| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
По разделу |
523086 | 1589 |
82 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
0 |
4 |
4 |
4 |
3 |
5 |
4 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
9 |
4 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
|
7. О символизации насилия. Песочный Человек |
3612 | 733 |
32 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
8 |
2 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
|
Художественные описания механизмов психологической защиты |
13416 | 655 |
31 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4059 | 562 |
28 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
6 |
1 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
|
1. Расставание брата и сестры |
3936 | 536 |
15 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1994 | 535 |
39 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
4 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
|
7. Интерпретация эпоса об Урал-Батыре |
2143 | 520 |
36 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
8 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2628 | 464 |
38 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
0 |
2 |
4 |
2 |
3 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9728 | 462 |
25 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
0 |
1 |
0 |
4 |
2 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
|
26. Динамика развития психики по оси Самость-Эго |
2072 | 357 |
16 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
1 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Мотив Города |
3434 | 352 |
20 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
|
6. Насилие и интеграция психики в архаической сказке |
1548 | 344 |
23 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
4. О символизации насилия в эддической поэзии |
2496 | 340 |
22 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
8 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
|
12. Интеграция и Анимы, и Анимуса |
2023 | 329 |
23 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
2 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
|
Совершая труд |
4917 | 325 |
30 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
0 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
3 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Психосоматика наизнанку |
5198 | 325 |
13 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
|
5. Особенности архаической сказки |
1917 | 317 |
21 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
|
Графоманские стихи |
3649 | 317 |
18 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
6 |
1 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
|
Упражнение Бог |
3841 | 310 |
11 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1821 | 310 |
19 |
34 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
8. Запутанная история Джона Ди |
1758 | 304 |
13 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
4 |
3 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
|
14. Мастера и шарлатаны Гофмана |
2224 | 303 |
9 |
33 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Симбиоз гештальта и символдрамы |
3366 | 299 |
12 |
32 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
|
Клеменс Брентано. Лоре Лай |
1628 | 298 |
21 |
35 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
5 |
2 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
2. Андрогинность в сказке и мифе |
1845 | 298 |
13 |
29 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
16. Список литературы |
1396 | 298 |
14 |
41 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
10. Об Аниме женщины |
2046 | 294 |
12 |
29 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
6 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1994 | 291 |
21 |
32 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
3 |
2 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
|
О книге Матрица и потенциал характера |
1686 | 290 |
25 |
34 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
3 |
2 |
4 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
|
3. О символизации насилия в поэзии скальдов |
3398 | 290 |
31 |
35 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
4 |
4 |
2 |
0 |
2 |
2 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2377 | 289 |
18 |
49 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Эмоциональное выгорание, травма и нарциссизм |
5878 | 289 |
22 |
36 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
4 |
7 |
0 |
2 |
0 |
3 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2439 | 288 |
16 |
23 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
2. Представления об Анимусе мужчины |
2148 | 287 |
23 |
30 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
6 |
6 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2876 | 286 |
17 |
40 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
4 |
7 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2607 | 285 |
19 |
27 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
|
3. Сказочные злодеи: Консолидатор Тени |
1687 | 283 |
21 |
43 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
5 |
7 |
2 |
2 |
1 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
13. Аида: комментарии к либретто |
1969 | 283 |
12 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
6. О символизации насилия. Значимые персонажи |
2151 | 282 |
20 |
32 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
|
13. Внутрениие вредители в произведениях Гофмана |
1829 | 280 |
19 |
31 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
Отношения врача и пациента с точки зрения созависимости |
6631 | 279 |
17 |
27 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
15 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
5 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1809 | 278 |
18 |
42 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
4 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Оценка эффективности работы психолога с клиентами |
3043 | 277 |
18 |
35 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
5 |
5 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
5. Сказка о Персоне, что учится самосознанию |
1821 | 277 |
17 |
28 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
19 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1766 | 275 |
12 |
39 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
6 |
1 |
3 |
1 |
5 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
|
Графоманские стихи |
2548 | 274 |
14 |
29 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
3 |
0 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2318 | 273 |
20 |
36 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
15 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
4 |
2 |
5 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1803 | 272 |
19 |
31 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
14 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
2 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
|
4. Ад без жала |
1718 | 271 |
11 |
38 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
21 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
5 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
|
13. Женщина перед расстрелом |
1364 | 271 |
20 |
25 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1455 | 271 |
26 |
30 |
19 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
14 |
14 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
4 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
|
9. Персона и Тень |
1823 | 270 |
20 |
32 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
14 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
4 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
4 |
3 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2139 | 269 |
22 |
28 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
21 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
4 |
2 |
3 |
4 |
1 |
3 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
3. Как мужчины обращаются с Анимой |
3559 | 269 |
10 |
34 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
17 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
5 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1518 | 268 |
24 |
35 |
41 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
20 |
15 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
2 |
3 |
1 |
4 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
3 |
|
Непрожитая старость |
10486 | 267 |
14 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
|
15. Николай Ставрогин и его адепты |
1996 | 267 |
13 |
33 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
19 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
6 |
2 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3167 | 267 |
20 |
31 |
18 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
17 |
16 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
5 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Больной Крысолов |
1580 | 266 |
22 |
33 |
22 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
27 |
14 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
5 |
2 |
0 |
3 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
Двойные ловушки Плоского мира |
1811 | 266 |
12 |
33 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1675 | 266 |
17 |
28 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
18 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
4 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
7. Созидающее насилие: подвиги Геракла |
1741 | 265 |
27 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
19 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1653 | 264 |
14 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
11 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
9. Лихтенберг - мыслящее тело |
1256 | 264 |
12 |
33 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
8 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Образ Бога и зрелость личности |
2591 | 263 |
18 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
9 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
8 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1826 | 263 |
15 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
5 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
7 Заклинатели |
1832 | 261 |
11 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Больница глазами гештальт-терапевта |
4153 | 261 |
12 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
13 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Юные птицы старого русского рока |
1041 | 261 |
20 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
11 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
|
Из плена профессиональной Персоны? |
1614 | 260 |
28 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1723 | 259 |
10 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
1. Преамбула: феминное и маскулинное |
1912 | 259 |
12 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
О старости |
2282 | 259 |
18 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
7 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
|
9. Психика как пара |
1782 | 259 |
15 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
12 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
7 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3102 | 258 |
16 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
|
20. О некоторых особенностях структуры фэнтези |
1923 | 258 |
17 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
12 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
33. Пространство, время, человек и божество в сказке |
1465 | 258 |
19 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
17 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
3. Убежища |
1642 | 258 |
21 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
|
7. О проекции переживаний травмы на Аниму |
1564 | 255 |
24 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1665 | 254 |
11 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
5 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1736 | 254 |
19 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
22. О героях авторских сказок и фэнтези |
1613 | 254 |
15 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
|
4. Зловещие магнетизеры |
2355 | 252 |
7 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
12 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
|
2. Конец истории о Крысолове |
2093 | 252 |
12 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
|
8. Тотем, Трикстер, Первопредки |
1601 | 251 |
8 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
3. Молитвенная мельница |
1612 | 251 |
19 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Перстень, яблоко, собор |
1822 | 250 |
14 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
|
27. О различении Я и Эго-комплекса |
1382 | 250 |
23 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
|
Роковой треугольник - 1 |
1951 | 250 |
14 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
11. Миры и зло Средиземья и Валинора |
1667 | 249 |
18 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
|
2. О преображении в полете |
879 | 249 |
10 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
|
Три бестселлера |
1500 | 249 |
20 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
|
15. Мир и образ зла в "Темных началах" |
1460 | 248 |
16 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
|
16. Миры и образы зла, связанные с Темной Башней |
2209 | 248 |
10 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1454 | 248 |
16 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
17 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Кошачья подсистема в семье |
1102 | 248 |
12 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Звездный ворон и ядовитый волк |
1212 | 247 |
12 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
|
3 консультации в гештальт-подходе |
2392 | 247 |
10 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2610 | 245 |
16 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
12. Песочник и его жертва |
1454 | 245 |
17 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
4. Погребальные дроги |
1484 | 245 |
18 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1780 | 245 |
18 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Дворянин Фаланд или владыка альвов? |
1089 | 244 |
13 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
16. Медведь |
1287 | 244 |
20 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
|
7. Верховное полутело |
1147 | 244 |
9 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
|
О способности понять душевнобольного |
2294 | 243 |
14 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
|
8. Как остаться инфантильной |
1431 | 243 |
19 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1182 | 243 |
8 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
10. Большая женщина. Начало возрождения |
1137 | 242 |
15 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1347 | 241 |
15 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
1. Явление Крысолова |
1509 | 240 |
17 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
|
Ангел |
1720 | 240 |
18 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Мы и Они |
1898 | 240 |
16 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
|
1. Тело и мир персонажей Андрея Платонова |
1481 | 240 |
14 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
|
4. Архаичные материнские образы |
1487 | 239 |
18 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
|
Тум-балалайка |
1985 | 239 |
16 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
Г. Гессе. Стихотворение о Степном Волке |
1918 | 239 |
9 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
|
Шекспир, сонет 146 |
1447 | 239 |
17 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
5. Заместитель |
1462 | 239 |
18 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
|
Роковой треугольник -2 |
1857 | 239 |
17 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
Телесный симптом в роли символа |
2026 | 238 |
15 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Особенности структуры семьи учащихся техникума |
2153 | 238 |
12 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
|
5. Сравнение прогностической ценности разных факторов |
1746 | 238 |
17 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
11. Кое-что об Анимусе женщины |
1603 | 238 |
5 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Хороший начальник Емеля |
1104 | 237 |
17 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
|
12. Мир и зло "Властелина Колец" |
2008 | 237 |
9 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
|
11. Пространство лагеря |
1183 | 237 |
10 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
|
4. Ранние пьесы М. Цветаевой |
2020 | 237 |
11 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
|
Мир на костылях |
1532 | 236 |
19 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1672 | 236 |
14 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
3. Произведения молодости М. Цветаевой |
1486 | 236 |
9 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
|
11. Ничего не кончается |
1130 | 235 |
9 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
|
5. Идущий следом |
1555 | 235 |
15 |
29 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1648 | 235 |
10 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
7 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1563 | 235 |
17 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
|
Из У. Блейка. Ответ Земли |
1890 | 234 |
17 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
6 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
|
9. Начало перехода |
1135 | 234 |
24 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
|
30. Сказочный персонаж: форма и содержимое |
1446 | 234 |
13 |
36 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
5 |
2 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
|
15. Типичные протагонисты произведений Гофмана |
1555 | 234 |
18 |
28 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
3 |
6 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
|
24. Медведь и другие |
1043 | 234 |
23 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
15 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
Ответ Земли (другой вариант) |
1700 | 233 |
9 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
|
Типы семей, получающих помощь в социальном центре |
1740 | 233 |
13 |
27 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
|
6. Насколько опасен Анимус мужчины |
1513 | 233 |
13 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
|
1. Введение |
1667 | 233 |
14 |
33 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
5 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
|
Реквием Ваське |
1660 | 233 |
23 |
27 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1719 | 233 |
9 |
41 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
5 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
23. Настя заболела |
1334 | 233 |
14 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
9 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
28. О символике эволюции |
1369 | 233 |
14 |
25 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
|
Г. Гессе. Ступени |
1780 | 232 |
12 |
26 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
|
27. Безвременье котлована |
1131 | 232 |
20 |
26 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1648 | 232 |
14 |
27 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
6 |
4 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
8. Поглощенное время |
1550 | 232 |
15 |
29 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1695 | 231 |
18 |
22 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Начальство развлекается |
1488 | 231 |
8 |
25 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
|
15. Ненаучное животное в мусорном ветре |
1205 | 231 |
18 |
31 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1672 | 231 |
13 |
27 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
5 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1460 | 231 |
17 |
27 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
13 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
3 |
2 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
|
10. Модели интеграции психики в героическом эпосе |
1602 | 230 |
14 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
|
5. Женщина в плаще цвета Времени |
1386 | 230 |
8 |
31 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
8 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
|
15. Деревня изнутри. Во дворах |
1149 | 230 |
11 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
788 | 230 |
14 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
|
Из У. Блейка. Ангел |
1617 | 230 |
19 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
|
Венок сонетов Ваське |
1962 | 230 |
9 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
3. Выбор художника - Анима или Анимус? |
1645 | 230 |
13 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2342 | 230 |
18 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1748 | 229 |
9 |
30 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
6 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
|
Юнгианское стихотворение о сказках |
1554 | 229 |
7 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
4. Блуждания невоплощенного |
1212 | 229 |
15 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1763 | 229 |
15 |
27 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
|
18. Ночные пляски |
1147 | 229 |
13 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
4 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
|
25. Об особенностях травматической интеграции психики |
1496 | 228 |
16 |
23 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Путешествиепо склону |
1587 | 228 |
14 |
33 |
26 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
17 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
6 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Юнгианцы и странные научные теории |
833 | 228 |
18 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
5 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
20. Нвстя заболевает |
1205 | 228 |
16 |
26 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
5 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Бестиарий |
1463 | 228 |
13 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1280 | 227 |
18 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
|
14. Мертвая мать и ее дети |
1176 | 227 |
12 |
36 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
5 |
4 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
|
Огонь |
1728 | 227 |
17 |
28 |
27 |
23 |
14 |
15 |
12 |
25 |
17 |
27 |
15 |
7 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
1. Маленький рыцарский роман |
1573 | 227 |
15 |
28 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
|
6. Скорбная земля |
1663 | 227 |
14 |
34 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
5 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1577 | 227 |
14 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2269 | 226 |
11 |
25 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
7 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
|
26. Настина смерть |
1170 | 226 |
16 |
30 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
7 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
|
2. Шаманское странствие |
1331 | 225 |
10 |
26 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
8 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Кости |
1110 | 225 |
17 |
29 |
27 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
15 |
10 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
|
Senex - Puer |
1393 | 224 |
16 |
24 |
23 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
6 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
|
Вскрытие |
1720 | 224 |
14 |
31 |
30 |
26 |
17 |
12 |
10 |
15 |
15 |
26 |
17 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
5 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
|
5. Рядом с общим телом |
1254 | 224 |
10 |
30 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
7 |
2 |
1 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
Алгоритм сортировки клиентов социального центра |
2124 | 224 |
10 |
24 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
11 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
|
Шекспир, сонет 144 |
1556 | 224 |
17 |
23 |
19 |
21 |
19 |
16 |
10 |
30 |
18 |
27 |
14 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
|
13. Колхоз идет навстречу |
1121 | 224 |
11 |
28 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
12 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Королева |
1882 | 223 |
11 |
37 |
25 |
25 |
19 |
10 |
9 |
15 |
15 |
26 |
20 |
11 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
|
1 Дитя в мирах Психеи и Ананке |
1793 | 223 |
10 |
26 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
13 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
21. Радость молотобойца |
1181 | 223 |
12 |
30 |
24 |
22 |
22 |
9 |
10 |
17 |
23 |
22 |
19 |
13 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
7 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2135 | 222 |
7 |
29 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Визит Аристокла |
1556 | 222 |
13 |
27 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
|
Из Цурэна. Как лист увядший падает на душу... |
1779 | 222 |
18 |
23 |
19 |
27 |
17 |
18 |
11 |
16 |
28 |
22 |
13 |
10 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
6 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
21. Властные хитрецы |
1448 | 222 |
10 |
26 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
7. Индивидуальности котлована |
1192 | 221 |
15 |
25 |
22 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
15 |
15 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
4. Сказка о травме и восстановлении |
1651 | 221 |
22 |
22 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
13 |
13 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
6 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 |
|
29. Как экономят мышление с помощью мифических образов |
1291 | 221 |
13 |
26 |
23 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
10 |
15 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
6 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
|
Информация о владельце раздела |
1485 | 221 |
7 |
32 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Прогнозирование эффективности психологической помощи семьям |
1747 | 221 |
11 |
33 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
|
5. Погибшее братство и Лихтенберг |
1069 | 220 |
18 |
23 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
|
Мотив Цветка и регуляция позы |
916 | 220 |
8 |
29 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
4 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1373 | 220 |
14 |
22 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
|
7. Мужское и женское в произведениях Т. Манна |
1669 | 220 |
10 |
22 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
|
9. Некоторые модели психической интеграции |
1546 | 220 |
11 |
29 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
10. Начало контакта |
1120 | 220 |
17 |
25 |
21 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Бумажная Принцесса |
1222 | 220 |
16 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
17 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
|
Жили-были... |
1700 | 220 |
12 |
27 |
19 |
22 |
21 |
9 |
14 |
27 |
24 |
23 |
15 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
|
19. Тишина |
1136 | 219 |
19 |
26 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
9 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
4 |
4 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Вариация на тему |
937 | 219 |
11 |
23 |
22 |
25 |
19 |
16 |
12 |
17 |
19 |
26 |
17 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1917 | 218 |
12 |
23 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
|
3. На улице |
1152 | 218 |
8 |
36 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
13 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
5 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
|
Компьютерная игра вместо визуализации |
1841 | 218 |
13 |
25 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
12 |
9 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
|
32. Для чего нужен символ? |
1302 | 218 |
16 |
21 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
13 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Милая жизнь |
1293 | 218 |
8 |
35 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
31. Становление символа во времени |
1342 | 217 |
21 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
10 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
17. Плот |
1181 | 217 |
9 |
25 |
27 |
17 |
13 |
12 |
11 |
34 |
17 |
27 |
14 |
11 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
5 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |