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Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
По разделу | 468836 | 1242 | 106 | 192 | 98 | 88 | 90 | 87 | 74 | 91 | 85 | 112 | 106 | 113 | 1 | 6 | 6 | 5 | 5 | 4 | 4 | 4 | 6 | 8 | 4 | 5 | 4 | 4 | 4 | 3 | 4 | 4 | 5 | 4 | 3 | 4 | 5 | 4 | 3 | 3 | 2 | 3 | 3 | 6 | 6 | 5 | 3 | 5 | 10 | 7 | 7 | 4 | 3 | 8 | 49 | 5 | 4 | 5 | 6 | 5 | 5 | 5 | 4 | 7 | 3 | 5 | 4 | 3 | 4 | 5 | 5 | 3 | 3 | 4 | 2 | 2 |
7. О символизации насилия. Песочный Человек | 3075 | 583 | 64 | 76 | 56 | 36 | 44 | 43 | 22 | 25 | 35 | 45 | 52 | 85 | 0 | 4 | 1 | 3 | 4 | 3 | 4 | 4 | 4 | 8 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 3 | 2 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 3 | 6 | 5 | 1 | 2 | 10 | 7 | 5 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 5 | 2 | 2 | 4 | 2 | 0 | 1 | 4 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 1 |
Художественные описания механизмов психологической защиты | 12928 | 561 | 54 | 51 | 62 | 33 | 33 | 45 | 38 | 44 | 34 | 60 | 68 | 39 | 0 | 4 | 3 | 2 | 4 | 1 | 3 | 0 | 4 | 3 | 4 | 5 | 3 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 3 | 1 | 2 | 4 | 2 | 6 | 2 | 2 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 3 | 0 | 0 | 4 | 3 | 5 | 2 | 1 | 1 | 2 | 0 |
1. Переодетая сестра: трансформация маскулинности и женское Эго | 2272 | 352 | 40 | 46 | 22 | 18 | 24 | 29 | 38 | 23 | 29 | 39 | 25 | 19 | 0 | 5 | 2 | 4 | 0 | 4 | 1 | 0 | 1 | 5 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 4 | 4 | 0 | 5 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 4 | 3 | 1 | 0 | 2 | 1 | 0 | 2 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи | 3594 | 327 | 34 | 38 | 25 | 28 | 27 | 29 | 19 | 37 | 24 | 21 | 25 | 20 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 4 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 |
1. Расставание брата и сестры | 3524 | 326 | 46 | 42 | 36 | 26 | 32 | 19 | 14 | 14 | 32 | 29 | 18 | 18 | 0 | 3 | 4 | 4 | 3 | 4 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 5 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 3 | 3 | 3 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 |
Ритуал и выгорание в субкультуре скорой помощи | 9349 | 286 | 25 | 37 | 21 | 25 | 25 | 16 | 11 | 15 | 10 | 29 | 30 | 42 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана | 1542 | 246 | 30 | 26 | 27 | 32 | 19 | 19 | 18 | 22 | 17 | 25 | 7 | 4 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 1 | 1 | 2 |
Мотив Города | 3166 | 240 | 31 | 34 | 19 | 33 | 11 | 21 | 13 | 18 | 16 | 15 | 14 | 15 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 0 | 6 | 3 | 1 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 4 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 5 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 |
26. Динамика развития психики по оси Самость-Эго | 1794 | 238 | 29 | 27 | 23 | 20 | 15 | 12 | 15 | 9 | 23 | 32 | 26 | 7 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 |
4. О символизации насилия в эддической поэзии | 2240 | 221 | 40 | 28 | 16 | 17 | 17 | 12 | 10 | 14 | 5 | 18 | 12 | 32 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 4 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 |
психосоматика наизнанку | 4953 | 215 | 38 | 23 | 19 | 18 | 7 | 12 | 9 | 19 | 17 | 23 | 15 | 15 | 0 | 5 | 1 | 3 | 5 | 2 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 2 | 1 | 0 |
6. Насилие и интеграция психики в архаической сказке | 1334 | 211 | 23 | 85 | 22 | 12 | 10 | 11 | 6 | 6 | 4 | 17 | 9 | 6 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 6 | 4 | 2 | 3 | 3 | 2 | 7 | 4 | 1 | 5 | 2 | 5 | 2 | 5 | 6 | 5 | 5 | 0 | 0 | 7 | 1 | 4 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 4 | 2 | 1 |
Совершая труд | 4685 | 204 | 25 | 52 | 16 | 18 | 10 | 5 | 9 | 12 | 12 | 16 | 9 | 20 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 7 | 16 | 3 | 0 | 1 | 2 | 1 | 1 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 |
2. Андрогинность в сказке и мифе | 1636 | 204 | 37 | 33 | 19 | 19 | 10 | 14 | 9 | 17 | 14 | 19 | 6 | 7 | 0 | 2 | 2 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 |
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана | 1765 | 203 | 26 | 21 | 15 | 16 | 9 | 10 | 12 | 11 | 18 | 23 | 25 | 17 | 0 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 |
4. Ад без жала | 1523 | 201 | 23 | 32 | 21 | 25 | 8 | 17 | 8 | 12 | 8 | 19 | 23 | 5 | 0 | 4 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 2 | 1 |
Клеменс Брентано. Лоре Лай | 1415 | 199 | 35 | 26 | 24 | 12 | 9 | 10 | 11 | 14 | 13 | 17 | 18 | 10 | 0 | 3 | 6 | 0 | 3 | 2 | 1 | 0 | 2 | 4 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Упражнение Бог | 3607 | 198 | 33 | 27 | 16 | 6 | 10 | 8 | 9 | 11 | 15 | 33 | 23 | 7 | 0 | 3 | 2 | 2 | 1 | 1 | 2 | 4 | 5 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 |
Эмоциональное выгорание, травма и нарциссизм | 5657 | 195 | 31 | 19 | 18 | 18 | 4 | 12 | 3 | 16 | 13 | 22 | 23 | 16 | 0 | 1 | 4 | 0 | 2 | 2 | 1 | 1 | 3 | 2 | 2 | 0 | 3 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 5 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Архетипические мотивы в фольклоре єскорой помощиЋ | 2251 | 190 | 22 | 69 | 9 | 14 | 8 | 7 | 17 | 5 | 6 | 15 | 10 | 8 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 49 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 |
3. Как мужчины обращаются с Анимой | 3349 | 189 | 20 | 22 | 17 | 16 | 7 | 13 | 11 | 16 | 10 | 27 | 20 | 10 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 |
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции | 2157 | 187 | 29 | 21 | 19 | 18 | 10 | 9 | 7 | 13 | 12 | 16 | 21 | 12 | 0 | 3 | 4 | 1 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 |
4. Влияния Анимы и Анимуса на мужское Эго | 2655 | 187 | 28 | 19 | 18 | 19 | 11 | 10 | 10 | 16 | 14 | 25 | 8 | 9 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 |
Оценка эффективности работы психолога с клиентами | 2820 | 184 | 27 | 17 | 10 | 15 | 12 | 14 | 6 | 19 | 16 | 23 | 14 | 11 | 0 | 1 | 2 | 1 | 2 | 3 | 0 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 |
10. Современные андрогинные персонажи, Душа и Дух | 1598 | 184 | 25 | 27 | 15 | 22 | 9 | 20 | 5 | 11 | 16 | 19 | 9 | 6 | 0 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 3 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 |
5. Сказка о Персоне, что учится самосознанию | 1617 | 183 | 27 | 27 | 19 | 15 | 11 | 13 | 10 | 17 | 9 | 19 | 10 | 6 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
7. Интерпретация эпоса об Урал-Батыре | 1698 | 183 | 30 | 27 | 18 | 16 | 10 | 13 | 6 | 7 | 14 | 23 | 13 | 6 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 |
14. Мастера и шарлатаны Гофмана | 1992 | 183 | 35 | 21 | 15 | 17 | 7 | 9 | 9 | 15 | 16 | 17 | 11 | 11 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 3 | 2 | 3 | 3 | 4 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 |
8. Запутанная история Джона Ди | 1530 | 180 | 35 | 26 | 15 | 16 | 6 | 14 | 6 | 13 | 9 | 23 | 11 | 6 | 0 | 6 | 0 | 2 | 1 | 4 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 6 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 |
13. Аида: комментарии к либретто | 1747 | 179 | 22 | 19 | 20 | 16 | 6 | 9 | 9 | 13 | 17 | 21 | 20 | 7 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 |
Представления современных городских десятиклассников о мотивах вступления в интимные отношения | 1935 | 178 | 25 | 19 | 21 | 24 | 11 | 9 | 8 | 12 | 9 | 15 | 12 | 13 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
2. Представления об Анимусе мужчины | 1935 | 178 | 28 | 34 | 12 | 19 | 10 | 11 | 8 | 6 | 13 | 17 | 9 | 11 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
12. Интеграция и Анимы, и Анимуса | 1754 | 171 | 23 | 20 | 17 | 19 | 19 | 10 | 10 | 11 | 6 | 19 | 8 | 9 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 |
О книге Матрица и потенциал характера | 1463 | 171 | 29 | 20 | 18 | 15 | 4 | 15 | 7 | 9 | 7 | 27 | 13 | 7 | 0 | 1 | 4 | 2 | 2 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 |
графоманские стихи | 2338 | 171 | 30 | 24 | 10 | 11 | 8 | 12 | 10 | 18 | 12 | 13 | 10 | 13 | 0 | 1 | 4 | 1 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Графоманские стихи | 3392 | 170 | 25 | 22 | 13 | 13 | 7 | 14 | 7 | 12 | 18 | 13 | 13 | 13 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна | 1521 | 169 | 26 | 18 | 13 | 14 | 7 | 6 | 6 | 11 | 8 | 20 | 26 | 14 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
Дворянин Фаланд или владыка альвов? | 900 | 165 | 26 | 19 | 10 | 14 | 10 | 9 | 10 | 17 | 15 | 13 | 13 | 9 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 |
симбиоз гештальта и символдрамы | 3136 | 163 | 24 | 29 | 16 | 15 | 11 | 8 | 6 | 11 | 10 | 16 | 11 | 6 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой | 2957 | 163 | 24 | 17 | 16 | 11 | 5 | 15 | 9 | 17 | 12 | 14 | 12 | 11 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
Запрет на идентификацию с больным и эмоциональное выгорание | 2901 | 162 | 27 | 18 | 12 | 13 | 23 | 6 | 8 | 15 | 9 | 17 | 7 | 7 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 4 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 |
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове | 1454 | 162 | 31 | 23 | 11 | 12 | 9 | 12 | 8 | 11 | 8 | 15 | 11 | 11 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
отношения врача и пациента с точки зрения созависимости | 6414 | 162 | 30 | 17 | 15 | 11 | 8 | 8 | 7 | 7 | 15 | 20 | 15 | 9 | 0 | 2 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
24. Травмирующие архетипические персонажи Х. Мураками | 1581 | 161 | 25 | 21 | 24 | 10 | 6 | 8 | 8 | 9 | 14 | 15 | 11 | 10 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 4 | 4 | 0 | 1 | 2 | 0 | 1 |
13. Внутрениие вредители в произведениях Гофмана | 1603 | 160 | 23 | 18 | 13 | 19 | 5 | 7 | 14 | 9 | 13 | 16 | 13 | 10 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 |
1. Преамбула: феминное и маскулинное | 1715 | 160 | 26 | 20 | 16 | 14 | 6 | 8 | 7 | 17 | 9 | 22 | 7 | 8 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание | 2382 | 160 | 29 | 17 | 14 | 19 | 10 | 6 | 4 | 6 | 7 | 21 | 12 | 15 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 |
11. Миры и зло Средиземья и Валинора | 1479 | 158 | 26 | 20 | 15 | 13 | 8 | 10 | 7 | 13 | 14 | 20 | 9 | 3 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
2. Неюнгианские механизмы интеграции психики в сказке | 1472 | 158 | 30 | 15 | 18 | 16 | 3 | 12 | 6 | 10 | 12 | 19 | 8 | 9 | 0 | 0 | 2 | 2 | 4 | 1 | 0 | 2 | 5 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 |
15. Николай Ставрогин и его адепты | 1796 | 155 | 26 | 22 | 19 | 15 | 5 | 11 | 3 | 14 | 8 | 17 | 11 | 4 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 |
Больной Крысолов | 1381 | 154 | 26 | 27 | 14 | 13 | 9 | 6 | 5 | 13 | 10 | 16 | 5 | 10 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" | 2103 | 153 | 23 | 20 | 15 | 13 | 4 | 12 | 7 | 12 | 10 | 16 | 11 | 10 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 |
4. Ранние пьесы М. Цветаевой | 1845 | 153 | 28 | 22 | 12 | 15 | 5 | 9 | 6 | 9 | 11 | 12 | 13 | 11 | 0 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Кошачья подсистема в семье | 914 | 152 | 27 | 25 | 8 | 15 | 5 | 7 | 7 | 8 | 9 | 20 | 15 | 6 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 5 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
3. Сказочные злодеи: Консолидатор Тени | 1480 | 151 | 29 | 27 | 20 | 11 | 5 | 8 | 7 | 5 | 7 | 19 | 9 | 4 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 4 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
9. Персона и Тень | 1613 | 150 | 25 | 21 | 14 | 10 | 9 | 8 | 9 | 10 | 10 | 16 | 10 | 8 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 |
9. Психика как пара | 1596 | 150 | 29 | 32 | 12 | 16 | 7 | 7 | 4 | 7 | 12 | 14 | 7 | 3 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 4 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
Тум-балалайка | 1799 | 149 | 20 | 23 | 10 | 11 | 4 | 9 | 6 | 11 | 18 | 20 | 7 | 10 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
5. Особенности архаической сказки | 1669 | 149 | 29 | 25 | 15 | 15 | 9 | 8 | 4 | 8 | 7 | 15 | 10 | 4 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Двойные ловушки Плоского мира | 1611 | 147 | 27 | 29 | 10 | 17 | 5 | 8 | 3 | 6 | 8 | 20 | 9 | 5 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Больница глазами гештальт-терапевта | 3959 | 147 | 31 | 23 | 13 | 10 | 5 | 6 | 11 | 7 | 9 | 20 | 7 | 5 | 0 | 1 | 4 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы | 1254 | 147 | 17 | 14 | 17 | 20 | 6 | 10 | 7 | 12 | 6 | 17 | 12 | 9 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 |
6. О символизации насилия. Значимые персонажи | 1931 | 146 | 23 | 28 | 11 | 15 | 9 | 6 | 3 | 6 | 11 | 17 | 11 | 6 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 |
23. Настя заболела | 1155 | 146 | 20 | 19 | 15 | 15 | 5 | 10 | 9 | 12 | 8 | 20 | 10 | 3 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 |
3. О символизации насилия в поэзии скальдов | 3159 | 146 | 18 | 19 | 14 | 16 | 4 | 11 | 9 | 10 | 10 | 19 | 11 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 |
10. Об Аниме женщины | 1817 | 145 | 35 | 17 | 13 | 16 | 7 | 9 | 8 | 4 | 6 | 17 | 10 | 3 | 0 | 0 | 4 | 2 | 2 | 4 | 0 | 0 | 3 | 3 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
6. Сходство и различия сюжетов о Переодетой сестре | 1624 | 142 | 29 | 16 | 16 | 16 | 8 | 7 | 5 | 8 | 5 | 15 | 11 | 6 | 0 | 1 | 5 | 0 | 3 | 2 | 1 | 1 | 5 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 1 |
16. Список литературы | 1165 | 142 | 25 | 31 | 11 | 10 | 8 | 9 | 6 | 7 | 6 | 12 | 11 | 6 | 0 | 4 | 2 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
3. Сказка о феминном и маскулинном состояниях Эго | 1469 | 141 | 19 | 19 | 15 | 17 | 11 | 13 | 8 | 9 | 3 | 14 | 8 | 5 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики | 1308 | 141 | 23 | 20 | 15 | 12 | 11 | 7 | 7 | 9 | 4 | 18 | 8 | 7 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
непрожитая старость | 10277 | 140 | 22 | 20 | 16 | 17 | 9 | 6 | 4 | 6 | 9 | 16 | 10 | 5 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
15. Типичные протагонисты произведений Гофмана | 1370 | 140 | 22 | 16 | 11 | 23 | 10 | 10 | 3 | 9 | 10 | 13 | 7 | 6 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 |
7 Заклинатели | 1630 | 140 | 29 | 18 | 12 | 13 | 7 | 7 | 6 | 5 | 10 | 15 | 15 | 3 | 0 | 2 | 1 | 1 | 4 | 3 | 3 | 1 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Роковой треугольник - 1 | 1770 | 140 | 24 | 33 | 12 | 10 | 5 | 6 | 7 | 7 | 9 | 14 | 10 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 14 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 0 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах | 1963 | 139 | 20 | 17 | 13 | 17 | 6 | 9 | 7 | 9 | 7 | 14 | 9 | 11 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
13. Женщина перед расстрелом | 1154 | 139 | 27 | 23 | 11 | 15 | 11 | 10 | 2 | 7 | 5 | 15 | 10 | 3 | 0 | 3 | 3 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
27. О различении Я и Эго-комплекса | 1185 | 139 | 25 | 12 | 16 | 15 | 7 | 8 | 5 | 9 | 11 | 16 | 8 | 7 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 |
Мотив Цветка и регуляция позы | 750 | 138 | 24 | 19 | 11 | 17 | 1 | 6 | 6 | 11 | 9 | 16 | 11 | 7 | 0 | 0 | 4 | 1 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
7. Созидающее насилие: подвиги Геракла | 1528 | 138 | 18 | 15 | 19 | 15 | 9 | 16 | 8 | 8 | 3 | 13 | 8 | 6 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
8. Наказанное полутело | 958 | 137 | 20 | 14 | 12 | 12 | 4 | 3 | 4 | 4 | 10 | 35 | 14 | 5 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 2 | 1 | 0 |
Г. Гессе. Стихотворение о Степном Волке | 1735 | 136 | 24 | 19 | 13 | 10 | 7 | 12 | 8 | 10 | 5 | 11 | 13 | 4 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения | 1579 | 136 | 20 | 16 | 9 | 14 | 4 | 12 | 7 | 8 | 7 | 15 | 13 | 11 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Особенности структуры семьи учащихся техникума | 1969 | 136 | 23 | 21 | 10 | 16 | 7 | 10 | 2 | 12 | 8 | 9 | 11 | 7 | 0 | 0 | 4 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
3. Произведения молодости М. Цветаевой | 1305 | 136 | 23 | 17 | 15 | 12 | 9 | 8 | 6 | 12 | 7 | 16 | 9 | 2 | 0 | 1 | 3 | 1 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
16. Миры и образы зла, связанные с Темной Башней | 2022 | 135 | 23 | 22 | 16 | 11 | 6 | 7 | 7 | 8 | 10 | 10 | 12 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 |
1. Телесные трансформации в рассказе "Мусорный ветер" | 974 | 135 | 22 | 17 | 13 | 12 | 10 | 8 | 6 | 10 | 9 | 17 | 5 | 6 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
3. Убежища | 1450 | 135 | 29 | 25 | 12 | 10 | 6 | 4 | 4 | 4 | 6 | 11 | 14 | 10 | 0 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 5 | 1 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
2. Персонажи "Котлована" строят новый мир и новое тело | 990 | 135 | 23 | 16 | 12 | 9 | 6 | 11 | 8 | 12 | 10 | 15 | 8 | 5 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
Алгоритм сортировки клиентов социального центра | 1956 | 134 | 26 | 19 | 11 | 13 | 7 | 10 | 4 | 6 | 5 | 14 | 14 | 5 | 0 | 0 | 3 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
5. Заместитель | 1279 | 134 | 22 | 20 | 14 | 9 | 7 | 8 | 7 | 6 | 5 | 16 | 12 | 8 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Проблемы профессионального становления личности: работа со сновидениями | 1611 | 134 | 20 | 16 | 12 | 14 | 6 | 8 | 7 | 11 | 8 | 14 | 10 | 8 | 0 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
8. Тотем, Трикстер, Первопредки | 1410 | 133 | 25 | 25 | 10 | 17 | 6 | 7 | 6 | 3 | 3 | 19 | 7 | 5 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
Роковой треугольник -2 | 1680 | 133 | 31 | 22 | 9 | 12 | 5 | 7 | 3 | 5 | 9 | 16 | 8 | 6 | 0 | 2 | 5 | 2 | 2 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
5. Мужчина выбирает между Анимусом и Анимой | 1254 | 133 | 42 | 14 | 14 | 10 | 6 | 7 | 4 | 6 | 6 | 13 | 8 | 3 | 0 | 2 | 3 | 2 | 3 | 2 | 1 | 1 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 3 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
6. Анимус делает Аниму зависимой и нежизнеспособной | 1490 | 133 | 26 | 13 | 15 | 15 | 5 | 7 | 7 | 12 | 7 | 12 | 11 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 |
Senex - Puer | 1221 | 132 | 21 | 20 | 11 | 18 | 3 | 5 | 3 | 4 | 10 | 13 | 10 | 14 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 |
4. Архаичные материнские образы | 1297 | 132 | 22 | 16 | 11 | 15 | 5 | 7 | 5 | 9 | 9 | 14 | 8 | 11 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
30. Сказочный персонаж: форма и содержимое | 1259 | 130 | 18 | 15 | 14 | 13 | 4 | 10 | 6 | 3 | 6 | 23 | 13 | 5 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Типы семей, получающих помощь в социальном центре | 1560 | 130 | 23 | 22 | 8 | 8 | 6 | 5 | 6 | 9 | 11 | 14 | 11 | 7 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
19. Множественные и парные миры авторской сказки и фэнтези | 1205 | 130 | 23 | 14 | 15 | 16 | 6 | 6 | 7 | 7 | 5 | 16 | 12 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 |
Перстень, яблоко, собор | 1624 | 130 | 22 | 18 | 12 | 16 | 7 | 6 | 2 | 7 | 9 | 13 | 11 | 7 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
4. Погребальные дроги | 1301 | 130 | 23 | 28 | 11 | 8 | 5 | 9 | 7 | 5 | 6 | 16 | 8 | 4 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 7 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 |
33. Пространство, время, человек и божество в сказке | 1265 | 129 | 25 | 16 | 17 | 15 | 5 | 8 | 5 | 8 | 5 | 16 | 5 | 4 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 |
3. Выбор художника - Анима или Анимус? | 1467 | 129 | 19 | 19 | 14 | 16 | 6 | 9 | 3 | 6 | 7 | 16 | 9 | 5 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
11. Кое-что об Анимусе женщины | 1415 | 129 | 21 | 14 | 15 | 11 | 6 | 7 | 6 | 14 | 9 | 13 | 7 | 6 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 |
14. Мир и образ зла в эпопее о Гарри Поттере | 1464 | 128 | 24 | 16 | 13 | 11 | 6 | 6 | 4 | 8 | 4 | 13 | 14 | 9 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
5. Мужчина выбирает между Анимусом и Анимой | 1533 | 128 | 23 | 16 | 12 | 11 | 6 | 8 | 6 | 7 | 6 | 18 | 11 | 4 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
15. Мир и образ зла в "Темных началах" | 1268 | 128 | 24 | 18 | 14 | 13 | 5 | 7 | 4 | 4 | 7 | 15 | 12 | 5 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
15. Деревня изнутри. Во дворах | 972 | 128 | 24 | 17 | 12 | 13 | 6 | 7 | 3 | 8 | 7 | 17 | 6 | 8 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 |
10. Самозванцы: Пепсер и Крошка Цахес | 2424 | 128 | 28 | 20 | 11 | 11 | 4 | 6 | 7 | 7 | 4 | 17 | 7 | 6 | 0 | 1 | 1 | 5 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 |
25. Об особенностях травматической интеграции психики | 1319 | 127 | 21 | 16 | 14 | 10 | 4 | 7 | 9 | 9 | 6 | 14 | 10 | 7 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 |
6. Следуя за стихами 1921 года | 1347 | 127 | 24 | 21 | 9 | 15 | 5 | 7 | 5 | 6 | 7 | 17 | 7 | 4 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
3. Молитвенная мельница | 1422 | 127 | 27 | 22 | 12 | 15 | 4 | 7 | 4 | 4 | 6 | 17 | 5 | 4 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 |
35. О консервативности юнгианского подхода к сказочным сюжетам | 1381 | 127 | 22 | 18 | 13 | 12 | 7 | 6 | 4 | 5 | 10 | 13 | 9 | 8 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
5. Женщина в плаще цвета Времени | 1209 | 126 | 24 | 17 | 12 | 15 | 4 | 9 | 4 | 8 | 8 | 15 | 6 | 4 | 0 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования | 1515 | 126 | 22 | 18 | 11 | 8 | 6 | 7 | 7 | 8 | 10 | 11 | 10 | 8 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 0 | 2 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
2. Сказка о становлении гендерных различий и женского Эго | 1491 | 126 | 18 | 17 | 15 | 15 | 7 | 8 | 2 | 8 | 8 | 14 | 6 | 8 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 |
Милая жизнь | 1124 | 126 | 20 | 15 | 14 | 11 | 8 | 6 | 4 | 6 | 5 | 18 | 11 | 8 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 |
3 консультации в гештальт-подходе | 2199 | 126 | 23 | 21 | 10 | 6 | 5 | 7 | 6 | 8 | 3 | 22 | 5 | 10 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
1. Тело и мир персонажей Андрея Платонова | 1292 | 126 | 19 | 17 | 15 | 9 | 9 | 10 | 4 | 8 | 7 | 16 | 7 | 5 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена | 1281 | 126 | 24 | 15 | 13 | 7 | 6 | 7 | 8 | 6 | 8 | 18 | 9 | 5 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
12. Мир и зло "Властелина Колец" | 1814 | 125 | 21 | 13 | 9 | 10 | 10 | 6 | 7 | 11 | 7 | 20 | 7 | 4 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
гулял молодец | 1194 | 125 | 18 | 21 | 8 | 16 | 3 | 8 | 5 | 7 | 4 | 18 | 8 | 9 | 0 | 0 | 3 | 0 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) | 1591 | 125 | 18 | 28 | 14 | 11 | 7 | 4 | 5 | 7 | 7 | 13 | 5 | 6 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 |
Образ Бога и зрелость личности | 2373 | 125 | 14 | 22 | 9 | 14 | 2 | 7 | 7 | 9 | 7 | 12 | 12 | 10 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
32. Для чего нужен символ? | 1139 | 125 | 25 | 17 | 13 | 16 | 3 | 7 | 5 | 9 | 6 | 9 | 8 | 7 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания | 1568 | 124 | 23 | 14 | 12 | 12 | 4 | 9 | 3 | 10 | 6 | 16 | 9 | 6 | 0 | 0 | 3 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям | 2089 | 124 | 20 | 15 | 11 | 8 | 5 | 9 | 6 | 6 | 9 | 13 | 12 | 10 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 |
телесный симптом в роли символа | 1837 | 124 | 25 | 14 | 10 | 14 | 6 | 8 | 2 | 10 | 5 | 20 | 6 | 4 | 0 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 |
22. Девушки и Прушевский | 1026 | 123 | 21 | 14 | 12 | 12 | 8 | 7 | 7 | 6 | 7 | 17 | 7 | 5 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
6. Насколько опасен Анимус мужчины | 1341 | 123 | 29 | 18 | 14 | 18 | 3 | 6 | 1 | 5 | 5 | 10 | 8 | 6 | 0 | 2 | 2 | 3 | 3 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 |
2.Почему же произведения Гофмана популярны до сих пор? | 1157 | 123 | 25 | 14 | 12 | 7 | 10 | 10 | 2 | 6 | 8 | 14 | 9 | 6 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 |
1. Маленький рыцарский роман | 1397 | 123 | 23 | 15 | 13 | 16 | 4 | 8 | 7 | 2 | 3 | 13 | 15 | 4 | 0 | 4 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 |
21. Радость молотобойца | 1010 | 123 | 20 | 19 | 13 | 9 | 7 | 5 | 9 | 8 | 4 | 17 | 9 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 |
8. Избыток сознания и общее тело | 988 | 122 | 21 | 11 | 14 | 15 | 5 | 11 | 6 | 9 | 5 | 13 | 7 | 5 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 1 |
7. Индивидуальности котлована | 1024 | 122 | 23 | 15 | 15 | 14 | 5 | 5 | 5 | 5 | 7 | 13 | 11 | 4 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 |
20. Нвстя заболевает | 1039 | 122 | 27 | 22 | 13 | 10 | 8 | 5 | 5 | 7 | 2 | 12 | 8 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
20. О некоторых особенностях структуры фэнтези | 1725 | 122 | 26 | 22 | 12 | 13 | 7 | 4 | 5 | 5 | 5 | 12 | 8 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 5 | 0 | 3 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 |
34. Ошибка психики: чрезмерная ее консолидация | 1346 | 122 | 19 | 14 | 12 | 16 | 4 | 9 | 4 | 9 | 7 | 18 | 7 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
9. Некоторые модели психической интеграции | 1377 | 122 | 24 | 14 | 13 | 11 | 4 | 9 | 6 | 6 | 4 | 14 | 12 | 5 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов | 1506 | 121 | 21 | 15 | 12 | 11 | 5 | 9 | 5 | 10 | 1 | 12 | 13 | 7 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
5. Рядом с общим телом | 1086 | 121 | 24 | 20 | 12 | 12 | 3 | 7 | 2 | 6 | 7 | 14 | 10 | 4 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
3. О смысле телесности в повести А. Платонова "Котлован" | 1015 | 121 | 17 | 15 | 11 | 11 | 8 | 10 | 3 | 6 | 10 | 15 | 9 | 6 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 |
Юнгианцы и странные научные теории | 653 | 121 | 21 | 14 | 13 | 12 | 5 | 5 | 3 | 7 | 10 | 15 | 11 | 5 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 |
27. Безвременье котлована | 955 | 121 | 21 | 20 | 15 | 10 | 8 | 4 | 4 | 4 | 7 | 10 | 11 | 7 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 |
5. Идущий следом | 1373 | 121 | 20 | 20 | 13 | 13 | 6 | 4 | 8 | 4 | 7 | 15 | 9 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
16. Медведь | 1094 | 121 | 21 | 17 | 13 | 8 | 7 | 8 | 7 | 7 | 6 | 16 | 9 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям | 1533 | 120 | 22 | 14 | 11 | 13 | 4 | 8 | 5 | 8 | 7 | 14 | 8 | 6 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Юные птицы старого русского рока | 838 | 120 | 30 | 17 | 11 | 13 | 3 | 5 | 3 | 11 | 5 | 13 | 7 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 3 | 2 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 |
18. Ночные пляски | 968 | 120 | 19 | 18 | 13 | 12 | 6 | 8 | 4 | 9 | 6 | 12 | 11 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 |
о способности понять душевнобольного | 2104 | 119 | 25 | 14 | 14 | 6 | 7 | 7 | 6 | 7 | 7 | 13 | 11 | 2 | 0 | 0 | 3 | 2 | 3 | 3 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 |
21. Властные хитрецы | 1278 | 119 | 22 | 18 | 12 | 12 | 6 | 10 | 6 | 3 | 8 | 11 | 5 | 6 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 |
8. Поглощенное время | 1362 | 119 | 20 | 14 | 10 | 12 | 6 | 7 | 2 | 6 | 12 | 10 | 14 | 6 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 |
Начальство развлекается | 1308 | 119 | 26 | 15 | 10 | 16 | 1 | 6 | 3 | 8 | 3 | 16 | 3 | 12 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 |
12. Песочник и его жертва | 1257 | 119 | 20 | 17 | 11 | 16 | 4 | 9 | 4 | 8 | 5 | 16 | 7 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 |
9. Расщепление Эго и Персоны в отношениях с Анимой | 1253 | 119 | 24 | 14 | 11 | 13 | 5 | 8 | 7 | 5 | 4 | 13 | 12 | 3 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) | 1751 | 118 | 24 | 13 | 15 | 12 | 3 | 7 | 3 | 6 | 4 | 18 | 9 | 4 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 |
Шекспир, сонет 146 | 1268 | 118 | 27 | 23 | 10 | 10 | 3 | 4 | 4 | 4 | 5 | 11 | 12 | 5 | 0 | 1 | 3 | 3 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 |
Шекспир, сонет 20 | 1283 | 118 | 23 | 16 | 11 | 10 | 4 | 7 | 2 | 7 | 6 | 16 | 10 | 6 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
22. О героях авторских сказок и фэнтези | 1413 | 118 | 23 | 20 | 11 | 12 | 7 | 4 | 3 | 5 | 7 | 17 | 7 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
Из плена профессиональной Персоны? | 1404 | 118 | 20 | 16 | 14 | 14 | 4 | 8 | 4 | 8 | 6 | 15 | 5 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
обряд изгнания чужого в субкультуре скорой помощи | 2039 | 118 | 25 | 13 | 10 | 12 | 6 | 8 | 4 | 5 | 6 | 15 | 7 | 7 | 0 | 0 | 4 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
6. Скорбная земля | 1486 | 118 | 21 | 18 | 11 | 12 | 7 | 5 | 2 | 6 | 11 | 13 | 7 | 5 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 |
Прогнозирование эффективности психологической помощи семьям | 1570 | 118 | 21 | 13 | 10 | 10 | 4 | 10 | 3 | 7 | 5 | 15 | 11 | 9 | 0 | 2 | 3 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
9. Начало перехода | 950 | 117 | 24 | 15 | 10 | 14 | 7 | 5 | 2 | 7 | 7 | 14 | 10 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Вариация на тему | 770 | 117 | 23 | 17 | 12 | 8 | 4 | 7 | 2 | 8 | 7 | 14 | 10 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 5 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 |
2. Конец истории о Крысолове | 1892 | 117 | 20 | 19 | 12 | 11 | 4 | 5 | 4 | 6 | 5 | 13 | 12 | 6 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" | 602 | 117 | 19 | 14 | 11 | 12 | 5 | 7 | 5 | 9 | 9 | 15 | 6 | 5 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 0 |
Уходя с работы: как разобраться с травмирующими переживаниями | 1542 | 117 | 22 | 16 | 13 | 11 | 2 | 4 | 4 | 9 | 7 | 14 | 10 | 5 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
7. Мужское и женское в произведениях Т. Манна | 1500 | 117 | 19 | 17 | 15 | 11 | 7 | 6 | 3 | 6 | 5 | 20 | 6 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 |
1. Миф, мир и психика | 1390 | 117 | 19 | 17 | 9 | 14 | 8 | 6 | 4 | 7 | 6 | 14 | 6 | 7 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
28. О символике эволюции | 1187 | 117 | 26 | 15 | 10 | 16 | 6 | 7 | 3 | 8 | 5 | 11 | 6 | 4 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
Три бестселлера | 1307 | 117 | 23 | 21 | 12 | 10 | 4 | 5 | 3 | 9 | 7 | 12 | 8 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
дорога длиною в тысячу ли | 1493 | 117 | 23 | 15 | 12 | 8 | 7 | 5 | 3 | 8 | 4 | 13 | 11 | 8 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) | 1588 | 117 | 25 | 16 | 12 | 8 | 7 | 4 | 5 | 6 | 7 | 15 | 7 | 5 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
вскрытие | 1547 | 116 | 23 | 17 | 11 | 11 | 4 | 5 | 5 | 8 | 7 | 12 | 6 | 7 | 0 | 0 | 4 | 4 | 3 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
1. Явление Крысолова | 1320 | 116 | 21 | 22 | 8 | 12 | 6 | 5 | 2 | 7 | 5 | 17 | 5 | 6 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 |
6 Тело и труд | 958 | 116 | 19 | 16 | 12 | 14 | 2 | 5 | 2 | 6 | 11 | 15 | 8 | 6 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 |
возвращение | 1611 | 116 | 22 | 15 | 11 | 14 | 4 | 8 | 5 | 4 | 5 | 12 | 10 | 6 | 0 | 1 | 6 | 0 | 0 | 0 | 0 | 2 | 5 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Г. Гессе. Ступени | 1606 | 115 | 25 | 19 | 14 | 7 | 6 | 5 | 4 | 4 | 3 | 13 | 10 | 5 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 |
31. Становление символа во времени | 1167 | 115 | 20 | 12 | 10 | 16 | 5 | 8 | 4 | 6 | 6 | 14 | 10 | 4 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
Плач на реках Вавилонских | 1374 | 115 | 21 | 13 | 12 | 12 | 4 | 6 | 4 | 9 | 8 | 14 | 4 | 8 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 |
2. Пробуждение | 1001 | 115 | 21 | 16 | 12 | 14 | 5 | 5 | 4 | 6 | 5 | 16 | 5 | 6 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 |
Информация о владельце раздела | 1309 | 115 | 20 | 18 | 7 | 13 | 2 | 6 | 6 | 9 | 6 | 15 | 8 | 5 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
2. О преображении в полете | 682 | 115 | 23 | 21 | 8 | 12 | 3 | 5 | 3 | 2 | 9 | 14 | 10 | 5 | 0 | 0 | 5 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Венок сонетов Ваське | 1787 | 115 | 20 | 24 | 11 | 6 | 2 | 5 | 5 | 9 | 4 | 14 | 10 | 5 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
1 Дитя в мирах Психеи и Ананке | 1618 | 115 | 19 | 16 | 13 | 12 | 4 | 7 | 5 | 1 | 8 | 15 | 11 | 4 | 0 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 |
13. Колхоз идет навстречу | 948 | 115 | 20 | 19 | 12 | 13 | 7 | 5 | 2 | 9 | 3 | 16 | 7 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 1 |
5. Погибшее братство и Лихтенберг | 897 | 114 | 19 | 18 | 11 | 15 | 6 | 4 | 4 | 6 | 5 | 11 | 9 | 6 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
12. Новое пространство | 911 | 114 | 24 | 16 | 11 | 13 | 4 | 5 | 3 | 3 | 11 | 14 | 7 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Звездный ворон и ядовитый волк | 1014 | 114 | 22 | 17 | 10 | 7 | 4 | 5 | 8 | 8 | 4 | 13 | 8 | 8 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 |
О старости | 2069 | 114 | 24 | 15 | 7 | 11 | 6 | 4 | 4 | 5 | 7 | 13 | 10 | 8 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 |
гроза летом | 1942 | 114 | 19 | 17 | 12 | 9 | 6 | 4 | 5 | 4 | 8 | 17 | 9 | 4 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 |
Хороший начальник Емеля | 920 | 113 | 21 | 15 | 17 | 11 | 5 | 4 | 4 | 5 | 7 | 12 | 6 | 6 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 |
4. Блуждания невоплощенного | 1032 | 113 | 19 | 15 | 15 | 13 | 4 | 6 | 4 | 8 | 7 | 12 | 7 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 |
11. Ничего не кончается | 950 | 113 | 27 | 12 | 16 | 10 | 5 | 5 | 4 | 6 | 3 | 12 | 7 | 6 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 |
Поиск света | 2024 | 113 | 19 | 16 | 8 | 15 | 9 | 5 | 2 | 8 | 3 | 16 | 6 | 6 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
2. Усталость | 1649 | 113 | 19 | 17 | 12 | 12 | 4 | 6 | 4 | 4 | 4 | 16 | 11 | 4 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 |
4. Зловещие магнетизеры | 2153 | 112 | 23 | 15 | 12 | 14 | 4 | 4 | 3 | 9 | 3 | 10 | 12 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
10. Модели интеграции психики в героическом эпосе | 1422 | 112 | 26 | 12 | 12 | 11 | 4 | 5 | 4 | 7 | 6 | 12 | 9 | 4 | 0 | 2 | 1 | 1 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 2 |
Выгоревшее тело | 1568 | 112 | 23 | 17 | 10 | 10 | 4 | 6 | 3 | 6 | 3 | 15 | 11 | 4 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 |
Человек, Которого Не Было Дома | 1675 | 112 | 26 | 13 | 10 | 14 | 8 | 3 | 4 | 5 | 8 | 8 | 8 | 5 | 0 | 1 | 1 | 1 | 3 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
9. Лихтенберг - мыслящее тело | 1041 | 112 | 24 | 17 | 8 | 15 | 5 | 8 | 2 | 4 | 8 | 12 | 5 | 4 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
14. Деревня изнутри. В избах | 1027 | 112 | 22 | 15 | 15 | 17 | 3 | 5 | 2 | 3 | 4 | 15 | 6 | 5 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 |
королева | 1712 | 111 | 22 | 20 | 11 | 10 | 6 | 3 | 3 | 7 | 4 | 15 | 5 | 5 | 0 | 1 | 4 | 2 | 3 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 |
14. Мертвая мать и ее дети | 995 | 111 | 18 | 15 | 13 | 12 | 8 | 5 | 3 | 3 | 8 | 16 | 7 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
Для кота | 1609 | 111 | 23 | 16 | 8 | 9 | 5 | 5 | 3 | 10 | 4 | 16 | 6 | 6 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества | 1402 | 111 | 27 | 15 | 10 | 9 | 7 | 5 | 5 | 6 | 6 | 12 | 6 | 3 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
6. Лихтенберг - предмет | 937 | 111 | 21 | 16 | 11 | 13 | 3 | 4 | 1 | 8 | 7 | 17 | 6 | 4 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Хрупкие миры | 440 | 110 | 19 | 21 | 12 | 13 | 7 | 6 | 3 | 3 | 7 | 11 | 7 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 |
Реквием Ваське | 1478 | 110 | 21 | 16 | 14 | 13 | 3 | 5 | 3 | 6 | 5 | 11 | 10 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
Для чего нужны джинны? | 901 | 110 | 23 | 19 | 10 | 13 | 4 | 3 | 3 | 6 | 5 | 10 | 11 | 3 | 0 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
юнгианское стихотворение о сказках | 1376 | 110 | 24 | 15 | 12 | 7 | 5 | 6 | 6 | 3 | 6 | 13 | 7 | 6 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 |
Компьютерная игра вместо визуализации | 1663 | 110 | 19 | 12 | 9 | 12 | 4 | 11 | 4 | 7 | 4 | 16 | 7 | 5 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
10. Начало контакта | 945 | 110 | 20 | 14 | 11 | 11 | 6 | 5 | 3 | 5 | 6 | 16 | 9 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 |
26. Настина смерть | 993 | 110 | 21 | 16 | 12 | 16 | 4 | 3 | 7 | 4 | 4 | 10 | 10 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
10 охламонов | 1656 | 110 | 23 | 18 | 8 | 8 | 6 | 9 | 2 | 7 | 2 | 15 | 6 | 6 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 |
7. Верховное полутело | 951 | 110 | 20 | 14 | 14 | 14 | 1 | 5 | 2 | 5 | 3 | 17 | 6 | 9 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 |
Кто это входит в мои мозги? | 1630 | 109 | 24 | 17 | 10 | 12 | 4 | 8 | 2 | 7 | 3 | 12 | 6 | 4 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Попурри а-ля постмодерн | 1584 | 109 | 23 | 14 | 8 | 11 | 6 | 8 | 3 | 4 | 6 | 14 | 6 | 6 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
3. Ничтожные | 1448 | 109 | 17 | 16 | 9 | 8 | 7 | 6 | 7 | 6 | 11 | 9 | 9 | 4 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 |
Бестиарий | 1276 | 109 | 19 | 13 | 9 | 12 | 5 | 6 | 2 | 7 | 4 | 15 | 8 | 9 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 |
18. Диспозиция и динамика некоторых авторских сказок | 1098 | 108 | 15 | 18 | 12 | 14 | 5 | 5 | 4 | 5 | 6 | 15 | 7 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
19. Тишина | 961 | 108 | 19 | 16 | 9 | 12 | 8 | 5 | 2 | 3 | 6 | 16 | 6 | 6 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
10. Большая женщина. Начало возрождения | 947 | 108 | 23 | 16 | 13 | 12 | 2 | 6 | 2 | 4 | 4 | 15 | 7 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 |
4. Сказка о травме и восстановлении | 1473 | 108 | 17 | 13 | 13 | 10 | 2 | 10 | 2 | 6 | 6 | 16 | 10 | 3 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
17. Плот | 1010 | 107 | 21 | 14 | 11 | 10 | 6 | 6 | 2 | 5 | 7 | 14 | 8 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 |
3. На улице | 981 | 107 | 24 | 13 | 10 | 10 | 7 | 4 | 2 | 8 | 4 | 15 | 7 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
Ангельская роса | 1572 | 107 | 19 | 14 | 8 | 12 | 3 | 4 | 2 | 6 | 7 | 18 | 8 | 6 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Кости | 931 | 107 | 21 | 15 | 10 | 12 | 6 | 4 | 4 | 5 | 4 | 15 | 7 | 4 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 6 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Сначала была деперсонализация | 1820 | 107 | 23 | 16 | 11 | 9 | 2 | 6 | 3 | 5 | 7 | 11 | 10 | 4 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 |
Мир на костылях | 1342 | 106 | 21 | 16 | 9 | 11 | 8 | 4 | 3 | 5 | 3 | 15 | 7 | 4 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
как растет Бог | 1583 | 106 | 21 | 20 | 9 | 13 | 6 | 4 | 3 | 4 | 5 | 10 | 5 | 6 | 0 | 1 | 5 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 |
Шекспир, сонет 144 | 1379 | 106 | 23 | 14 | 10 | 10 | 3 | 5 | 2 | 5 | 3 | 13 | 11 | 7 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Человек | 1517 | 106 | 22 | 13 | 12 | 9 | 2 | 5 | 4 | 4 | 5 | 16 | 9 | 5 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 |
Огонь | 1548 | 106 | 25 | 15 | 7 | 9 | 5 | 6 | 3 | 8 | 2 | 15 | 6 | 5 | 0 | 0 | 6 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
ангел | 1530 | 106 | 21 | 17 | 12 | 9 | 3 | 6 | 5 | 6 | 4 | 12 | 7 | 4 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 |
реквием по идиоту | 1628 | 106 | 21 | 21 | 7 | 12 | 4 | 4 | 2 | 5 | 7 | 14 | 4 | 5 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 4 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Слоненок учится мыслить | 428 | 106 | 27 | 18 | 8 | 12 | 2 | 5 | 2 | 5 | 5 | 11 | 7 | 4 | 0 | 2 | 2 | 3 | 3 | 3 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Заклинатель дождя | 1712 | 106 | 20 | 15 | 11 | 10 | 2 | 8 | 4 | 3 | 3 | 14 | 9 | 7 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи | 2157 | 106 | 23 | 10 | 12 | 11 | 4 | 5 | 3 | 6 | 6 | 13 | 10 | 3 | 0 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 4 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 |
2. Шаманское странствие | 1147 | 105 | 17 | 16 | 8 | 14 | 5 | 7 | 3 | 5 | 3 | 14 | 9 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
жил-был кот | 1665 | 105 | 22 | 14 | 14 | 11 | 3 | 4 | 2 | 5 | 6 | 13 | 5 | 6 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
7. О проекции переживаний травмы на Аниму | 1357 | 105 | 24 | 11 | 13 | 10 | 7 | 7 | 4 | 4 | 4 | 12 | 8 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 4 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 |
Пустоты | 1406 | 105 | 19 | 19 | 9 | 11 | 7 | 4 | 2 | 6 | 7 | 11 | 7 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 |
8. Как остаться инфантильной | 1236 | 105 | 23 | 15 | 10 | 13 | 5 | 4 | 3 | 5 | 5 | 15 | 3 | 4 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
Ты - мой инструмент | 1530 | 105 | 23 | 14 | 6 | 10 | 2 | 4 | 2 | 7 | 9 | 12 | 10 | 6 | 0 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Бумажная Принцесса | 1045 | 105 | 18 | 17 | 8 | 6 | 3 | 8 | 7 | 4 | 4 | 15 | 11 | 4 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
5. Сравнение прогностической ценности разных факторов | 1556 | 105 | 20 | 17 | 11 | 9 | 3 | 5 | 4 | 4 | 9 | 14 | 5 | 4 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 |
Путешествиепо склону | 1404 | 104 | 20 | 17 | 8 | 6 | 3 | 4 | 5 | 5 | 6 | 15 | 10 | 5 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
из Цурэна. Как лист увядший падает на душу... | 1601 | 104 | 21 | 13 | 10 | 11 | 2 | 5 | 4 | 7 | 6 | 13 | 7 | 5 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 4 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 |
среда обитания | 1640 | 104 | 20 | 14 | 9 | 11 | 4 | 5 | 3 | 4 | 9 | 11 | 10 | 4 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 |
орфей | 1520 | 104 | 20 | 14 | 8 | 7 | 7 | 5 | 4 | 6 | 3 | 19 | 7 | 4 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
23. Снейп и Колтер: маргинальные персонажи фэнтези | 1157 | 103 | 23 | 13 | 10 | 11 | 5 | 6 | 3 | 6 | 2 | 13 | 7 | 4 | 0 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Король | 1397 | 103 | 19 | 13 | 11 | 9 | 5 | 4 | 4 | 5 | 3 | 14 | 8 | 8 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 |
Человек Божий | 1877 | 103 | 18 | 17 | 9 | 10 | 4 | 6 | 3 | 2 | 9 | 12 | 5 | 8 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 |
1. Введение | 1484 | 103 | 20 | 18 | 12 | 13 | 3 | 4 | 3 | 5 | 3 | 8 | 10 | 4 | 0 | 0 | 4 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 |
4 сонета Шекспира | 1736 | 103 | 22 | 14 | 8 | 7 | 3 | 8 | 4 | 2 | 8 | 11 | 9 | 7 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 |
15. Ненаучное животное в мусорном ветре | 1020 | 103 | 21 | 14 | 11 | 10 | 5 | 5 | 4 | 7 | 3 | 18 | 4 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
Из У. Блейка. Тигр | 1652 | 103 | 20 | 14 | 10 | 8 | 3 | 5 | 2 | 2 | 10 | 15 | 6 | 8 | 0 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 |
12. Люди лагеря | 906 | 103 | 23 | 15 | 8 | 10 | 3 | 5 | 4 | 7 | 6 | 11 | 9 | 2 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
11. Пространство лагеря | 992 | 103 | 23 | 12 | 11 | 14 | 3 | 5 | 4 | 3 | 7 | 11 | 7 | 3 | 0 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 |
Визит Аристокла | 1378 | 102 | 21 | 16 | 7 | 10 | 7 | 5 | 5 | 5 | 6 | 7 | 6 | 7 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
4. Расчлененное и воссозданное тело толпы | 1025 | 102 | 17 | 16 | 14 | 12 | 6 | 3 | 2 | 7 | 3 | 14 | 7 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Колыбельная | 1312 | 102 | 21 | 16 | 11 | 11 | 5 | 3 | 2 | 6 | 2 | 13 | 7 | 5 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
24. Медведь и другие | 858 | 102 | 24 | 15 | 10 | 8 | 2 | 4 | 2 | 5 | 3 | 17 | 9 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
1. О символизации насилия. Преамбула. | 1715 | 102 | 24 | 14 | 10 | 10 | 3 | 6 | 2 | 3 | 4 | 17 | 5 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 3 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
Мы и Они | 1702 | 101 | 17 | 16 | 11 | 8 | 2 | 5 | 3 | 5 | 5 | 15 | 9 | 5 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Мышиная звезда | 610 | 101 | 22 | 13 | 8 | 9 | 3 | 5 | 5 | 6 | 5 | 14 | 5 | 6 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса | 1459 | 100 | 25 | 12 | 9 | 8 | 1 | 4 | 2 | 6 | 7 | 13 | 8 | 5 | 0 | 0 | 2 | 3 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
Из У. Блейка. Ответ Земли | 1702 | 99 | 22 | 12 | 12 | 9 | 3 | 5 | 2 | 3 | 4 | 15 | 9 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 |
Ответ Земли (другой вариант) | 1514 | 99 | 20 | 12 | 15 | 6 | 2 | 4 | 4 | 5 | 5 | 12 | 10 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 0 |
рождество | 1418 | 99 | 19 | 18 | 10 | 10 | 2 | 4 | 1 | 5 | 6 | 11 | 10 | 3 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 |
25. Утильсырье | 869 | 98 | 21 | 15 | 9 | 8 | 6 | 4 | 4 | 5 | 4 | 12 | 8 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
среда обитания | 1605 | 98 | 19 | 15 | 10 | 11 | 1 | 3 | 2 | 5 | 6 | 9 | 9 | 8 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 2 |
29. Как экономят мышление с помощью мифических образов | 1118 | 98 | 23 | 10 | 15 | 10 | 1 | 7 | 3 | 3 | 3 | 15 | 5 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 |
Из У. Блейка. Ангел | 1432 | 98 | 23 | 11 | 11 | 7 | 2 | 6 | 2 | 7 | 8 | 11 | 5 | 5 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
жили-были... | 1524 | 97 | 22 | 15 | 7 | 11 | 1 | 6 | 2 | 4 | 7 | 10 | 9 | 3 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 |
Понтий Пилат | 1307 | 95 | 20 | 17 | 11 | 8 | 3 | 4 | 3 | 5 | 1 | 12 | 5 | 6 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Feb | Jan | Dec | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
пьяный двор | 1475 | 89 | 22 | 12 | 8 | 9 | 5 | 4 | 2 | 3 | 5 | 10 | 6 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"