|
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
По разделу | 272070 | 1921 | 48 | 186 | 163 | 213 | 173 | 184 | 163 | 135 | 162 | 166 | 151 | 177 | 0 | 6 | 9 | 10 | 8 | 4 | 3 | 5 | 3 | 5 | 7 | 4 | 5 | 4 | 9 | 4 | 5 | 3 | 3 | 4 | 8 | 5 | 7 | 10 | 10 | 6 | 6 | 5 | 10 | 10 | 5 | 4 | 7 | 9 | 5 | 5 | 7 | 6 | 4 | 4 | 5 | 4 | 7 | 4 | 4 | 5 | 6 | 5 | 8 | 6 | 3 | 4 | 9 | 6 | 5 | 3 | 8 | 8 | 8 | 5 | 7 | 3 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 23095 | 1821 | 40 | 162 | 157 | 206 | 156 | 180 | 159 | 127 | 157 | 162 | 149 | 166 | 0 | 5 | 9 | 5 | 8 | 4 | 2 | 5 | 2 | 2 | 7 | 4 | 5 | 4 | 9 | 3 | 5 | 3 | 3 | 3 | 8 | 1 | 7 | 7 | 10 | 4 | 2 | 2 | 10 | 10 | 5 | 3 | 7 | 9 | 5 | 5 | 7 | 6 | 4 | 2 | 4 | 4 | 7 | 4 | 4 | 3 | 6 | 4 | 8 | 6 | 3 | 4 | 9 | 6 | 3 | 3 | 8 | 8 | 8 | 5 | 7 | 3 |
Демон против люфтваффе | 16524 | 612 | 19 | 62 | 74 | 62 | 57 | 45 | 48 | 62 | 52 | 60 | 32 | 39 | 0 | 6 | 1 | 3 | 2 | 4 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 2 | 4 | 2 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 4 | 4 | 3 | 1 | 3 | 1 | 3 | 3 | 1 | 2 | 2 | 4 | 2 | 2 | 1 | 0 | 5 | 2 | 3 | 1 | 5 | 3 | 4 | 0 | 2 | 3 | 2 | 4 | 2 | 2 | 2 | 5 | 2 |
Истории про ментов и обычных людей | 6479 | 479 | 14 | 75 | 57 | 57 | 23 | 35 | 42 | 36 | 40 | 34 | 27 | 39 | 0 | 3 | 1 | 3 | 1 | 3 | 1 | 2 | 0 | 5 | 2 | 2 | 3 | 1 | 3 | 2 | 3 | 1 | 3 | 2 | 1 | 2 | 1 | 5 | 3 | 2 | 6 | 2 | 4 | 3 | 2 | 0 | 2 | 3 | 3 | 1 | 4 | 1 | 1 | 2 | 3 | 1 | 3 | 0 | 1 | 4 | 4 | 1 | 1 | 1 | 2 | 3 | 1 | 4 | 4 | 3 | 4 | 4 | 2 | 0 | 2 | 1 |
Силиконовая женщина доктора Купитмана | 3499 | 261 | 5 | 53 | 34 | 34 | 34 | 11 | 12 | 18 | 12 | 21 | 18 | 9 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 5 | 2 | 2 | 4 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 3 | 4 | 2 | 2 | 2 | 0 | 0 | 2 | 4 | 3 | 1 | 5 | 3 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 |
Ахтунг! Микки-маус | 4295 | 252 | 6 | 33 | 33 | 38 | 16 | 16 | 17 | 18 | 10 | 20 | 22 | 23 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 2 | 1 | 0 | 4 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 3 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 1 |
Израиль глазами нееврея и атеиста | 6740 | 240 | 7 | 26 | 32 | 29 | 30 | 21 | 24 | 8 | 6 | 14 | 16 | 27 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 6 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 4 | 3 | 2 | 6 | 0 | 0 | 1 | 1 | 1 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 5876 | 233 | 5 | 28 | 32 | 31 | 13 | 13 | 22 | 9 | 17 | 26 | 14 | 23 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 3 | 1 | 3 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 3 | 2 | 1 | 3 | 2 | 1 | 0 |
Убейте фюрера, Теодор | 2480 | 224 | 6 | 36 | 34 | 40 | 19 | 17 | 15 | 10 | 7 | 12 | 15 | 13 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 3 | 2 | 1 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 4 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 2 | 0 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3666 | 219 | 7 | 42 | 29 | 35 | 16 | 20 | 11 | 10 | 5 | 13 | 16 | 15 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 5 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 3 | 1 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3502 | 212 | 6 | 32 | 35 | 28 | 15 | 20 | 12 | 12 | 6 | 15 | 16 | 15 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 4 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 1 | 3 | 1 | 4 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
Попаданец - Учитель Сталина | 8681 | 202 | 5 | 33 | 27 | 20 | 24 | 20 | 24 | 8 | 6 | 9 | 14 | 12 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 6 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 3 | 0 |
Жуткая тайна Кгб | 3335 | 197 | 8 | 29 | 21 | 32 | 19 | 14 | 12 | 15 | 8 | 16 | 9 | 14 | 0 | 2 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 5 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 |
История Хх века. Новая хронология | 5770 | 187 | 5 | 24 | 27 | 28 | 11 | 10 | 11 | 14 | 10 | 14 | 16 | 17 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 0 | 0 | 0 |
Небо империи-1. Шпага, честь и любовь | 8608 | 187 | 5 | 24 | 36 | 27 | 21 | 15 | 10 | 8 | 6 | 18 | 6 | 11 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 | 3 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 2854 | 187 | 7 | 27 | 31 | 25 | 13 | 16 | 13 | 9 | 10 | 10 | 11 | 15 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 3 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 2891 | 186 | 6 | 27 | 32 | 32 | 8 | 13 | 10 | 11 | 5 | 14 | 19 | 9 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 5 | 0 | 3 | 2 | 2 | 1 | 3 | 2 | 1 | 5 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 5 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Марсианская гонка | 2504 | 184 | 4 | 28 | 26 | 27 | 12 | 15 | 8 | 14 | 12 | 12 | 17 | 9 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 3 | 0 |
Электрическое бессмертие (фрагмент) | 7308 | 184 | 5 | 25 | 24 | 23 | 17 | 17 | 10 | 10 | 8 | 12 | 18 | 15 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 4 | 1 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
С Михаилом Задорновым на Гору Святого Моисея | 2949 | 183 | 5 | 39 | 25 | 30 | 16 | 9 | 8 | 10 | 9 | 9 | 13 | 10 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 5 | 1 | 1 | 2 | 1 | 5 | 0 | 0 | 3 | 4 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 2824 | 178 | 8 | 35 | 28 | 21 | 13 | 10 | 13 | 8 | 6 | 15 | 12 | 9 | 0 | 2 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 |
Увлечение доктора Арендта | 2307 | 172 | 2 | 28 | 30 | 19 | 11 | 15 | 10 | 8 | 5 | 13 | 13 | 18 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 5 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 |
Кто есть кто в белорусской фантастике | 2913 | 169 | 7 | 28 | 26 | 27 | 15 | 9 | 9 | 11 | 8 | 11 | 9 | 9 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 2 | 0 |
Тотальный контроль | 2329 | 167 | 7 | 31 | 24 | 30 | 6 | 13 | 10 | 7 | 5 | 6 | 20 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 10 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3059 | 166 | 20 | 25 | 21 | 27 | 8 | 12 | 7 | 7 | 7 | 5 | 11 | 16 | 0 | 1 | 4 | 10 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 4 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 3 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Эпоха героев и перегретого пара | 9763 | 164 | 9 | 25 | 25 | 20 | 10 | 20 | 9 | 10 | 8 | 8 | 10 | 10 | 0 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 6 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 1 | 2 | 1 | 0 |
Ваенга эир | 1954 | 164 | 7 | 26 | 22 | 29 | 14 | 9 | 12 | 7 | 5 | 8 | 11 | 14 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 5 | 3 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 2 |
Кровь на броне | 1988 | 163 | 3 | 32 | 22 | 34 | 12 | 11 | 10 | 7 | 3 | 9 | 7 | 13 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 2978 | 162 | 19 | 25 | 19 | 23 | 11 | 9 | 8 | 11 | 7 | 11 | 6 | 13 | 0 | 0 | 4 | 10 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 2 | 2 | 0 |
Огневой дракон | 2295 | 159 | 7 | 20 | 27 | 23 | 13 | 11 | 12 | 3 | 6 | 7 | 12 | 18 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2416 | 158 | 4 | 33 | 20 | 22 | 11 | 9 | 10 | 8 | 9 | 8 | 12 | 12 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2459 | 156 | 4 | 22 | 21 | 24 | 13 | 10 | 11 | 9 | 9 | 12 | 6 | 15 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2248 | 156 | 5 | 27 | 27 | 27 | 9 | 10 | 10 | 11 | 6 | 8 | 5 | 11 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 5 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 4 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
Иномарка | 2630 | 155 | 6 | 22 | 25 | 21 | 11 | 10 | 10 | 10 | 6 | 9 | 7 | 18 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 3 | 4 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 |
Небо империи 2. Князь без княжества | 4891 | 155 | 3 | 26 | 24 | 23 | 13 | 14 | 8 | 7 | 3 | 16 | 4 | 14 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 6 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 |
Дирижабль "Россия" | 2616 | 154 | 11 | 24 | 24 | 17 | 10 | 13 | 8 | 11 | 5 | 10 | 7 | 14 | 0 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Утомлённые солнцем - 3 | 2907 | 152 | 4 | 28 | 23 | 22 | 9 | 8 | 14 | 7 | 6 | 8 | 10 | 13 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 |
Антарктическая Гиперборея | 4397 | 151 | 7 | 21 | 26 | 18 | 16 | 13 | 10 | 3 | 5 | 12 | 4 | 16 | 0 | 4 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2202 | 151 | 5 | 22 | 26 | 17 | 17 | 10 | 6 | 10 | 8 | 4 | 12 | 14 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 |
Ответные санкции | 3542 | 149 | 7 | 26 | 19 | 24 | 9 | 12 | 9 | 6 | 5 | 9 | 13 | 10 | 0 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 4 | 1 | 2 | 2 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3743 | 147 | 3 | 21 | 19 | 19 | 11 | 13 | 9 | 11 | 6 | 11 | 13 | 11 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2513 | 146 | 3 | 24 | 19 | 19 | 8 | 14 | 11 | 9 | 7 | 11 | 12 | 9 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 0 |
Информация о владельце раздела | 2331 | 145 | 3 | 27 | 19 | 28 | 12 | 6 | 9 | 7 | 3 | 7 | 13 | 11 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 5 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2581 | 145 | 6 | 23 | 20 | 20 | 12 | 7 | 10 | 10 | 5 | 9 | 9 | 14 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2341 | 143 | 4 | 24 | 22 | 25 | 10 | 13 | 9 | 9 | 7 | 5 | 5 | 10 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 2 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2463 | 143 | 7 | 26 | 22 | 17 | 10 | 9 | 8 | 7 | 9 | 7 | 8 | 13 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2458 | 141 | 4 | 23 | 23 | 20 | 10 | 9 | 8 | 11 | 4 | 13 | 8 | 8 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 |
Второй этаж | 2259 | 141 | 5 | 19 | 20 | 22 | 10 | 15 | 9 | 6 | 4 | 7 | 10 | 14 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 |
Ричард Длинные Руки - вицеимператор галактики | 9764 | 141 | 3 | 29 | 24 | 21 | 11 | 10 | 6 | 8 | 5 | 6 | 8 | 10 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 3 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 0 |
Жуткая тайна Кгб киносценарий | 2521 | 140 | 4 | 22 | 24 | 22 | 9 | 10 | 8 | 3 | 4 | 11 | 12 | 11 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2739 | 139 | 3 | 22 | 21 | 21 | 15 | 13 | 11 | 4 | 3 | 12 | 7 | 7 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 |
Счастье лимитед | 1789 | 139 | 4 | 25 | 28 | 21 | 9 | 9 | 8 | 5 | 3 | 5 | 7 | 15 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 2 | 4 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 5 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2196 | 138 | 4 | 27 | 19 | 23 | 8 | 13 | 6 | 5 | 7 | 8 | 10 | 8 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 3 | 1 | 0 |
Наличные | 2455 | 138 | 3 | 23 | 19 | 25 | 10 | 10 | 12 | 5 | 7 | 8 | 9 | 7 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2484 | 137 | 6 | 20 | 18 | 25 | 8 | 9 | 7 | 11 | 4 | 10 | 9 | 10 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 3 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2628 | 135 | 5 | 21 | 17 | 24 | 8 | 9 | 5 | 11 | 5 | 11 | 8 | 11 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 |
Теодор | 2106 | 134 | 5 | 21 | 26 | 18 | 10 | 9 | 11 | 8 | 5 | 5 | 8 | 8 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2315 | 132 | 3 | 20 | 23 | 22 | 14 | 8 | 5 | 10 | 7 | 6 | 4 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 |
Русские за рубежом | 2752 | 131 | 3 | 22 | 24 | 19 | 10 | 4 | 8 | 9 | 3 | 10 | 7 | 12 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 5 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 |
Друг, который не предаст | 2318 | 131 | 3 | 23 | 21 | 24 | 5 | 12 | 8 | 5 | 4 | 9 | 9 | 8 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Итого | За последние 12 месяцев | Apr | Mar | Feb | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2382 | 130 | 7 | 19 | 25 | 16 | 14 | 8 | 7 | 6 | 4 | 6 | 10 | 8 | 0 | 1 | 0 | 1 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 0 | 1 |
Не все мечты сбываются | 2195 | 130 | 4 | 28 | 23 | 20 | 10 | 8 | 7 | 8 | 3 | 7 | 5 | 7 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2049 | 129 | 7 | 16 | 31 | 18 | 9 | 9 | 7 | 5 | 2 | 11 | 4 | 10 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 5 | 0 | 3 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 |
Молитва | 2471 | 129 | 7 | 18 | 19 | 22 | 9 | 11 | 10 | 7 | 3 | 4 | 7 | 12 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 |
Поможем Одесской киностудии! | 1783 | 128 | 4 | 20 | 23 | 21 | 7 | 12 | 8 | 7 | 5 | 5 | 7 | 9 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2335 | 127 | 4 | 20 | 21 | 15 | 20 | 7 | 7 | 8 | 4 | 5 | 9 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
Спираль сингулярности | 2389 | 125 | 5 | 19 | 21 | 19 | 10 | 12 | 7 | 7 | 3 | 7 | 9 | 6 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2056 | 125 | 5 | 23 | 23 | 17 | 10 | 6 | 6 | 6 | 7 | 5 | 6 | 11 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 4 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 |
Леди-босс и зомби | 2498 | 123 | 4 | 18 | 23 | 20 | 6 | 9 | 8 | 5 | 4 | 8 | 11 | 7 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Письмо редактору | 1994 | 123 | 2 | 18 | 23 | 19 | 9 | 9 | 7 | 6 | 2 | 9 | 7 | 12 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2807 | 122 | 2 | 17 | 18 | 16 | 13 | 11 | 7 | 4 | 4 | 15 | 10 | 5 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2400 | 122 | 4 | 18 | 15 | 22 | 9 | 9 | 8 | 7 | 6 | 5 | 10 | 9 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 |
Цена имени | 1948 | 120 | 5 | 22 | 18 | 18 | 8 | 9 | 7 | 11 | 3 | 5 | 8 | 6 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2233 | 119 | 3 | 22 | 20 | 19 | 12 | 10 | 7 | 5 | 5 | 6 | 5 | 5 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"