 | 14 | 13 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Юные птицы старого русского рока | 996 | 229 | 5 | 30 | 28 | 21 | 11 | 13 | 26 | 21 | 33 | 17 | 11 | 13 | 0 | 1 | 1 | 3 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 |
20. О некоторых особенностях структуры фэнтези | 1880 | 228 | 7 | 26 | 19 | 20 | 17 | 15 | 20 | 22 | 35 | 22 | 12 | 13 | 0 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1627 | 227 | 6 | 26 | 26 | 21 | 11 | 16 | 22 | 30 | 29 | 16 | 13 | 11 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
2. Конец истории о Крысолове | 2057 | 227 | 6 | 30 | 35 | 16 | 12 | 11 | 22 | 28 | 25 | 19 | 12 | 11 | 0 | 1 | 2 | 2 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1401 | 227 | 2 | 19 | 35 | 24 | 8 | 10 | 21 | 24 | 46 | 14 | 14 | 10 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 3 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1413 | 227 | 3 | 24 | 22 | 24 | 14 | 18 | 18 | 30 | 23 | 14 | 17 | 20 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1464 | 226 | 5 | 41 | 20 | 17 | 17 | 14 | 19 | 19 | 27 | 20 | 15 | 12 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Образ Бога и зрелость личности | 2540 | 226 | 5 | 29 | 25 | 24 | 18 | 10 | 28 | 23 | 19 | 22 | 9 | 14 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 |
2. О преображении в полете | 844 | 226 | 8 | 32 | 22 | 20 | 26 | 14 | 15 | 19 | 29 | 21 | 8 | 12 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
5. Мужчина выбирает между Анимусом и Анимой | 1696 | 225 | 4 | 24 | 23 | 23 | 20 | 20 | 25 | 22 | 25 | 16 | 12 | 11 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 |
33. Пространство, время, человек и божество в сказке | 1417 | 225 | 9 | 20 | 25 | 20 | 9 | 14 | 30 | 22 | 28 | 16 | 17 | 15 | 0 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 1 | 0 |
3. Убежища | 1599 | 225 | 7 | 31 | 27 | 21 | 11 | 11 | 15 | 23 | 32 | 25 | 12 | 10 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 4 | 3 | 5 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 |
12. Песочник и его жертва | 1417 | 224 | 4 | 37 | 18 | 20 | 19 | 16 | 21 | 22 | 23 | 17 | 11 | 16 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 6 | 1 | 1 | 0 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 |
Роковой треугольник - 1 | 1915 | 224 | 7 | 25 | 25 | 17 | 12 | 14 | 20 | 21 | 28 | 33 | 12 | 10 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 |
Запрет на идентификацию с больным и эмоциональное выгорание | 3054 | 223 | 4 | 26 | 24 | 25 | 11 | 17 | 18 | 23 | 32 | 18 | 12 | 13 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 1 |
11. Пространство лагеря | 1155 | 223 | 7 | 21 | 33 | 17 | 18 | 18 | 31 | 14 | 27 | 12 | 11 | 14 | 0 | 0 | 6 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 |
Кошачья подсистема в семье | 1062 | 223 | 4 | 19 | 28 | 21 | 14 | 15 | 23 | 20 | 31 | 25 | 8 | 15 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 0 |
Дворянин Фаланд или владыка альвов? | 1053 | 222 | 4 | 30 | 26 | 20 | 16 | 16 | 16 | 21 | 30 | 19 | 10 | 14 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 5 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
11. Миры и зло Средиземья и Валинора | 1627 | 222 | 3 | 23 | 22 | 20 | 15 | 19 | 21 | 23 | 28 | 20 | 15 | 13 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
22. О героях авторских сказок и фэнтези | 1569 | 222 | 3 | 37 | 27 | 23 | 12 | 10 | 22 | 19 | 26 | 20 | 11 | 12 | 0 | 1 | 1 | 0 | 1 | 5 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 3 | 3 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 |
16. Миры и образы зла, связанные с Темной Башней | 2172 | 222 | 6 | 26 | 20 | 17 | 18 | 17 | 17 | 25 | 27 | 22 | 16 | 11 | 0 | 1 | 1 | 3 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
О старости | 2234 | 222 | 9 | 29 | 30 | 15 | 16 | 32 | 16 | 15 | 27 | 15 | 7 | 11 | 0 | 1 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 |
7. Верховное полутело | 1110 | 221 | 4 | 31 | 22 | 21 | 13 | 15 | 27 | 23 | 23 | 14 | 14 | 14 | 0 | 0 | 3 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 |
15. Мир и образ зла в "Темных началах" | 1419 | 220 | 5 | 30 | 28 | 18 | 14 | 14 | 17 | 21 | 28 | 18 | 14 | 13 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 |
Перстень, яблоко, собор | 1776 | 220 | 7 | 27 | 28 | 24 | 12 | 16 | 17 | 20 | 23 | 18 | 12 | 16 | 0 | 1 | 2 | 0 | 4 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 |
8. Как остаться инфантильной | 1394 | 219 | 5 | 24 | 26 | 28 | 20 | 12 | 17 | 23 | 26 | 15 | 10 | 13 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 |
6. Насколько опасен Анимус мужчины | 1480 | 218 | 6 | 27 | 19 | 19 | 11 | 11 | 19 | 23 | 33 | 18 | 14 | 18 | 0 | 1 | 3 | 2 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
Особенности структуры семьи учащихся техникума | 2117 | 218 | 6 | 19 | 26 | 23 | 23 | 11 | 19 | 19 | 25 | 21 | 10 | 16 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 |
2. Персонажи "Котлована" строят новый мир и новое тело | 1148 | 218 | 3 | 22 | 18 | 25 | 19 | 11 | 34 | 23 | 26 | 16 | 12 | 9 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
7. О проекции переживаний травмы на Аниму | 1516 | 217 | 5 | 25 | 34 | 17 | 11 | 15 | 17 | 30 | 29 | 11 | 13 | 10 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 |
Из плена профессиональной Персоны? | 1557 | 217 | 11 | 24 | 32 | 16 | 12 | 15 | 18 | 22 | 23 | 16 | 14 | 14 | 0 | 2 | 4 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 |
Начальство развлекается | 1458 | 217 | 3 | 28 | 25 | 23 | 11 | 11 | 25 | 22 | 28 | 15 | 10 | 16 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 |
27. О различении Я и Эго-комплекса | 1334 | 217 | 6 | 30 | 22 | 25 | 12 | 14 | 16 | 22 | 27 | 12 | 16 | 15 | 1 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
Телесный симптом в роли символа | 1991 | 217 | 2 | 24 | 24 | 21 | 13 | 20 | 23 | 19 | 33 | 14 | 10 | 14 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 5 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 |
Три бестселлера | 1458 | 217 | 6 | 32 | 27 | 18 | 14 | 16 | 12 | 21 | 28 | 21 | 12 | 10 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
Звездный ворон и ядовитый волк | 1174 | 216 | 12 | 25 | 29 | 31 | 13 | 11 | 15 | 23 | 23 | 17 | 10 | 7 | 0 | 4 | 4 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 |
10. Самозванцы: Пепсер и Крошка Цахес | 2570 | 216 | 7 | 18 | 26 | 18 | 14 | 16 | 16 | 27 | 32 | 20 | 11 | 11 | 0 | 1 | 3 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
5. Заместитель | 1429 | 215 | 11 | 22 | 24 | 25 | 11 | 14 | 19 | 19 | 27 | 20 | 14 | 9 | 1 | 3 | 2 | 1 | 4 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 |
4. Ранние пьесы М. Цветаевой | 1983 | 215 | 4 | 22 | 22 | 22 | 16 | 14 | 17 | 18 | 31 | 22 | 12 | 15 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
15. Типичные протагонисты произведений Гофмана | 1512 | 214 | 3 | 23 | 21 | 19 | 11 | 17 | 19 | 24 | 27 | 16 | 11 | 23 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
10. Большая женщина. Начало возрождения | 1097 | 214 | 1 | 20 | 27 | 22 | 17 | 11 | 26 | 21 | 28 | 16 | 13 | 12 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 |
3 консультации в гештальт-подходе | 2353 | 214 | 4 | 25 | 24 | 17 | 10 | 14 | 32 | 24 | 27 | 21 | 10 | 6 | 0 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
4. Архаичные материнские образы | 1446 | 213 | 3 | 26 | 25 | 23 | 14 | 14 | 21 | 19 | 26 | 16 | 11 | 15 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
15. Деревня изнутри. Во дворах | 1119 | 213 | 6 | 25 | 26 | 19 | 16 | 10 | 19 | 22 | 28 | 17 | 12 | 13 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
11. Ничего не кончается | 1098 | 213 | 3 | 29 | 22 | 31 | 11 | 12 | 19 | 19 | 29 | 12 | 16 | 10 | 0 | 2 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 |
28. О символике эволюции | 1333 | 213 | 3 | 31 | 23 | 22 | 14 | 12 | 23 | 15 | 29 | 15 | 10 | 16 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 0 |
4. Погребальные дроги | 1444 | 213 | 5 | 27 | 25 | 19 | 12 | 14 | 12 | 26 | 26 | 28 | 11 | 8 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
3. Сказка о феминном и маскулинном состояниях Эго | 1611 | 212 | 4 | 26 | 25 | 17 | 15 | 17 | 14 | 18 | 25 | 19 | 15 | 17 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 |
2. Сказка о становлении гендерных различий и женского Эго | 1638 | 212 | 6 | 23 | 24 | 22 | 11 | 14 | 18 | 26 | 21 | 17 | 15 | 15 | 0 | 1 | 2 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Ответ Земли (другой вариант) | 1672 | 211 | 5 | 25 | 28 | 22 | 13 | 13 | 26 | 23 | 23 | 12 | 15 | 6 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 |
Шекспир, сонет 146 | 1409 | 211 | 5 | 27 | 23 | 21 | 14 | 11 | 17 | 20 | 30 | 23 | 10 | 10 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 |
11. Кое-что об Анимусе женщины | 1565 | 211 | 5 | 22 | 28 | 23 | 10 | 10 | 26 | 22 | 25 | 14 | 15 | 11 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 |
12. Мир и зло "Властелина Колец" | 1971 | 210 | 3 | 25 | 28 | 24 | 14 | 19 | 20 | 20 | 25 | 13 | 9 | 10 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 |
Ангел | 1681 | 210 | 6 | 25 | 22 | 18 | 13 | 11 | 28 | 25 | 24 | 17 | 12 | 9 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 |
5. Сравнение прогностической ценности разных факторов | 1709 | 210 | 3 | 25 | 24 | 23 | 15 | 14 | 18 | 28 | 23 | 17 | 11 | 9 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 |
1. Тело и мир персонажей Андрея Платонова | 1442 | 210 | 4 | 20 | 23 | 21 | 14 | 17 | 20 | 25 | 25 | 17 | 15 | 9 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
3. Произведения молодости М. Цветаевой | 1448 | 210 | 4 | 29 | 31 | 14 | 13 | 11 | 17 | 21 | 26 | 17 | 15 | 12 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 2 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
Хороший начальник Емеля | 1065 | 209 | 6 | 28 | 27 | 20 | 10 | 15 | 19 | 16 | 25 | 15 | 17 | 11 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
1. Явление Крысолова | 1466 | 209 | 5 | 25 | 31 | 18 | 14 | 14 | 14 | 19 | 27 | 22 | 8 | 12 | 0 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 |
Г. Гессе. Стихотворение о Степном Волке | 1878 | 209 | 7 | 23 | 20 | 14 | 16 | 17 | 19 | 24 | 27 | 19 | 13 | 10 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 |
5. Женщина в плаще цвета Времени | 1350 | 209 | 3 | 21 | 28 | 26 | 13 | 10 | 19 | 18 | 27 | 17 | 12 | 15 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 |
Юнгианское стихотворение о сказках | 1527 | 209 | 7 | 20 | 34 | 22 | 11 | 15 | 19 | 22 | 25 | 15 | 12 | 7 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 |
Роковой треугольник -2 | 1815 | 209 | 5 | 24 | 26 | 16 | 8 | 15 | 14 | 24 | 34 | 22 | 9 | 12 | 0 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
5. Идущий следом | 1516 | 209 | 5 | 27 | 26 | 14 | 16 | 13 | 15 | 22 | 25 | 20 | 13 | 13 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Г. Гессе. Ступени | 1749 | 208 | 7 | 24 | 25 | 15 | 18 | 10 | 15 | 25 | 29 | 19 | 14 | 7 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 |
О способности понять душевнобольного | 2253 | 208 | 4 | 30 | 20 | 21 | 10 | 12 | 30 | 19 | 28 | 14 | 14 | 6 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 2104 | 208 | 5 | 20 | 17 | 26 | 17 | 11 | 23 | 17 | 25 | 17 | 13 | 17 | 0 | 2 | 3 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
2. Шаманское странствие | 1300 | 208 | 5 | 21 | 19 | 26 | 19 | 9 | 18 | 33 | 20 | 16 | 8 | 14 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 |
Тум-балалайка | 1943 | 208 | 3 | 21 | 18 | 18 | 15 | 12 | 28 | 22 | 27 | 23 | 10 | 11 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Алгоритм сортировки клиентов социального центра | 2095 | 208 | 5 | 25 | 24 | 19 | 16 | 12 | 21 | 16 | 27 | 19 | 11 | 13 | 0 | 0 | 5 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1629 | 208 | 3 | 22 | 16 | 21 | 13 | 13 | 18 | 26 | 33 | 13 | 15 | 15 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1524 | 208 | 6 | 29 | 19 | 24 | 11 | 13 | 19 | 19 | 25 | 18 | 13 | 12 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 |
3. Выбор художника - Анима или Анимус? | 1607 | 208 | 1 | 20 | 22 | 20 | 11 | 15 | 20 | 28 | 22 | 19 | 14 | 16 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 |
Senex - Puer | 1358 | 207 | 5 | 23 | 24 | 17 | 19 | 10 | 19 | 17 | 24 | 20 | 11 | 18 | 0 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 |
Типы семей, получающих помощь в социальном центре | 1706 | 207 | 6 | 21 | 20 | 23 | 13 | 12 | 22 | 24 | 28 | 22 | 8 | 8 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1727 | 207 | 6 | 17 | 24 | 18 | 19 | 17 | 14 | 32 | 21 | 16 | 9 | 14 | 0 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 |
16. Медведь | 1242 | 207 | 5 | 32 | 24 | 20 | 10 | 12 | 19 | 21 | 26 | 17 | 13 | 8 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 0 | 3 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1713 | 206 | 4 | 24 | 26 | 18 | 21 | 11 | 18 | 22 | 24 | 14 | 12 | 12 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 |
Мотив Цветка и регуляция позы | 885 | 206 | 6 | 24 | 23 | 16 | 14 | 8 | 24 | 17 | 27 | 19 | 11 | 17 | 0 | 0 | 4 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1679 | 206 | 10 | 18 | 21 | 19 | 16 | 13 | 23 | 25 | 23 | 14 | 11 | 13 | 0 | 2 | 5 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 0 |
2.Почему же произведения Гофмана популярны до сих пор? | 1305 | 206 | 7 | 23 | 18 | 23 | 12 | 14 | 31 | 16 | 29 | 14 | 12 | 7 | 0 | 1 | 0 | 4 | 2 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Венок сонетов Ваське | 1932 | 206 | 3 | 23 | 25 | 18 | 10 | 8 | 16 | 38 | 24 | 24 | 11 | 6 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 |
30. Сказочный персонаж: форма и содержимое | 1404 | 205 | 7 | 24 | 21 | 18 | 21 | 14 | 20 | 18 | 20 | 15 | 14 | 13 | 0 | 1 | 3 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 |
8. Поглощенное время | 1511 | 205 | 5 | 22 | 26 | 21 | 10 | 20 | 18 | 21 | 26 | 14 | 10 | 12 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 |
23. Настя заболела | 1291 | 205 | 5 | 17 | 30 | 17 | 16 | 11 | 14 | 22 | 24 | 19 | 15 | 15 | 0 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1732 | 205 | 1 | 26 | 24 | 20 | 21 | 17 | 14 | 18 | 28 | 16 | 12 | 8 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
25. Об особенностях травматической интеграции психики | 1462 | 204 | 5 | 24 | 24 | 20 | 16 | 13 | 19 | 18 | 25 | 16 | 14 | 10 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 |
1. Введение | 1625 | 204 | 5 | 26 | 29 | 19 | 15 | 11 | 17 | 16 | 23 | 18 | 12 | 13 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
1. Маленький рыцарский роман | 1534 | 204 | 4 | 22 | 30 | 18 | 17 | 10 | 18 | 17 | 24 | 15 | 13 | 16 | 0 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
9. Начало перехода | 1090 | 203 | 4 | 24 | 18 | 16 | 11 | 15 | 29 | 17 | 30 | 15 | 10 | 14 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
4. Блуждания невоплощенного | 1173 | 203 | 6 | 27 | 21 | 19 | 10 | 15 | 15 | 24 | 23 | 15 | 15 | 13 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1659 | 203 | 4 | 21 | 25 | 20 | 16 | 14 | 19 | 20 | 27 | 18 | 11 | 8 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1608 | 203 | 6 | 23 | 24 | 17 | 13 | 11 | 29 | 25 | 26 | 12 | 9 | 8 | 0 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1394 | 203 | 7 | 25 | 22 | 19 | 13 | 15 | 20 | 17 | 27 | 14 | 11 | 13 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 |
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2304 | 203 | 4 | 24 | 28 | 16 | 14 | 12 | 27 | 19 | 26 | 10 | 12 | 11 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 1 |
10. Модели интеграции психики в героическом эпосе | 1563 | 202 | 4 | 31 | 17 | 21 | 15 | 12 | 18 | 20 | 29 | 12 | 12 | 11 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 |
19. Множественные и парные миры авторской сказки и фэнтези | 1339 | 202 | 2 | 24 | 19 | 19 | 12 | 18 | 17 | 19 | 27 | 14 | 15 | 16 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
20. Нвстя заболевает | 1169 | 202 | 6 | 16 | 25 | 15 | 12 | 15 | 12 | 26 | 30 | 22 | 13 | 10 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2237 | 202 | 4 | 34 | 23 | 20 | 11 | 10 | 21 | 21 | 24 | 15 | 11 | 8 | 0 | 2 | 1 | 1 | 0 | 7 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 |
27. Безвременье котлована | 1091 | 202 | 6 | 16 | 23 | 18 | 15 | 13 | 21 | 22 | 23 | 20 | 15 | 10 | 0 | 1 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
21. Властные хитрецы | 1416 | 202 | 4 | 19 | 22 | 18 | 13 | 16 | 18 | 23 | 27 | 18 | 12 | 12 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 |
Информация о владельце раздела | 1453 | 202 | 7 | 27 | 24 | 20 | 11 | 13 | 16 | 20 | 26 | 18 | 7 | 13 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 4 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 4 |
7. Мужское и женское в произведениях Т. Манна | 1640 | 202 | 3 | 25 | 22 | 20 | 11 | 20 | 14 | 20 | 24 | 17 | 15 | 11 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 4 |
1 Дитя в мирах Психеи и Ананке | 1760 | 202 | 3 | 25 | 24 | 16 | 20 | 11 | 19 | 22 | 21 | 16 | 13 | 12 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 5 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
32. Для чего нужен символ? | 1270 | 202 | 5 | 21 | 19 | 20 | 16 | 12 | 16 | 18 | 29 | 17 | 13 | 16 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
13. Колхоз идет навстречу | 1086 | 202 | 4 | 24 | 23 | 14 | 16 | 16 | 16 | 23 | 22 | 19 | 12 | 13 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 |
18. Ночные пляски | 1108 | 202 | 5 | 31 | 26 | 16 | 14 | 10 | 14 | 19 | 24 | 18 | 13 | 12 | 0 | 0 | 4 | 0 | 1 | 5 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 |
18. Диспозиция и динамика некоторых авторских сказок | 1240 | 201 | 1 | 24 | 23 | 21 | 11 | 17 | 17 | 22 | 21 | 18 | 12 | 14 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 |
Из У. Блейка. Ответ Земли | 1848 | 201 | 5 | 30 | 20 | 22 | 10 | 12 | 14 | 28 | 27 | 12 | 12 | 9 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 4 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Реквием Ваське | 1615 | 201 | 5 | 25 | 28 | 17 | 9 | 10 | 16 | 23 | 25 | 16 | 14 | 13 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 |
17. Плот | 1155 | 201 | 8 | 27 | 17 | 13 | 12 | 11 | 34 | 17 | 27 | 14 | 11 | 10 | 0 | 0 | 5 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
26. Настина смерть | 1129 | 201 | 5 | 26 | 30 | 18 | 10 | 12 | 13 | 18 | 25 | 16 | 12 | 16 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 |
5. Рядом с общим телом | 1218 | 200 | 4 | 25 | 22 | 12 | 17 | 10 | 21 | 18 | 27 | 20 | 12 | 12 | 0 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Как растет Бог | 1720 | 200 | 5 | 26 | 16 | 16 | 25 | 11 | 21 | 14 | 24 | 20 | 9 | 13 | 0 | 0 | 4 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
Визит Аристокла | 1524 | 200 | 8 | 28 | 23 | 23 | 11 | 12 | 16 | 21 | 25 | 16 | 7 | 10 | 0 | 2 | 5 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 |
Хрупкие миры | 575 | 200 | 7 | 27 | 19 | 16 | 16 | 10 | 19 | 17 | 23 | 21 | 12 | 13 | 0 | 0 | 4 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1887 | 200 | 5 | 25 | 29 | 19 | 12 | 11 | 15 | 17 | 27 | 13 | 15 | 12 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 |
Мы и Они | 1850 | 200 | 4 | 32 | 21 | 21 | 16 | 13 | 18 | 19 | 21 | 16 | 11 | 8 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 4 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 |
5. Погибшее братство и Лихтенберг | 1033 | 199 | 5 | 28 | 25 | 16 | 11 | 9 | 17 | 19 | 25 | 18 | 11 | 15 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1540 | 199 | 6 | 21 | 21 | 17 | 21 | 15 | 16 | 20 | 28 | 15 | 10 | 9 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 744 | 198 | 4 | 29 | 25 | 15 | 14 | 12 | 21 | 20 | 21 | 14 | 11 | 12 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
15. Ненаучное животное в мусорном ветре | 1162 | 198 | 6 | 21 | 25 | 24 | 10 | 13 | 17 | 21 | 26 | 14 | 11 | 10 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 5 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
1. Миф, мир и психика | 1529 | 198 | 6 | 24 | 20 | 22 | 12 | 14 | 20 | 16 | 24 | 17 | 9 | 14 | 0 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 |
9. Некоторые модели психической интеграции | 1513 | 198 | 7 | 19 | 25 | 22 | 9 | 14 | 19 | 18 | 27 | 14 | 13 | 11 | 0 | 1 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 |
Компьютерная игра вместо визуализации | 1809 | 198 | 6 | 28 | 28 | 18 | 17 | 12 | 17 | 17 | 22 | 12 | 9 | 12 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 5 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 |
Жили-были... | 1667 | 198 | 6 | 19 | 22 | 21 | 9 | 14 | 27 | 24 | 23 | 15 | 7 | 11 | 0 | 3 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 |
Бестиарий | 1421 | 198 | 6 | 25 | 23 | 21 | 15 | 15 | 16 | 22 | 21 | 13 | 9 | 12 | 0 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
31. Становление символа во времени | 1306 | 197 | 2 | 28 | 22 | 21 | 11 | 11 | 20 | 19 | 25 | 12 | 10 | 16 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
7. Индивидуальности котлована | 1154 | 197 | 2 | 22 | 26 | 18 | 8 | 11 | 17 | 21 | 28 | 15 | 15 | 14 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Шекспир, сонет 144 | 1519 | 197 | 3 | 19 | 21 | 19 | 16 | 10 | 30 | 18 | 27 | 14 | 10 | 10 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 |
Из Цурэна. Как лист увядший падает на душу... | 1743 | 197 | 5 | 19 | 27 | 17 | 18 | 11 | 16 | 28 | 22 | 13 | 10 | 11 | 0 | 2 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 |
34. Ошибка психики: чрезмерная ее консолидация | 1482 | 197 | 6 | 19 | 16 | 22 | 15 | 11 | 18 | 26 | 22 | 14 | 12 | 16 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
6. Скорбная земля | 1621 | 197 | 6 | 20 | 23 | 17 | 13 | 16 | 14 | 24 | 23 | 18 | 11 | 12 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
14. Деревня изнутри. В избах | 1155 | 197 | 5 | 21 | 28 | 18 | 14 | 9 | 16 | 13 | 26 | 15 | 15 | 17 | 0 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 |
Прогнозирование эффективности психологической помощи семьям | 1713 | 197 | 10 | 21 | 22 | 19 | 10 | 16 | 19 | 23 | 24 | 13 | 10 | 10 | 0 | 2 | 4 | 3 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1419 | 197 | 3 | 21 | 19 | 26 | 13 | 14 | 16 | 22 | 28 | 15 | 13 | 7 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 |
21. Радость молотобойца | 1146 | 197 | 7 | 24 | 22 | 22 | 9 | 10 | 17 | 23 | 22 | 19 | 13 | 9 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Вскрытие | 1681 | 196 | 6 | 30 | 26 | 17 | 12 | 10 | 15 | 15 | 26 | 17 | 11 | 11 | 0 | 0 | 3 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 |
Вариация на тему | 906 | 196 | 3 | 22 | 25 | 19 | 16 | 12 | 17 | 19 | 26 | 17 | 12 | 8 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 |
14. Мертвая мать и ее дети | 1133 | 196 | 5 | 26 | 23 | 20 | 13 | 14 | 13 | 20 | 22 | 15 | 13 | 12 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 |
29. Как экономят мышление с помощью мифических образов | 1256 | 196 | 4 | 23 | 21 | 22 | 13 | 10 | 18 | 21 | 29 | 10 | 15 | 10 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 1 | 1 | 1 |
2. Пробуждение | 1134 | 196 | 6 | 20 | 15 | 20 | 17 | 9 | 17 | 24 | 26 | 16 | 12 | 14 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 |
Из У. Блейка. Ангел | 1576 | 196 | 7 | 27 | 28 | 21 | 10 | 11 | 14 | 24 | 25 | 11 | 11 | 7 | 0 | 4 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
2. Усталость | 1785 | 196 | 4 | 23 | 23 | 15 | 12 | 14 | 16 | 27 | 21 | 17 | 12 | 12 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 |
Мир на костылях | 1480 | 195 | 4 | 22 | 26 | 18 | 9 | 15 | 20 | 18 | 27 | 16 | 9 | 11 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Юнгианцы и странные научные теории | 788 | 195 | 9 | 16 | 21 | 22 | 12 | 12 | 18 | 23 | 23 | 14 | 13 | 12 | 0 | 4 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 |
Кто это входит в мои мозги? | 1762 | 195 | 7 | 19 | 23 | 21 | 9 | 14 | 20 | 15 | 28 | 17 | 10 | 12 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 |
Проблемы профессионального становления личности: работа со сновидениями | 1744 | 195 | 3 | 22 | 22 | 18 | 17 | 9 | 16 | 23 | 23 | 16 | 12 | 14 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 |
Огонь | 1686 | 194 | 3 | 27 | 23 | 14 | 15 | 12 | 25 | 17 | 27 | 15 | 7 | 9 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Кости | 1067 | 194 | 3 | 27 | 22 | 21 | 14 | 13 | 15 | 17 | 25 | 15 | 10 | 12 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 |
12. Новое пространство | 1040 | 193 | 8 | 22 | 25 | 17 | 8 | 10 | 18 | 19 | 26 | 16 | 11 | 13 | 0 | 0 | 6 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 |
Человек, Которого Не Было Дома | 1805 | 193 | 7 | 22 | 28 | 16 | 12 | 10 | 17 | 16 | 28 | 13 | 10 | 14 | 0 | 1 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 |
1. О символизации насилия. Преамбула | 1850 | 193 | 7 | 26 | 22 | 14 | 15 | 11 | 13 | 25 | 26 | 14 | 10 | 10 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Милая жизнь | 1257 | 193 | 7 | 22 | 30 | 17 | 17 | 10 | 13 | 14 | 23 | 15 | 14 | 11 | 0 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 |
Королева | 1841 | 192 | 7 | 25 | 25 | 19 | 10 | 9 | 15 | 15 | 26 | 20 | 11 | 10 | 0 | 1 | 5 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 0 | 1 |
Жил-был кот | 1796 | 192 | 7 | 21 | 23 | 22 | 15 | 12 | 14 | 15 | 24 | 14 | 14 | 11 | 0 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 |
4. Расчлененное и воссозданное тело толпы | 1158 | 192 | 6 | 21 | 20 | 21 | 10 | 11 | 14 | 26 | 21 | 16 | 14 | 12 | 0 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 |
10. Начало контакта | 1081 | 192 | 3 | 21 | 25 | 20 | 9 | 12 | 28 | 13 | 25 | 14 | 11 | 11 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 |
Возвращение | 1741 | 192 | 7 | 22 | 22 | 18 | 17 | 11 | 14 | 17 | 24 | 15 | 11 | 14 | 0 | 0 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 |
19. Тишина | 1096 | 191 | 5 | 20 | 22 | 19 | 12 | 12 | 16 | 24 | 24 | 16 | 9 | 12 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 |
Путешествиепо склону | 1544 | 191 | 4 | 26 | 27 | 20 | 11 | 15 | 15 | 17 | 25 | 17 | 8 | 6 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 |
3. На улице | 1115 | 191 | 7 | 23 | 30 | 14 | 12 | 13 | 13 | 17 | 29 | 13 | 10 | 10 | 0 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 1 |
4. Сказка о травме и восстановлении | 1611 | 191 | 4 | 26 | 24 | 19 | 11 | 19 | 15 | 17 | 20 | 13 | 13 | 10 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
24. Медведь и другие | 992 | 191 | 6 | 24 | 26 | 17 | 12 | 13 | 16 | 19 | 25 | 15 | 10 | 8 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1290 | 190 | 3 | 28 | 27 | 20 | 8 | 8 | 16 | 21 | 25 | 13 | 10 | 11 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1151 | 190 | 5 | 24 | 25 | 17 | 12 | 12 | 18 | 20 | 20 | 15 | 11 | 11 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 |
22. Девушки и Прушевский | 1156 | 189 | 7 | 22 | 21 | 19 | 10 | 12 | 18 | 17 | 25 | 14 | 12 | 12 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 4 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
6. Следуя за стихами 1921 года | 1467 | 189 | 5 | 23 | 26 | 9 | 17 | 8 | 16 | 15 | 25 | 21 | 9 | 15 | 0 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 |
Понтий Пилат | 1440 | 189 | 5 | 21 | 23 | 20 | 15 | 8 | 14 | 25 | 22 | 17 | 11 | 8 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Попурри а-ля постмодерн | 1716 | 188 | 6 | 21 | 21 | 15 | 21 | 12 | 15 | 18 | 26 | 14 | 8 | 11 | 0 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
Выгоревшее тело | 1696 | 188 | 4 | 16 | 30 | 16 | 19 | 14 | 13 | 13 | 26 | 17 | 10 | 10 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 |
6 Тело и труд | 1085 | 188 | 4 | 20 | 23 | 20 | 12 | 9 | 18 | 20 | 20 | 16 | 12 | 14 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 |
Мышиная звезда | 746 | 188 | 4 | 21 | 24 | 20 | 11 | 14 | 14 | 24 | 26 | 13 | 8 | 9 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 |
Заклинатель дождя | 1844 | 188 | 6 | 15 | 26 | 23 | 14 | 11 | 20 | 13 | 24 | 15 | 11 | 10 | 0 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
8. Избыток сознания и общее тело | 1114 | 187 | 6 | 18 | 23 | 19 | 8 | 11 | 21 | 15 | 26 | 11 | 14 | 15 | 0 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1634 | 187 | 4 | 26 | 21 | 21 | 9 | 13 | 13 | 16 | 26 | 15 | 12 | 11 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Гулял молодец | 1318 | 187 | 7 | 21 | 19 | 22 | 9 | 10 | 12 | 21 | 21 | 21 | 8 | 16 | 0 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 |
Обряд изгнания чужого в субкультуре скорой помощи | 2166 | 187 | 6 | 22 | 26 | 16 | 11 | 14 | 12 | 18 | 27 | 13 | 10 | 12 | 0 | 2 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 |
12. Люди лагеря | 1037 | 187 | 6 | 18 | 19 | 18 | 16 | 12 | 17 | 19 | 29 | 15 | 8 | 10 | 0 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
Король | 1531 | 186 | 4 | 28 | 22 | 23 | 10 | 11 | 16 | 18 | 21 | 13 | 11 | 9 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 4 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 |
Пустоты | 1534 | 186 | 8 | 22 | 24 | 14 | 11 | 9 | 17 | 19 | 23 | 19 | 9 | 11 | 0 | 3 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 1096 | 186 | 2 | 16 | 20 | 19 | 14 | 13 | 16 | 20 | 24 | 17 | 13 | 12 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Реквием по идиоту | 1753 | 186 | 4 | 20 | 23 | 22 | 10 | 12 | 14 | 19 | 22 | 21 | 7 | 12 | 0 | 1 | 3 | 0 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 |
Слоненок учится мыслить | 549 | 186 | 7 | 15 | 24 | 16 | 12 | 10 | 18 | 17 | 29 | 18 | 8 | 12 | 0 | 3 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
Гроза летом | 2071 | 186 | 3 | 27 | 22 | 13 | 17 | 14 | 16 | 15 | 21 | 17 | 12 | 9 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Среда обитания | 1735 | 185 | 3 | 21 | 26 | 21 | 9 | 11 | 18 | 17 | 23 | 15 | 10 | 11 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Бумажная Принцесса | 1181 | 185 | 5 | 24 | 25 | 18 | 8 | 15 | 15 | 22 | 22 | 17 | 8 | 6 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 |
Среда обитания | 1770 | 184 | 2 | 26 | 29 | 18 | 10 | 11 | 15 | 15 | 24 | 14 | 9 | 11 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 |
Человек | 1645 | 184 | 5 | 26 | 26 | 18 | 10 | 11 | 13 | 16 | 25 | 13 | 12 | 9 | 0 | 2 | 1 | 0 | 2 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
10 охламонов | 1783 | 184 | 4 | 22 | 22 | 20 | 11 | 7 | 15 | 23 | 26 | 18 | 8 | 8 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 |
Плач на реках Вавилонских | 1499 | 183 | 7 | 19 | 27 | 20 | 10 | 10 | 13 | 17 | 23 | 13 | 12 | 12 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 |
Из У. Блейка. Тигр | 1783 | 183 | 8 | 25 | 22 | 17 | 13 | 13 | 13 | 16 | 24 | 14 | 10 | 8 | 0 | 1 | 5 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 |
Для кота | 1736 | 183 | 1 | 21 | 19 | 23 | 9 | 9 | 17 | 26 | 25 | 16 | 8 | 9 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 |
Рождество | 1544 | 183 | 2 | 21 | 28 | 20 | 9 | 12 | 13 | 18 | 22 | 18 | 10 | 10 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 1 |
Колыбельная | 1435 | 182 | 6 | 20 | 24 | 17 | 13 | 12 | 11 | 16 | 25 | 16 | 11 | 11 | 0 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 4 | 0 |
Дорога длиною в тысячу ли | 1617 | 182 | 5 | 21 | 24 | 19 | 13 | 9 | 16 | 15 | 25 | 15 | 12 | 8 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 |
8. Наказанное полутело | 1080 | 180 | 4 | 22 | 23 | 16 | 9 | 18 | 11 | 17 | 22 | 14 | 12 | 12 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 |
Сначала была деперсонализация | 1941 | 180 | 3 | 18 | 21 | 18 | 12 | 10 | 20 | 17 | 25 | 16 | 11 | 9 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 |
Ангельская роса | 1698 | 179 | 5 | 24 | 19 | 23 | 10 | 10 | 15 | 17 | 22 | 14 | 8 | 12 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
Ты - мой инструмент | 1656 | 179 | 4 | 21 | 24 | 19 | 10 | 14 | 14 | 19 | 24 | 14 | 6 | 10 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
4 сонета Шекспира | 1863 | 178 | 5 | 20 | 29 | 20 | 9 | 12 | 11 | 19 | 24 | 14 | 8 | 7 | 0 | 1 | 1 | 3 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 0 |
6. Лихтенберг - предмет | 1054 | 178 | 6 | 23 | 17 | 19 | 8 | 10 | 16 | 14 | 25 | 16 | 11 | 13 | 0 | 2 | 1 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 |
Для чего нужны джинны? | 1012 | 176 | 4 | 28 | 23 | 14 | 5 | 10 | 12 | 12 | 26 | 19 | 10 | 13 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 4 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 |
Поиск света | 2142 | 176 | 3 | 25 | 25 | 15 | 9 | 9 | 16 | 13 | 22 | 16 | 8 | 15 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Человек Божий | 1998 | 175 | 5 | 22 | 22 | 17 | 13 | 10 | 16 | 13 | 21 | 17 | 9 | 10 | 0 | 1 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 |
Шекспир, сонет 20 | 1397 | 174 | 2 | 21 | 21 | 16 | 9 | 16 | 15 | 12 | 25 | 16 | 11 | 10 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 |
25. Утильсырье | 989 | 173 | 5 | 18 | 23 | 16 | 10 | 10 | 16 | 20 | 23 | 15 | 9 | 8 | 0 | 1 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 |
Пьяный двор | 1595 | 171 | 5 | 22 | 21 | 17 | 9 | 11 | 14 | 18 | 25 | 12 | 8 | 9 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 |
3. Ничтожные | 1569 | 171 | 2 | 20 | 23 | 14 | 16 | 13 | 15 | 16 | 19 | 16 | 9 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Орфей | 1639 | 168 | 5 | 19 | 23 | 14 | 15 | 8 | 18 | 14 | 23 | 14 | 8 | 7 | 0 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 1 | 0 | 1 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"