| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
По разделу |
517718 | 1583 |
120 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
88 |
1 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
5 |
5 |
6 |
5 |
4 |
6 |
5 |
5 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
3 |
3 |
4 |
3 |
5 |
4 |
|
7. О символизации насилия. Песочный Человек |
3570 | 727 |
50 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
36 |
0 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
2 |
4 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
|
Художественные описания механизмов психологической защиты |
13382 | 654 |
46 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
33 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4024 | 555 |
55 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
28 |
0 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
1 |
5 |
2 |
|
1. Расставание брата и сестры |
3916 | 542 |
33 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
26 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1951 | 524 |
51 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
32 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
0 |
4 |
3 |
3 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
|
7. Интерпретация эпоса об Урал-Батыре |
2098 | 491 |
55 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
16 |
0 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
5 |
3 |
6 |
3 |
4 |
0 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
3 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9699 | 458 |
31 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
25 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2582 | 436 |
48 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
18 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
|
Мотив Города |
3409 | 360 |
35 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
33 |
0 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
|
26. Динамика развития психики по оси Самость-Эго |
2050 | 355 |
32 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
20 |
0 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
|
6. Насилие и интеграция психики в архаической сказке |
1521 | 329 |
26 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
12 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Психосоматика наизнанку |
5182 | 327 |
32 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
18 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
|
4. О символизации насилия в эддической поэзии |
2463 | 324 |
40 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
17 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
|
12. Интеграция и Анимы, и Анимуса |
1995 | 320 |
33 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
19 |
0 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
|
Совершая труд |
4884 | 310 |
34 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
18 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
5 |
0 |
|
5. Особенности архаической сказки |
1893 | 308 |
33 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
15 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
|
14. Мастера и шарлатаны Гофмана |
2211 | 307 |
29 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
17 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
Графоманские стихи |
3624 | 305 |
37 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
13 |
0 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
|
2. Андрогинность в сказке и мифе |
1829 | 301 |
26 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
19 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Упражнение Бог |
3825 | 300 |
24 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
6 |
0 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
|
8. Запутанная история Джона Ди |
1738 | 300 |
30 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
16 |
0 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Симбиоз гештальта и символдрамы |
3351 | 299 |
29 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
15 |
0 |
5 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1797 | 296 |
29 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
10 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
|
10. Об Аниме женщины |
2026 | 290 |
21 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
16 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
16. Список литературы |
1377 | 289 |
36 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
10 |
0 |
5 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
|
Клеменс Брентано. Лоре Лай |
1605 | 287 |
33 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
12 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
4. Ад без жала |
1705 | 283 |
36 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
21 |
25 |
0 |
3 |
3 |
5 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
|
13. Аида: комментарии к либретто |
1953 | 283 |
33 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
16 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2420 | 283 |
20 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
14 |
0 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2352 | 282 |
42 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
18 |
0 |
4 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1969 | 282 |
28 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
16 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2851 | 280 |
32 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
19 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2583 | 280 |
22 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
19 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
|
Эмоциональное выгорание, травма и нарциссизм |
5849 | 278 |
29 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
18 |
0 |
2 |
0 |
3 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
|
13. Внутрениие вредители в произведениях Гофмана |
1807 | 277 |
28 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
19 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
|
2. Представления об Анимусе мужчины |
2119 | 277 |
24 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
19 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1785 | 276 |
36 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
22 |
0 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
О книге Матрица и потенциал характера |
1656 | 275 |
29 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
15 |
0 |
4 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
|
6. О символизации насилия. Значимые персонажи |
2128 | 274 |
29 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
15 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
3. О символизации насилия в поэзии скальдов |
3365 | 273 |
33 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
16 |
0 |
2 |
2 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
5 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
|
5. Сказка о Персоне, что учится самосознанию |
1800 | 271 |
24 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
19 |
15 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
3. Как мужчины обращаются с Анимой |
3544 | 270 |
29 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
17 |
16 |
0 |
3 |
2 |
5 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
|
Оценка эффективности работы психолога с клиентами |
3020 | 269 |
30 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
15 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
|
Графоманские стихи |
2531 | 268 |
26 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
10 |
11 |
0 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
|
Отношения врача и пациента с точки зрения созависимости |
6609 | 268 |
22 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
15 |
11 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1747 | 267 |
32 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
13 |
11 |
0 |
3 |
1 |
5 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Непрожитая старость |
10468 | 266 |
31 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
17 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2112 | 266 |
23 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
21 |
24 |
0 |
3 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Двойные ловушки Плоского мира |
1793 | 265 |
27 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
17 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
3. Сказочные злодеи: Консолидатор Тени |
1657 | 264 |
34 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
11 |
0 |
2 |
1 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
|
13. Женщина перед расстрелом |
1341 | 263 |
22 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
11 |
15 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1655 | 262 |
25 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
18 |
16 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
|
15. Николай Ставрогин и его адепты |
1975 | 261 |
25 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
19 |
15 |
0 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2292 | 260 |
30 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
15 |
13 |
0 |
5 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
|
7 Заклинатели |
1818 | 260 |
31 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
13 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1636 | 259 |
28 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
11 |
12 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1779 | 259 |
26 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
14 |
11 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
9. Лихтенберг - мыслящее тело |
1236 | 259 |
25 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
15 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1708 | 258 |
30 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
14 |
0 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
1. Преамбула: феминное и маскулинное |
1897 | 258 |
27 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
14 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
|
9. Персона и Тень |
1801 | 258 |
30 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
14 |
10 |
0 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
4 |
3 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1805 | 258 |
26 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
16 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
4 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3145 | 256 |
29 |
18 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
17 |
16 |
11 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
5 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Больной Крысолов |
1556 | 255 |
31 |
22 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
27 |
14 |
13 |
0 |
3 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
8. Тотем, Трикстер, Первопредки |
1588 | 255 |
25 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
10 |
17 |
0 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
4. Зловещие магнетизеры |
2343 | 254 |
25 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
12 |
14 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
Больница глазами гештальт-терапевта |
4135 | 253 |
25 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
13 |
10 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1490 | 252 |
31 |
41 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
20 |
15 |
12 |
0 |
4 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
|
9. Психика как пара |
1759 | 252 |
21 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
12 |
16 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
|
33. Пространство, время, человек и божество в сказке |
1443 | 251 |
35 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
17 |
15 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1425 | 251 |
26 |
19 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
14 |
14 |
10 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3081 | 250 |
31 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
13 |
0 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Образ Бога и зрелость личности |
2564 | 250 |
29 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
9 |
14 |
0 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
7. Созидающее насилие: подвиги Геракла |
1711 | 250 |
23 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
19 |
15 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
20. О некоторых особенностях структуры фэнтези |
1901 | 249 |
28 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
12 |
13 |
0 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
|
Перстень, яблоко, собор |
1805 | 249 |
36 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
16 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1648 | 248 |
27 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
13 |
11 |
0 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
22. О героях авторских сказок и фэнтези |
1595 | 248 |
29 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
11 |
12 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Юные птицы старого русского рока |
1015 | 248 |
24 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
11 |
13 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1434 | 248 |
24 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
17 |
20 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
|
2. Конец истории о Крысолове |
2076 | 246 |
25 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
11 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
|
16. Миры и образы зла, связанные с Темной Башней |
2196 | 246 |
30 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
11 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
2. О преображении в полете |
864 | 246 |
28 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
12 |
0 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Кошачья подсистема в семье |
1084 | 245 |
26 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
15 |
0 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1715 | 244 |
23 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
11 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
|
3. Молитвенная мельница |
1590 | 244 |
19 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
15 |
0 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
О старости |
2256 | 244 |
31 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
11 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
|
3. Убежища |
1617 | 243 |
25 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
10 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
3 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Роковой треугольник - 1 |
1934 | 243 |
26 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
10 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
7. Верховное полутело |
1132 | 243 |
26 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
14 |
0 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
|
15. Мир и образ зла в "Темных началах" |
1441 | 242 |
27 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
13 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
|
Из плена профессиональной Персоны? |
1582 | 242 |
36 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
14 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
12. Песочник и его жертва |
1435 | 242 |
22 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
16 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Дворянин Фаланд или владыка альвов? |
1072 | 241 |
23 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
14 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
11. Миры и зло Средиземья и Валинора |
1646 | 241 |
22 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
13 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
3 консультации в гештальт-подходе |
2380 | 241 |
31 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
6 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
|
11. Кое-что об Анимусе женщины |
1594 | 240 |
34 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
11 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
|
27. О различении Я и Эго-комплекса |
1356 | 239 |
28 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
15 |
0 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Особенности структуры семьи учащихся техникума |
2138 | 239 |
27 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
16 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
7. О проекции переживаний травмы на Аниму |
1537 | 238 |
26 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
10 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
|
Звездный ворон и ядовитый волк |
1196 | 238 |
34 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
7 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
11. Пространство лагеря |
1170 | 238 |
22 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
14 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
4 |
|
Три бестселлера |
1478 | 237 |
26 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
10 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
|
4. Ранние пьесы М. Цветаевой |
2005 | 237 |
26 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
15 |
0 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
8. Как остаться инфантильной |
1411 | 236 |
22 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
13 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2590 | 236 |
27 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
11 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1166 | 236 |
21 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
9 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
6. Насколько опасен Анимус мужчины |
1497 | 235 |
23 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
18 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
|
12. Мир и зло "Властелина Колец" |
1996 | 235 |
28 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
10 |
0 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Начальство развлекается |
1476 | 235 |
21 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
16 |
0 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
|
10. Большая женщина. Начало возрождения |
1117 | 234 |
21 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
12 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1707 | 234 |
38 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
13 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
5 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1655 | 234 |
29 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
15 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
|
3. Произведения молодости М. Цветаевой |
1472 | 234 |
28 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
12 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
|
4. Архаичные материнские образы |
1466 | 233 |
23 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
15 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
|
Г. Гессе. Стихотворение о Степном Волке |
1902 | 233 |
31 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
10 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
|
11. Ничего не кончается |
1118 | 233 |
23 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
10 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
Телесный симптом в роли символа |
2007 | 233 |
18 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
14 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
|
28. О символике эволюции |
1353 | 233 |
23 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
16 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
4. Погребальные дроги |
1464 | 233 |
25 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
8 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
|
15. Типичные протагонисты произведений Гофмана |
1530 | 232 |
21 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
23 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
|
5. Идущий следом |
1539 | 232 |
28 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
13 |
0 |
2 |
1 |
3 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
|
15. Деревня изнутри. Во дворах |
1137 | 231 |
24 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
13 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1758 | 231 |
27 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
8 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
О способности понять душевнобольного |
2275 | 230 |
26 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
6 |
0 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1329 | 230 |
31 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
7 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
5. Заместитель |
1444 | 230 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
9 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
1. Тело и мир персонажей Андрея Платонова |
1462 | 230 |
24 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
9 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
|
1. Явление Крысолова |
1486 | 229 |
25 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
12 |
0 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
Шекспир, сонет 146 |
1427 | 229 |
23 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
10 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1628 | 229 |
21 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
17 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
|
Роковой треугольник -2 |
1835 | 229 |
25 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
12 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
5. Сравнение прогностической ценности разных факторов |
1728 | 229 |
22 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
9 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
|
3. Выбор художника - Анима или Анимус? |
1628 | 229 |
22 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
16 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2124 | 228 |
25 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
13 |
17 |
0 |
3 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
|
Тум-балалайка |
1963 | 228 |
23 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
11 |
0 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
|
Мы и Они |
1878 | 228 |
32 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
8 |
0 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
|
Ответ Земли (другой вариант) |
1688 | 227 |
21 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
6 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
|
30. Сказочный персонаж: форма и содержимое |
1426 | 227 |
29 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
13 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Хороший начальник Емеля |
1083 | 227 |
24 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
11 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
5. Женщина в плаще цвета Времени |
1368 | 227 |
21 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
15 |
0 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Ангел |
1698 | 227 |
23 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
9 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1653 | 227 |
21 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
15 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
16. Медведь |
1262 | 227 |
25 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
8 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Мотив Цветка и регуляция позы |
905 | 226 |
26 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
17 |
0 |
3 |
0 |
4 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
|
Юнгианское стихотворение о сказках |
1544 | 226 |
24 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
7 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1746 | 226 |
25 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
14 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Senex - Puer |
1376 | 225 |
23 |
23 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
11 |
18 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1732 | 225 |
23 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
12 |
0 |
3 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
|
10. Модели интеграции психики в героическом эпосе |
1586 | 225 |
27 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
11 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Алгоритм сортировки клиентов социального центра |
2112 | 225 |
22 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
11 |
13 |
0 |
2 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
1. Введение |
1646 | 225 |
26 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
13 |
0 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
|
8. Поглощенное время |
1531 | 225 |
25 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
12 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
23. Настя заболела |
1311 | 225 |
25 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
15 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1630 | 225 |
28 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
8 |
0 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1541 | 225 |
23 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
12 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Г. Гессе. Ступени |
1765 | 224 |
23 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
7 |
0 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
|
Мир на костылях |
1509 | 224 |
33 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
11 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
|
2. Шаманское странствие |
1316 | 224 |
21 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
8 |
14 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Типы семей, получающих помощь в социальном центре |
1723 | 224 |
23 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
8 |
0 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
|
4. Блуждания невоплощенного |
1194 | 224 |
27 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
13 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
770 | 224 |
30 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
12 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
|
1. Маленький рыцарский роман |
1554 | 224 |
24 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
16 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
9. Начало перехода |
1110 | 223 |
24 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
14 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Венок сонетов Ваське |
1949 | 223 |
20 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
6 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Информация о владельце раздела |
1473 | 222 |
27 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
7 |
13 |
0 |
3 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
|
13. Колхоз идет навстречу |
1106 | 222 |
24 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
12 |
13 |
0 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
|
Бестиарий |
1445 | 222 |
30 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
12 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2323 | 222 |
23 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
11 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
|
26. Настина смерть |
1149 | 221 |
25 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
16 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
|
1 Дитя в мирах Психеи и Ананке |
1779 | 221 |
22 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
13 |
12 |
0 |
2 |
0 |
4 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
|
18. Ночные пляски |
1127 | 221 |
24 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
12 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
|
Из У. Блейка. Ответ Земли |
1867 | 220 |
24 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
9 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Как растет Бог |
1740 | 220 |
25 |
26 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
9 |
13 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1357 | 220 |
20 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
15 |
16 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
|
Реквием Ваське |
1634 | 220 |
24 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
13 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2255 | 220 |
22 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
11 |
8 |
0 |
4 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
7 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
|
21. Властные хитрецы |
1434 | 220 |
22 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
12 |
12 |
0 |
3 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1258 | 219 |
19 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
14 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
Хрупкие миры |
594 | 219 |
26 |
27 |
19 |
16 |
16 |
10 |
19 |
17 |
23 |
21 |
12 |
13 |
0 |
3 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1560 | 219 |
26 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
9 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
|
Королева |
1867 | 218 |
33 |
25 |
25 |
19 |
10 |
9 |
15 |
15 |
26 |
20 |
11 |
10 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
14. Мертвая мать и ее дети |
1155 | 218 |
27 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
12 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1674 | 218 |
19 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
8 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
|
15. Ненаучное животное в мусорном ветре |
1182 | 218 |
26 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
10 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1503 | 218 |
27 |
19 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
12 |
16 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
|
6. Скорбная земля |
1642 | 218 |
27 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
12 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
|
Милая жизнь |
1282 | 218 |
32 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
11 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
|
25. Об особенностях травматической интеграции психики |
1475 | 217 |
18 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
10 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
|
5. Рядом с общим телом |
1235 | 217 |
21 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
12 |
12 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
|
Визит Аристокла |
1541 | 217 |
25 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
10 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
|
3. На улице |
1141 | 217 |
33 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
13 |
10 |
10 |
0 |
5 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
7. Мужское и женское в произведениях Т. Манна |
1655 | 217 |
18 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
11 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Прогнозирование эффективности психологической помощи семьям |
1733 | 217 |
30 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
10 |
10 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
|
9. Расщепление Эго и Персоны в отношениях с Анимой |
1408 | 217 |
21 |
25 |
22 |
19 |
13 |
15 |
20 |
17 |
27 |
14 |
11 |
13 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
|
Юнгианцы и странные научные теории |
809 | 216 |
30 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
13 |
12 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
20. Нвстя заболевает |
1183 | 216 |
20 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
10 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
27. Безвременье котлована |
1105 | 216 |
20 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
10 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
9. Некоторые модели психической интеграции |
1531 | 216 |
25 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
13 |
11 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 |
|
12. Новое пространство |
1060 | 213 |
28 |
22 |
25 |
17 |
8 |
10 |
18 |
19 |
26 |
16 |
11 |
13 |
0 |
2 |
1 |
2 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
6 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Проблемы профессионального становления личности: работа со сновидениями |
1762 | 213 |
21 |
22 |
22 |
18 |
17 |
9 |
16 |
23 |
23 |
16 |
12 |
14 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
21. Радость молотобойца |
1161 | 212 |
22 |
24 |
22 |
22 |
9 |
10 |
17 |
23 |
22 |
19 |
13 |
9 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1172 | 211 |
26 |
24 |
25 |
17 |
12 |
12 |
18 |
20 |
20 |
15 |
11 |
11 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
|
29. Как экономят мышление с помощью мифических образов |
1271 | 211 |
19 |
23 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
10 |
15 |
10 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
|
Мышиная звезда |
769 | 211 |
27 |
21 |
24 |
20 |
11 |
14 |
14 |
24 |
26 |
13 |
8 |
9 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
23. Снейп и Колтер: маргинальные персонажи фэнтези |
1310 | 210 |
23 |
28 |
27 |
20 |
8 |
8 |
16 |
21 |
25 |
13 |
10 |
11 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
|
31. Становление символа во времени |
1319 | 210 |
15 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
10 |
16 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
|
2. Пробуждение |
1148 | 210 |
20 |
20 |
15 |
20 |
17 |
9 |
17 |
24 |
26 |
16 |
12 |
14 |
0 |
4 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
|
10. Начало контакта |
1099 | 210 |
21 |
21 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
11 |
11 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
1. О символизации насилия. Преамбула |
1867 | 210 |
24 |
26 |
22 |
14 |
15 |
11 |
13 |
25 |
26 |
14 |
10 |
10 |
0 |
4 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
|
Выгоревшее тело |
1717 | 209 |
25 |
16 |
30 |
16 |
19 |
14 |
13 |
13 |
26 |
17 |
10 |
10 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Человек, Которого Не Было Дома |
1821 | 209 |
23 |
22 |
28 |
16 |
12 |
10 |
17 |
16 |
28 |
13 |
10 |
14 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
|
Компьютерная игра вместо визуализации |
1820 | 209 |
17 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
12 |
9 |
12 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
|
10 охламонов |
1808 | 209 |
29 |
22 |
22 |
20 |
11 |
7 |
15 |
23 |
26 |
18 |
8 |
8 |
0 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
19. Тишина |
1113 | 208 |
22 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
9 |
12 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
Жил-был кот |
1812 | 208 |
23 |
21 |
23 |
22 |
15 |
12 |
14 |
15 |
24 |
14 |
14 |
11 |
0 |
3 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
6. Следуя за стихами 1921 года |
1486 | 208 |
24 |
23 |
26 |
9 |
17 |
8 |
16 |
15 |
25 |
21 |
9 |
15 |
0 |
2 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
|
Возвращение |
1757 | 208 |
23 |
22 |
22 |
18 |
17 |
11 |
14 |
17 |
24 |
15 |
11 |
14 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
4. Сказка о травме и восстановлении |
1627 | 207 |
20 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
13 |
13 |
10 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |