| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 |
|
По разделу |
15660 | 671 |
72 |
70 |
57 |
42 |
40 |
55 |
55 |
49 |
76 |
97 |
31 |
27 |
0 |
3 |
4 |
2 |
2 |
2 |
3 |
6 |
4 |
2 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
1 |
2 |
2 |
3 |
3 |
5 |
2 |
9 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
4 |
3 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
3 |
1 |
4 |
4 |
3 |
3 |
2 |
4 |
4 |
1 |
3 |
2 |
2 |
|
Искусственные чувства |
274 | 274 |
23 |
22 |
20 |
10 |
5 |
18 |
22 |
27 |
63 |
64 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
|
Для бульдогов в мире Fashion дизайна |
1794 | 208 |
27 |
19 |
17 |
10 |
10 |
27 |
15 |
20 |
14 |
30 |
11 |
8 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
|
Необходимость оптимизации методов художественного проектирования на основе инновационных технологий |
1175 | 200 |
27 |
24 |
23 |
19 |
6 |
9 |
19 |
20 |
18 |
20 |
8 |
7 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Информация о владельце раздела |
1157 | 195 |
32 |
23 |
18 |
9 |
8 |
15 |
15 |
18 |
14 |
22 |
12 |
9 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
9 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
|
Оптимизация методов художественного проектирования изделий из кожи на основе инновационных технологий : диссертация |
1757 | 195 |
29 |
30 |
18 |
7 |
9 |
9 |
19 |
16 |
18 |
23 |
12 |
5 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
|
Мастера. Художник |
1257 | 194 |
36 |
23 |
27 |
10 |
9 |
13 |
13 |
19 |
11 |
20 |
7 |
6 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
8 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
|
Мастера. Ювелир |
1575 | 193 |
30 |
28 |
22 |
11 |
7 |
20 |
16 |
16 |
13 |
20 |
6 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
7 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
|
Мастера. Журналист |
1164 | 186 |
31 |
16 |
16 |
14 |
11 |
19 |
14 |
18 |
13 |
20 |
7 |
7 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
7 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
|
Преображенская М. Мастера. Врач |
904 | 184 |
27 |
24 |
17 |
9 |
5 |
30 |
12 |
14 |
13 |
18 |
9 |
6 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
8 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
|
Мастера. Скульптор |
1262 | 179 |
37 |
21 |
15 |
10 |
7 |
10 |
15 |
18 |
14 |
19 |
5 |
8 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
6 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
2 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
|
Мастера. Физик |
1495 | 179 |
28 |
21 |
15 |
12 |
11 |
11 |
19 |
19 |
11 |
20 |
6 |
6 |
0 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Для бульдогов в мире творчества |
1846 | 164 |
25 |
21 |
17 |
8 |
6 |
7 |
13 |
13 |
12 |
22 |
11 |
9 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
7 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
|
: Использование концепций архитектурного проектирования в том числе параметризма, в дизайне обуви с применением технологий 3d печати |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |