| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 |
|
По разделу |
30585 | 719 |
36 |
78 |
64 |
63 |
50 |
38 |
61 |
61 |
75 |
81 |
69 |
43 |
0 |
2 |
2 |
4 |
2 |
3 |
2 |
3 |
5 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
5 |
3 |
2 |
5 |
3 |
3 |
3 |
3 |
2 |
3 |
3 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
4 |
3 |
2 |
1 |
3 |
3 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
2 |
1 |
2 |
4 |
|
Личность художника как предмет психологического анализа |
3668 | 433 |
25 |
43 |
26 |
28 |
26 |
10 |
44 |
31 |
54 |
68 |
45 |
33 |
0 |
0 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
3 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Смысл творчества в интерпретации художника 20 века |
5121 | 336 |
13 |
36 |
31 |
22 |
31 |
27 |
29 |
33 |
31 |
38 |
29 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
4 |
|
Художник в истории русской культуры: эволюция статуса |
5041 | 257 |
16 |
31 |
25 |
19 |
15 |
10 |
13 |
21 |
25 |
32 |
30 |
20 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
5 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
|
Метаморфозы творческого "Я" художника |
3237 | 213 |
10 |
26 |
22 |
22 |
17 |
5 |
11 |
16 |
25 |
20 |
29 |
10 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
5 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Биография художника как культурно-историческая проблема |
4694 | 211 |
10 |
24 |
15 |
15 |
20 |
17 |
18 |
12 |
17 |
23 |
28 |
12 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
...Кровь любви и стремление к бездне |
2119 | 189 |
9 |
28 |
18 |
21 |
14 |
6 |
7 |
13 |
23 |
23 |
15 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Информация о владельце раздела |
2221 | 172 |
14 |
29 |
18 |
15 |
12 |
5 |
8 |
14 |
10 |
21 |
20 |
6 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
|
...На все решусь, что может человек! |
2163 | 170 |
10 |
26 |
13 |
17 |
12 |
5 |
8 |
15 |
20 |
19 |
18 |
7 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Художник и нарциссизм |
2321 | 159 |
11 |
28 |
15 |
13 |
13 |
5 |
8 |
15 |
17 |
15 |
12 |
7 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |