| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
По разделу |
484194 | 1291 |
72 |
138 |
148 |
128 |
192 |
98 |
88 |
90 |
87 |
74 |
91 |
85 |
1 |
8 |
5 |
3 |
4 |
4 |
3 |
3 |
6 |
4 |
5 |
4 |
5 |
4 |
4 |
5 |
4 |
4 |
5 |
4 |
4 |
3 |
5 |
5 |
9 |
3 |
4 |
3 |
3 |
5 |
4 |
6 |
5 |
3 |
6 |
2 |
5 |
5 |
5 |
3 |
7 |
12 |
3 |
5 |
3 |
4 |
3 |
5 |
4 |
4 |
3 |
3 |
5 |
5 |
5 |
5 |
2 |
2 |
3 |
4 |
13 |
10 |
7. О символизации насилия. Песочный Человек |
3286 | 612 |
37 |
60 |
96 |
82 |
76 |
56 |
36 |
44 |
43 |
22 |
25 |
35 |
0 |
3 |
4 |
3 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
4 |
5 |
3 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
4 |
3 |
1 |
1 |
0 |
3 |
2 |
2 |
3 |
3 |
1 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
3 |
5 |
1 |
1 |
2 |
2 |
4 |
4 |
1 |
3 |
4 |
1 |
5 |
5 |
0 |
1 |
3 |
4 |
3 |
1 |
Художественные описания механизмов психологической защиты |
13137 | 603 |
22 |
75 |
93 |
73 |
51 |
62 |
33 |
33 |
45 |
38 |
44 |
34 |
0 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
1 |
3 |
1 |
0 |
5 |
3 |
4 |
0 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
6 |
2 |
0 |
6 |
2 |
5 |
5 |
2 |
0 |
2 |
6 |
2 |
5 |
3 |
4 |
1 |
3 |
3 |
1 |
3 |
3 |
3 |
5 |
5 |
2 |
1 |
2 |
2 |
0 |
3 |
6 |
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
3713 | 380 |
26 |
46 |
43 |
38 |
38 |
25 |
28 |
27 |
29 |
19 |
37 |
24 |
0 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
1 |
2 |
0 |
4 |
1 |
0 |
3 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
5 |
2 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
1. Расставание брата и сестры |
3631 | 368 |
20 |
38 |
41 |
54 |
42 |
36 |
26 |
32 |
19 |
14 |
14 |
32 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
6 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
2 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2366 | 363 |
11 |
31 |
42 |
50 |
46 |
22 |
18 |
24 |
29 |
38 |
23 |
29 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1674 | 342 |
22 |
59 |
43 |
38 |
26 |
27 |
32 |
19 |
19 |
18 |
22 |
17 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
3 |
1 |
5 |
2 |
9 |
0 |
4 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
Ритуал и выгорание в субкультуре скорой помощи |
9454 | 290 |
21 |
38 |
41 |
30 |
37 |
21 |
25 |
25 |
16 |
11 |
15 |
10 |
0 |
2 |
2 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
4 |
0 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
Мотив Города |
3251 | 281 |
18 |
24 |
33 |
41 |
34 |
19 |
33 |
11 |
21 |
13 |
18 |
16 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
26. Динамика развития психики по оси Самость-Эго |
1897 | 276 |
18 |
39 |
41 |
34 |
27 |
23 |
20 |
15 |
12 |
15 |
9 |
23 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
4 |
7 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
7. Интерпретация эпоса об Урал-Батыре |
1810 | 253 |
30 |
41 |
37 |
34 |
27 |
18 |
16 |
10 |
13 |
6 |
7 |
14 |
0 |
3 |
2 |
0 |
3 |
1 |
2 |
0 |
4 |
2 |
2 |
0 |
0 |
3 |
2 |
3 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
5 |
0 |
4 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
психосоматика наизнанку |
5033 | 242 |
10 |
39 |
30 |
39 |
23 |
19 |
18 |
7 |
12 |
9 |
19 |
17 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2. Андрогинность в сказке и мифе |
1700 | 236 |
10 |
16 |
34 |
41 |
33 |
19 |
19 |
10 |
14 |
9 |
17 |
14 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
6. Насилие и интеграция психики в архаической сказке |
1390 | 235 |
10 |
21 |
24 |
24 |
85 |
22 |
12 |
10 |
11 |
6 |
6 |
4 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
4. О символизации насилия в эддической поэзии |
2312 | 231 |
9 |
23 |
34 |
46 |
28 |
16 |
17 |
17 |
12 |
10 |
14 |
5 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
12. Интеграция и Анимы, и Анимуса |
1841 | 222 |
11 |
33 |
37 |
29 |
20 |
17 |
19 |
19 |
10 |
10 |
11 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
Совершая труд |
4746 | 220 |
10 |
21 |
24 |
31 |
52 |
16 |
18 |
10 |
5 |
9 |
12 |
12 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
Клеменс Брентано. Лоре Лай |
1478 | 217 |
9 |
17 |
32 |
40 |
26 |
24 |
12 |
9 |
10 |
11 |
14 |
13 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
14. Мастера и шарлатаны Гофмана |
2063 | 215 |
8 |
22 |
31 |
45 |
21 |
15 |
17 |
7 |
9 |
9 |
15 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4. Ад без жала |
1583 | 214 |
11 |
23 |
21 |
28 |
32 |
21 |
25 |
8 |
17 |
8 |
12 |
8 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
3. Как мужчины обращаются с Анимой |
3406 | 189 |
12 |
18 |
23 |
24 |
22 |
17 |
16 |
7 |
13 |
11 |
16 |
10 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
24. Травмирующие архетипические персонажи Х. Мураками |
1644 | 188 |
9 |
22 |
29 |
28 |
21 |
24 |
10 |
6 |
8 |
8 |
9 |
14 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
О книге Матрица и потенциал характера |
1527 | 188 |
16 |
20 |
21 |
36 |
20 |
18 |
15 |
4 |
15 |
7 |
9 |
7 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
16. Список литературы |
1240 | 188 |
10 |
21 |
37 |
32 |
31 |
11 |
10 |
8 |
9 |
6 |
7 |
6 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
Запрет на идентификацию с больным и эмоциональное выгорание |
2955 | 185 |
8 |
18 |
23 |
32 |
18 |
12 |
13 |
23 |
6 |
8 |
15 |
9 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2. Неюнгианские механизмы интеграции психики в сказке |
1534 | 184 |
11 |
23 |
23 |
35 |
15 |
18 |
16 |
3 |
12 |
6 |
10 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
10. Об Аниме женщины |
1886 | 184 |
12 |
28 |
23 |
41 |
17 |
13 |
16 |
7 |
9 |
8 |
4 |
6 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
11. Миры и зло Средиземья и Валинора |
1535 | 182 |
10 |
21 |
23 |
28 |
20 |
15 |
13 |
8 |
10 |
7 |
13 |
14 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2452 | 182 |
12 |
22 |
35 |
30 |
17 |
14 |
19 |
10 |
6 |
4 |
6 |
7 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
9 |
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2167 | 180 |
9 |
25 |
28 |
25 |
20 |
15 |
13 |
4 |
12 |
7 |
12 |
10 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
отношения врача и пациента с точки зрения созависимости |
6476 | 180 |
11 |
21 |
24 |
36 |
17 |
15 |
11 |
8 |
8 |
7 |
7 |
15 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
Дворянин Фаланд или владыка альвов? |
949 | 179 |
8 |
16 |
21 |
30 |
19 |
10 |
14 |
10 |
9 |
10 |
17 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Больной Крысолов |
1437 | 179 |
11 |
17 |
24 |
30 |
27 |
14 |
13 |
9 |
6 |
5 |
13 |
10 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Тум-балалайка |
1865 | 178 |
9 |
28 |
22 |
27 |
23 |
10 |
11 |
4 |
9 |
6 |
11 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
6 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
9. Персона и Тень |
1675 | 178 |
7 |
30 |
22 |
28 |
21 |
14 |
10 |
9 |
8 |
9 |
10 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
10 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1. Преамбула: феминное и маскулинное |
1769 | 177 |
8 |
17 |
22 |
33 |
20 |
16 |
14 |
6 |
8 |
7 |
17 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
9. Психика как пара |
1647 | 177 |
6 |
20 |
20 |
34 |
32 |
12 |
16 |
7 |
7 |
4 |
7 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
7. Созидающее насилие: подвиги Геракла |
1593 | 176 |
5 |
31 |
25 |
22 |
15 |
19 |
15 |
9 |
16 |
8 |
8 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
9 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
13. Женщина перед расстрелом |
1218 | 175 |
9 |
29 |
23 |
30 |
23 |
11 |
15 |
11 |
10 |
2 |
7 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
15. Типичные протагонисты произведений Гофмана |
1430 | 174 |
12 |
19 |
24 |
27 |
16 |
11 |
23 |
10 |
10 |
3 |
9 |
10 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
3. Сказочные злодеи: Консолидатор Тени |
1535 | 174 |
10 |
16 |
25 |
33 |
27 |
20 |
11 |
5 |
8 |
7 |
5 |
7 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2. Персонажи "Котлована" строят новый мир и новое тело |
1056 | 173 |
6 |
34 |
23 |
26 |
16 |
12 |
9 |
6 |
11 |
8 |
12 |
10 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
10 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
15. Николай Ставрогин и его адепты |
1845 | 172 |
6 |
19 |
18 |
32 |
22 |
19 |
15 |
5 |
11 |
3 |
14 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3. О символизации насилия в поэзии скальдов |
3220 | 172 |
16 |
14 |
24 |
25 |
19 |
14 |
16 |
4 |
11 |
9 |
10 |
10 |
0 |
8 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3. Молитвенная мельница |
1491 | 170 |
8 |
27 |
29 |
32 |
22 |
12 |
15 |
4 |
7 |
4 |
4 |
6 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
5 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Больница глазами гештальт-терапевта |
4014 | 170 |
4 |
20 |
27 |
35 |
23 |
13 |
10 |
5 |
6 |
11 |
7 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1315 | 170 |
7 |
18 |
30 |
23 |
14 |
17 |
20 |
6 |
10 |
7 |
12 |
6 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
Двойные ловушки Плоского мира |
1667 | 169 |
6 |
17 |
28 |
32 |
29 |
10 |
17 |
5 |
8 |
3 |
6 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
непрожитая старость |
10336 | 168 |
12 |
14 |
31 |
24 |
20 |
16 |
17 |
9 |
6 |
4 |
6 |
9 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
5 |
2 |
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1579 | 167 |
6 |
30 |
21 |
27 |
18 |
13 |
14 |
7 |
6 |
6 |
11 |
8 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
4 |
8 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
6. Сходство и различия сюжетов о Переодетой сестре |
1681 | 167 |
13 |
17 |
21 |
35 |
16 |
16 |
16 |
8 |
7 |
5 |
8 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
Г. Гессе. Стихотворение о Степном Волке |
1793 | 166 |
12 |
19 |
24 |
27 |
19 |
13 |
10 |
7 |
12 |
8 |
10 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
16. Миры и образы зла, связанные с Темной Башней |
2078 | 166 |
10 |
17 |
25 |
27 |
22 |
16 |
11 |
6 |
7 |
7 |
8 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
6. О символизации насилия. Значимые персонажи |
1985 | 166 |
7 |
19 |
24 |
27 |
28 |
11 |
15 |
9 |
6 |
3 |
6 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
6. Анимус делает Аниму зависимой и нежизнеспособной |
1549 | 166 |
8 |
18 |
26 |
33 |
13 |
15 |
15 |
5 |
7 |
7 |
12 |
7 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Роковой треугольник - 1 |
1823 | 166 |
8 |
20 |
21 |
28 |
33 |
12 |
10 |
5 |
6 |
7 |
7 |
9 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1655 | 165 |
9 |
21 |
31 |
21 |
28 |
14 |
11 |
7 |
4 |
5 |
7 |
7 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
33. Пространство, время, человек и божество в сказке |
1326 | 165 |
6 |
30 |
22 |
28 |
16 |
17 |
15 |
5 |
8 |
5 |
8 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
7 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
Кошачья подсистема в семье |
968 | 165 |
7 |
23 |
20 |
31 |
25 |
8 |
15 |
5 |
7 |
7 |
8 |
9 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3. Сказка о феминном и маскулинном состояниях Эго |
1518 | 163 |
11 |
14 |
18 |
25 |
19 |
15 |
17 |
11 |
13 |
8 |
9 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
5. Мужчина выбирает между Анимусом и Анимой |
1308 | 163 |
5 |
21 |
24 |
46 |
14 |
14 |
10 |
6 |
7 |
4 |
6 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
4. Ранние пьесы М. Цветаевой |
1891 | 163 |
8 |
17 |
18 |
31 |
22 |
12 |
15 |
5 |
9 |
6 |
9 |
11 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
8. Тотем, Трикстер, Первопредки |
1469 | 161 |
8 |
20 |
28 |
28 |
25 |
10 |
17 |
6 |
7 |
6 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
7 Заклинатели |
1683 | 160 |
8 |
19 |
20 |
35 |
18 |
12 |
13 |
7 |
7 |
6 |
5 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
23. Настя заболела |
1202 | 160 |
7 |
14 |
22 |
24 |
19 |
15 |
15 |
5 |
10 |
9 |
12 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3. Выбор художника - Анима или Анимус? |
1528 | 160 |
10 |
20 |
28 |
22 |
19 |
14 |
16 |
6 |
9 |
3 |
6 |
7 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
11. Кое-что об Анимусе женщины |
1472 | 160 |
5 |
26 |
22 |
25 |
14 |
15 |
11 |
6 |
7 |
6 |
14 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
9 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
14. Мир и образ зла в эпопее о Гарри Поттере |
1531 | 159 |
10 |
22 |
30 |
29 |
16 |
13 |
11 |
6 |
6 |
4 |
8 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
5 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
20. О некоторых особенностях структуры фэнтези |
1785 | 159 |
9 |
20 |
22 |
35 |
22 |
12 |
13 |
7 |
4 |
5 |
5 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1358 | 158 |
8 |
19 |
19 |
27 |
20 |
15 |
12 |
11 |
7 |
7 |
9 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 консультации в гештальт-подходе |
2267 | 157 |
8 |
32 |
24 |
27 |
21 |
10 |
6 |
5 |
7 |
6 |
8 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1. Тело и мир персонажей Андрея Платонова |
1350 | 156 |
7 |
20 |
25 |
25 |
17 |
15 |
9 |
9 |
10 |
4 |
8 |
7 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3. Произведения молодости М. Цветаевой |
1352 | 156 |
6 |
17 |
21 |
26 |
17 |
15 |
12 |
9 |
8 |
6 |
12 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2013 | 155 |
5 |
23 |
17 |
25 |
17 |
13 |
17 |
6 |
9 |
7 |
9 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
Типы семей, получающих помощь в социальном центре |
1617 | 155 |
6 |
22 |
24 |
28 |
22 |
8 |
8 |
6 |
5 |
6 |
9 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
21. Властные хитрецы |
1336 | 155 |
12 |
18 |
23 |
27 |
18 |
12 |
12 |
6 |
10 |
6 |
3 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
27. О различении Я и Эго-комплекса |
1232 | 155 |
7 |
16 |
22 |
27 |
12 |
16 |
15 |
7 |
8 |
5 |
9 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
телесный симптом в роли символа |
1898 | 155 |
11 |
23 |
19 |
33 |
14 |
10 |
14 |
6 |
8 |
2 |
10 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Юные птицы старого русского рока |
895 | 155 |
7 |
26 |
21 |
33 |
17 |
11 |
13 |
3 |
5 |
3 |
11 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Особенности структуры семьи учащихся техникума |
2015 | 155 |
6 |
19 |
19 |
25 |
21 |
10 |
16 |
7 |
10 |
2 |
12 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1636 | 154 |
10 |
14 |
32 |
21 |
16 |
9 |
14 |
4 |
12 |
7 |
8 |
7 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
10 |
2. Сказка о становлении гендерных различий и женского Эго |
1547 | 154 |
9 |
18 |
26 |
21 |
17 |
15 |
15 |
7 |
8 |
2 |
8 |
8 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4. Архаичные материнские образы |
1351 | 153 |
10 |
21 |
19 |
26 |
16 |
11 |
15 |
5 |
7 |
5 |
9 |
9 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
5. Мужчина выбирает между Анимусом и Анимой |
1591 | 153 |
9 |
25 |
22 |
25 |
16 |
12 |
11 |
6 |
8 |
6 |
7 |
6 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Мотив Цветка и регуляция позы |
799 | 153 |
5 |
24 |
17 |
27 |
19 |
11 |
17 |
1 |
6 |
6 |
11 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
10. Самозванцы: Пепсер и Крошка Цахес |
2479 | 153 |
8 |
16 |
27 |
32 |
20 |
11 |
11 |
4 |
6 |
7 |
7 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
Роковой треугольник -2 |
1730 | 153 |
9 |
14 |
24 |
34 |
22 |
9 |
12 |
5 |
7 |
3 |
5 |
9 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Образ Бога и зрелость личности |
2435 | 153 |
6 |
28 |
23 |
19 |
22 |
9 |
14 |
2 |
7 |
7 |
9 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
12 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
9. Начало перехода |
1011 | 152 |
9 |
29 |
17 |
30 |
15 |
10 |
14 |
7 |
5 |
2 |
7 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
10 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
о способности понять душевнобольного |
2163 | 152 |
7 |
30 |
19 |
28 |
14 |
14 |
6 |
7 |
7 |
6 |
7 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
Уходя с работы: как разобраться с травмирующими переживаниями |
1606 | 152 |
6 |
35 |
19 |
26 |
16 |
13 |
11 |
2 |
4 |
4 |
9 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
6 |
9 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
20. Нвстя заболевает |
1091 | 151 |
11 |
12 |
26 |
30 |
22 |
13 |
10 |
8 |
5 |
5 |
7 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
12. Мир и зло "Властелина Колец" |
1871 | 151 |
13 |
20 |
20 |
25 |
13 |
9 |
10 |
10 |
6 |
7 |
11 |
7 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
9. Лихтенберг - мыслящее тело |
1101 | 151 |
7 |
33 |
17 |
27 |
17 |
8 |
15 |
5 |
8 |
2 |
4 |
8 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
5 |
10 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2.Почему же произведения Гофмана популярны до сих пор? |
1214 | 151 |
6 |
31 |
16 |
29 |
14 |
12 |
7 |
10 |
10 |
2 |
6 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6 |
9 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
6. Насколько опасен Анимус мужчины |
1392 | 150 |
5 |
19 |
23 |
33 |
18 |
14 |
18 |
3 |
6 |
1 |
5 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1. Телесные трансформации в рассказе "Мусорный ветер" |
1017 | 150 |
5 |
16 |
20 |
24 |
17 |
13 |
12 |
10 |
8 |
6 |
10 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5. Заместитель |
1330 | 149 |
8 |
19 |
19 |
27 |
20 |
14 |
9 |
7 |
8 |
7 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3. Убежища |
1499 | 149 |
8 |
15 |
23 |
32 |
25 |
12 |
10 |
6 |
4 |
4 |
4 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Проблемы профессионального становления личности: работа со сновидениями |
1658 | 149 |
5 |
16 |
23 |
23 |
16 |
12 |
14 |
6 |
8 |
7 |
11 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
4. Погребальные дроги |
1348 | 149 |
6 |
12 |
26 |
26 |
28 |
11 |
8 |
5 |
9 |
7 |
5 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
10 |
5. Женщина в плаще цвета Времени |
1256 | 148 |
7 |
19 |
18 |
27 |
17 |
12 |
15 |
4 |
9 |
4 |
8 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
15. Деревня изнутри. Во дворах |
1023 | 148 |
6 |
19 |
22 |
28 |
17 |
12 |
13 |
6 |
7 |
3 |
8 |
7 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2. Конец истории о Крысолове |
1954 | 148 |
7 |
22 |
28 |
25 |
19 |
12 |
11 |
4 |
5 |
4 |
6 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1589 | 148 |
7 |
23 |
25 |
23 |
14 |
11 |
13 |
4 |
8 |
5 |
8 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Перстень, яблоко, собор |
1673 | 148 |
11 |
17 |
20 |
23 |
18 |
12 |
16 |
7 |
6 |
2 |
7 |
9 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1566 | 148 |
7 |
19 |
20 |
27 |
18 |
11 |
8 |
6 |
7 |
7 |
8 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
12. Песочник и его жертва |
1311 | 148 |
8 |
21 |
22 |
23 |
17 |
11 |
16 |
4 |
9 |
4 |
8 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
16. Медведь |
1148 | 148 |
9 |
19 |
21 |
26 |
17 |
13 |
8 |
7 |
8 |
7 |
7 |
6 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Венок сонетов Ваське |
1848 | 147 |
3 |
16 |
38 |
24 |
24 |
11 |
6 |
2 |
5 |
5 |
9 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
13 |
3 |
32. Для чего нужен символ? |
1185 | 147 |
8 |
16 |
18 |
29 |
17 |
13 |
16 |
3 |
7 |
5 |
9 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
15. Мир и образ зла в "Темных началах" |
1318 | 146 |
8 |
17 |
21 |
28 |
18 |
14 |
13 |
5 |
7 |
4 |
4 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
7. О проекции переживаний травмы на Аниму |
1419 | 146 |
10 |
17 |
30 |
29 |
11 |
13 |
10 |
7 |
7 |
4 |
4 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
17. Плот |
1074 | 146 |
7 |
34 |
17 |
27 |
14 |
11 |
10 |
6 |
6 |
2 |
5 |
7 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
10 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
8. Поглощенное время |
1419 | 146 |
12 |
18 |
21 |
26 |
14 |
10 |
12 |
6 |
7 |
2 |
6 |
12 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
34. Ошибка психики: чрезмерная ее консолидация |
1398 | 146 |
5 |
18 |
26 |
22 |
14 |
12 |
16 |
4 |
9 |
4 |
9 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
ангел |
1593 | 146 |
7 |
28 |
25 |
24 |
17 |
12 |
9 |
3 |
6 |
5 |
6 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
9 |
25. Об особенностях травматической интеграции психики |
1368 | 145 |
8 |
19 |
18 |
25 |
16 |
14 |
10 |
4 |
7 |
9 |
9 |
6 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
8. Избыток сознания и общее тело |
1036 | 145 |
7 |
21 |
15 |
26 |
11 |
14 |
15 |
5 |
11 |
6 |
9 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
19. Множественные и парные миры авторской сказки и фэнтези |
1251 | 145 |
6 |
17 |
19 |
27 |
14 |
15 |
16 |
6 |
6 |
7 |
7 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
5. Идущий следом |
1423 | 145 |
8 |
15 |
22 |
25 |
20 |
13 |
13 |
6 |
4 |
8 |
4 |
7 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
35. О консервативности юнгианского подхода к сказочным сюжетам |
1429 | 145 |
7 |
19 |
19 |
25 |
18 |
13 |
12 |
7 |
6 |
4 |
5 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
Алгоритм сортировки клиентов социального центра |
1999 | 144 |
5 |
21 |
16 |
27 |
19 |
11 |
13 |
7 |
10 |
4 |
6 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4. Блуждания невоплощенного |
1084 | 143 |
9 |
15 |
24 |
23 |
15 |
15 |
13 |
4 |
6 |
4 |
8 |
7 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
Из плена профессиональной Персоны? |
1453 | 143 |
6 |
18 |
22 |
23 |
16 |
14 |
14 |
4 |
8 |
4 |
8 |
6 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
Senex - Puer |
1268 | 142 |
8 |
19 |
17 |
24 |
20 |
11 |
18 |
3 |
5 |
3 |
4 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
27. Безвременье котлована |
1004 | 142 |
4 |
21 |
22 |
23 |
20 |
15 |
10 |
8 |
4 |
4 |
4 |
7 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
653 | 142 |
8 |
21 |
20 |
21 |
14 |
11 |
12 |
5 |
7 |
5 |
9 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Начальство развлекается |
1362 | 142 |
5 |
25 |
22 |
28 |
15 |
10 |
16 |
1 |
6 |
3 |
8 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
11. Пространство лагеря |
1052 | 142 |
11 |
31 |
14 |
27 |
12 |
11 |
14 |
3 |
5 |
4 |
3 |
7 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
5 |
8 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
28. О символике эволюции |
1233 | 142 |
5 |
23 |
15 |
29 |
15 |
10 |
16 |
6 |
7 |
3 |
8 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
13. Колхоз идет навстречу |
1000 | 142 |
11 |
16 |
23 |
22 |
19 |
12 |
13 |
7 |
5 |
2 |
9 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1616 | 141 |
7 |
18 |
22 |
24 |
14 |
12 |
12 |
4 |
9 |
3 |
10 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
7. Индивидуальности котлована |
1071 | 141 |
4 |
17 |
21 |
28 |
15 |
15 |
14 |
5 |
5 |
5 |
5 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2141 | 141 |
6 |
21 |
21 |
24 |
15 |
11 |
8 |
5 |
9 |
6 |
6 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
22. О героях авторских сказок и фэнтези |
1462 | 141 |
5 |
22 |
19 |
26 |
20 |
11 |
12 |
7 |
4 |
3 |
5 |
7 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
6. Скорбная земля |
1534 | 141 |
8 |
14 |
24 |
23 |
18 |
11 |
12 |
7 |
5 |
2 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1328 | 141 |
5 |
16 |
22 |
28 |
15 |
13 |
7 |
6 |
7 |
8 |
6 |
8 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
21. Радость молотобойца |
1057 | 141 |
5 |
17 |
23 |
22 |
19 |
13 |
9 |
7 |
5 |
9 |
8 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5. Рядом с общим телом |
1133 | 140 |
5 |
21 |
18 |
27 |
20 |
12 |
12 |
3 |
7 |
2 |
6 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
10. Большая женщина. Начало возрождения |
1005 | 140 |
6 |
26 |
21 |
28 |
16 |
13 |
12 |
2 |
6 |
2 |
4 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2. Пробуждение |
1053 | 140 |
6 |
17 |
24 |
26 |
16 |
12 |
14 |
5 |
5 |
4 |
6 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
22. Девушки и Прушевский |
1071 | 139 |
6 |
18 |
17 |
25 |
14 |
12 |
12 |
8 |
7 |
7 |
6 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3. О смысле телесности в повести А. Платонова "Котлован" |
1063 | 139 |
7 |
18 |
20 |
20 |
15 |
11 |
11 |
8 |
10 |
3 |
6 |
10 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
Юнгианцы и странные научные теории |
702 | 139 |
6 |
18 |
23 |
23 |
14 |
13 |
12 |
5 |
5 |
3 |
7 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Информация о владельце раздела |
1361 | 139 |
10 |
16 |
20 |
26 |
18 |
7 |
13 |
2 |
6 |
6 |
9 |
6 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
7. Мужское и женское в произведениях Т. Манна |
1550 | 139 |
11 |
14 |
20 |
24 |
17 |
15 |
11 |
7 |
6 |
3 |
6 |
5 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
9. Некоторые модели психической интеграции |
1425 | 139 |
8 |
19 |
18 |
27 |
14 |
13 |
11 |
4 |
9 |
6 |
6 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
Три бестселлера |
1352 | 139 |
7 |
12 |
21 |
28 |
21 |
12 |
10 |
4 |
5 |
3 |
9 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
Прогнозирование эффективности психологической помощи семьям |
1626 | 139 |
11 |
19 |
23 |
24 |
13 |
10 |
10 |
4 |
10 |
3 |
7 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2. Усталость |
1706 | 139 |
12 |
16 |
27 |
21 |
17 |
12 |
12 |
4 |
6 |
4 |
4 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
10 |
7. Верховное полутело |
1012 | 139 |
8 |
27 |
23 |
23 |
14 |
14 |
14 |
1 |
5 |
2 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
7 |
8 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
Г. Гессе. Ступени |
1657 | 138 |
7 |
15 |
25 |
29 |
19 |
14 |
7 |
6 |
5 |
4 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2. Шаманское странствие |
1207 | 138 |
6 |
18 |
33 |
20 |
16 |
8 |
14 |
5 |
7 |
3 |
5 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
9 |
1. Явление Крысолова |
1370 | 138 |
11 |
14 |
19 |
27 |
22 |
8 |
12 |
6 |
5 |
2 |
7 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
5. Сравнение прогностической ценности разных факторов |
1612 | 138 |
7 |
18 |
28 |
23 |
17 |
11 |
9 |
3 |
5 |
4 |
4 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
18. Ночные пляски |
1011 | 138 |
5 |
14 |
19 |
24 |
18 |
13 |
12 |
6 |
8 |
4 |
9 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
9. Расщепление Эго и Персоны в отношениях с Анимой |
1300 | 138 |
7 |
20 |
17 |
27 |
14 |
11 |
13 |
5 |
8 |
7 |
5 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
31. Становление символа во времени |
1217 | 137 |
6 |
20 |
19 |
25 |
12 |
10 |
16 |
5 |
8 |
4 |
6 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Хороший начальник Емеля |
968 | 137 |
9 |
19 |
16 |
25 |
15 |
17 |
11 |
5 |
4 |
4 |
5 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
Хрупкие миры |
486 | 137 |
6 |
19 |
17 |
23 |
21 |
12 |
13 |
7 |
6 |
3 |
3 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
Шекспир, сонет 146 |
1315 | 137 |
7 |
17 |
20 |
30 |
23 |
10 |
10 |
3 |
4 |
4 |
4 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
30. Сказочный персонаж: форма и содержимое |
1306 | 136 |
7 |
20 |
18 |
20 |
15 |
14 |
13 |
4 |
10 |
6 |
3 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
12. Новое пространство |
957 | 136 |
7 |
18 |
19 |
26 |
16 |
11 |
13 |
4 |
5 |
3 |
3 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1. Миф, мир и психика |
1436 | 136 |
5 |
20 |
16 |
24 |
17 |
9 |
14 |
8 |
6 |
4 |
7 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2213 | 136 |
7 |
27 |
19 |
26 |
10 |
12 |
11 |
4 |
5 |
3 |
6 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
19. Тишина |
1016 | 135 |
10 |
16 |
24 |
24 |
16 |
9 |
12 |
8 |
5 |
2 |
3 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
10. Модели интеграции психики в героическом эпосе |
1470 | 135 |
7 |
18 |
20 |
29 |
12 |
12 |
11 |
4 |
5 |
4 |
7 |
6 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
6. Следуя за стихами 1921 года |
1383 | 135 |
4 |
16 |
15 |
25 |
21 |
9 |
15 |
5 |
7 |
5 |
6 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1. Маленький рыцарский роман |
1441 | 135 |
8 |
18 |
17 |
24 |
15 |
13 |
16 |
4 |
8 |
7 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2. О преображении в полете |
731 | 135 |
9 |
15 |
19 |
29 |
21 |
8 |
12 |
3 |
5 |
3 |
2 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1520 | 135 |
6 |
29 |
25 |
26 |
12 |
9 |
8 |
1 |
4 |
2 |
6 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
9 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
жили-были... |
1584 | 135 |
8 |
27 |
24 |
23 |
15 |
7 |
11 |
1 |
6 |
2 |
4 |
7 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
11 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
10 |
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1633 | 135 |
10 |
14 |
18 |
28 |
16 |
12 |
8 |
7 |
4 |
5 |
6 |
7 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1447 | 135 |
8 |
16 |
20 |
28 |
15 |
10 |
9 |
7 |
5 |
5 |
6 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
18. Диспозиция и динамика некоторых авторских сказок |
1148 | 134 |
5 |
17 |
22 |
21 |
18 |
12 |
14 |
5 |
5 |
4 |
5 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
Реквием Ваське |
1526 | 134 |
5 |
16 |
23 |
25 |
16 |
14 |
13 |
3 |
5 |
3 |
6 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
11. Ничего не кончается |
996 | 134 |
6 |
19 |
19 |
29 |
12 |
16 |
10 |
5 |
5 |
4 |
6 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
10. Начало контакта |
998 | 134 |
7 |
28 |
13 |
25 |
14 |
11 |
11 |
6 |
5 |
3 |
5 |
6 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
8 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
Мир на костылях |
1395 | 133 |
9 |
20 |
18 |
27 |
16 |
9 |
11 |
8 |
4 |
3 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
Вариация на тему |
815 | 133 |
6 |
17 |
19 |
26 |
17 |
12 |
8 |
4 |
7 |
2 |
8 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
5. Погибшее братство и Лихтенберг |
942 | 133 |
3 |
17 |
19 |
25 |
18 |
11 |
15 |
6 |
4 |
4 |
6 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4. Зловещие магнетизеры |
2199 | 133 |
8 |
17 |
18 |
26 |
15 |
12 |
14 |
4 |
4 |
3 |
9 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
гулял молодец |
1237 | 133 |
7 |
12 |
21 |
21 |
21 |
8 |
16 |
3 |
8 |
5 |
7 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Шекспир, сонет 144 |
1436 | 132 |
5 |
30 |
18 |
27 |
14 |
10 |
10 |
3 |
5 |
2 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
5 |
10 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Кто это входит в мои мозги? |
1675 | 132 |
6 |
20 |
15 |
28 |
17 |
10 |
12 |
4 |
8 |
2 |
7 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
8. Как остаться инфантильной |
1285 | 132 |
6 |
17 |
23 |
26 |
15 |
10 |
13 |
5 |
4 |
3 |
5 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
6 Тело и труд |
1003 | 132 |
6 |
18 |
20 |
20 |
16 |
12 |
14 |
2 |
5 |
2 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
Для кота |
1658 | 132 |
4 |
17 |
26 |
25 |
16 |
8 |
9 |
5 |
5 |
3 |
10 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
9 |
1 Дитя в мирах Психеи и Ананке |
1665 | 132 |
4 |
19 |
22 |
21 |
16 |
13 |
12 |
4 |
7 |
5 |
1 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
О старости |
2118 | 132 |
15 |
16 |
15 |
27 |
15 |
7 |
11 |
6 |
4 |
4 |
5 |
7 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
Визит Аристокла |
1427 | 131 |
8 |
16 |
21 |
25 |
16 |
7 |
10 |
7 |
5 |
5 |
5 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Человек, Которого Не Было Дома |
1715 | 131 |
5 |
17 |
16 |
28 |
13 |
10 |
14 |
8 |
3 |
4 |
5 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
12. Люди лагеря |
956 | 131 |
8 |
17 |
19 |
29 |
15 |
8 |
10 |
3 |
5 |
4 |
7 |
6 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
Ответ Земли (другой вариант) |
1571 | 130 |
5 |
26 |
23 |
23 |
12 |
15 |
6 |
2 |
4 |
4 |
5 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
9 |
юнгианское стихотворение о сказках |
1422 | 130 |
4 |
19 |
22 |
25 |
15 |
12 |
7 |
5 |
6 |
6 |
3 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
9 |
Звездный ворон и ядовитый волк |
1059 | 130 |
6 |
15 |
23 |
23 |
17 |
10 |
7 |
4 |
5 |
8 |
8 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
Огонь |
1598 | 130 |
6 |
25 |
17 |
27 |
15 |
7 |
9 |
5 |
6 |
3 |
8 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
9 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
вскрытие |
1585 | 129 |
5 |
15 |
15 |
26 |
17 |
11 |
11 |
4 |
5 |
5 |
8 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1546 | 129 |
6 |
13 |
16 |
26 |
15 |
12 |
11 |
5 |
9 |
5 |
10 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 |
14. Мертвая мать и ее дети |
1039 | 129 |
7 |
13 |
20 |
22 |
15 |
13 |
12 |
8 |
5 |
3 |
3 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1793 | 129 |
7 |
15 |
17 |
27 |
13 |
15 |
12 |
3 |
7 |
3 |
6 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4. Расчлененное и воссозданное тело толпы |
1074 | 129 |
5 |
14 |
26 |
21 |
16 |
14 |
12 |
6 |
3 |
2 |
7 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
9 |
15. Ненаучное животное в мусорном ветре |
1069 | 129 |
6 |
17 |
21 |
26 |
14 |
11 |
10 |
5 |
5 |
4 |
7 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
26. Настина смерть |
1035 | 129 |
7 |
13 |
18 |
25 |
16 |
12 |
16 |
4 |
3 |
7 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
10 охламонов |
1702 | 129 |
5 |
15 |
23 |
26 |
18 |
8 |
8 |
6 |
9 |
2 |
7 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
9 |
возвращение |
1652 | 129 |
8 |
14 |
17 |
24 |
15 |
11 |
14 |
4 |
8 |
5 |
4 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
из Цурэна. Как лист увядший падает на душу... |
1650 | 128 |
4 |
16 |
28 |
22 |
13 |
10 |
11 |
2 |
5 |
4 |
7 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
9 |
Пустоты |
1450 | 128 |
4 |
17 |
19 |
23 |
19 |
9 |
11 |
7 |
4 |
2 |
6 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3. На улице |
1027 | 128 |
11 |
13 |
17 |
29 |
13 |
10 |
10 |
7 |
4 |
2 |
8 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
обряд изгнания чужого в субкультуре скорой помощи |
2078 | 128 |
7 |
12 |
18 |
27 |
13 |
10 |
12 |
6 |
8 |
4 |
5 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
как растет Бог |
1625 | 127 |
4 |
21 |
14 |
24 |
20 |
9 |
13 |
6 |
4 |
3 |
4 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Плач на реках Вавилонских |
1412 | 127 |
6 |
13 |
17 |
23 |
13 |
12 |
12 |
4 |
6 |
4 |
9 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
Мышиная звезда |
661 | 127 |
9 |
14 |
24 |
26 |
13 |
8 |
9 |
3 |
5 |
5 |
6 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3. Ничтожные |
1488 | 127 |
7 |
15 |
16 |
19 |
16 |
9 |
8 |
7 |
6 |
7 |
6 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
Сначала была деперсонализация |
1865 | 127 |
6 |
20 |
17 |
25 |
16 |
11 |
9 |
2 |
6 |
3 |
5 |
7 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
Из У. Блейка. Ответ Земли |
1756 | 126 |
7 |
14 |
28 |
27 |
12 |
12 |
9 |
3 |
5 |
2 |
3 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
9 |
1. Введение |
1529 | 126 |
9 |
17 |
16 |
23 |
18 |
12 |
13 |
3 |
4 |
3 |
5 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
4. Сказка о травме и восстановлении |
1520 | 126 |
12 |
15 |
17 |
20 |
13 |
13 |
10 |
2 |
10 |
2 |
6 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
Кости |
976 | 126 |
9 |
15 |
17 |
25 |
15 |
10 |
12 |
6 |
4 |
4 |
5 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |