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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
По разделу | 400617 | 3051 | 26 | 182 | 239 | 226 | 248 | 272 | 248 | 305 | 571 | 302 | 228 | 204 | 1 | 7 | 6 | 6 | 6 | 4 | 4 | 4 | 5 | 6 | 6 | 5 | 7 | 7 | 5 | 5 | 6 | 6 | 6 | 7 | 20 | 6 | 4 | 4 | 5 | 7 | 6 | 5 | 4 | 8 | 9 | 4 | 4 | 5 | 8 | 4 | 5 | 7 | 5 | 9 | 8 | 4 | 5 | 5 | 5 | 4 | 6 | 4 | 16 | 3 | 5 | 18 | 7 | 17 | 16 | 5 | 19 | 4 | 6 | 7 | 5 | 9 |
"Стихотворения Р.А.Кудашевой". Часть первая | 6666 | 1516 | 9 | 101 | 155 | 162 | 110 | 92 | 125 | 120 | 139 | 187 | 178 | 138 | 0 | 5 | 4 | 0 | 0 | 2 | 4 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 5 | 2 | 1 | 5 | 5 | 4 | 6 | 2 | 3 | 4 | 7 | 3 | 5 | 4 | 8 | 9 | 4 | 4 | 4 | 0 | 1 | 3 | 2 | 4 | 9 | 8 | 3 | 5 | 2 | 4 | 2 | 6 | 4 | 9 | 2 | 3 | 3 | 3 | 6 | 6 | 4 | 9 | 2 | 6 | 7 | 5 | 9 |
"Стихотворения Р.А.Кудашевой". Часть вторая | 2562 | 604 | 6 | 32 | 45 | 66 | 67 | 65 | 50 | 42 | 56 | 80 | 71 | 24 | 0 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 0 | 4 | 2 | 0 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 5 | 2 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть пятая | 572 | 572 | 6 | 13 | 29 | 7 | 18 | 15 | 14 | 27 | 443 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" | 1949 | 554 | 7 | 48 | 48 | 54 | 44 | 49 | 61 | 64 | 46 | 49 | 47 | 37 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 0 | 3 | 1 | 0 | 4 | 3 | 4 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 3 | 3 | 0 | 1 | 5 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 4 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 |
О поэме А.С.Пушкина "Медный всадник" | 1960 | 553 | 10 | 48 | 50 | 49 | 47 | 55 | 69 | 68 | 60 | 52 | 28 | 17 | 0 | 2 | 4 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 3 | 5 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 0 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 4 | 1 | 3 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 |
"Москва слезам не верит": forever | 2624 | 541 | 9 | 48 | 57 | 33 | 53 | 54 | 44 | 57 | 62 | 62 | 39 | 23 | 0 | 1 | 3 | 1 | 4 | 0 | 1 | 0 | 5 | 2 | 2 | 4 | 4 | 3 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 3 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 3 | 3 | 2 | 1 | 1 | 5 | 1 | 3 | 3 | 4 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 |
Пушкин и Вальтер Скотт | 3232 | 533 | 10 | 48 | 48 | 31 | 33 | 51 | 54 | 64 | 55 | 59 | 33 | 47 | 0 | 6 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 6 | 4 | 0 | 1 | 2 | 0 | 2 | 3 | 3 | 1 | 5 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 3 | 5 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I I | 2176 | 518 | 11 | 46 | 41 | 21 | 21 | 52 | 40 | 38 | 47 | 67 | 85 | 49 | 0 | 2 | 5 | 3 | 1 | 2 | 2 | 0 | 1 | 4 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 3 | 1 | 3 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 2 | 4 | 0 | 0 | 3 | 0 | 1 |
Загадочный Гоголь: Сожжённая грамота (1) | 2126 | 504 | 11 | 56 | 64 | 48 | 49 | 40 | 42 | 42 | 51 | 44 | 30 | 27 | 0 | 4 | 2 | 5 | 0 | 2 | 3 | 3 | 2 | 2 | 2 | 4 | 5 | 1 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 3 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 4 | 3 | 0 | 0 | 3 | 2 | 3 | 2 | 4 | 1 | 0 | 2 | 2 | 6 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 |
Пушкин и Свиньин: Два очерка на "американскую" тему | 1855 | 465 | 12 | 58 | 55 | 45 | 34 | 45 | 60 | 36 | 33 | 38 | 26 | 23 | 0 | 6 | 0 | 5 | 1 | 4 | 3 | 1 | 1 | 6 | 2 | 2 | 4 | 2 | 1 | 3 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 4 | 1 | 1 | 3 | 5 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 |
"Стихотворения Р.А.Кудашевой". Часть четвертая | 2623 | 454 | 7 | 33 | 33 | 23 | 17 | 35 | 48 | 40 | 52 | 72 | 45 | 49 | 0 | 2 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 3 | 0 | 2 | 0 | 5 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
Булгаков и Эйнштейн (Неизученная редакция повести М.А.Булгакова "Роковые яйца") | 2513 | 443 | 19 | 61 | 38 | 32 | 36 | 28 | 33 | 41 | 48 | 53 | 27 | 27 | 0 | 5 | 6 | 2 | 6 | 1 | 2 | 1 | 1 | 2 | 4 | 3 | 4 | 1 | 3 | 2 | 1 | 3 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 4 | 0 | 1 | 7 | 3 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 1 |
Заметки об Анне Ахматовой | 1578 | 430 | 10 | 32 | 54 | 39 | 42 | 47 | 43 | 31 | 37 | 37 | 31 | 27 | 0 | 1 | 4 | 1 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 3 | 4 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 |
Из литературной предыстории стихотворения Е.А.Баратынского "Недоносок" | 3030 | 417 | 9 | 55 | 47 | 29 | 17 | 38 | 23 | 29 | 45 | 44 | 36 | 45 | 0 | 2 | 4 | 3 | 0 | 4 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 3 | 3 | 2 | 2 | 3 | 2 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 4 | 3 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 4 | 0 | 4 | 0 | 1 |
О стихотворении А.С.Пушкина "Свободы сеятель пустынный..." | 1677 | 403 | 10 | 35 | 31 | 24 | 21 | 20 | 42 | 32 | 52 | 54 | 42 | 40 | 0 | 4 | 3 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 5 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 |
К изучению творческой истории стихотворения Пушкина "Осень (Отрывок)". I | 2038 | 402 | 9 | 36 | 36 | 21 | 29 | 26 | 38 | 24 | 43 | 47 | 50 | 43 | 0 | 3 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 |
"Человек (не) на четвереньках": Загадки стиля рассказов А.Конан Дойля о Шерлоке Холмсе | 381 | 381 | 7 | 33 | 35 | 26 | 20 | 18 | 37 | 40 | 46 | 37 | 21 | 61 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 2 | 2 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 7 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (10) | 714 | 381 | 9 | 36 | 41 | 38 | 34 | 36 | 41 | 23 | 32 | 37 | 21 | 33 | 0 | 1 | 4 | 1 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 0 | 0 | 3 | 1 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 |
Повесть Пушкина "Гробовщик": до и после | 2288 | 380 | 6 | 37 | 38 | 19 | 18 | 23 | 43 | 32 | 58 | 55 | 27 | 24 | 1 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 4 | 2 | 2 | 2 | 1 | 1 | 0 | 3 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Повесть Шиллера "Преступник из-за потерянной чести" в журнале А.Е.Измайлова и А.П.Бенитцкого "Цветник" | 2000 | 368 | 8 | 51 | 41 | 31 | 14 | 20 | 17 | 31 | 44 | 41 | 29 | 41 | 0 | 4 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 3 | 4 | 3 | 3 | 2 | 1 | 3 | 1 | 2 | 4 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 2 | 1991 | 366 | 4 | 29 | 37 | 18 | 21 | 22 | 39 | 42 | 51 | 46 | 29 | 28 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 1 |
О пьесе В.Ф.Одоевского "Царь-Девица" | 2032 | 362 | 8 | 26 | 41 | 20 | 18 | 27 | 29 | 42 | 37 | 52 | 27 | 35 | 0 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 4 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (1) | 1706 | 357 | 16 | 39 | 39 | 14 | 17 | 29 | 35 | 27 | 45 | 50 | 26 | 20 | 0 | 7 | 4 | 3 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 5 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 3 | 2 | 3 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (4) | 1344 | 354 | 9 | 29 | 34 | 23 | 16 | 30 | 36 | 22 | 32 | 46 | 41 | 36 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 4 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
Русская поэзия - детям (О раннем творчестве Федора Миллера) | 1926 | 351 | 9 | 37 | 42 | 20 | 20 | 29 | 24 | 34 | 41 | 44 | 27 | 24 | 0 | 4 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 4 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Вокруг стихотворения Пушкина "Дар..." (1828) | 1713 | 350 | 11 | 53 | 49 | 17 | 13 | 19 | 43 | 26 | 31 | 29 | 37 | 22 | 0 | 6 | 1 | 2 | 2 | 2 | 2 | 3 | 2 | 3 | 1 | 5 | 3 | 4 | 2 | 2 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 7 | 3 | 0 | 3 | 3 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 |
Библиография работ Владимира Николаевича Турбина (1927 - 1993). Составлена О.В.Турбиной | 1913 | 349 | 10 | 31 | 35 | 18 | 15 | 20 | 39 | 41 | 40 | 47 | 36 | 17 | 0 | 2 | 2 | 4 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 4 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 |
О романе М.А.Булгакова "Белая гвардия" | 1885 | 348 | 3 | 18 | 35 | 24 | 23 | 34 | 29 | 33 | 49 | 51 | 30 | 19 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 |
Н.Н.Альтварг. Забытый альманах "Сириус" | 1922 | 336 | 13 | 67 | 37 | 19 | 17 | 20 | 23 | 30 | 39 | 36 | 16 | 19 | 0 | 3 | 4 | 3 | 3 | 1 | 1 | 0 | 2 | 2 | 6 | 2 | 4 | 1 | 4 | 4 | 6 | 4 | 4 | 5 | 0 | 3 | 1 | 0 | 1 | 0 | 5 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 3 | 3 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 |
Лев Аннинский. "Колдобины..." (Дружба народов, 1999, N 1) | 320 | 320 | 5 | 17 | 22 | 12 | 11 | 15 | 16 | 147 | 75 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Пушкин и Фиваида (очерки) | 1859 | 319 | 10 | 40 | 40 | 18 | 18 | 20 | 27 | 29 | 40 | 46 | 14 | 17 | 0 | 4 | 2 | 0 | 4 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 4 | 1 | 0 | 3 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 1 | 0 |
"Октябрь уж наступил..." (Десять строф из романа А.С.Пушкина "Евгений Онегин") | 1834 | 315 | 7 | 40 | 36 | 18 | 10 | 16 | 26 | 33 | 51 | 36 | 21 | 21 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | 2 | 5 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 5 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
К проблеме творческой биографии А.Н.Чичерина | 1802 | 315 | 6 | 27 | 41 | 19 | 27 | 29 | 29 | 24 | 33 | 36 | 23 | 21 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 4 | 1 | 1 | 1 | 0 | 2 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 1 | 1378 | 314 | 8 | 29 | 28 | 21 | 16 | 24 | 24 | 31 | 51 | 31 | 24 | 27 | 0 | 4 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Жуковский и Гете | 2032 | 313 | 6 | 35 | 36 | 20 | 14 | 20 | 29 | 29 | 36 | 41 | 23 | 24 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 1 | 1024 | 313 | 5 | 30 | 31 | 25 | 13 | 15 | 20 | 40 | 46 | 42 | 27 | 19 | 0 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
О шиллеровской "полемике" 1813 года | 1629 | 313 | 14 | 50 | 37 | 13 | 18 | 32 | 26 | 27 | 26 | 31 | 19 | 20 | 0 | 4 | 3 | 2 | 5 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 4 | 1 | 2 | 0 | 2 | 2 | 2 | 3 | 2 | 4 | 1 | 1 | 1 | 1 | 2 | 3 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 |
О.В.Турбина. Предисловие к Описи личного фонда В.Н.Турбина в Российском государственном архиве литературы и искусства | 1604 | 313 | 9 | 21 | 44 | 20 | 18 | 20 | 25 | 21 | 48 | 38 | 21 | 28 | 0 | 4 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 2 |
"Бобок": К изучению замысла пушкинского "Гробовщика" | 1743 | 310 | 6 | 38 | 36 | 21 | 19 | 21 | 24 | 28 | 34 | 41 | 24 | 18 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 4 | 3 | 2 | 2 | 2 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Уже потомство настает...": Из комментария к стихотворению Пушкина "Наполеон" | 1650 | 309 | 9 | 44 | 36 | 22 | 10 | 15 | 21 | 30 | 37 | 34 | 29 | 22 | 0 | 3 | 3 | 2 | 1 | 1 | 2 | 2 | 0 | 3 | 1 | 4 | 2 | 2 | 1 | 2 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 |
"Еще заметен след...": Баратынский и Николай Бестужев | 1603 | 307 | 8 | 57 | 33 | 12 | 15 | 10 | 30 | 27 | 29 | 41 | 21 | 24 | 0 | 5 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 1 | 4 | 2 | 1 | 2 | 1 | 4 | 2 | 4 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 1 | 2 | 3 | 0 | 2 | 3 | 5 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 |
Дополнение к "Пароходу" (пушкинский вариант) | 1834 | 306 | 4 | 32 | 38 | 19 | 28 | 19 | 32 | 23 | 36 | 33 | 17 | 25 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 3 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 4 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Баратынский и Гейне (2) | 2194 | 306 | 10 | 60 | 41 | 19 | 8 | 14 | 31 | 31 | 26 | 29 | 20 | 17 | 1 | 2 | 2 | 4 | 1 | 2 | 2 | 1 | 2 | 4 | 2 | 3 | 2 | 3 | 1 | 2 | 3 | 4 | 3 | 3 | 0 | 3 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 4 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 3 | 0 | 2 | 2 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 |
Загадочный Гоголь: Сожженная грамота (2) | 1675 | 304 | 9 | 21 | 41 | 28 | 18 | 11 | 23 | 32 | 47 | 42 | 19 | 13 | 0 | 2 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 |
Баратынский и Гейне (1) | 1583 | 302 | 13 | 63 | 37 | 11 | 11 | 16 | 23 | 33 | 28 | 30 | 21 | 16 | 0 | 4 | 6 | 1 | 2 | 1 | 1 | 2 | 2 | 4 | 1 | 1 | 7 | 2 | 4 | 4 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 5 | 8 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
В.Н.Турбин. К нам едет "Ревизор" (Современная драматургия, 1982, N 2) | 300 | 300 | 4 | 23 | 23 | 13 | 18 | 147 | 72 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 1 | 1075 | 298 | 10 | 38 | 33 | 26 | 16 | 19 | 22 | 30 | 33 | 33 | 22 | 16 | 0 | 2 | 3 | 4 | 1 | 4 | 2 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 3 | 2 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 4 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 |
"Доктор Ястребцов" (исследование по истории русской литературы первой половины X I X века) | 1685 | 295 | 7 | 46 | 39 | 14 | 15 | 25 | 21 | 22 | 34 | 29 | 16 | 27 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 2 | 4 | 1 | 2 | 1 | 5 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 4 | 3 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 5 | 0 | 2 | 0 |
О литературном дебюте Баратынского | 1463 | 293 | 16 | 55 | 41 | 16 | 14 | 12 | 28 | 26 | 34 | 20 | 13 | 18 | 0 | 5 | 3 | 6 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 4 | 2 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 4 | 3 | 3 | 4 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть первая | 292 | 292 | 5 | 17 | 21 | 11 | 12 | 16 | 17 | 16 | 40 | 59 | 78 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"Яко боги". Стихотворение О.Барбье "Машина", романы Г.Уэллса и поэзия Баратынского | 1754 | 292 | 7 | 58 | 42 | 14 | 10 | 17 | 20 | 23 | 25 | 32 | 26 | 18 | 0 | 2 | 1 | 2 | 2 | 2 | 4 | 0 | 1 | 2 | 3 | 2 | 2 | 1 | 1 | 1 | 4 | 2 | 5 | 0 | 4 | 3 | 0 | 1 | 5 | 0 | 1 | 5 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 2 | 3 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 |
В.Н.Турбин. Босфор, Евфрат и Москва-река (Новый мир, 1988, N 12) | 291 | 291 | 9 | 22 | 17 | 13 | 10 | 15 | 16 | 19 | 21 | 28 | 64 | 57 | 0 | 2 | 2 | 4 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
О контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1412 | 290 | 8 | 49 | 35 | 21 | 9 | 14 | 16 | 22 | 31 | 42 | 23 | 20 | 0 | 3 | 4 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 5 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 5 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Герои Достоевского (Дружба народов, 1971, N 11) | 695 | 288 | 6 | 44 | 27 | 17 | 13 | 15 | 27 | 25 | 35 | 29 | 32 | 18 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 5 | 2 | 3 | 2 | 0 | 0 | 2 | 2 | 3 | 2 | 4 | 0 | 1 | 2 | 1 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 |
На корабле: О творчестве М.А.Булгакова в начале 1920-х годов | 1559 | 286 | 10 | 29 | 38 | 18 | 18 | 17 | 27 | 27 | 33 | 34 | 17 | 18 | 0 | 2 | 3 | 3 | 2 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 4 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (5) | 1299 | 284 | 6 | 32 | 30 | 24 | 12 | 23 | 21 | 28 | 31 | 32 | 21 | 24 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 2 | 0 | 2 | 5 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 |
Баратынский - редактор П.П.Свиньина | 1462 | 284 | 9 | 47 | 38 | 18 | 16 | 25 | 21 | 20 | 30 | 29 | 16 | 15 | 0 | 4 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 4 | 2 | 0 | 2 | 3 | 2 | 2 | 4 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 |
"Трактат о панораме": Традиция изображения городского пространства в очерке М.Ю.Лермонтова "Панорама Москвы" | 1825 | 284 | 6 | 27 | 34 | 19 | 12 | 20 | 21 | 30 | 35 | 40 | 23 | 17 | 0 | 2 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 3 | 1283 | 284 | 7 | 37 | 30 | 18 | 15 | 15 | 20 | 35 | 41 | 30 | 16 | 20 | 0 | 2 | 2 | 3 | 0 | 4 | 2 | 0 | 0 | 0 | 4 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 5 | 562 | 283 | 4 | 31 | 21 | 14 | 15 | 13 | 18 | 16 | 25 | 36 | 29 | 61 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Зыкова Г.В, Пенская Е.Н. Семинар В.Н.Турбина в переписке его участников 1960-х годов (Новый мир, 2019, N 11) | 653 | 283 | 9 | 45 | 41 | 14 | 17 | 21 | 19 | 34 | 21 | 31 | 17 | 14 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 2 | 4 | 3 | 2 | 0 | 3 | 1 | 2 | 0 | 4 | 4 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 4 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (1) | 1546 | 281 | 10 | 37 | 34 | 26 | 16 | 17 | 21 | 31 | 22 | 30 | 21 | 16 | 0 | 3 | 3 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
Эстетика драмы: О пьесе И.А.Крылова "Модная лавка" (1806). 1 | 1862 | 278 | 10 | 28 | 31 | 18 | 22 | 19 | 23 | 22 | 33 | 34 | 20 | 18 | 0 | 2 | 2 | 0 | 6 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 |
"Сочинение Телешевского". Часть первая. Главы I - I I | 1470 | 278 | 7 | 46 | 35 | 14 | 14 | 15 | 14 | 30 | 35 | 39 | 14 | 15 | 0 | 3 | 2 | 1 | 1 | 2 | 4 | 0 | 3 | 3 | 1 | 5 | 3 | 1 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 3 | 0 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 1 | 1688 | 277 | 7 | 25 | 32 | 30 | 11 | 19 | 30 | 28 | 34 | 33 | 13 | 15 | 0 | 2 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
"Стихотворения Р.А.Кудашевой". Часть пятая | 1591 | 274 | 3 | 25 | 26 | 19 | 21 | 29 | 25 | 24 | 31 | 33 | 22 | 16 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 |
"Судьба Буратино, или Товарищ Назон" (тексты 20-го века в строфах романа А.С.Пушкина "Евгений Онегин") | 1262 | 274 | 4 | 24 | 43 | 25 | 13 | 19 | 23 | 27 | 30 | 35 | 16 | 15 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 5 | 0 | 1 |
О присутствии духа: Из предыстории повести Пушкина "Гробовщик" (1830) | 1623 | 273 | 11 | 33 | 30 | 20 | 12 | 21 | 18 | 30 | 28 | 27 | 17 | 26 | 0 | 6 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (2) | 1094 | 272 | 8 | 35 | 34 | 12 | 10 | 22 | 40 | 22 | 33 | 22 | 12 | 22 | 0 | 3 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 5 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 |
Калина красная: Пушкин и Шукшин | 1464 | 272 | 11 | 26 | 33 | 18 | 19 | 16 | 25 | 19 | 40 | 23 | 22 | 20 | 0 | 2 | 3 | 4 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
В.Н.Турбин. Два гостя из Парижа (Современная драматургия, 1988, N 6) | 271 | 271 | 6 | 16 | 25 | 7 | 12 | 10 | 16 | 179 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
О политических эпиграммах Пушкина конца 1810-х годов | 1773 | 271 | 3 | 23 | 33 | 20 | 19 | 20 | 35 | 21 | 30 | 34 | 16 | 17 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (А.П.Павлов). 2 | 912 | 268 | 9 | 40 | 39 | 23 | 11 | 18 | 20 | 24 | 27 | 22 | 20 | 15 | 0 | 4 | 2 | 1 | 2 | 1 | 3 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 3 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 2 | 0 | 1 | 1 | 1 |
В.Н.Турбин. Отрывки из книг: "Незадолго до Водолея", "Герои Гоголя", "Русские ночи" | 534 | 267 | 4 | 21 | 29 | 17 | 13 | 19 | 45 | 15 | 31 | 38 | 15 | 20 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Булгаков и власть | 1427 | 267 | 5 | 31 | 25 | 17 | 18 | 20 | 33 | 27 | 30 | 25 | 17 | 19 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 0 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 4 | 829 | 266 | 6 | 30 | 22 | 20 | 4 | 11 | 19 | 33 | 39 | 41 | 26 | 15 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
О Троице и Семике: К изучению символизма пушкинской прозы | 1502 | 266 | 8 | 22 | 26 | 18 | 29 | 34 | 27 | 17 | 27 | 23 | 16 | 19 | 0 | 5 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Баратынский и Гейне (3) | 1400 | 266 | 13 | 47 | 36 | 14 | 14 | 18 | 20 | 32 | 23 | 22 | 16 | 11 | 0 | 5 | 3 | 3 | 2 | 2 | 2 | 3 | 1 | 3 | 4 | 3 | 3 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 |
Ж.Жанен. "Мертвый осел и обезглавленная женщина". (Рецензия из "Сына Отечества", 1831) | 1576 | 265 | 4 | 28 | 36 | 17 | 18 | 13 | 22 | 26 | 29 | 27 | 21 | 24 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 7 | 730 | 264 | 8 | 27 | 23 | 16 | 14 | 15 | 34 | 32 | 28 | 33 | 13 | 21 | 0 | 1 | 1 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 2 | 915 | 264 | 9 | 29 | 32 | 26 | 19 | 12 | 19 | 19 | 27 | 34 | 20 | 18 | 0 | 2 | 4 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 |
О стихотворении С.А.Соболевского и Е.А.Баратынского "Быль" ("Жил да был петух индейский...") | 1409 | 264 | 6 | 37 | 31 | 14 | 23 | 17 | 23 | 22 | 28 | 27 | 18 | 18 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 3 | 1 | 4 | 0 | 1 | 1 | 2 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Булгаков и Пильняк (заметки к теме) | 1302 | 264 | 5 | 35 | 36 | 13 | 20 | 13 | 20 | 27 | 45 | 21 | 15 | 14 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 4 | 1454 | 263 | 4 | 34 | 31 | 13 | 16 | 16 | 17 | 21 | 35 | 31 | 24 | 21 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 3 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (3) | 1134 | 263 | 7 | 40 | 27 | 21 | 16 | 15 | 33 | 25 | 30 | 18 | 17 | 14 | 0 | 2 | 3 | 0 | 2 | 3 | 3 | 0 | 1 | 3 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 2 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 1 | 1700 | 263 | 7 | 31 | 27 | 15 | 16 | 15 | 17 | 33 | 35 | 27 | 20 | 20 | 0 | 2 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
В.Турбин, И.Вирабов. Три статьи о М.М.Бахтине | 816 | 263 | 5 | 25 | 27 | 21 | 10 | 16 | 27 | 15 | 32 | 29 | 22 | 34 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
"Европейское" стихотворение Баратынского (Баратынский против И.В.Киреевского) | 1398 | 262 | 7 | 36 | 34 | 19 | 14 | 16 | 21 | 24 | 28 | 28 | 16 | 19 | 0 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 5 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
"Pro domo sua": к текстологии стихотворения К.Н.Батюшкова "Гезиод и Омир соперники" | 1533 | 262 | 8 | 27 | 31 | 17 | 14 | 17 | 21 | 27 | 34 | 30 | 15 | 21 | 0 | 4 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 0 | 4 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть четвертая | 261 | 261 | 4 | 15 | 28 | 7 | 17 | 11 | 19 | 23 | 43 | 94 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
"Переход Суворова через Альпы": повесть В.В.Крестовского "Деды" и роман И.Ильфа и Е.Петрова "12 стульев" | 980 | 259 | 4 | 18 | 35 | 13 | 19 | 19 | 21 | 31 | 39 | 33 | 18 | 9 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 5 | 1292 | 259 | 8 | 26 | 35 | 15 | 16 | 17 | 21 | 30 | 28 | 34 | 17 | 12 | 0 | 3 | 3 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
"Владимир I I I-й степени" (исследование по истории русской литературы первой половины X I X-го века) | 1515 | 259 | 8 | 30 | 27 | 16 | 8 | 19 | 19 | 29 | 35 | 35 | 16 | 17 | 0 | 4 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
"Свидетели позорных похорон": Особенности изображения погребальных мотивов в русской литературе первой трети 19 века | 1550 | 259 | 7 | 24 | 29 | 17 | 19 | 13 | 23 | 26 | 33 | 30 | 21 | 17 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 |
Две фантазии на одну тему (А.С.Пушкин и О.И.Сенковский - Барон Брамбеус) | 1530 | 258 | 8 | 33 | 32 | 17 | 11 | 14 | 27 | 21 | 30 | 32 | 17 | 16 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
"Басня" и "эпиграмма": О словоупотреблении Баратынского | 1352 | 258 | 8 | 41 | 46 | 15 | 8 | 16 | 20 | 18 | 22 | 27 | 18 | 19 | 0 | 3 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 3 | 4 | 1 | 1 | 2 | 5 | 2 | 1 | 1 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 0 |
"Кесарь" и "василёк": Еще о контексте публикации стихотворений Баратынского в журнале "Благонамеренный" в 1822 году | 1234 | 257 | 8 | 57 | 31 | 16 | 12 | 11 | 17 | 20 | 25 | 28 | 13 | 19 | 0 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 5 | 3 | 3 | 2 | 3 | 0 | 5 | 2 | 4 | 3 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
Из русской литературной критики 1810-х - 1830-х годов | 1314 | 257 | 3 | 26 | 39 | 31 | 10 | 19 | 24 | 21 | 24 | 29 | 16 | 15 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 4 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 4 | 786 | 256 | 6 | 24 | 26 | 11 | 6 | 15 | 17 | 21 | 51 | 27 | 37 | 15 | 0 | 3 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Кулацкая астрономия" (из заметок о Булгакове-журналисте) | 1322 | 256 | 7 | 15 | 26 | 19 | 8 | 14 | 27 | 24 | 40 | 39 | 12 | 25 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (2) | 1235 | 256 | 9 | 23 | 38 | 12 | 13 | 19 | 34 | 22 | 34 | 25 | 12 | 15 | 0 | 5 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 1 | 483 | 256 | 6 | 33 | 25 | 13 | 13 | 18 | 27 | 22 | 25 | 31 | 27 | 16 | 0 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть третья | 255 | 255 | 9 | 15 | 19 | 16 | 8 | 16 | 26 | 18 | 22 | 106 | 0 | 0 | 0 | 3 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 (продолжение) | 843 | 255 | 8 | 30 | 35 | 16 | 8 | 29 | 31 | 21 | 22 | 32 | 13 | 10 | 0 | 6 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 5 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
К проблеме творческой биографии М.А.Булгакова | 1403 | 254 | 5 | 24 | 26 | 17 | 15 | 17 | 22 | 27 | 33 | 33 | 18 | 17 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 2 | 1321 | 254 | 6 | 25 | 26 | 18 | 12 | 16 | 16 | 26 | 37 | 29 | 16 | 27 | 0 | 3 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 2 | 444 | 254 | 9 | 21 | 24 | 14 | 13 | 11 | 16 | 19 | 33 | 40 | 34 | 20 | 0 | 4 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 2 | 567 | 253 | 8 | 23 | 30 | 9 | 12 | 41 | 28 | 18 | 25 | 21 | 17 | 21 | 0 | 4 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 6 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Эпилог | 794 | 253 | 4 | 22 | 35 | 13 | 14 | 36 | 29 | 16 | 31 | 28 | 14 | 11 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 2 | 1348 | 253 | 7 | 34 | 26 | 19 | 11 | 12 | 35 | 22 | 30 | 25 | 16 | 16 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 3 | 0 | 2 | 0 | 4 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 3 | 1106 | 253 | 10 | 32 | 31 | 13 | 19 | 19 | 17 | 21 | 26 | 29 | 18 | 18 | 0 | 5 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания) | 1371 | 253 | 7 | 34 | 30 | 16 | 16 | 25 | 19 | 21 | 27 | 24 | 18 | 16 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 3 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 5 | 768 | 253 | 7 | 31 | 34 | 15 | 12 | 18 | 22 | 22 | 24 | 34 | 17 | 17 | 0 | 2 | 2 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
Три сказки А.Е.Измайлова | 1388 | 251 | 8 | 32 | 26 | 18 | 20 | 22 | 16 | 23 | 20 | 30 | 16 | 20 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
В.Н.Турбин. Михаил Зощенко и его гро(я)зная тень: Тезисы ненаписанной монографии (Писатель и время: Сборник документальной прозы. М., Сов. писатель, 1991) | 936 | 251 | 7 | 32 | 29 | 15 | 13 | 16 | 21 | 16 | 36 | 30 | 20 | 16 | 0 | 2 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 6 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
"Жизни холод..." Пушкинские мотивы у Булгакова | 1331 | 251 | 6 | 22 | 28 | 17 | 17 | 20 | 24 | 26 | 34 | 24 | 15 | 18 | 0 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (6) | 485 | 251 | 3 | 23 | 30 | 13 | 11 | 14 | 18 | 19 | 48 | 44 | 17 | 11 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
У истоков поэтического цикла К.Ф.Рылеева "Думы": элегия П.А.Плетнева "Миних" (1) | 1263 | 251 | 7 | 28 | 34 | 14 | 20 | 17 | 18 | 21 | 26 | 29 | 15 | 22 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 4 | 2 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 1 | 1296 | 250 | 6 | 35 | 25 | 21 | 12 | 19 | 18 | 22 | 31 | 32 | 15 | 14 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 4 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Заключение | 1132 | 249 | 5 | 20 | 21 | 14 | 10 | 23 | 29 | 24 | 41 | 34 | 16 | 12 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. Х | 876 | 249 | 6 | 33 | 35 | 21 | 13 | 14 | 18 | 23 | 30 | 22 | 21 | 13 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 5 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. V | 870 | 248 | 7 | 32 | 28 | 20 | 15 | 12 | 34 | 18 | 29 | 26 | 17 | 10 | 0 | 1 | 1 | 1 | 4 | 0 | 2 | 2 | 1 | 1 | 4 | 2 | 4 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 |
"Жизнь Петра Ивановича Данилова" (журнал "Атеней", 1830-1831) | 1442 | 247 | 6 | 31 | 23 | 15 | 15 | 22 | 16 | 19 | 31 | 36 | 16 | 17 | 0 | 4 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 4 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
О романе М.А.Булгакова "Белая гвардия" (дополнение) | 1164 | 247 | 6 | 26 | 28 | 10 | 14 | 26 | 41 | 17 | 28 | 21 | 14 | 16 | 0 | 4 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
В.Н.Турбин. В начале было Слово... (1993) | 1326 | 246 | 4 | 38 | 29 | 18 | 17 | 18 | 19 | 21 | 32 | 24 | 13 | 13 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 4 | 1 | 2 | 3 | 0 | 2 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 4 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (6) | 1095 | 246 | 5 | 27 | 26 | 17 | 8 | 10 | 20 | 37 | 30 | 31 | 16 | 19 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 1 | 350 | 246 | 6 | 19 | 28 | 15 | 12 | 12 | 22 | 18 | 26 | 36 | 29 | 23 | 0 | 2 | 1 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
Ещё о книге И.И.Лажечникова "Походные записки русского офицера" | 1443 | 246 | 8 | 23 | 25 | 18 | 12 | 16 | 34 | 23 | 32 | 22 | 16 | 17 | 0 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 3 | 738 | 246 | 6 | 24 | 32 | 23 | 12 | 9 | 30 | 21 | 29 | 26 | 16 | 18 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Тайна "Красного Перца" (заметки на полях книги о Булгакове-журналисте) | 1324 | 246 | 7 | 19 | 33 | 19 | 15 | 15 | 21 | 27 | 30 | 25 | 14 | 21 | 0 | 0 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
Булгаков и А.Н.Толстой | 1360 | 245 | 8 | 20 | 32 | 15 | 16 | 18 | 21 | 15 | 36 | 31 | 19 | 14 | 0 | 2 | 2 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Театр Леонида Андреева. Глава первая | 1281 | 245 | 9 | 23 | 25 | 22 | 16 | 12 | 29 | 14 | 32 | 30 | 17 | 16 | 0 | 4 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк первый | 1238 | 245 | 5 | 37 | 33 | 11 | 14 | 15 | 23 | 17 | 25 | 30 | 17 | 18 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 6 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 4 | 2 | 1 | 3 | 0 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
Вуланд, Варнуха и Короваев: черновики романа М.А.Булгакова "Мастер и Маргарита" в комедии А.Ф.Писемского "Хищники" (Мир Писемского. Статья первая). 2 | 832 | 245 | 6 | 35 | 30 | 14 | 13 | 18 | 21 | 26 | 24 | 24 | 19 | 15 | 0 | 3 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 |
Казаки - разбойники. Финалы двух произведений А.С.Пушкина и Н.В.Гоголя: романа "Дубровский" и повести "Тарас Бульба" (3) | 1135 | 243 | 7 | 28 | 33 | 18 | 13 | 14 | 26 | 22 | 29 | 23 | 17 | 13 | 0 | 3 | 2 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть третья. Глава X V I (продолжение) | 1049 | 243 | 6 | 16 | 35 | 24 | 12 | 15 | 28 | 20 | 27 | 32 | 13 | 15 | 0 | 2 | 4 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 6 | 419 | 243 | 5 | 29 | 23 | 9 | 9 | 15 | 31 | 22 | 26 | 30 | 27 | 17 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 3 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 1 | 517 | 243 | 5 | 34 | 32 | 9 | 18 | 12 | 21 | 34 | 24 | 25 | 18 | 11 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1 | 902 | 243 | 10 | 26 | 26 | 16 | 6 | 16 | 19 | 19 | 38 | 26 | 20 | 21 | 0 | 4 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Сочинение Телешевского". Часть первая. Главы I V - V | 1280 | 243 | 6 | 28 | 28 | 16 | 16 | 14 | 18 | 22 | 28 | 31 | 16 | 20 | 0 | 2 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 2 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 9 | 458 | 243 | 7 | 16 | 34 | 29 | 11 | 12 | 32 | 22 | 24 | 23 | 21 | 12 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 2 |
"Сочинение Телешевского". Часть первая. Глава I I I | 1366 | 242 | 10 | 34 | 28 | 13 | 12 | 18 | 14 | 26 | 28 | 27 | 19 | 13 | 0 | 5 | 3 | 2 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 3 | 515 | 241 | 9 | 20 | 29 | 11 | 13 | 11 | 24 | 24 | 26 | 33 | 23 | 18 | 0 | 2 | 4 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 |
"Сочинение Телешевского". Часть третья. Глава X V I I | 1051 | 240 | 8 | 33 | 28 | 13 | 13 | 17 | 17 | 22 | 30 | 22 | 24 | 13 | 0 | 4 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 |
В.Н.Турбин. Дядя Джо и саркома духа: И.В.Сталин на сцене и на экране (Независимая газета, 1992, N 241, 15 декабря) | 637 | 240 | 7 | 28 | 25 | 18 | 10 | 15 | 22 | 18 | 30 | 34 | 18 | 15 | 0 | 4 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (4) | 1097 | 240 | 2 | 32 | 37 | 19 | 12 | 12 | 16 | 19 | 23 | 27 | 17 | 24 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 1 | 376 | 239 | 6 | 20 | 25 | 12 | 13 | 11 | 40 | 17 | 37 | 25 | 13 | 20 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 10 | 497 | 239 | 4 | 27 | 26 | 11 | 15 | 11 | 22 | 18 | 31 | 29 | 31 | 14 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк пятый | 1214 | 239 | 3 | 34 | 28 | 14 | 9 | 20 | 31 | 21 | 36 | 19 | 10 | 14 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (2) | 1206 | 239 | 5 | 28 | 30 | 21 | 14 | 12 | 29 | 20 | 25 | 28 | 16 | 11 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (2) | 1176 | 239 | 7 | 31 | 31 | 27 | 13 | 13 | 21 | 12 | 30 | 20 | 17 | 17 | 0 | 3 | 0 | 0 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Н.Северин, Ф.Е.Зарин-Несвицкий, Р.Л.Антропов. X I | 891 | 238 | 7 | 24 | 28 | 14 | 14 | 14 | 18 | 28 | 32 | 18 | 24 | 17 | 0 | 2 | 1 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк четвертый | 1222 | 238 | 6 | 27 | 28 | 15 | 13 | 17 | 32 | 18 | 28 | 23 | 12 | 19 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 |
"Сочинение Телешевского". Часть вторая. Главы I V - V | 1039 | 238 | 9 | 26 | 30 | 23 | 9 | 16 | 17 | 19 | 25 | 28 | 18 | 18 | 0 | 4 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 3 | 618 | 238 | 3 | 31 | 25 | 15 | 17 | 14 | 21 | 26 | 32 | 22 | 17 | 15 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 4 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 4 | 623 | 238 | 8 | 35 | 34 | 14 | 12 | 13 | 17 | 22 | 27 | 27 | 18 | 11 | 0 | 1 | 5 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 4 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 |
"По прозванью Каланча..." Комментарий к одному литературоведческому наблюдению В.Н.Турбина | 873 | 238 | 7 | 37 | 31 | 20 | 14 | 12 | 15 | 15 | 36 | 23 | 13 | 15 | 0 | 3 | 2 | 2 | 0 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 5 | 856 | 238 | 8 | 20 | 34 | 11 | 13 | 12 | 21 | 18 | 30 | 31 | 23 | 17 | 0 | 3 | 3 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 4 | 1 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 5 | 324 | 237 | 3 | 25 | 18 | 16 | 12 | 15 | 24 | 22 | 27 | 33 | 19 | 23 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк второй | 1136 | 237 | 6 | 28 | 29 | 15 | 14 | 16 | 19 | 22 | 31 | 27 | 11 | 19 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть первая. Глава V I | 1232 | 237 | 3 | 31 | 19 | 16 | 10 | 12 | 17 | 34 | 32 | 29 | 14 | 20 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 |
"Стихотворения Н.И.Шибаева", 1830-31 гг | 1442 | 237 | 5 | 32 | 30 | 17 | 17 | 10 | 16 | 18 | 29 | 27 | 19 | 17 | 0 | 3 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 2 | 1416 | 237 | 5 | 21 | 31 | 20 | 14 | 17 | 17 | 21 | 29 | 24 | 20 | 18 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 4 | 710 | 236 | 6 | 26 | 31 | 16 | 15 | 16 | 21 | 18 | 28 | 24 | 16 | 19 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 |
Русский исторический роман начала Х X века (Д.С.Дмитриев). 1 | 824 | 236 | 5 | 35 | 34 | 18 | 10 | 17 | 14 | 22 | 27 | 25 | 18 | 11 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 |
В.Н.Турбин. Два этюда о Достоевском | 1301 | 236 | 6 | 32 | 28 | 15 | 13 | 13 | 22 | 18 | 38 | 21 | 16 | 14 | 0 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 2 | 3 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 5 | 595 | 236 | 8 | 33 | 27 | 11 | 15 | 17 | 25 | 21 | 24 | 31 | 14 | 10 | 0 | 4 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I V - V | 1332 | 236 | 9 | 26 | 31 | 16 | 12 | 15 | 20 | 16 | 30 | 26 | 18 | 17 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть первая. Главы V I I I - X | 1270 | 235 | 4 | 31 | 29 | 17 | 13 | 16 | 22 | 20 | 25 | 29 | 14 | 15 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 3 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 5 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 7 | 584 | 235 | 6 | 30 | 25 | 13 | 13 | 16 | 21 | 21 | 29 | 30 | 15 | 16 | 0 | 3 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Мотивы творчества А.С.Пушкина в повести В.И.Панаева "Не родись ни хорош ни пригож, а родись щастлив" (1818). Часть 2 | 1224 | 235 | 9 | 29 | 34 | 14 | 14 | 16 | 15 | 27 | 25 | 21 | 11 | 20 | 0 | 2 | 4 | 0 | 3 | 4 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 0 | 0 |
Русский исторический роман начала Х Х века (А.П.Павлов). 1 | 842 | 235 | 7 | 31 | 29 | 14 | 10 | 18 | 30 | 21 | 27 | 18 | 15 | 15 | 0 | 4 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 3 | 896 | 235 | 5 | 38 | 27 | 13 | 10 | 21 | 19 | 22 | 34 | 20 | 13 | 13 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 2 | 4 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 3 | 684 | 235 | 6 | 29 | 25 | 13 | 14 | 14 | 29 | 16 | 28 | 29 | 13 | 19 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 6 | 447 | 234 | 5 | 20 | 28 | 12 | 6 | 11 | 18 | 20 | 37 | 22 | 17 | 38 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 2 | 652 | 234 | 8 | 31 | 33 | 15 | 8 | 16 | 15 | 22 | 26 | 26 | 17 | 17 | 0 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 3 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
No X I I I. Сочинение Телешевского. М., 1833 | 875 | 234 | 3 | 27 | 25 | 14 | 10 | 16 | 22 | 31 | 35 | 25 | 14 | 12 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
П.А.Плетнев. Миних. (Элегия.) | 1245 | 234 | 6 | 28 | 35 | 14 | 7 | 18 | 23 | 19 | 24 | 24 | 18 | 18 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 |
Загадочный Гоголь: Опасная ярмарка (постскриптум) | 1367 | 234 | 7 | 32 | 27 | 15 | 11 | 17 | 23 | 21 | 23 | 26 | 16 | 16 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 4 | 3 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Н.И.Бобылев. Купидонов лук: Рукопись, найденная в бумагах покойного Ивана Ивановича (Невский альбом: Литературный сборник, издаваемый Николаем Бобылевым. Спб., 1839) | 294 | 234 | 4 | 15 | 23 | 21 | 13 | 16 | 23 | 25 | 35 | 24 | 22 | 13 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 |
Задуть луну: О рассказе М.А.Булгакова "В ночь на 3-е число" (1922) | 1286 | 234 | 6 | 23 | 32 | 16 | 11 | 17 | 20 | 16 | 38 | 26 | 16 | 13 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (3) | 1004 | 234 | 6 | 24 | 37 | 18 | 17 | 16 | 18 | 21 | 27 | 22 | 14 | 14 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (1) | 1285 | 233 | 7 | 34 | 23 | 16 | 11 | 15 | 17 | 22 | 32 | 24 | 18 | 14 | 0 | 2 | 3 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
Тургенев и Блок | 1306 | 233 | 9 | 23 | 30 | 16 | 11 | 16 | 32 | 25 | 21 | 25 | 13 | 12 | 0 | 4 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Т.Г.Мальчукова. О жанровых традициях в стихотворении А.С.Пушкина "Воспоминание" | 233 | 233 | 15 | 66 | 35 | 18 | 99 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 3 | 4 | 2 | 4 | 3 | 4 | 2 | 5 | 3 | 5 | 7 | 1 | 2 | 1 | 3 | 2 | 3 | 3 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 6 | 579 | 233 | 7 | 37 | 27 | 12 | 16 | 12 | 16 | 20 | 31 | 31 | 14 | 10 | 0 | 3 | 0 | 2 | 2 | 3 | 3 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов (тексты) | 1296 | 233 | 4 | 36 | 31 | 18 | 11 | 14 | 25 | 16 | 25 | 27 | 13 | 13 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I V | 865 | 233 | 7 | 25 | 31 | 15 | 16 | 9 | 23 | 28 | 27 | 25 | 13 | 14 | 0 | 5 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 2 | 707 | 232 | 5 | 39 | 28 | 13 | 13 | 19 | 18 | 17 | 29 | 21 | 15 | 15 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 |
О истинном величии человека. Спб., 1813 | 1345 | 232 | 4 | 25 | 28 | 19 | 9 | 10 | 18 | 27 | 27 | 34 | 16 | 15 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (4) | 935 | 232 | 5 | 24 | 33 | 18 | 8 | 13 | 18 | 15 | 33 | 30 | 16 | 19 | 0 | 1 | 3 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 7 | 295 | 231 | 5 | 16 | 27 | 7 | 10 | 14 | 23 | 23 | 26 | 33 | 25 | 22 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 6 | 1164 | 230 | 6 | 19 | 29 | 13 | 14 | 12 | 36 | 19 | 27 | 23 | 19 | 13 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I I | 881 | 230 | 4 | 38 | 29 | 13 | 10 | 14 | 22 | 23 | 23 | 25 | 17 | 12 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 3 | 2 | 2 | 2 | 2 | 3 | 1 | 3 | 0 | 2 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 4 | 600 | 230 | 7 | 28 | 28 | 26 | 10 | 14 | 18 | 24 | 31 | 23 | 14 | 7 | 0 | 4 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 |
"Стихотворения Р.А.Кудашевой". Часть третья | 1188 | 230 | 5 | 30 | 30 | 16 | 12 | 15 | 24 | 14 | 22 | 23 | 23 | 16 | 0 | 3 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 2 | 482 | 229 | 8 | 25 | 30 | 13 | 16 | 10 | 15 | 25 | 28 | 27 | 12 | 20 | 0 | 2 | 1 | 5 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 4 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (6) | 871 | 229 | 4 | 29 | 31 | 21 | 12 | 13 | 25 | 22 | 23 | 22 | 15 | 12 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 |
В.Н.Турбин. Catarina Secunda охотится (Советский экран, 1991, N 8) | 711 | 229 | 7 | 19 | 22 | 12 | 10 | 39 | 30 | 14 | 30 | 23 | 17 | 6 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. X I I I | 872 | 229 | 11 | 32 | 26 | 16 | 12 | 14 | 18 | 18 | 27 | 24 | 21 | 10 | 0 | 2 | 2 | 2 | 5 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 7 | 647 | 229 | 7 | 26 | 20 | 11 | 11 | 28 | 34 | 21 | 25 | 22 | 15 | 9 | 0 | 3 | 0 | 1 | 3 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"Вы чьё, старичьё?" Мотивы романов Ф.М.Достоевского "Преступление и наказание" и "Братья Карамазовы" в советской детской литературе 1920-х - 1930-х годов. Часть 4 | 839 | 228 | 6 | 35 | 27 | 11 | 15 | 17 | 24 | 14 | 25 | 30 | 11 | 13 | 0 | 2 | 3 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 3 | 1 | 6 | 1 | 0 | 4 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 3 | 704 | 228 | 4 | 27 | 25 | 13 | 10 | 15 | 18 | 30 | 30 | 33 | 9 | 14 | 0 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 2 | 760 | 228 | 4 | 19 | 36 | 26 | 8 | 12 | 22 | 30 | 24 | 24 | 14 | 9 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 5 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 0 | 1 |
Изобретение Гоголя. Исследование по истории русской литературы первой половины X I X века | 1401 | 228 | 4 | 25 | 23 | 21 | 13 | 21 | 21 | 23 | 26 | 22 | 12 | 17 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Музы работают (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 430 | 228 | 7 | 13 | 30 | 14 | 8 | 8 | 14 | 23 | 26 | 48 | 17 | 20 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 3 | 687 | 228 | 3 | 36 | 30 | 13 | 13 | 15 | 19 | 18 | 25 | 23 | 18 | 15 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Жители маленьких городков" (Предвосхищение мотивов повести Пушкина "Гробовщик" в военных мемуарах И.И.Лажечникова и А.Ф.Раевского) | 1480 | 227 | 8 | 24 | 28 | 15 | 11 | 20 | 16 | 20 | 26 | 23 | 16 | 20 | 0 | 2 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Дни на дне (Литературная газета, 1990, N 31, 1 августа, "Критик В.Турбин размышляет о современных фильмах и спектаклях") | 550 | 227 | 4 | 28 | 27 | 12 | 15 | 12 | 15 | 16 | 44 | 17 | 20 | 17 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 5 | 1220 | 227 | 7 | 18 | 30 | 15 | 13 | 10 | 13 | 24 | 35 | 33 | 14 | 15 | 0 | 4 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 2 | 732 | 226 | 3 | 29 | 28 | 15 | 7 | 17 | 35 | 16 | 21 | 30 | 15 | 10 | 0 | 1 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 3 | 662 | 226 | 7 | 24 | 28 | 27 | 8 | 10 | 16 | 26 | 25 | 29 | 15 | 11 | 0 | 5 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 |
"Стенограмма": отчет о событиях политической истории первой половины Х X века в комедии А.Ф.Писемского "Ипохондрик" (Мир Писемского. Статья вторая). 1 | 716 | 226 | 11 | 23 | 28 | 16 | 6 | 16 | 18 | 17 | 32 | 29 | 14 | 16 | 0 | 5 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 10 | 492 | 226 | 5 | 32 | 25 | 10 | 10 | 14 | 13 | 18 | 26 | 28 | 34 | 11 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 5 | 671 | 226 | 3 | 23 | 29 | 21 | 7 | 16 | 20 | 26 | 26 | 24 | 19 | 12 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 1 | 1297 | 226 | 7 | 25 | 34 | 12 | 14 | 14 | 15 | 20 | 31 | 25 | 14 | 15 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 |
В память графу Александру Ивановичу Кутайсову. Де Санглен. Спб., 1812 | 1280 | 226 | 5 | 34 | 25 | 15 | 16 | 14 | 18 | 15 | 32 | 23 | 13 | 16 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 4 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 11 | 635 | 226 | 6 | 27 | 26 | 9 | 13 | 15 | 16 | 25 | 32 | 24 | 14 | 19 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 4 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (5) | 889 | 225 | 6 | 22 | 31 | 20 | 9 | 11 | 29 | 14 | 28 | 24 | 13 | 18 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
О повести А.С.Чужбинского "Пробуждение" (1839) | 1370 | 225 | 8 | 29 | 35 | 11 | 7 | 12 | 17 | 19 | 23 | 28 | 21 | 15 | 0 | 3 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 6 | 485 | 225 | 7 | 19 | 21 | 17 | 12 | 14 | 35 | 13 | 27 | 28 | 17 | 15 | 0 | 4 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 |
"Горстка праха": о повести Гоголя "Сорочинская ярмарка" и пьесе Леонида Андреева "Савва". Главы I - I I I | 1404 | 225 | 9 | 21 | 28 | 10 | 10 | 12 | 13 | 16 | 34 | 35 | 21 | 16 | 0 | 3 | 5 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (8) | 455 | 225 | 6 | 24 | 25 | 13 | 13 | 13 | 17 | 24 | 31 | 32 | 12 | 15 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 1 | 649 | 225 | 6 | 18 | 25 | 15 | 11 | 12 | 20 | 26 | 23 | 37 | 19 | 13 | 0 | 4 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 1 | 385 | 225 | 6 | 29 | 27 | 14 | 12 | 17 | 13 | 25 | 30 | 24 | 17 | 11 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: М.Н.Волконский. I Х | 837 | 225 | 5 | 22 | 32 | 22 | 11 | 14 | 13 | 25 | 32 | 22 | 15 | 12 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 1 | 725 | 225 | 11 | 32 | 23 | 15 | 7 | 18 | 19 | 20 | 29 | 21 | 17 | 13 | 0 | 5 | 1 | 4 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 1 | 630 | 224 | 7 | 37 | 28 | 15 | 9 | 14 | 17 | 16 | 26 | 25 | 16 | 14 | 0 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 4 | 2 | 3 | 3 | 0 | 0 | 4 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Бывают странные сближения (Послесловие к книге: Волгин И.Л. Последний год Достоевского: Исторические записки. М., 1990). 1 | 526 | 224 | 7 | 22 | 24 | 13 | 15 | 15 | 25 | 22 | 27 | 22 | 15 | 17 | 0 | 2 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 2 | 710 | 224 | 5 | 21 | 28 | 27 | 9 | 10 | 20 | 24 | 21 | 27 | 18 | 14 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 |
В.Н.Турбин. Мафусаил перед выбором: Еще раз о фильме "День ангела" (ж-л "Экран" / Рига /, 1989, N 8) | 510 | 224 | 5 | 30 | 23 | 12 | 10 | 15 | 23 | 17 | 35 | 21 | 18 | 15 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (4) | 886 | 224 | 5 | 34 | 20 | 14 | 11 | 12 | 29 | 14 | 27 | 26 | 17 | 15 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 2 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Русский исторический роман начала Х Х века (М.Н.Волконский). 1 | 760 | 224 | 3 | 25 | 25 | 13 | 9 | 14 | 23 | 22 | 30 | 30 | 17 | 13 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 |
На изнанке булгаковской прозы (дополнение к предыдущему) | 1108 | 224 | 1 | 25 | 26 | 13 | 10 | 16 | 18 | 21 | 26 | 26 | 20 | 22 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 2 | 344 | 223 | 6 | 27 | 27 | 11 | 7 | 11 | 17 | 19 | 22 | 29 | 30 | 17 | 0 | 4 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (5) | 1057 | 223 | 5 | 36 | 28 | 17 | 11 | 10 | 15 | 23 | 25 | 22 | 15 | 16 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
В.Н.Турбин. Заметки на полях прочитанных пьес (Современная драматургия, 1984, N 1) | 301 | 223 | 4 | 15 | 26 | 24 | 12 | 12 | 16 | 15 | 23 | 23 | 35 | 18 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (5) | 478 | 222 | 6 | 23 | 33 | 14 | 12 | 10 | 23 | 14 | 21 | 25 | 18 | 23 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I | 924 | 222 | 9 | 33 | 25 | 14 | 16 | 13 | 18 | 21 | 27 | 22 | 11 | 13 | 1 | 3 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 11 | 505 | 222 | 9 | 29 | 26 | 20 | 10 | 12 | 19 | 20 | 22 | 22 | 19 | 14 | 0 | 4 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (2) | 505 | 222 | 5 | 26 | 30 | 12 | 17 | 14 | 17 | 22 | 24 | 26 | 21 | 8 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (3) | 435 | 222 | 6 | 32 | 29 | 13 | 13 | 14 | 15 | 17 | 27 | 28 | 12 | 16 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 3 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Информация о владельце раздела | 1151 | 222 | 8 | 23 | 31 | 13 | 6 | 15 | 29 | 19 | 23 | 22 | 14 | 19 | 0 | 1 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 8 | 518 | 222 | 9 | 31 | 22 | 15 | 8 | 13 | 23 | 15 | 24 | 31 | 15 | 16 | 0 | 4 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (3) | 1124 | 221 | 5 | 24 | 27 | 12 | 10 | 15 | 34 | 16 | 29 | 25 | 10 | 14 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
К вопросу о художественной функции анахронизмов в поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" | 1005 | 221 | 7 | 20 | 27 | 20 | 14 | 9 | 16 | 16 | 35 | 26 | 20 | 11 | 0 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 1 | 1278 | 221 | 5 | 20 | 30 | 18 | 11 | 15 | 14 | 25 | 24 | 27 | 16 | 16 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 5 | 723 | 221 | 5 | 26 | 32 | 9 | 6 | 14 | 26 | 22 | 23 | 28 | 16 | 14 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (1) | 1072 | 220 | 5 | 30 | 22 | 11 | 9 | 17 | 22 | 14 | 31 | 28 | 13 | 18 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 6 | 477 | 220 | 6 | 25 | 27 | 18 | 12 | 18 | 18 | 22 | 22 | 30 | 13 | 9 | 0 | 4 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Об участи Батюшкова. V - V I | 1165 | 220 | 7 | 24 | 31 | 16 | 9 | 9 | 20 | 14 | 24 | 27 | 17 | 22 | 0 | 3 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 |
"Сочинение Телешевского". Часть первая. Глава V I I | 1182 | 220 | 7 | 21 | 27 | 12 | 16 | 14 | 15 | 24 | 25 | 27 | 11 | 21 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
В.Н.Турбин. Распятие Йозефа К.: Кафка на сцене театра Станиславского (Литературная газета, 1991, N 3, 23 января) | 556 | 220 | 5 | 20 | 28 | 16 | 14 | 16 | 23 | 14 | 31 | 23 | 15 | 15 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
В.Н.Турбин. А если об антропологии стиля? (Взгляд: Сборник. Критика. Полемика. Публикации. Вып. 3. М., 1991) | 338 | 220 | 4 | 16 | 21 | 18 | 20 | 11 | 20 | 19 | 23 | 24 | 11 | 33 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
О стихотворении Г.Р.Державина "На возвращение графа Зубова из Персии" (2) | 1069 | 220 | 4 | 26 | 24 | 14 | 12 | 12 | 27 | 16 | 33 | 26 | 16 | 10 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
О литературном контексте первых публикаций произведений Пушкина "Пир во время чумы" и "На перевод Илиады". 3 | 1150 | 220 | 6 | 22 | 26 | 18 | 13 | 12 | 20 | 14 | 30 | 29 | 17 | 13 | 0 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Повесть Н.В.Данилевского "Адрианопольский мир" и поэма Е.А.Баратынского "Наложница" (фрагменты) | 1194 | 220 | 4 | 23 | 25 | 14 | 15 | 18 | 20 | 25 | 22 | 27 | 12 | 15 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 0 |
"Pro domo sua": об "ошибке Карамзина", "оправдании Гнедича" и о современном состоянии историко-литературной науки | 1214 | 220 | 6 | 27 | 29 | 14 | 8 | 16 | 16 | 18 | 29 | 29 | 14 | 14 | 0 | 2 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
Русский исторический роман начала Х Х века (Д.С.Дмитриев). 2 | 793 | 220 | 8 | 23 | 26 | 20 | 12 | 18 | 19 | 16 | 24 | 22 | 22 | 10 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
В.Н.Турбин. Размышления и разборы: Опыт обзора театроведческой литературы (Современная драматургия, 1983, N 1) | 866 | 219 | 8 | 27 | 22 | 17 | 17 | 14 | 15 | 22 | 29 | 24 | 11 | 13 | 0 | 4 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 2 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Русский лад. Очерки Василия Белова о народной эстетике (Советская Россия, 1981, 14 июня, N 136) | 333 | 219 | 7 | 24 | 24 | 15 | 11 | 22 | 22 | 21 | 19 | 28 | 19 | 7 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Катаев и... Китай | 1190 | 219 | 5 | 22 | 27 | 11 | 13 | 14 | 18 | 17 | 27 | 32 | 23 | 10 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I | 999 | 219 | 5 | 29 | 27 | 18 | 9 | 11 | 16 | 20 | 29 | 23 | 19 | 13 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Главы X - X I I | 1010 | 219 | 4 | 30 | 26 | 14 | 11 | 10 | 25 | 15 | 27 | 28 | 15 | 14 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы V I - I X | 1030 | 219 | 7 | 31 | 33 | 10 | 8 | 12 | 17 | 26 | 26 | 23 | 11 | 15 | 0 | 4 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 4 | 490 | 219 | 4 | 28 | 23 | 14 | 13 | 17 | 22 | 17 | 23 | 31 | 13 | 14 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский, А.Шардин. X V | 812 | 218 | 5 | 17 | 27 | 16 | 19 | 15 | 19 | 16 | 32 | 21 | 15 | 16 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I | 889 | 218 | 5 | 29 | 33 | 13 | 8 | 15 | 22 | 18 | 28 | 20 | 13 | 14 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
П.П.Свиньин. Отрывки из книги "Опыт живописного путешествия по Северной Америке" | 1280 | 218 | 7 | 23 | 24 | 15 | 9 | 18 | 27 | 17 | 26 | 24 | 16 | 12 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
"Осколки разбитого вдребезги": Повесть Н.И.Бобылева "Купидонов лук" и ее место в литературном процессе 1830-х годов. Часть вторая | 218 | 218 | 5 | 24 | 22 | 11 | 11 | 14 | 20 | 12 | 35 | 64 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X века: П.В.Полежаев, Е.А.Салиас и К.П.Масальский. I V | 1035 | 218 | 8 | 29 | 31 | 12 | 10 | 10 | 17 | 18 | 30 | 23 | 16 | 14 | 0 | 3 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 4 | 3 | 1 | 2 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" и поэме А.А.Бестужева-Марлинского "Андрей, князь Переяславский" (8) | 815 | 217 | 6 | 19 | 31 | 13 | 16 | 12 | 21 | 17 | 29 | 20 | 17 | 16 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
"Сочинение Телешевского". Часть вторая. Главы I I - I I I | 1038 | 217 | 6 | 29 | 23 | 12 | 13 | 17 | 17 | 22 | 24 | 23 | 18 | 13 | 0 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 3 | 1 | 1 | 4 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. "Арзамас" в кинематографе, или Несколько слов об именинах Мафусаила (Искусство кино, 1988, N 6) | 601 | 217 | 4 | 15 | 23 | 14 | 15 | 15 | 36 | 17 | 24 | 21 | 20 | 13 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Театр Леонида Андреева. Глава третья | 1237 | 217 | 4 | 19 | 34 | 15 | 10 | 13 | 18 | 20 | 27 | 23 | 21 | 13 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 3 | 297 | 216 | 3 | 30 | 25 | 8 | 8 | 10 | 20 | 21 | 24 | 31 | 21 | 15 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Около эколо": к вопросу о художественной топографии в произведениях Пушкина | 524 | 216 | 7 | 21 | 24 | 16 | 11 | 17 | 20 | 23 | 23 | 26 | 16 | 12 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
"Веревочка". Опыт исследования истории русской литературы первой половины X I X века: Пушкин, Гоголь, Достоевский. I I I | 988 | 216 | 4 | 21 | 30 | 13 | 7 | 13 | 19 | 18 | 31 | 25 | 17 | 18 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (9) | 427 | 216 | 12 | 33 | 23 | 9 | 8 | 14 | 19 | 11 | 28 | 25 | 20 | 14 | 0 | 5 | 3 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
Еще о стихотворении Н.И.Гнедича "Скоротечность юности" (1809) | 1283 | 216 | 3 | 26 | 23 | 14 | 10 | 21 | 18 | 10 | 28 | 29 | 18 | 16 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 4 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 2 | 790 | 216 | 5 | 27 | 22 | 13 | 15 | 14 | 18 | 16 | 26 | 26 | 24 | 10 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
В.Н.Турбин. Политика, власть, безумие (Экран, 1991, N 17; о фильме К.Шахназарова "Цареубийца") | 442 | 215 | 3 | 21 | 25 | 15 | 16 | 11 | 19 | 19 | 28 | 26 | 16 | 16 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"Доктор Ястребцов" I I. Из исследований по истории русской литературы первой половины X I X века (2) | 926 | 215 | 6 | 26 | 26 | 23 | 10 | 8 | 19 | 24 | 27 | 20 | 12 | 14 | 0 | 4 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Театр Леонида Андреева. Глава четвертая | 1239 | 215 | 8 | 24 | 26 | 10 | 10 | 17 | 12 | 15 | 35 | 28 | 13 | 17 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
Белинский начинается... К вопросу о литературном дебюте В.Г.Белинского в 1834 году (2) | 996 | 215 | 5 | 19 | 22 | 16 | 8 | 11 | 29 | 16 | 34 | 22 | 18 | 15 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Литературоведение? Зачем? (Литературная газета, 1993, N 9, 3 марта) | 531 | 215 | 6 | 19 | 25 | 19 | 13 | 16 | 18 | 18 | 25 | 31 | 11 | 14 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 3 | 1179 | 214 | 4 | 25 | 25 | 16 | 14 | 13 | 19 | 17 | 31 | 23 | 15 | 12 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 3 | 1 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Из наблюдений над повестью А.И.Емичева "Заклятый поцелуй" (6) | 890 | 214 | 9 | 20 | 31 | 17 | 16 | 9 | 15 | 19 | 27 | 22 | 11 | 18 | 0 | 2 | 4 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
"Бледный огонь": заметки о стихотворениях Н.С.Гумилева и О.Э.Мандельштама. 4 | 1154 | 214 | 4 | 17 | 28 | 18 | 17 | 15 | 21 | 22 | 23 | 24 | 13 | 12 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 1 | 771 | 214 | 6 | 28 | 29 | 12 | 9 | 11 | 20 | 19 | 28 | 27 | 15 | 10 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 |
"Воздушный караван": булгаковский субстрат "коллективного романа" | 1319 | 214 | 3 | 23 | 36 | 16 | 12 | 15 | 20 | 16 | 26 | 22 | 12 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 6 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
В.Н.Турбин. ...А тайна опять и опять в поэтике сокрыта (Советская культура, 1987, N 18, 10 февраля) | 789 | 213 | 4 | 21 | 22 | 16 | 10 | 17 | 26 | 19 | 25 | 31 | 10 | 12 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (1) | 438 | 213 | 9 | 27 | 24 | 7 | 7 | 13 | 17 | 17 | 28 | 31 | 17 | 16 | 0 | 2 | 3 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Об участи Батюшкова. I I I - I V | 1123 | 213 | 9 | 24 | 26 | 13 | 13 | 11 | 17 | 14 | 26 | 29 | 17 | 14 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 |
Повесть Н.В.Данилевского "Адрианопольский мир" (1829) и ее роль в творчестве Пушкина и Баратынского. Часть 3 | 1149 | 212 | 4 | 22 | 29 | 14 | 8 | 11 | 20 | 17 | 27 | 26 | 20 | 14 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
"Не родись ни хорош ни пригож, а родись щастлив" (Истинное происшествие). Из журнала "Благонамеренный", 1818, часть 1, N 1. (Окончание) | 797 | 212 | 5 | 16 | 27 | 14 | 8 | 17 | 13 | 25 | 31 | 29 | 17 | 10 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Манифест русского феминизма: драма А.Ф.Писемского "Просвещенное время" (Мир Писемского. Статья четвертая). 5 | 643 | 212 | 7 | 19 | 24 | 13 | 12 | 13 | 15 | 20 | 24 | 35 | 18 | 12 | 0 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 1 | 780 | 212 | 5 | 25 | 24 | 15 | 11 | 16 | 13 | 16 | 28 | 24 | 17 | 18 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 3 | 429 | 212 | 4 | 28 | 24 | 17 | 13 | 10 | 17 | 18 | 21 | 28 | 15 | 17 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 2 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 3 | 465 | 212 | 8 | 21 | 21 | 13 | 13 | 14 | 18 | 23 | 26 | 27 | 14 | 14 | 0 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 12 | 479 | 211 | 8 | 32 | 22 | 10 | 8 | 10 | 14 | 13 | 32 | 23 | 28 | 11 | 0 | 3 | 3 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 3 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Главы X I V - X V I | 1011 | 211 | 5 | 26 | 24 | 14 | 11 | 13 | 21 | 16 | 33 | 20 | 16 | 12 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
О ближайшем литературном контексте публикаций А.С.Пушкина в журнале "Телескоп" в 1831 году. Часть 3 | 714 | 211 | 6 | 15 | 29 | 12 | 13 | 12 | 21 | 17 | 28 | 33 | 12 | 13 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (5) | 1054 | 211 | 6 | 26 | 26 | 17 | 10 | 12 | 21 | 11 | 27 | 19 | 19 | 17 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 2 | 648 | 211 | 5 | 23 | 30 | 13 | 14 | 7 | 17 | 21 | 24 | 26 | 18 | 13 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Сегодня на экране: Размышления в фойе кинотеатра (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 422 | 211 | 3 | 18 | 30 | 8 | 12 | 8 | 35 | 11 | 27 | 24 | 19 | 16 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
В.Н.Турбин. Спасите наши лица! (Литературная газета, 1990, N 42, 17 октября) | 542 | 210 | 7 | 24 | 26 | 12 | 11 | 12 | 20 | 18 | 25 | 26 | 17 | 12 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Товарищ время и товарищ искусство. М., Искусство, 1961. Содержание | 409 | 210 | 6 | 18 | 27 | 10 | 15 | 13 | 13 | 17 | 30 | 29 | 20 | 12 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: К.П.Масальский и М.Н.Волконский. V I I | 825 | 210 | 6 | 31 | 26 | 15 | 13 | 12 | 15 | 18 | 22 | 24 | 13 | 15 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 4 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 3 | 327 | 210 | 9 | 21 | 27 | 10 | 8 | 10 | 17 | 22 | 32 | 26 | 15 | 13 | 0 | 3 | 1 | 5 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 4 | 450 | 210 | 5 | 34 | 24 | 12 | 9 | 13 | 19 | 14 | 24 | 28 | 11 | 17 | 0 | 3 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 4 | 401 | 209 | 7 | 17 | 23 | 16 | 10 | 15 | 17 | 21 | 30 | 22 | 14 | 17 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (4) | 449 | 208 | 3 | 23 | 30 | 12 | 9 | 10 | 13 | 17 | 23 | 31 | 19 | 18 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 11 | 434 | 208 | 4 | 26 | 31 | 12 | 10 | 11 | 19 | 19 | 21 | 23 | 20 | 12 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Р.Л.Антропов. X I I | 839 | 208 | 7 | 20 | 23 | 15 | 11 | 16 | 17 | 20 | 25 | 24 | 14 | 16 | 0 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 1 | 531 | 208 | 9 | 30 | 24 | 14 | 6 | 12 | 21 | 16 | 21 | 30 | 15 | 10 | 0 | 4 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 5 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I I (окончание) | 940 | 208 | 4 | 21 | 26 | 11 | 8 | 11 | 27 | 16 | 25 | 27 | 17 | 15 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
А.И.Емичев. Заклятый поцелуй (Телескоп, 1834, т. 22, N 33) | 1150 | 208 | 7 | 27 | 28 | 12 | 16 | 21 | 18 | 25 | 22 | 17 | 7 | 8 | 0 | 4 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 2 | 678 | 208 | 6 | 25 | 23 | 21 | 10 | 12 | 13 | 21 | 22 | 22 | 16 | 17 | 0 | 2 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"В усах и кивере два грозных часовых..." (из материалов для комментария к стихотворению Пушкина "Мирская власть") | 1227 | 208 | 6 | 23 | 32 | 16 | 4 | 10 | 19 | 16 | 33 | 20 | 15 | 14 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 |
Об участи Батюшкова. I | 1169 | 207 | 3 | 23 | 26 | 18 | 8 | 12 | 17 | 13 | 31 | 28 | 13 | 15 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 13 | 431 | 207 | 5 | 21 | 27 | 15 | 11 | 10 | 24 | 18 | 26 | 25 | 14 | 11 | 0 | 4 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 7 | 418 | 207 | 5 | 29 | 23 | 14 | 9 | 12 | 19 | 15 | 19 | 30 | 21 | 11 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 1 |
К вопросу о литературных взаимоотношениях Баратынского и М.А.Бестужева-Рюмина (7) | 438 | 207 | 4 | 21 | 29 | 10 | 8 | 14 | 20 | 16 | 26 | 22 | 18 | 19 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
"Всегда и в пурпуре, и в злате...": об историко-литературном подтексте повести И.И.Панаева "Кошелек" (1838). 4 | 289 | 207 | 6 | 25 | 22 | 10 | 9 | 10 | 20 | 18 | 24 | 23 | 27 | 13 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Глава X I I I | 947 | 207 | 7 | 20 | 25 | 10 | 9 | 15 | 18 | 21 | 30 | 23 | 15 | 14 | 0 | 4 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 1 | 718 | 206 | 11 | 17 | 24 | 14 | 10 | 13 | 14 | 18 | 24 | 28 | 19 | 14 | 0 | 6 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 |
Об участи Батюшкова. V I I I - I X | 1054 | 205 | 10 | 20 | 20 | 16 | 9 | 13 | 14 | 23 | 23 | 27 | 10 | 20 | 0 | 3 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 4 | 798 | 205 | 3 | 19 | 29 | 17 | 5 | 11 | 25 | 17 | 23 | 25 | 19 | 12 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 2 | 2 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 6 | 654 | 205 | 4 | 24 | 29 | 9 | 10 | 11 | 19 | 13 | 28 | 18 | 21 | 19 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 5 | 329 | 205 | 7 | 31 | 20 | 10 | 13 | 15 | 14 | 17 | 25 | 25 | 17 | 11 | 0 | 4 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 |
Об участи Батюшкова. I I | 1047 | 205 | 7 | 23 | 30 | 13 | 12 | 10 | 16 | 16 | 24 | 23 | 14 | 17 | 0 | 5 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 2 | 387 | 205 | 3 | 24 | 26 | 19 | 11 | 12 | 18 | 15 | 31 | 20 | 17 | 9 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
К вопросу о художественной функции анахронизмов в повести В.К.Кюхельбекера "Адо" (7) | 988 | 204 | 8 | 18 | 26 | 15 | 12 | 14 | 16 | 18 | 29 | 21 | 13 | 14 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 6 | 632 | 204 | 3 | 29 | 18 | 14 | 4 | 23 | 29 | 13 | 24 | 24 | 14 | 9 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 8 | 654 | 204 | 4 | 24 | 30 | 15 | 7 | 15 | 18 | 16 | 25 | 23 | 16 | 11 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 3 | 1140 | 204 | 9 | 27 | 26 | 12 | 9 | 10 | 17 | 15 | 27 | 25 | 13 | 14 | 0 | 3 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Об участи Батюшкова. V I I | 1164 | 204 | 9 | 22 | 25 | 14 | 6 | 9 | 12 | 17 | 30 | 28 | 13 | 19 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 2 | 1065 | 204 | 3 | 20 | 27 | 14 | 11 | 11 | 16 | 13 | 29 | 23 | 19 | 18 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин. X V I I | 666 | 204 | 5 | 16 | 29 | 10 | 10 | 10 | 24 | 22 | 25 | 24 | 16 | 13 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 10 | 651 | 204 | 6 | 19 | 29 | 14 | 5 | 13 | 17 | 23 | 21 | 31 | 13 | 13 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. У страха глаза велики (Учительская газета, 1987, N 14, 3 февраля, рубрика "Наш современник - Пушкин") | 520 | 204 | 5 | 19 | 35 | 11 | 12 | 14 | 15 | 14 | 29 | 23 | 19 | 8 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 2 | 0 | 1 | 0 |
"Холодная мозговая игра": осмысление "петербургского периода русской истории" в комедии А.Ф.Писемского "Раздел" (Мир Писемского. Статья пятая). 9 | 534 | 204 | 4 | 26 | 31 | 9 | 11 | 8 | 20 | 20 | 26 | 22 | 10 | 17 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 |
В.Н.Турбин. Шестидесятники: блеск и нищета (Искусство кино, 1992, N 4) | 834 | 204 | 8 | 20 | 24 | 11 | 10 | 13 | 19 | 18 | 33 | 23 | 14 | 11 | 0 | 4 | 3 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 |
Пушкин и Плетнев (к изучению их литературных взаимоотношений). 2 | 971 | 203 | 6 | 16 | 30 | 9 | 11 | 14 | 15 | 13 | 27 | 29 | 13 | 20 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 14 | 458 | 203 | 3 | 24 | 24 | 11 | 11 | 12 | 20 | 19 | 26 | 27 | 13 | 13 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 4 | 729 | 203 | 7 | 23 | 27 | 16 | 9 | 14 | 12 | 22 | 25 | 21 | 14 | 13 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 4 | 639 | 203 | 3 | 17 | 29 | 16 | 12 | 10 | 16 | 23 | 26 | 28 | 15 | 8 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
"Незадолго до Водолея..." (опыт комментария-воспоминания). 4 | 1120 | 203 | 4 | 22 | 31 | 12 | 10 | 12 | 17 | 17 | 25 | 26 | 13 | 14 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 |
Писатель и сочинитель: Еще к вопросу о рефлексах публикаций из журнала "Корабль" в творчестве Б.А.Пильняка | 1110 | 203 | 9 | 16 | 24 | 15 | 9 | 9 | 18 | 22 | 29 | 22 | 17 | 13 | 0 | 1 | 3 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 |
В.Н.Турбин. И боль, и надежды (Литературная Россия, 1989, N 2, 13 января) | 526 | 203 | 4 | 19 | 24 | 10 | 9 | 15 | 15 | 24 | 27 | 27 | 16 | 13 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 3 | 655 | 201 | 4 | 22 | 23 | 20 | 9 | 12 | 15 | 23 | 22 | 24 | 13 | 14 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 6 | 687 | 201 | 8 | 15 | 28 | 16 | 8 | 13 | 18 | 19 | 26 | 24 | 14 | 12 | 0 | 3 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 9 | 685 | 199 | 6 | 23 | 30 | 10 | 9 | 11 | 19 | 16 | 23 | 24 | 20 | 8 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 14 | 588 | 199 | 5 | 16 | 29 | 6 | 14 | 16 | 14 | 20 | 27 | 20 | 18 | 14 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: А.Шардин, К.П.Масальский. X V I | 707 | 199 | 7 | 23 | 26 | 9 | 12 | 8 | 21 | 17 | 35 | 17 | 10 | 14 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 4 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Театр Леонида Андреева. Глава вторая | 1142 | 198 | 6 | 21 | 23 | 13 | 11 | 10 | 19 | 13 | 24 | 25 | 19 | 14 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
"Сочинение Телешевского". Часть вторая. Глава X V I (продолжение) | 956 | 198 | 3 | 24 | 26 | 8 | 8 | 8 | 17 | 19 | 23 | 26 | 23 | 13 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Во сне и наяву: Повесть Ф.М.Достоевского "Дядюшкин сон" на телевизионном экране (Советская Россия, 1981, 29 ноября, N 276) | 318 | 198 | 10 | 16 | 23 | 16 | 8 | 8 | 17 | 22 | 22 | 32 | 12 | 12 | 0 | 3 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
В.Н.Турбин. Не для обнюхивания, а для изобретения (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 365 | 198 | 4 | 26 | 26 | 21 | 11 | 13 | 12 | 19 | 19 | 17 | 15 | 15 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 6 | 337 | 198 | 4 | 29 | 24 | 7 | 12 | 13 | 11 | 19 | 25 | 23 | 17 | 14 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 2 |
"Веревочка": Опыт исследования истории русской литературы X I X - начала Х Х века: Е.А.Салиас, Д.С.Дмитриев, В.В.Крестовский. X V I I I | 699 | 198 | 6 | 23 | 25 | 14 | 11 | 12 | 15 | 12 | 28 | 23 | 14 | 15 | 0 | 5 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 7 | 447 | 198 | 4 | 23 | 25 | 17 | 5 | 10 | 25 | 14 | 23 | 25 | 15 | 12 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
В.Н.Турбин. Юность мысли. В экспериментальном цехе истории (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 343 | 198 | 6 | 18 | 33 | 9 | 10 | 11 | 17 | 21 | 25 | 24 | 9 | 15 | 0 | 3 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 2 |
"Жизнь": Н.В.Гоголь, Ф.В.Булгарин и свят. Григорий Богослов. Очерк третий | 1063 | 197 | 5 | 22 | 27 | 13 | 5 | 14 | 16 | 17 | 26 | 28 | 11 | 13 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 12 | 597 | 197 | 5 | 22 | 23 | 7 | 9 | 11 | 24 | 13 | 27 | 25 | 16 | 15 | 0 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
В.Н.Турбин. Голод и боль Михаила Бахтина (Литературная газета, 1994, N 24, 15 июня. Публикация О.В.Турбиной) | 524 | 197 | 8 | 17 | 31 | 10 | 6 | 16 | 15 | 18 | 29 | 22 | 13 | 12 | 0 | 4 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 4 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 5 | 384 | 197 | 6 | 15 | 32 | 12 | 13 | 12 | 17 | 17 | 20 | 30 | 11 | 12 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 2 | 461 | 196 | 4 | 21 | 23 | 12 | 9 | 11 | 17 | 10 | 29 | 27 | 21 | 12 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I I. 1 | 695 | 196 | 5 | 18 | 24 | 19 | 10 | 12 | 17 | 23 | 23 | 21 | 13 | 11 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Освобождаясь от иллюзий (Советская культура, 1989, N 109, 12 сентября) | 734 | 196 | 6 | 18 | 27 | 11 | 10 | 14 | 11 | 19 | 26 | 26 | 16 | 12 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 |
В.Н.Турбин. Наш Пушкин (Советская культура, 1982, N 45, 4 июня) | 311 | 195 | 5 | 17 | 25 | 12 | 10 | 11 | 19 | 19 | 20 | 26 | 15 | 16 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Сочинение Телешевского". Часть третья. Глава X V I (окончание) | 920 | 195 | 4 | 20 | 28 | 11 | 9 | 11 | 18 | 16 | 20 | 29 | 15 | 14 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 0 |
В.Н.Турбин. Когда ломают игрушки... (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 337 | 195 | 7 | 16 | 26 | 12 | 8 | 11 | 20 | 17 | 30 | 24 | 10 | 14 | 0 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
"Сочинение Телешевского". Часть вторая. Глава I | 1073 | 195 | 2 | 22 | 26 | 11 | 10 | 11 | 15 | 23 | 24 | 24 | 12 | 15 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 1) | 778 | 195 | 5 | 23 | 22 | 14 | 14 | 8 | 27 | 18 | 22 | 21 | 9 | 12 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
"Pro domo sua": к истории возникновения "Заметки о сочинениях Жуковского и Батюшкова" П.А.Плетнева. 2 | 1109 | 194 | 9 | 17 | 25 | 19 | 11 | 11 | 17 | 12 | 26 | 27 | 7 | 13 | 0 | 2 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
Об участи Батюшкова. X - X I | 1099 | 194 | 6 | 15 | 29 | 13 | 8 | 11 | 20 | 16 | 24 | 28 | 13 | 11 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 12 | 439 | 194 | 4 | 24 | 24 | 11 | 10 | 10 | 17 | 20 | 24 | 23 | 15 | 12 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
В.Н.Турбин. У врат тайны: По поводу телесериала "Монстр" (Литературная газета, 1992, N 50, 9 декабря) | 561 | 192 | 8 | 20 | 26 | 11 | 10 | 11 | 17 | 10 | 28 | 26 | 13 | 12 | 0 | 2 | 5 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 5 | 665 | 192 | 3 | 15 | 29 | 14 | 4 | 13 | 20 | 16 | 32 | 17 | 15 | 14 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 9 | 323 | 192 | 5 | 23 | 27 | 8 | 10 | 18 | 13 | 15 | 22 | 27 | 14 | 10 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 7 | 398 | 192 | 7 | 15 | 24 | 9 | 11 | 10 | 14 | 17 | 27 | 26 | 18 | 14 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
Кто есть кто: проблема авторства в пьесе А.Ф.Писемского "Ваал" (Мир Писемского. Статья шестая). 5 | 432 | 192 | 6 | 21 | 26 | 9 | 8 | 11 | 14 | 22 | 27 | 21 | 17 | 10 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 |
"Бэтман", "Черный плащ" и другие: мотивы отечественной и зарубежной фантастики в повести А.Ф.Писемского "M-r Батманов" (1852). 3 | 325 | 192 | 2 | 27 | 19 | 11 | 10 | 15 | 13 | 19 | 24 | 24 | 16 | 12 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
"Пять снов": опыты "шекспировской" драматургии в пьесах А.Ф.Писемского "Поручик Гладков" и "Самоуправцы" (Мир Писемского. Статья третья). 13 | 644 | 192 | 4 | 16 | 24 | 14 | 11 | 13 | 12 | 22 | 26 | 23 | 13 | 14 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
У истоков булгаковской драматургии: взаимное отражение комедии А.Ф.Писемского "Финансовый гений" и трагифарса М.А.Булгакова "Зойкина квартира" (Мир Писемского. Статья седьмая). 8 | 448 | 192 | 4 | 15 | 29 | 9 | 10 | 14 | 16 | 13 | 21 | 32 | 16 | 13 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 0 | 0 | 4 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Трибуна и амвон (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 346 | 191 | 5 | 21 | 22 | 13 | 10 | 9 | 18 | 16 | 22 | 26 | 14 | 15 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
"Вы струсили". Кн. Голицын. Из журнала: Библиотека для Чтения, 1834, ч.3, N 2 (5). Отд. "Русская словесность" | 1107 | 191 | 4 | 15 | 35 | 14 | 8 | 12 | 16 | 18 | 24 | 19 | 12 | 14 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 2 | 2 | 1 | 1 | 0 |
В.Н.Турбин. Постижение правды: "Дорога" в Театре на Малой Бронной и "Братья Карамазовы" в Театре имени Моссовета (Советская Россия, 1980, N 104, 6 мая) | 247 | 190 | 6 | 15 | 23 | 11 | 13 | 16 | 19 | 15 | 28 | 18 | 11 | 15 | 0 | 3 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 |
В.Н.Турбин. Догадки модернизма (Новое время, 1989, N 1, 1 января) | 355 | 190 | 4 | 19 | 27 | 9 | 11 | 8 | 27 | 14 | 26 | 21 | 13 | 11 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 2 | 318 | 190 | 4 | 23 | 21 | 13 | 10 | 10 | 14 | 18 | 28 | 24 | 15 | 10 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). 7 | 671 | 190 | 3 | 18 | 28 | 13 | 11 | 12 | 14 | 18 | 18 | 26 | 16 | 13 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 3 | 621 | 188 | 4 | 23 | 24 | 12 | 7 | 10 | 16 | 18 | 28 | 27 | 9 | 10 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
В.Н.Турбин. Одиночество: Современная французская новелла. Сост. Т.Ворсанова. Пред. Н.Ржевской. М., Прогресс, 1981 (Иностранная литература, 1983, N 4) | 231 | 187 | 6 | 20 | 21 | 10 | 12 | 12 | 17 | 17 | 21 | 23 | 14 | 14 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. И все формы, как формулы, непреложно верны (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 372 | 186 | 6 | 22 | 26 | 8 | 9 | 9 | 17 | 19 | 24 | 20 | 19 | 7 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 4 | 355 | 183 | 5 | 17 | 24 | 8 | 11 | 9 | 17 | 17 | 27 | 22 | 15 | 11 | 0 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 |
В.Н.Турбин. Слово - все, реальность - ничто? (Социум, 1991, N 9) | 353 | 181 | 7 | 12 | 28 | 12 | 12 | 10 | 19 | 10 | 26 | 20 | 15 | 10 | 0 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. У нашего микрофона творчество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 345 | 181 | 7 | 20 | 20 | 12 | 7 | 7 | 18 | 16 | 26 | 22 | 12 | 14 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
В.Н.Турбин. Электроды и электричество (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 365 | 180 | 4 | 17 | 28 | 12 | 9 | 11 | 14 | 18 | 19 | 20 | 14 | 14 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 7 | 277 | 180 | 6 | 11 | 22 | 9 | 16 | 10 | 14 | 19 | 24 | 23 | 19 | 7 | 0 | 4 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
В.Н.Турбин. [ Об А.И.Солженицыне ] (Литературная газеета, 1991, N 28; под общим заголовком "Год Солженицына") | 265 | 178 | 8 | 19 | 25 | 6 | 11 | 13 | 17 | 14 | 29 | 18 | 10 | 8 | 0 | 2 | 5 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 |
В.Н.Турбин. Несколько слов в защиту само собой разумеющегося (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 361 | 178 | 5 | 23 | 19 | 13 | 8 | 12 | 16 | 15 | 23 | 23 | 10 | 11 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
"Четвертое измерение": образ релятивистской действительности в романе А.Ф.Писемского "Боярщина". 8 | 321 | 177 | 5 | 18 | 27 | 9 | 10 | 11 | 13 | 14 | 25 | 20 | 13 | 12 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
В ожидании Булгакова (Русский исторический роман 1900-х - 1910-х годов). I I. 2 | 650 | 177 | 5 | 18 | 20 | 14 | 8 | 10 | 14 | 19 | 26 | 18 | 12 | 13 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Баратынский и Батюшков (переход от Батюшкова к Баратынскому) 8 | 332 | 177 | 6 | 23 | 18 | 13 | 8 | 13 | 15 | 15 | 21 | 20 | 9 | 16 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Духовное в привычном (Советская Россия, 1980, 12 июня, N 134) | 254 | 174 | 4 | 14 | 25 | 9 | 5 | 11 | 14 | 15 | 18 | 24 | 20 | 15 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Окурки - паровозы - ракеты (Из книги: Товарищ время и товарищ искусство. М., Искусство, 1961) | 318 | 174 | 6 | 15 | 24 | 11 | 6 | 10 | 15 | 22 | 27 | 16 | 11 | 11 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Мяч. Повесть. ("Благонамеренный", 1826, часть 33, N 2) | 730 | 172 | 2 | 18 | 20 | 15 | 7 | 9 | 18 | 11 | 28 | 19 | 16 | 9 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Несколько слов об Эрнсте Неизвестном (Красноярский комсомолец, 1967, N 19, 12 февраля, воскресенье; рубрика "Гости "Вечернего Красноярска", "Комментирует В.Турбин"; страница "Вечерний Красноярск") | 215 | 168 | 5 | 15 | 23 | 11 | 12 | 13 | 15 | 9 | 20 | 25 | 11 | 9 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I | 166 | 166 | 11 | 47 | 33 | 16 | 59 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 4 | 1 | 0 | 3 | 2 | 1 | 4 | 3 | 5 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Введение | 160 | 160 | 6 | 23 | 23 | 13 | 43 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 0 |
Е.М.Калло, В.Н.Турбин. Эхо "Вакхической песни" (Болдинские чтения. Горький, 1981) | 126 | 126 | 9 | 30 | 28 | 26 | 33 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 4 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
Послесловие к статье Е.М.Калло и В.Н.Турбина "Эхо "Вакхической песни" | 123 | 123 | 10 | 28 | 28 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
В.Н.Турбин. Люди и запятые: Заметки экзаменатора (Комсомольская правда, 1956, N 243, 13 октября) | 112 | 112 | 8 | 32 | 27 | 45 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Танго из-под палки. Пьеса Славомира Мрожека в постановке Александра Вилькина (Комсомольская правда, 1989, N 189, 17 августа) | 111 | 111 | 8 | 29 | 28 | 46 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 |
Опыт классификации повествовательных форм в поэме А.С.Пушкина "Руслан и Людмила". Глава I (окончание) | 110 | 110 | 9 | 49 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 4 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 3 | 4 | 3 | 2 | 0 | 1 | 3 | 1 | 2 | 3 | 2 | 2 | 0 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 4 | 3 | 1 | 3 | 7 | 4 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. М.М.Бахтин: Буэнос-Айрес - Кемерово (Литературная Россия, 1989, N 18, 5 мая) | 101 | 101 | 6 | 26 | 25 | 44 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 0 |
"Пушкинское" стихотворение Ф.Н.Глинки (1) | 100 | 100 | 8 | 45 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 3 | 1 | 4 | 4 | 4 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 2 | 0 | 3 | 3 | 3 | 2 | 5 | 3 | 1 | 4 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | |
В.Н.Турбин. Жизнь, любовь и концепции: По поводу кинофильма Т.Абуладзе "Древо желания" (Дружба народов, 1978, N 5) | 92 | 92 | 8 | 30 | 54 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 4 | 0 | 1 | 1 | 2 | 2 | 0 | 6 | 1 | 3 | 3 | 5 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. Доедет ли колесо до Казани? Субъективные заметки о грандиозном замысле - создании "Истории русской литературы Х Х века" (Независимая газета, 1991, N 61, 25 мая) | 89 | 89 | 3 | 26 | 23 | 37 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 |
"Пушкинское" стихотворение Ф.Н.Глинки (2) | 84 | 84 | 10 | 74 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 2 | 2 | 4 | 2 | 1 | 3 | 3 | 4 | 5 | 7 | 1 | 0 | 3 | 6 | 6 | 7 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Ф.Н.Глинка. Картины: Пароход. Плаванье днем. Черты освещения и праздника. Ночь в каюте и утро на пароходе (Северная Пчела, 1825, N 91, 30 июля) | 78 | 78 | 12 | 25 | 41 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 2 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 5 | 1 | 4 | 3 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 1 | 5 | 18 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
В.Н.Турбин. [ Тревоги, надежда, работа. Пушкиноведы отвечают на вопросы "Л О"] (Литературное обозрение, 1989, N 7) | 77 | 77 | 4 | 22 | 23 | 28 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 |
В.Н.Турбин. Великий русский писатель: К семидесятипятилетию со дня смерти Ф.М.Достоевского (Красная звезда, 1956, N 33, 9 февраля) | 75 | 75 | 4 | 24 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 3 | 0 | 2 | 5 | 19 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"