Шкловский Лев Переводчик
Retreat For Death3333333

Самиздат: [Регистрация] [Найти] [Рейтинги] [Обсуждения] [Новинки] [Обзоры] [Помощь|Техвопросы]
Ссылки:
Школа кожевенного мастерства: сумки, ремни своими руками Юридические услуги. Круглосуточно
 Ваша оценка:

  98
  + 110%
  NICK CARTER
  I
  of the directors. He said it was all right."
  I tried to think. "How long were they here?"
  "They showed up early, about eight o'clock I
  think it was, and they had breakfast with Patricia
  before they went into the study."
  "Did they say where they were going?"
  "Why, yes," thc housekeeper said. "They told
  me that they were flying down to Washington to
  meet with you and Mr. Atterbury. That's why I
  was so surprised to see you here."
  They had her. Christ, they had her. I released the
  woman. "Can I use a telephone?"
  "Yes, sir," she said, and she shov,cd me into the
  study.
  When she was gone, I telephoned Hawk and ex-
  plained what had happened out here, asking him to
  check with the airlines at LaGuardia and Kennedy
  and call me back here when he found out some-
  thing.
  Next, I telephoned the Staley Foundation, the
  operator answering on the second ring.
  "Stewart Atterbury, please,"
  I said, "Nick
  Carter calling."
  "I'm sorry, Mr. Carter. Mr. Atterbury is out of
  the office. "
  "When do you expect him back?"
  "J really couldn't say, sir. He left for Washing-
  ton, D.C. about two hours ago."
  I stood there a long moment, the telephone to
  my ear, unable to say a thing. Atterbury had re-
  mained in town overnight, leaving Pat out here
  alone. And then this morning he had left. I didn't
  want it to make any sense, but I was getting a very
  strong gut feeling that Atteroury was something
  other than he seemed to be.
  RETREAT FOR DEATH
  99
  
  
  
  99
  ' 'Thanks," I finally mumbled, and I hung up and
  sat down on the edge of the desk. I lit myself a
  cigarette, inhaling deeply.
  It would do absolutely no good for me to run off
  half cocked now. They were all gone, and until
  Hawk got back to me with some concrete informa-
  tion, I'd get no where by leaving here. But I had a
  hunch I knew exactly where they had gone.
  After awhile I went around behind the desk and
  began looking through the drawers. There was lit-
  tle other than the usual things found in desk
  drawers, except in one which contained a Smith &
  Wesson .38 police special, with a box of shells. The
  pistol was loaded.
  Atterbury's telephone index and appointments
  book contained nothing other than Foundation
  business as far as I could tell. But if Atterbury was
  connected in some fashion with the Church of the
  Final Reward, I didn't think he'd leave anything
  incriminating lying around.
  The telephone rang a few minutes later, and I
  picked it up. "Yes?"
  "l have some bad news for you, Nick," Hawk
  said.
  "I can guess:"
  ' 'Miss Staley, Stewart Atterbury, Robert Barnes
  and Howard Stenger left Kennedy at noon for
  Bogota, Columbia."
  "Damn," I swore. I was afraid of that. "Have we
  anyone down there who can intercept them at the
  airport? I don't believe that's their final destina-
  tion."
  "We could get someone there in time," Hawk
  said. ' 'But our relations with Columbia are so
  strained now, an incident at the airport . . . if one
  NICK CARTER
  
  
  
  
  100
  (110 of 228)
  came up
  + 110%
  NICK CARTER
  . . . would be disastrous."
  I
  "Yes, sir," I said. ' 'I'm coming in. I'll leave for
  the airport immediately. In the meantime, see if
  you can come up with any IDs on Barnes and
  Stenger. "
  "They're both employees of the church," Hawk
  said several hours later. I was seated across from
  him in his office.
  "That nails it,"
  I said. "They'll be taking Pat
  down to Brazil. Manaus, first, and then from there
  to the church's holding farther up the Amazon. Do
  we know its exact location?"
  "l did some more checking this afternoon, Nick,
  and I'm afraid there's more bad news."
  I waited.
  "The Brazilian government has withdrawn its
  complaint against the church. One of their people
  from their embassy stopped by at the State Depart-
  ment earlier this morning and told them that it had
  all been an unfortunate mistake. "
  "Money talks," I said morosely.
  "It gets worse,"
  Hawk said. "The embassy
  spokesman told our people that his government
  would look dimly on any efforts by us to in any
  way interfere with the lawful business of its citi-
  zens. "
  "The Reverend Franklin Knox, it seems, has
  suddenly become a Brazilian citizen. "
  "We can't just let this slide, sir," I said.
  "Of course not," Hawk pressed a button on his
  desk console.
  "Do we know where the church's holding is lo-
  RETREAT FOR DEATH
  101
  
  
  
  101
  "Not exactly," Hawk said. "As far as anyone
  knows it's located up the Amazon from Manaus.
  Evidently somewhere in the vicinity of a river town
  called Coari."
  "They're ready for him now, sir," Hawk's secre-
  tary said over the intercom.
  "He's on his way down," Hawk spoke into his
  desk unit. g 'I assumed that you would want to fol-
  low this up."
  I nodded. "When do I leave?"
  "First thing in the morning. An Ozark flight to
  Miami, then Pan Am to Caracas. I thought it
  would be best to keep you away from Bogota.
  From Caracas you're booked on a Varig Airlines
  feeder flight directly into Manaus."
  ' 'If Knox has become a Brazilian citizen, the
  church will probably have Manaus pretty well tied
  up. I'll need a cover."
  "They're waiting for you downstairs. You'll be
  Roland Cartier, a French diamond dealer working
  out of Amsterdam and New York City. There've
  been persistent rumors of large diamond finds
  farther up the Amazon and Negro Rivers. You've
  come to scout out the territory for your firm."
  "Roland Cartier," I said in a French accent, get-
  ting to my feet.
  "Good luck, Nick," Hawk said. "In the mean-
  time we're going to keep a close watch on the peo-
  ple from the list, as well as the church headquarters
  in Chicago and their offices in New York."
  Downstairs in Operations Readiness I was given
  a crash course in diamond types and identification,
  as well as the clothing and identification (including
  a battered French passport) of Roland Cartier.
  102
  
  
  
  
  102
  + 110%
  NICK CARTER
  My hair was cut in the European style, I was giv-
  en •hoes with lifts to bring my height up nearly two
  inches, padding to add forty pounds to my actual
  weight, and a strong dye which changed my com-
  plexion to that of a swarthy French Algerian of
  about fifty. Thick glasses and a Paris designer suit
  completed the transformation.
  "Monsieur Cartier," the operations chief said,
  stepping away from the floor length mirror.
  I bowed slightly from the waist, clicked my heels,
  and then went to the mirror. The change was startl-
  ing. I didn't think even Pat would recognize me.
  Certainly no one from the church would.
  "Your only problem is going to be the heat. It's
  summer there now, and damned hot. Because of
  the padding, you won't be able to go around in
  short sleeved shirts without a jacket."
  "I'll manage," I said.
  I remained at AXE headquarters that night, and
  in the morning took a cab out to the airport for my
  flight down to Miami with connections to South
  America.
  Manaus (or Manåos as the Brazilians called it)
  was one thousand miles inland from the sea and
  was actually on the Negro River, which joined with
  the Amazon twelve miles downstream.
  With a population pushing two hundred thou-
  sand, the city was the capital of the Amazonas
  Province and a port for ships of fairly high tonnage
  that steamed all the way upriver from the ocean to
  pick up rain forest products—mostly rubber.
  It was big, dirty, bustling, and only two hundred
  miles south of the equator, and therefore un-
  believably hot.
  RETREAT FOR DEATH
  103
  
  
  
  
  
  103
  (113 of 228)
  + 110%
  RETREAT FOR DEATH
  103
  104
  I wanted to stick around the airport to ask if
  anyone had seen Pat, Atterbury and the other two
  men show up here, but it would have been too
  much of a risk that someone from the church
  would find out that questions were being asked.
  Instead, once I had cleared customs, I took a cab
  into the city where I checked into a nice hotel
  downtown.
  I was given a room on the third floor, and from
  my balcony I was able to look out over the city to
  the docks and warehouses along the river.
  The church had no interests in Columbia. It's
  holding was here in Brazil, so it was a safe bet that
  Pat and the others had already come this way and
  were heading upriver by now.
  Somewhere up the Amazon the Reverend
  Franklin Knox held court. Coari was at least two
  hundred miles upriver from here, and there was no
  telling how much farther the church's installation
  was. Or even where it was. But wherever, Pat and
  Atterbury were there, or would be very soon.
  I ordered up several bottles of cold beer and a
  light supper from room service, and while I was
  waiting for it, I stripped and took a long, cool
  shower.
  Just as I was pulling on my robe, the waiter came
  with my order. I paid him, then went out on the
  balcony where I sat down to catch what little
  breeze there was.
  The beer was ice cold and very good. I sipped it
  slowly as I ate the sliced cold chicken and boiled
  potatoes that had been sprinkled with vinegar and
  salt and pepper.
  There was no airport at Coari; the town was too
  small for it. So Pat and others had to have left from
  NICK CARTER
  
  
  
  104
  + 110%
  NICK CARTER
  here either by road or by river. I suspected they
  were traveling on the river. The roads back into the
  jungle would not be good.
  A third possibility, however, was that the church
  maintained its own runway at its camp. If that was
  the case, they could have flown out of here.
  But I didn't want to go back out to the airport.
  I didn't want to attract any attention. When I
  showed up at the camp, i wanted my presence to
  come as a complete surprise.
  When i was finished eating, I went back into my
  room, retrieved my weapons from the luggage,
  then got dressed in a lightweight summer suit.
  Donning the glasses, I left my room, went down to
  the lobby, and stepped out into the humid tropical
  night.
  From my room I could see the direction to the
  waterfront, and I headed that way now on foot. I
  took my time as if I was nothing more than a tour-
  ist out for an evening's stroll.
  The streets were busy with traffic, and the closer
  I got to the river, the poorer the buildings became,
  and the rougher the people standing around ap-
  peared.
  Within a couple of blocks from the river itself, I
  could smell a number of rich odors, among them
  mud, rotting wood, diesel oil from the ships, and
  raw sewage.
  Poor people were everywhere; garbage lay rot-
  ting in thc streets, and on almost every street cor-
  ner prostitutes leaned up against the buildings
  scanning the passers-by for possible marks.
  About a half a block up from the river, I entered
  a bar that obviously catered to seamen. Just inside
  the door I stopped a moment, and half the people
  RETREAT FOR DEATH
  105
  
  
  
  
  
  105
  (115 of 228)
  + 110%
  RETREAT FOR DEATH
  105
  in the crowded room turned to look at me. None of
  them were smiling.
  At the bar, the burly barkeeper came down to
  me, and ordered a cognac plain in passable Portu-
  guese with a slight French accent.
  "On my mother's grave, the wog wants a cognac.
  Plain," the barman bellowed.
  Several of his customers laughed.
  I smiled and adjusted my thick glasses, then
  pulled out a hundred Cruzeiro note and slapped it
  down. "Cognac, plain," I said loudly, this time
  strengthening my French accent.
  The barman, who was a full head taller than me,
  scooped up the note, stuffed it in his pocket, and
  then glancing at his friends, laughed, "You are in
  the wrong place, Frenchman. Now you'd better
  leave before you have an accident."
  I adjusted my glasses again, pulled out another
  hundred Cruzeiro note and laid it on the bar.
  ' 'Cognac. Plain!" I snapped.
  The barman reached for the bill, but I grabbed
  his hand, pinning it to the bar.
  An instant hush fell over the room.
  "With two hundred Cruzeiros, every man in this
  bar should have a drink," I said.
  The barman tried to struggle out of my grasp,
  but I was stronger, and I began to bend his hand
  backwards, putting a great deal of pressure on his
  wrist. With my left hand I adjusted my glasses
  again and smiled.
  "It would be a shame if your wrist broke," I
  said.
  "Carlos," the barman shouted.
  There was a sudden movement behind me. Keep-
  ing my grip on the barman's hand, I stepped aside
  106
  NICK CARTER
  
  
  
  
  
  
  106
  + 110%
  NICK CARTER
  as an eighteen-inch-long billy club intended for my
  head, crashed down on the bar.
  I kicked out with my right foot, catching the
  large, dark man in the groin, and as he started to
  double over, I brought my knee up, catching him
  full in the face.
  He went down like a felled ox, blood spurting
  from a broken nose, and I turned back to the bar-
  tender, grabbed a handful of his shirt front with my
  left hand, and dragged him half over the bar.
  ' 'A cognac, plain!" I barked. "And set everyone
  else up with a drink Including yourself."
  I let go of the bartender, shoving him back-
  wards, then pulled out my Luger and slammed it
  down on the bar.
  "l came in here for a drink, and to find a man
  with a boat who is willing to make some money. A
  lot of money," I rattled in perfect Portuguese. "l
  did not come for a fight, although if I am made
  mad enough by you motherless whores, a fight is
  what you will get."
  The bartender, rubbing his wrist, quickly poured
  me a large cognac and then set out a bottle of
  cheap rum for the others.
  I reached down and grabbed Carlos, pulling him
  roughly up to the bar where I had to hold on to
  him lest he fall. "Someone take care of this one," I
  said.
  Two men scurried up, grabbed the man, and
  hustled him around the bar into a back room.
  I drank my cognac down, and the bartender
  poured me another. It was almost as if I was in
  some kind of a western movie, but these people
  were serious about it. What I had doneAvas the
  only way to earn their respect.
  RETREAT FOR DEATH
  107
  
  
  
  
  
  
  107
  "You mention a boat, Senhor," the barman said
  finally.
  I nodded. "I wish to go up the Amazon."
  "For what purpose .
  . e" the barman asked, but I
  slammed my fist on the bar
  "Ten thousand for the proper boat and crew," I
  said. "No questions asked."
  I had everyone's attention.
  '61 only meant to ask what kind of a boat would
  you need? A speed boat, fast and powerful? A
  cargo vessel? A tug?"
  "A boat capable of traveling with speed and
  comfort to Coari and beyond, returning with a
  cargo. A small but very valuable cargo."
  "And the nature of your cargo, Senhor?"
  "Enough," I said. "No more questions." I
  turned around to face the others who were staring
  at me. "There may be some danger. But if we find
  what surely we will find, I will double the amount
  of money agreed upon."
  "To Coari?" one of the seamen asked.
  "And probably beyond."
  He shook his head and slumped back in his seat.
  The others did the same.
  "Are you all motherless whores? Are you all
  "You were right, Senhor, when you said there
  would be danger," the bartender said from behind
  me.
  I turned to him.
  "There have been government troops in and out
  of that region for the past six months or longer."
  "Why?"
  "The Indians up there have been going crazy.
  There have been deaths, always preceded by lights
  108
  
  
  
  
  108
  + 110%
  NICK CARTER
  .2
  in the sky." He shook his head sadly. ' 'It is not a
  place to be. Coari, perhaps, but not beyond on the
  river."
  It was possible the church was up there, I
  thought. They might have stirred things up just to
  make sure they were not disturbed by their neigh-
  bors.
  "Then I will have to keep searching," I said,
  turning once again. to the others, "until I find a
  man. "
  The comment stung, but for several seconds no
  one made a move. I grabbed my second cognac,
  drank it down, then slammed the glass on the bar
  and started to walk out.
  An older man with white hair and a huge stom-
  ach got to his feet and shook his head.
  "Do you want to leave this night, or will you
  wait until morning?"
  "You have a boat?"
  He nodded.
  "Then you will make her ready while I return to
  my hotel for my things. We will leave within the
  hour."
  The other man turned to the bartender. "Luis,"
  he said. "If word of this leaves this despicable es-
  tablishment, I will return and slit your ugly throat
  from ear to ear."
  The bartender nodded solemnly.
  "This way, Senhor." the fat man said. "I will
  show you my vessel first, and we will have a drink
  and talk. I will send someone for your things."
  I grabbed my Luger, holstered it, then threw
  down two more hundred Cruzeiro notes. "A drink
  on me. And if word does leak out and this gen-
  tleman doesn't return to slit your throat, I will."
  
  
  
  
  
  
  
  
  
  
  NINE
  The fat man's name was Pedro Arimå, and his
  boat, the Romäno, was a forty-foot, shallow draft
  river tug that was probably old and battered twen-
  ty years ago. Now, looking at it, I had to wonder
  what kept it afloat.
  ' 'A humble boat, Senhor, but one that will surely
  do the job," Arimå said as we stepped off the
  dock onto the deck.
  It was quiet here. Warehouses lined the broad
  wooden quay, and dozens of boats of every size,
  shape and purpose were either tied up, or anchored
  out in midstream. There didn't seem to be any ac-
  tivity.
  "Where is your crew?" I asked.
  "Tomorrow is Sunday, of course, and they have
  the day off. Only my cabin boy, Domingo, is here.
  I will send him for your things."
  He turned to go below, but I stopped him. When
  he turned back his eyes were wide.
  "1 offer you no harm, Captain Arimå, if you do
  exactly as I have hired you to do. But if you play
  any games with me, it will go very hard."
  He nodded slowly.
  "The others back there were afraid of the river
  110
  109
  
  
  
  110
  + 110%
  NICK CARTER
  above Coari. But not you. Why?"
  "Oh, I am afraid, Senhor. Make no mistake of
  that. It is just that this ancient vessel is in need of
  repair. I am more afraid of losing her than I am of
  whatever will occur on the river."
  "Good enough," I said. "When we are finished,
  I promise you there will be sufficient money to re-
  pair your boat."
  Arimå smiled and nodded. "I will fetch Domin-
  go now to bring your things. When he returns we
  will leave. "
  I followed the man below, where he rousted a
  young boy of ten or twelve. I gave him the name of
  my hotel and room number and enough money to
  pay my bill, and he hurried off the boat.
  In the captain's pigsty of a cabin, Arimå
  poured us both cheap rum in dirty glasses, and
  when we both had taken a drink, he looked at me
  over the rim of his glass.
  "What then, are we searching for above Coari?"
  "We will know when we get there," I said.
  For a moment the man let it ride. ' 'You men-
  tioned a cargo?"
  "Yes," I said. "But nothing that will strain the
  capabilities of this vessel."
  "What I mean to ask, Senhor, is shall I call my
  crew back? Will we need their muscle?"
  I shook my head. 'S They won't be necessary. For
  now I merely want to get to Coari, where I will
  have to ask a few questions. After that I will tell
  you more. "
  "Coari is a very difficult town," Arimå said
  hesitantly. "There may be trouble if you are not
  careful."
  "Trouble that you need not become involved
  RETREAT FOR DEATH
  111
  
  
  
  
  111
  in," I said. "How familiar are you with the river
  above there?"
  "I've been up it once, years ago, with my
  father. "
  "But not since then?"
  He shook his head. "It is not a pleasant area.
  There are Indians there—who do not like out-
  siders."
  "Then we will have to be careful," I said.
  Domingo was back twenty minutes later with my
  bags, and within five minutes we had slipped our
  lines, and the aging diesel engine was pushing us
  slowly downriver.
  I sat up on deck cleaning my Luger and smoking
  a cigarette, while Arimå was on the bridge above
  me.
  Away from Manaus, and the city lights, the
  jungle closed in around us, although the river was
  very wide here.
  It was about twelve miles down the Negro River
  before we came to its confluence with the Amazon,
  and swinging wide, well -around the sand bars,
  Arimå took us out into the middle of the Ama-
  zon, and we started upriver.
  There were a few ocean-going vessels anchored
  out here, in the much larger river, for the first cou-
  ple of miles, but later we left them behind, and
  once again were alone.
  The evening was hot and very humid. After I had
  cleaned my gun and finished another cigarette, I
  went below to my cabin and changed into some
  lighter clothing, removing the padding I was wear-
  ing as well as the thick glasses.
  Apparently I had managed to get into Brazil and
  112
  
  
  
  
  112
  + 110%
  NICK CARTER
  up the river without alerting the church or the au-
  thorities. Once i started asking questions up in
  Coari, my disguise would no longer matter any-
  way.
  Back up on deck, I climbed up into the wheel-
  house. When I came in, Arimå glanced at me,
  then did a double take.
  "When this is all over," I said softly, "you will
  forget that you have ever seen me."
  "What are we after, Senhor, drugs?" he said. "If
  that is so, I will turn around right now. I do not
  want that kind of trouble."
  "Not drugs," I said. "And nothing illegal."
  "Then why the disguise," the man said fearfully.
  "I will explain it later. For now your job is sim-
  ply to get us to Coari."
  Arimå was obviously troubled, but he had no
  more questions for me. "We will be in Coari by
  daybreak," he said. "Perhaps you should get some
  rest."
  "You'll manage all right up here alone?"
  He nodded. ' 'Underway on the river, I never
  sleep."
  "I am a very light sleeper," I said evenly. "And
  I would not take kindly to any kind of dis-
  turbance.'.'
  "You will not be disturbed, Senhor," Arimå
  said. "You have my assurances."
  I nodded, then went back down 'belowdecks to
  one of the cabins, where I wedged my stiletto in the
  door before I lay down.
  With my right hand on my Luger, with the safety
  catch off and a shell in the chamber, I fell asleep to
  the sounds of the laboring diesel engine and the
  water slapping against the bow.
  RETREAT FOR DEATH
  113
  
  
  
  
  113
  What seemed like minutes later, I awoke to the
  sound of someone banging on my door. Sun
  streamed through the small porthole over my
  bunk.
  "Senhor. . . Senhor, we are coming into Coari,"
  Domingo was shouting.
  "I'm up," I said in Portuguese, as I crawled out
  of the bunk and holstered my Luger.
  I slipped my stiletto out of the door, sheathed it,
  and then opened the door. The young cabin boy
  stood in the corridor, a steaming cup of coffee in
  his right hand. He held it out to me, and I took it.
  ' 'The captain, he say you come up to the bridge
  now. He must talk with you before we dock."
  "Right," I said. I took a sip of the strong, black
  coffee, then left my room, went up on the deck, and
  climbed up to the wheelhouse.
  Arimå, his eyes puffy and red rimmed, stood at
  the wheel as he piloted the boat across the river
  toward a collection of rough wooden docks, be-
  yond which was a small, dirty looking town.
  "Coari?" I asked.
  Arimå seemed very worried. "We will tie up at
  the public docks. But first I must know if there will
  be trouble here."
  There was a great deal of activity on the docks.
  Large, flat-bottomed river boats were being loaded
  with wood, rubber and other things. Nothing
  seemed out of the ordinary. Nothing seemed
  threatening.
  I said. "I'm
  "Stay aboard and get some rest,"
  going into the town to ask a couple of questions. "
  Arimå looked at me. "Please, now tell me what
  we have come for."
  "There is an American settlement someplace up-
  NICK CARITR
  
  
  
  
  
  
  114
  + 110%
  NICK CARITR
  I
  river from here. It is a religious settlement. A friend
  of mine is there. I want to bring my friend back."
  "Many North Americans are in Brazil, Senhor.
  They run many of our rubber plantations. But a
  religious settlement? I have not heard of such a
  thing."
  "It is here somewhere near. I will find out just
  where, and we will go there."
  "There will be trouble;" Arimå said. "I can feel
  it in my bones. There will be trouble."
  "Even more trouble for you if you are not here
  when I come back. Do you understand?"
  He nodded. "I will not leave you here, Senhor.
  Of that you can be sure. But I do not want trouble
  to fall on my head."
  Domingo was down on the deck. And as we ap-
  proached the public docks, I went down on deck
  with him, and the two of us leaped up onto the
  dock as we came in and tied the fore and aft lines
  to the thick wooden bollards.
  Arimå cut the engine and joined us on the dock.
  Our arrival elicited absolutely no attention from
  anyone on the busy dock. Workers, many of them
  Indians, scurried back and forth pushing hand-
  trucks loaded with bales and boxes.
  "Is there no dockmaster here?" I asked.
  "He will be around in his own sweet time,"
  Arimå said. He reached out and touched my arm.
  "Coari is not like Manaus," he said. "The people
  here do not like gringos. They want to be left
  alone."
  "I only have questions," I said. "For which I will
  get answers."
  Arimå nodded. "And then we will go up the
  river."
  RETREAT FOR DEATH
  115
  
  
  
  
  115
  116
  "As I said before, there are Indians up there," he
  said, waving his hand in the general direction up-
  stream. "Some of them are so deeply back into the
  forests, that they have seldom if ever seen a white
  man. "
  "What are you trying to tell me?"
  "There are murderers up there. Cannibals. Even
  our own government soldiers do not go back too
  far."
  "There are other river towns farther up," I said.
  S' Yes," Arimå agreed. "Very small, and very
  much more dangerous and isolated than even
  Coari. For us to go up the river, we will have to be
  very careful."
  "We will go only as far as necessary, and stay
  only so long as it takes me to pick up my friend."
  Arimå nodded. "We will wait here then for
  you. Be careful."
  I said, and I walked down the
  "Thanks,"
  dock and strode past the warehouses and riverfront
  offices, and then headed up into the town itself.
  Coari was a town of about five thousand people.
  And if Manaus had been poor and dirty, this town
  seemed to be on the verge of starvation, with filthy
  people everywhere.
  Yet there was money here. Beyond the town, in
  the low hills, there were some crops; and beyond
  that, in the forests, there were great rubber planta-
  tions.
  Two blocks up from the docks was a village
  square. The police station was on the far side, a
  military Jeep parked out front with a soldier lean-
  ing against it.
  On the opposite side was a large Catholic
  NICK CARTER
  
  
  
  
  
  
  116
  + 110%
  NICK CARTER
  church, and as I stood in the center of the square
  by a fountain and the public well, the church doors
  opened and freshly scrubbed peasants began filing
  out.
  Some of the people headed away from the square
  up side streets, while others came across to the var-
  ious shops and stores that were just now beginning
  to open.
  A very old man, wearing a priest's garb, had
  stepped out on the front steps of the church and
  was saying goodbye to his parishioners as they left.
  I waited until everyone had left the church, then
  started across.
  The priest was turning to go back inside when he
  spotted me coming across the square, and he
  waited.
  "Good morning, Father," I said mounting the
  steps.
  "Good morning, my son," the pnest said. "You
  wish to speak with me?"
  "Yes. Could we go inside?"
  The priest looked beyond me, and I turned in
  time to see two men in civilian suits coming out of
  the police station. They got into the Jeep, the sol-
  diers jumping in the front seat, and then they were
  gone up a side street.
  "Of course," the old priest said, and he turned
  on his heel and entered the church.
  I followed him up the aisle, where at the altar he
  genuflected as he crossed himself, and then led me
  to a small office to one side.
  We sat down across a small table from each oth-
  er in the dark, cool room. A young Indian girl
  came in a moment later with glasses and a bottle of
  wine.
  RETREAT FOR DEATH
  117
  
  
  
  
  117
  "You will drink with me?" the priest said.
  "Perhaps you will have breakfast as well?"
  "If it is not too much of a burden, Father," I
  said. The church was obviously very poor.
  He smiled and said something in a strange lan-
  guage to the Indian girl, and she giggled and left.
  I took a few hundred Cruzeiros from my pocket
  and laid them down on the table. The priest looked
  at the money and then started to object, but I held
  him off.
  "I am not paying for my wine and my meal,
  Father," I said. "I do not mean to insult you that
  way. But you give your people comfort; allow me
  to help."
  The priest smiled, then nodded. "As you wish,
  Senhor," he said.
  A minute or two later, the young Indian girl was
  back with two bowls and wooden spoons, a pot of
  thin soup, some bread, and several bananas that
  had been sliced, fried in butter and then sprinkled
  with brown sugar.
  When she was gone, the priest poured us both a
  glass of the deep red wine, and ladled out some of
  the soup.
  "You are a North American. Perhaps Boston?"
  the priest asked as we ate. The food was rough, but
  very good.
  "Washington, D.C.," I said.
  your nation's capital city," he said.
  ' 'Ah .
  "You are many miles from your home, Senhor."
  "l come seeking a friend."
  The priest seemed amused. "A friend, you say.
  You have no friends at home?"
  "It's not like that, Father. My friend has come
  down here. Against her will, I fear."
  118
  
  
  
  118
  + 110%
  NICK CARTER
  I
  "Kidnapped?" There was something in the old
  man's eyes.
  I nodded. "By the Church of.the Final Reward.
  They have a camp near here. . . s" I let it trail off.
  The priest had gone white. and his hand trembled
  so badly he spilled some of his wine.
  He put his glass down and got up. "You will
  have to leave now," he said.
  I got up. ' 'All I want to know, Father, is where
  their camp is located."
  The priest was shaking his head. "You will leave
  now."
  "I know it's somewhere upriver from here. But
  you must tell me where. Exactly where. I need your
  help."
  "I cannot help you, Senhor. It is bad. Very bad
  here for us."
  "Then I will have to ask elsewhere. Someone
  here in this town will be able to tell me," I said. I
  turned and started to leave the room.
  "Wait," the priest cried.
  I turned back. "I am afraid for my friend and
  others like her."
  "I am afraid for my people as well," the priest
  said. "If I tell you where . . . will you leave Coari
  immediately this morning?"
  "Yes," I said. "And no one will ever know where
  I got my information."
  The priest waved that off. "By now, everyone in
  this village knows that you are here and have
  spoken with me. When you leave upriver, they all
  will know what you have learned here."
  "If it would be better for me to obtain the infor-
  mationelsewhere .. ."
  He shook his head and motioned me back to the
  RETREAT FOR DEATH
  119
  
  
  
  
  119
  table. We both sat down, and he poured more
  wine.
  There was a small window that faced the west, in
  the general direction of upriver. He glanced that
  way and shuddered.
  "Five years ago when they began that abomina-
  tion, we all thought it was a fine thing they were
  attempting to do," the priest began. He did not
  look at me. "It was to be a place, far away from
  worldly cares, troubles and temptations."
  "A noble idea," I prompted after a silence.
  The priest nodded sadly. "I thought as much.
  But then the stories began."
  "Lights in the sky at night?"
  The priest looked sharply at me. "You have
  heard some of the stories?"
  "Only that, in Manaus," I said. '"And that gov-
  emment troops had been sent up here."
  "Yes, but only for a few days. It was the poor
  Indians in the back country. They were killing set-
  tlers and travelers on the river."
  "Was that normal?"
  "Not for the last hundred years. But within a few
  months of the cult establishing its camp up there,
  the Indians became frightened of the devil lights, as
  they called them, and began hearing voices and
  seeing visions, telling them to kill or be killed."
  It was neat. The Indians kept everyone away
  from the church's facility.
  "The government sent troops up here, but they
  left without doing a thing."
  "Why did they leave so suddenly?" I asked.
  The priest looked at me. "I do not know,
  Senhor. I only know that this town, and everything
  above, all the way to Tefé, is not safe."
  120
  
  
  
  
  120
  + 110%
  NICK CARTER
  "Where is the camp?" I asked leaning forward.
  "It is thirty miles from here. Up the Arauå
  River, which flows into the Amazon not far away."
  "The Arauå," I repeated. "Are there guards
  there? Is the place like a military installation?"
  The priest was shaking his head. "l do not know,
  Senhor. I personally have never been there, nor will
  I ever. But they would have no need of guards, in
  any event. "
  "Why?"
  "The Indians control all that territory. No one
  from Coari goes up the river nowadays."
  I nodded, drank some of the wine, and then got
  to my feet. "Thank you, Father, for your help."
  "Will you then listen to one piece of advice, my
  "Return to Manaus this morning. Leave here
  and forget your friend."
  I shook my head. "Too much has happened for
  me to do that, Father. But thank you for your con-
  cern. "
  "Then may God go with you, my son the priest
  said. He turned and left the room by a back door,
  leaving me alone.
  I stood there for a long moment before I turned,
  went back through the church, and stepped out the
  front door.
  There were a great many people on the square
  now. Many of the shopkeepers had set up tables
  and booths outside, making the entire area seem
  like a bazaar on a holiday.
  No one was paying me the slightest attention,
  but as I came down the steps and started across the
  square, I got a funny feeling that I was being
  RETREAT FOR DEATH
  121
  
  
  
  
  
  121
  watched, and that everyone here knew exactly what
  was going to happen.
  Across from me, the army Jeep was parked once
  again in front of the police station. The two sol-
  diers stood there, smoking, watching the crowd.
  A half a dozen brown-skinned Indians, razor-
  sharp machetes stuck in their waist sashes, were
  squatted down near the fountain, and as I passed
  they looked up at me.
  For an instant it seemed as if everyone on the
  square held his or her breath, when suddenly the
  Indians leaped to their feet, the machetes raised
  over their heads, and they came after me.
  I managed to sidestep the first one, slamming my
  left foot into his shins, and he went down, but then
  the others were nearly on top of me, and there was
  no room for me to maneuver.
  I took off in a dead run, threading my way
  through the crowd, upsetting display tables and
  booths as I ran, while behind me, the Indians
  screaming wildly, took up the chase.
  Circling around the square, I passed the soldiers
  in front of the police station, and they were laugh-
  ing as théy pointed at something happening on the
  opposite side of the square.
  A few seconds later I had ducked down the side
  street that ran behind the warehouses on the dock.
  As I continued to run, I pulled out my Luger.
  I came around the last warehouse a minute later,
  and the dock which had been busy earlier, was now
  deserted, except for Arimå's boat, which was tied
  up.
  He and the boy, Domingo, were on the deck
  looking out toward the river.
  "Start the engine!" I shouted, fifty yards away.
  122
  
  
  
  
  122
  + 110%
  NICK CARTER
  They turned around, and for an instant they just
  stared at me.
  "The engine!" I shouted again.
  Then Arimå was scrambling up the ladder to
  the wheelhouse as Domingo grabbed up a fireaxe
  and hacked through the bow line.
  I made it to the boat, and jumped aboard as the
  engine came to life, and Domingo began hacking at
  the stern line with the big fireaxe.
  I spun around as the first of the Indians reached
  us. One of them threw his machete, just missing
  me, the long blade sticking into the side of the
  boat.
  Snapping off four quick shots, three of the Indie
  ans went down. The fourth leaped off the dock,
  slamming into me as we pulled away, the diesels
  roaring.
  We went down in a heap, my Luger jerking out
  of my grasp, and for a few wild seconds I was fight-
  ing for my life, the big Indian swinging his machete
  wildly around my head.
  Then I managed to flip him to the side, and as he
  raised the machete overhead, I snapped a right
  hook to his jaw. His head snapped back, and he
  dropped the machete. I scrambled up, grabbed his
  body, and heaved it over the side into the river.
  A dozen townspeople had joined the Indians on
  the dock, and they all were shouting at us, but we
  were too far out into the river now for them to do
  anything. It didn't seem as if any of them wanted to
  give chase. They had tried to stop us, without suc-
  cess, and now they were going to let us continue
  upriver—very possibly to our deaths.
  
  
  
  
  
  
  
  
  TEN
  Ihe people still lined the public dock as Arimå
  took us well out into the river, and then he began
  to swing us in a big arc, bringing us with the cur-
  rent so that we were heading downriver.
  Domingo had come back to where I stood, and
  wide-eyed, he began swabbing the blood off the
  deck.
  I tried to motion for Arimå to turn us back up-
  stream, but he refused to look down at me. Quickly
  I scrambled up the ladder to the wheelhouse, but
  he had locked the door and would not look at me.
  Pulling out my Luger, I stepped back, and hold-
  ing on to the handhold, I fired one shot down at
  the latch.
  Arimå jumped away from the wheel as I
  slammed the door open and stepped inside.
  "Upriver, Captain," I shouted.
  "No, no, Senhor, please. We will all be killed!"
  ' 'Then get off the boat here," I snapped, stuffing
  the Luger back in its holster. I grabbed the wheel
  and spun it hard to starboard, the boat sluggishly
  responding.
  Two small powerboats had pulled away from the
  public docks and were starting across to us. By the
  124
  123
  
  
  
  
  124
  + 110%
  NICK CARTER
  time I had our boat headed back upstream, they
  had come within a couple of hundred yards.
  Arimå saw them the same firne I did, and he
  came across to the wheel.
  "I'll take it," he snapped. "There is a rifle behind
  us in the locker!"
  "Upriver," I said.
  Si," Arimå said, angling away from the
  two boats.
  On the back wall of the wheelhouse was a large,
  wooden cabinet, the open padlock dangling from
  the hasp. I yanked it open. Inside was iHwelve-
  gauge scatter gun and a very old Winchester 30-30.
  There were a couple of boxes of shells in the bot-
  tom of the cabinet.
  I grabbed the double barrel shotgun and the box
  of shells and hurried out of the wheelhouse, down
  to the deck.
  Domingo was standing at the rail staring at the
  rapidly approaching boats. Each contained half a
  dozen armed men.
  "Go below!" I shouted.
  Domingo looked at me with fearful eyes.
  "Below!" I shouted, and the boy finally started
  to move. "And stay there no matter what hap-
  pens," I said.
  I cracked the shotgun open, shoved two shells
  into the barrels and snapped it shut.
  The boats were less than fifty yards away when I
  brought the shotgun up. One of them swerved aft,
  so I leveled the barrels at the other boat and fired,
  spraying the entire boat with buckshot.
  Quickly I reloaded the shotgun, but the boat had
  swung around and was heading back to shore. I
  raced around to the port side of the wheelhouse
  RETREAT FOR DEATH
  125
  
  
  
  125
  just as the second boat was coming up to us.
  When they saw me, three of the men started to
  raise their rifles. Shooting from the hip, I fired both
  barrels at less than ten yards.
  Two of the men were knocked backwards out of
  the boat; the third was driven backwards over one
  of the seats, and the boat peeled off, accelerating
  aft.
  I watched them go, the two men in the water
  sinking out of sight, a wide trail of red mingling
  with the current.
  They had meant to kill us, and I had acted in self
  defense. But there would be no Brazilian court of
  law that would agree with that. I was a foreigner,
  and I had killed several Brazilian citizens, includ-
  ing four Indians on the docks.
  Getting up to the church's encampment was
  turning out to be no picnic. But getting out of Bra-
  Zil was going to be even tougher.
  Around the other side of the wheelhouse Do-
  mingo was standing in the doorway that led below,
  a wide grin on his face.
  The two boats were pulling up at the docks far
  behind us now as we continued upriver.
  "You take plenty good care of those sonsa-
  the young boy said in En-
  bitches all right,"
  glish.
  I stared open-mouthed at him for a long mo-
  ment, and then had to laugh out loud.
  "Domingo!" Arimå shouted from the open
  door of the wheelhouse above.
  "Si?" the boy said, stepping out on the deck and
  looking up.
  "Make us coffee and breakfast, you little
  bastard," Arimå shouted.
  126
  
  
  
  
  126
  + 110%
  NICK CARTER*
  the boy said happily. He winked at me,
  then turned and disappeared below.
  I went back up to the wheelhouse where I put the
  shotgun and shells away. "J don't think they'll
  bother us anymore."
  "Did you find out what you wanted to know?"
  Arimå asked.
  I joined him at the helm. About a mile ahead the
  river branched left and right. "Yes," I said. "The
  church's camp is about thirty miles away, up one of
  the branch streams.'
  Arimå looked at me. His complexion was wan.
  "The Arauå," I said and he nodded.
  "It's the left channel. Very bad."
  "Why is that particular channel very bad?"
  "It is not merely that one, Senhor. It is all of the
  back channels. There is no one up them except for
  the Indians." He shook his head. "Very bad. Very
  bad. I will not go there."
  "Yes you will," I said. "It will be daylight when
  we go in there, and still daylight when we come
  out."
  "Are you so sure you will be able to convince
  your friend to return with us?"
  I grabbed his arm just above his elbow. "What
  do you know about the church?"
  "Nothing, nothing, I swear it."
  I looked into his eyes. He was frightened, but I
  didn't think he was lying. I let go of his arm and
  looked at my watch. It was a few minutes after nine
  A.M. We would probably make it up to the church's
  camp around noon, if the old priest's directions
  were correct and Captain Arimå didn't do any-
  thing foolish.
  After everything that had happened in Chicago
  RETREAT FOR DEATH
  127
  
  
  
  
  127
  and Washington, and now in Coari, there was no
  doubt that the church was expecting me to show up
  at their camp. But they also were aware, I was rea-
  sonably certain, that I did not work for Amalga-
  mated Press, and that I was a man not easily dis-
  couraged.
  I sat up on one of the tall pilot stools in front of
  the forward windows as Arimå guided the boat
  into the mile wide left channel, his knuckles white
  where he gripped the wheel.
  Whatever the church was expecting from me
  now, I didn't think they expected me to show up on
  their doorstep in the middle of the day, demanding
  an interview with the Reverend Franklin Knox
  himself. But that's exactly what I was going to do.
  With any luck, my appearance with Arimå and
  the boy would throw them off momentarily—at
  least long enough for me to cee Pat, then get her
  aboard the boat and get out of there.
  After that would come the difficult part: getting
  out of Brazil in one piece. I was sure there would be
  a reception committee waiting for us near Coari.
  "There are three channels leading back from this
  one," Arimå said breaking into my thoughts.
  W 'The Coari to the south, the Urucu in the middle,
  and the Arauå to the north."
  "We go north."
  The river was still very wide here, but in the dis-
  tance I could see where it narrowed dramatically,
  swamp lands near the northern shores giving way
  in the distance to forests.
  "Is there no other way, Senhor?"
  "No," 1 said.
  A few minutes later Domingo came up to the
  wheelhouse with a pot of coffee and a couple of
  128
  
  
  
  
  128
  + 110%
  NICK CARTER
  I
  mugs. Ile set the things down, went below, and
  when he came back, he brought with him our
  breakfast of eggs, small strips of beef and a flat,
  tasty bread.
  He took the wheel, and as Arimå and I ate, he
  guided the boat toward the outfall of the Arauå,
  still miles to the north, as the sun continued to rise
  in the equatorial sky.
  The Arauå was a narrow channel, barely a hun-
  dred yards wide at most spots. But it was deep.
  Domingo stood on the bow deck taking soundings
  with a lead line, and calling up the depths to
  Arimå, who guided the boat with one hand while
  he hung out an open window.
  I had cleaned and reloaded my Luger, loaded the
  30-30 and the scattergun, and I sat now on the
  samson post just forward of the wheelhouse.
  "That's wrong," Arimå shouted down. Domin-
  go turned around to look up at him.
  "It is the reading, Captain," the boy said.
  "Get up here and take the wheel."
  Domingo shrugged, laid the lead line down, and
  climbed up to the wheelhouse. A moment later
  Arimå came down, grabbed the lead line and
  heaved the sinker overboard.
  The channel here was at least fifteen feet deep.
  "What is it?" I asked.
  Arimå turned to look at me, then glanced back
  upstream. "I didn't think we would get this far," he
  said. "This stream should not be this deep. Maybe
  five or six feet, not fifteen."
  I got up and joined him at the bow. "Could you
  be mistaken?"
  He shook his head. "No, Senhor, I am not mis-
  RETREAT FOR DEATH
  129
  
  
  
  
  
  129
  taken." Again he looked upriver. "This stream has
  been dredged. It's been deepened to take large
  boats."
  "The church," I said half to myself.
  "Must be a very rich, very powerful church,"
  Arimå said. "A church that is doing some kind of
  a business up here that requires a deep water ac-
  cess. "
  "How far yet?" I asked.
  He shrugged. "We have come twenty-five miles
  now. So if you were correct, and the church camp
  was thirty miles from Coari, then we are close."
  He coiled up the lead line, and as he was bending
  over to drop it into a deck box, an arrow passed
  over his head.
  "Down!" I shouted. I dove aft, below the level of
  the scuppers, a dozen arrows silently passing over-
  head, two of them smacking into the side of the
  pilot house with low twangs.
  I grabbed the 30-30 and slid it up the deck to
  where Arimå was lying on his belly, then grabbed
  the scattergun.
  Domingo had ducked down below the level of
  the windows, and every now and then he peeked up
  over the sill in order to steer the boat.
  Another volley of arrows came in, this time sev-
  eral of them crashing through the windows of the
  wheelhouse, and the others smacking into the hull
  of the boat.
  As fast as the attack had begun, however, it
  stopped. Except for the sound of the diesel engine,
  there was silence.
  I chanced a quick peek over the rail, but there
  was nothing in sight other than the jungle that
  closely lined both banks.
  130
  
  
  
  
  130
  + 110%
  NICK CARTER
  Arimå still lay on his stomach, one hand clutch-
  ing the rifle, his face buried in his other.
  As I sat up, I looked up at the wheelhouse. Dom-
  ingo stood there grinning.
  "Did you see anything?" I called up to him.
  "Nothing, Senhor," he said from the open win-
  dow.
  Arimå rolled over. He was shaking. "We will
  turn around now and go back."
  "No," I said, getting to my feet and scanning the
  river banks on both sides. I had a fair idea why the
  attack had come, but I couldn't understand why
  they had given it up so fast.
  "We go back now!" Arimå roared, getting to
  his feet. "This is my boat, and I say where she
  goes."
  Ignoring him for the moment, I went aft and
  looked downriver from where we had come. There
  was nothing back there except the silent jungle.
  Nothing. Why had they stopped so suddenly?
  When I turned and went forward, Arimå was
  climbing up to the wheelhouse, the 30-30 still
  clutched in his left hand.
  "If you try to turn back, I will shoot you," I said
  evenly.
  Arimå stopped and looked at me. I held the
  shotgun loosely under my right arm, and I could
  see that he was trying to judge whether or not I
  really would carry out my threat.
  His fear of the Indians won out.
  "We will both do what we must," he said, and he
  took the next step up.
  ' 'Goddammit," I swore, reaching out for the lad-
  der when an arrow smacked into Arimå's left
  shoulder.
  RETREAT FOR DEATH
  131
  
  
  
  
  
  131
  He cried out in pain, lost his footing on the lad-
  der and half fell and half stumbled down on top of
  me, both of us hitting the deck.
  I scrambled out from under him, popped up over
  the rail, and fired both barrels of the scattergun
  into the forest, then ducked back down.
  Arimå was screaming and crying in pain and
  rage where he lay. The arrow had gone almost
  completely through his shoulder, missing the
  bones. He had to be in extreme pain, but he was in
  no immediate danger of dying.
  "Listen to me," I said to him. "You're going to
  be all right. We'll get you some help."
  "Poison," he cried, his eyes wild, spittle drooling
  from his open mouth. "The arrows are poison."
  "Senhor! Senhor!" Domingo called from the
  wheelhouse.
  I looked up. He was gesturing to something up-
  river. Quickly I scrambled forward to where I had
  left the shotgun shells on the deck near the samson
  post, reloaded the gun, and popped up over the
  rail, ready to fire. But I suddenly stopped, my
  breath catching in my throat.
  We had come around a gentle curve in the
  stream that suddenly opened to a huge lagoon that
  had to be several thousand yards across.
  On the far shore was a long, modern steel and
  cement quay, several powerful looking boats tied
  up there, and at least a hundred people all wearing
  long flowing white robes lining the dock.
  Inland, a huge area had been cleared from the
  jungle, and in place of the trees and dense under-
  growth, a small, but very modern town had been
  constructed.
  There was a wide mall leading up from the
  132
  
  
  
  
  
  132
  + 110%
  NICK CARTER
  I
  docks, and from where I knelt looking over the
  rail, I could see well tended flower beds and care-
  fully planted trees and fountains up the middle of
  the mall, with numerous stores and shops on both
  sides.
  An ultra modern church of glass and steel, in the
  form of a highly stylized pyramid, dominated the
  far end of the small town from a small rise. Behind
  it was some sort of a wide field ringed by bleachers.
  The effect of the buildings, of the dock and of
  the people, many of them waving now as Domingo
  headed the boat their way, was stunning.
  The place was beautiful.
  I stood up as Domingo throttled down, the boat
  easing the last twenty yards.
  Several men, also clad in the white robes, were
  coming down the mall toward the dock in a dead
  run. One of them was carrying a black doctor's
  bag.
  Arimå was still crying and cursing where he lay,
  and this close in now, many of the people waiting
  on the dock could hear him, and they appeared to
  be deeply concerned. Almost fearful.
  Domingo closed in on the dock, expertly throw-
  ing the boat in reverse at the proper moment, so
  that we just nudged the soft timber fenders.
  Several men from the dock scrambled aboard,
  one of them stepping respectfully past me, and
  tossed lines over to where others tied us up.
  As the diesel engine died, the men who had come
  down from the mall came aboard, and the one with
  the doctor's bag immediately tended to Arimå,
  giving him a shot of something before he ordered
  two of his assistants to carry the captain off the
  boat.
  RETREAT FOR DEATH
  133
  
  
  
  
  133
  "Be careful with him, Brothers," the doctor said.
  Gently they lifted Arimå off the deck and care-
  fully carried him across the dock and up the mall.
  The doctor closed his bag and came forward to
  where I still stood, the shotgun cradled under my
  right arm.
  He stuck out his hand. "I'm Doctor Bernard
  Wilcox, originally from Buffalo, New York."
  I shook his hand. A silence had descended over
  the gathering as everyone watched us.
  "I think you already know who I am," I said
  evenly.
  The doctor smiled. "Indeed, Mr. Carter," he
  said. "You've caused us no end of trouble, you
  know, but Brother Knox is a forgiving man."
  "Is that why he's tried to kill me?"
  A sigh rippled through the crowd.
  "No one has tried to murder you, Mr. Carter."
  "And the fire?"
  A dark expression crossed the doctor's face.
  "The two . . . renegades who did that have been
  excommunicated. In fact, Brother Knox wants to
  personally apologize for that unfortunate incident.
  We were so happy and relieved when we learned
  that neither you nor Miss Staley were seriously in-
  jured. "
  "Is she here now?"
  The doctor smiled again. He seemed almost like
  an animated cartoon character, and he was starting
  to get on my nerves.
  "Indeed. She came last night. She's anxious to
  see you as well. When she heard you were coming,
  she was beside herself with excitement."
  "Fine," I said. "As soon as you have patched up
  Captain Arimå, please send her down here, and
  134
  
  
  
  
  
  134
  + 110%
  NICK CARTER
  I
  we will leave you alone."
  "Heavens no. Brother Knox would skin me alive
  if I didn't insist on extending the hospitality of Re-
  ward. "
  "Reward?"
  He chuckled. "That is the name of our village
  here in the forest. Hostile on the outside, but a gen-
  uine 'Reward' once you arrive: '
  "A half hour," I said.
  The doctor stepped forward and reached for my
  arm, but I backed up and raised the shotgun, point-
  ing it at his midsection.
  "I'm in no mood for your silly bullshit, Doctor,"
  I snapped. "I want Miss Staley down here within a
  half an hour."
  The doctor almost seemed to be on the verge of
  tears. "Oh dear," he said. He looked over toward
  the others on the dock. "One of you good people
  go fetch Sister Staley. Tell her Mr. Carter has ar-
  rived and would like to speak with her."
  When he turned back to me, he shook his head.
  ('Now, off this boat,"
  I snapped. "We'll be
  leaving shortly. Have your people bring Captain
  Anmå back as well."
  Domingo stepped halfway out of the wheelhouse
  door. "Senhor," he called down to me.
  I glanced up at him. "Get the boat ready to
  leave."
  The boy shook his head. "We do not have the
  fuel to return, Senhor," he said.
  "We can give you fuel," the doctor interjected.
  "Now!" I snapped.
  The doctor turned to the people on the dock.
  "Would someone be so kind as to refuel this
  vessel. "
  RETREAT FOR DEATH
  135
  
  
  
  
  
  135
  Two men broke away, crossed the dock and en-
  tered one of the buildings.
  "I'm sorry that you cannot find it in your heart
  to remain, at least for a day or two. Brother Knox
  had planned a dinner tonight and tomorrow will be
  a festival of the Lights For Departing Souls."
  ' 'Nick!" someone shouted my name.
  I looked up as Pat, wearing one of the white
  robes, came bounding down the mall toward us.
  She seemed excited, and . .
  . happy.
  The crowd on the dock parted to let her pass,
  and I was stepping past the doctor to help her
  aboard, when something sharp and very hot
  pricked my neck just below my left ear.
  Almost instantly a roaring began to fill my ears,
  and I could hear Pat shouting my name.
  I spun around on my heel, bringing the shotgun
  to bear on the doctor. But he reached out, grabbed
  the barrel, and easily twisted the gun out of my
  hands.
  Staggering back I grabbed for my Luger, but I
  couldn't seem to make my fingers work, and the
  doctor's smiling face seemed to expand overhead,
  while Pat kept calling my name and laughing.
  
  
  
  
  
  
  
  
  
  
  
  ELEVEN
  1
  I awoke rested and relaxed minutes or hours lat-
  er. I was lying nude on my stomach on a padded
  table of some sort, while soft, but strong hands
  massaged the muscles in my shoulders.
  For a minute or two i just lay there, my head
  turned to one side. From what I could see, I was in
  a large, airy room. Windows high up on the wall let
  in the afternoon Brazilian sun. And somewhere be-
  hind me I could hear water splashing and smell the
  rich odors of plants.
  "I'm so happy you are awake finally, Mr.
  Carter," a woman said behind me.
  I turned my head and looked up. My masseuse
  was a beautiful young woman with long, red hair
  and freckles all over her body. She was nude, the
  nipples on her small breasts hard, and her lips
  slightly parted as she smiled at me.
  "How long have I been here?" I asked thickly.
  Whatever drug I had been shot with made it dif-
  ficult to speak. It was as if I was still half asleep.
  "Several hours,"
  the girl said. "Can you roll
  over now? I'll do your front."
  The girl helped me roll over on the table , and she
  began working immediately on my shoulders, and
  136
  RETREAT FOR DEATH
  137
  
  
  
  
  
  137
  (147 of 228)
  + 110%
  RETREAT FOR DEATH
  then on the muscles of my chest.
  137
  ' 'What is this place?" I asked after a minute or
  two.
  "The Palace of Pleasure," she said. '%And my
  name is Charlene."
  Knox had quite a setup down here. His own
  personal kingdom, with all the comforts, and
  more, of home. "The man and boy I came with.
  Where are they?"
  "Oh, they're just fine, Mr. Carter. Little Domin-
  go is playing with the other children, and Captain
  Arimå is resting at the Clinic."
  "Where is Pat Staley?"
  ' 'Sister Staley is getting ready for our dinner to-
  night," Charlene said gaily. ' 'It will be a lovely din-
  ner. And afterwards there will be the festival of
  lights. It'll be wonderful, you'll see."
  I was beginning to come fully awake, my head
  finally clearing. And I looked closely at the young
  woman. Her eyes were wide and dilated. She was
  on drugs. There was no doubt about it. Probably
  everyone down here was.
  "l want to see her," I said.
  "See her?" Charlene asked. "Who?"
  "Pat Staley. I want her to come here now."
  Charlene giggled. "Oh no, she does not work
  here in the Palace of Pleasure. There are only a few
  of us in the guild."
  I sat up on the table, brushing her hands away.
  The room spun a moment as the girl stared open-
  mouthed at me.
  "I'm not finished yet, Mr. Carter," she said.
  please lie down and let me finish."
  "Please . . .
  "We're done," I said. I got down off the table,
  138
  
  
  
  
  138
  + 110%
  NICK CARTER
  and she had to help me for a moment as the room
  spun again.
  "You're not ready yet," she said.
  "Where are my clothes?"
  ' 'There are fresh robes for you when we are fin-
  ished—"
  ' 'My clothing, Goddammit!" I shouted. I
  grabbed herarm and pulled her to me. "Where are
  my things?"
  She was shaking her head. "I don't know. You
  were brought here to me, like .
  . this. "
  I shoved her aside and went across the room to
  a low, wide bed set amidst a riot of green plants
  that grew in some places as high as the tall, slanted
  ceiling. A white robe and sandals were laid out for
  me, and I quickly put them on.
  "Oh please . . .
  please Mr. Carter, you can't
  leave here," Charlene was crying.
  Ignoring her, I went across the room, down a
  wide, plant-filled corridor and out the front door.
  The building I had been in was huge, a broad
  porch running its length. Several men and women
  lay asleep on lounges, while white-robed atten-
  dants massaged their temples or fanned them.
  Charlene had pulled on a robe and she came out
  behind me. "Please come back, Mr. Carter.
  Brother Knox will be so displeased if you won't
  accept our hospitality."
  "Where is the Clinic?" I said.
  "Why do you want to go there?"
  "l want to speak with Captain Arimå."
  "If I take you there, will you come back with
  me?"
  I looked at the girl. "After I see the captain, I
  want to speak with Pat Staley. And then I may
  RETREAT FOR DEATH
  139
  
  
  
  
  ****** Result for Image/Page 1 ******
  139
  (149 of 228)
  + 110%
  RETREAT FOR DEATH
  come back here with you."
  139
  A couple of the other attendants had looked up,
  and they started toward us.
  Charlene waved them back. "It is all right, Sis-
  ters," she said. She took my arm and guided me
  down off the porch and across the mall, the huge
  church behind us to the right, the river and docks
  below to the left.
  Music was playing from somewhere, and there
  were several people out and around on the mall,
  some of them wandering past the many fountains,
  others seated at pleasant-looking sidewalk
  cafés.
  We crossed the mall and went up to a large,
  hite building without windows that was just
  low the church.
  "Captain Arimå is here," Charlene said.
  We mounted the steps and entered the building.
  ust inside the front door was a very large room
  ith a desk and several medical equipment cabi-
  ets at the far end. To the right were four machines
  sed to air-inject drugs into patients' arms. They
  ere lined up in four columns, and I suddenly un-
  erstood just how Knox and his henchmen kept
  e people down here so docile. Probably on a dai-
  y basis, every man, woman and child was marched
  n here and given a dose of some kind of a tran-
  uilizer.
  We went across the room to the left and went
  hrough a set of double doors down a wide cor-
  idor that opened onto a small, four bed dis-
  ensary.
  An old man lay in one of the beds, and Arimå
  ay in another, his shoulder bandaged. He was
  sleep.
  140
  
  
  
  
  140
  + 110%
  NICK CARTER
  "There is the captain," Charlene said. "Now can
  "Just a minute," I said. i went across to Arimå
  and gently shook him awake.
  He blinked several times until he finally focused
  on my face. "Senhor," he said thickly.
  ' 'How do you feel?" I asked, keeping my voice
  low. There were no medical staff in here at the mo-
  ment, but Charlené stood by the door watching
  me.
  "Fine . . .
  fine," Arimå said. "Are we leaving
  "Soon," I said. "Do you think you can travel?"
  "Sure .
  . sure, tomorrow perhaps. Or maybe
  next week." He smiled vacantly. They had him on
  the drug, whatever it was.
  "I'm coming back for you," I whispered. "To-
  night. "
  "Mr. Carter, can we go now please?" Charlene
  asked from the doorway.
  Arimå's eyes closed, and he smiled as I straight-
  ened up and went back to Charlene.
  '61 want to see Pat Staley now," I said. "And
  then I will go back with you."
  "I can't take you to her. You will have to go
  back to the Palace of Pleasure, and I will bring her
  to you."
  "All right," I said. "And I'll want my watch and
  my clothes and my other things brought to me."
  "I will try, Mr. Carter," the girl said.
  We went down the corridor, across the large
  room and back outside. It seemed to be about four
  or five in the afternoon, and it was very hot. As we
  walked across the mall, back to the Palace of Plea-
  RETREAT FOR DEATH
  
  
  
  
  
  141
  (151 of 228)
  + 110%
  RETREAT FOR DEATH
  141
  sure, I looked down toward the docks. I could see
  Arimå's boat still tied up where we had left it, and
  I just caught a glimpse of a flash Of white in the
  wheelhouse, but then it was gone.
  There was someone aboard the boat. The Rev-
  erend Knox was not going to let us out of here
  without a fight. And I was not going to leave with-
  out Arimå and the boy, as well as Pat.
  Back in the Palace of Pleasure, Charlene and I
  went back to my room. "Promise that you will re-
  main here, and I will get Sister Staley."
  "And my things," I said.
  She nodded and then turned and left. As soon as
  she had disappeared around the corner, I hurried
  to the tall, padded table and shoved it over next to
  the wall just below one of the tall windows that
  faced the mall.
  I climbed up on the table and was just barely
  able to see outside. I watched as Charlene emerged
  from the building and went across the mall, then
  cut down toward the river.
  She entered a long, low building.
  "I'm glad to see that you are feeling better, Mr.
  Carter," a man said behind me.
  I spun around. Michael Seidelman, wearing a
  white robe, sandals on his feet, stood grinning in
  the doorway.
  "Sister Anderson will be back in a minute or two
  with Sister Staley," he said. "Why don't you come
  down from there."
  I jumped down from the table as Seidelman
  came across to me. He held out his hand, but I
  ignored it.
  "A slick setup you have down here," I said.
  142
  
  
  
  
  142
  + 110%
  NICK CARTER
  "Why did you come here?"
  "For Pat Staley," I snapped. "And I will take
  her back with me."
  "For the moment you are in no position to do
  much of anything, Mr. Carter."
  "I could kill you here and now with my bare
  hands," I said in a low voice.
  Seidelman laughed, but it had a false ring. "And
  then what? Your boat captain is in no shape to be
  of much help. The boy is happy here . . . it's para-
  dise to him. And you'll be very much surprised
  when you speak with Sister Staley."
  "You've given her the tranquilizer," I said.
  Something flashed in Seidelman's eyes, but he
  shook his head. "We've given her nothing but the
  facts of life."
  "And Atterbury?"
  "Him too, although he did help convince Sister
  Staley of the truth."
  I was dressed in nothing more than a robe and
  sandals; I had no weapons, and I was still suffering
  slightly from the after effects of the drug I had been
  shot with. There wasn't much I could do. At least
  not at the moment.
  "You understand that I work for the
  Amalgamated Press and Wire Services, and that
  my people know exactly where I am."
  "l understand that you may work for the news
  service, although I have my doubts," Seidelman
  said. "But I do not have any doubts that if any-
  thing happened to you here, there would be others
  after you. So, nothing will happen to you, Mr.
  Carter. At least not here."
  Charlene came to the doorway with Pat Staley.
  RETREAT FOR DEATH
  
  
  
  
  143
  They stopped a moment when they saw Seidelman
  was here.
  "Nick?" Pat said.
  "I want to be alone with her,"
  I said to
  Seidelman.
  He looked at his watch. ' 'It's five-fifteen now. At
  six-thirty sharp Charlene will return and you and
  Miss Staley will join us for dinner. Brother Knox is
  most anxious to speak with you."
  "And afterwards?"
  "That will depend upon you, Mr. Carter. If af-
  ter speaking with Brother Knox you still want to
  leave us, you will be escorted by boat back up to
  the Amazon, just above Coari. From there you will
  be on your own."
  Seidelman turned, went across the room where
  he took Charlene's arm, and they left.
  Pat was smiling, her face radiant. Like the oth-
  ers, she was dressed in a white robe, sandals on her
  feet. Her hair had been done up in the back, and
  she wore a small gold medallion on a headband.
  She came slowly across the room to me, and
  took her in my arms and held her close for a long
  time.
  When she looked up, we kissed deeply, her body
  pressed against mine.
  "l missed you, Nick," she said when we parted.
  "I wanted to leave you a message, but I was told it
  would be for the best if we parted cleanly."
  ' 'How are you, Pat?" I asked.
  She smiled again. "Just fine now that you're
  here, Nick." She looked over at the wide bed, then
  up again into my eyes. ' 'We have time now. Let's
  make love."
  144
  
  
  
  
  144
  + 110%
  NICK CARTER
  1
  "I'm taking you back with me tonight," I said.
  She took my hand and led me across the room to
  the wide bed.
  "Do you understand what I'm saying to you,
  Pat? We're' leaving tonight."
  "All right,"
  she said offhandedly. Her eyes
  seemed too bright, but her behavior too lethargic.
  It didn't seem as if she was on any drug at the mo-
  ment, and yet she wasn't herself.
  She stepped back and pulled off her robe. She
  was nude underneath, her body firm and lovely.
  She stepped out of her sandals, then lay down on
  the bed.
  "Come to me, Nick. Now. Please. I need you."
  I took off my robe and sandals and joined her on
  the bed. Languidly she snuggled closer to me, her
  legs entwined with mine as she caressed my chest
  and nibbled on my ear.
  "This room is bugged, Nick," she said so softly
  I could barely hear her words.
  I drew her even closer and kissed her neck. "Are
  you all right?"
  "They had me on the drug," she whispered. "I
  was busy with the banquet preparations today, and
  I managed to get out of taking mine at noon."
  She moaned, rolled over on her back, and pulled
  me atop her. When I entered her, she moaned
  again, burying her face in my neck.
  "Atterbury is in on it. They drugged me at his
  house and then brought me down here. I've signed
  a will leaving everything to the church."
  We were making love then, and her last words
  were slurred as she began to respond in earnest.
  For the moment, then, we lost ourselves in each
  RETREAT FOR DEATH
  145
  
  
  
  
  145
  (155 of 228)
  + 110%
  RETREAT FOR DEATH
  145
  other, forgetting where we were and the trouble we
  were in.
  When we were finished, we showered together in
  a small stall, and then slipped into a large hot tub
  set across the room from the bed.
  She came to me in the tub, and we clung to each
  other as if in a loving embrace, which was partly
  true. "Can you get us out of here?"
  "Do you think you can find my clothing and my
  weapons?" I whispered.
  "No," she said. "Some of Karsten's men-—he's
  head of security along with Seidelman—have your
  things up at the church. No one can get near the
  place except those on church business."
  "Are there any guards here with guns?"
  "None that I've seen. But we've all been told not
  to wander away from the town, especially at night.
  The Indians here are cannibals."
  I tried to think this out. Arimå's boat would be
  far too slow, and Domingo had said it was low on
  fuel anyway. That meant I was going to have to
  take one of the church's boats. There were a couple
  of them tied up at the docks that looked sleek and
  very fast.
  Getting down there with Pat, Arimå and the
  boy, however, was not going to be easy. It was a
  certainty that Seidelman, Karsten, and their goons
  would be watching out for just that.
  "What's going on tonight?" I asked.
  "There's supposed to be a big banquet of some
  sort to celebrate the new arrivals
  me in-
  cluded."
  "Where?"
  "l don't know. Up in the church, probably.
  146
  
  
  
  
  
  146
  + 110%
  NICK CARTER
  That's where everything of importance around
  here takes place."
  "What about the field? I saw it on the way in. It
  looked like a sports stadium. What's it used for?"
  "I don't know," she said. "But it has something
  to do with the festival of the Lights of the Depart-
  ing Souls, which is also going to happen later to-
  night, and then something really big is supposed to
  happen tomorrow night. But no one does much
  talking about that, and I'm afraid if I ask too many
  questions, they'll realize I didn't take my tran-
  quilizer."
  "All right, Pat, we'll be getting out of here soon.
  Probably tonight. But try to avoid your drug
  tomorrow if we can't get out of here by then. And
  be ready at a moment's notice to run."
  "I'm frightened, Nick," she said, holding on to
  me tightly. "And I keep thinking about Don."
  "We'll get out of here, Pat. I promise you."
  Charlene came back forty-five minutes later as
  Pat and I were drying off and dressing. She
  apologetically held out my watch, my cigarettes
  and my lighter.
  "This was all I could get for you, Mr. Carter,"
  she said.
  I took them and strapped on my watch and lit
  myself a cigarette. "Thanks anyway for trying," I
  said.
  Charlene turned to Pat. "You're to go back to
  the dormitory. Sister Therese is waiting for you
  there. We all have to get ready for the banquet."
  She seemed excited.
  Pat nodded, lowering her eyes, but then she
  looked up at me, a dull, vacant expression on her
  RETREAT FOR DEATH
  147
  
  
  
  
  147
  face. "Are you sure, Nicholas, that you will not
  stay here with us in Reward?"
  "I'll think about it," I said. "But I'd rather you
  return home with me."
  Pat slowly shook her head. "This is my life now,
  my darling. I am one with the Final Reward." She
  turned and glided out of the room.
  "Sister Staley is a lovely woman," Charlene said.
  "So are you," I said gently.
  The girl blushed. "I must' return to the
  dormitory to make ready. Brother Michael will be
  by momentarily for you."
  She turned and left the room.
  I went back to the bed where I strapped on my
  sandals, and when I turned around, Seidelman was
  standing in the doorway. He was wearing a long
  white robe with gold trim at the neck and hem and
  a gold sash around his middle.
  His right hand was in a deep pocket. He pulled
  out my Luger slowly and pointed it at me. "An
  ugly, but deadly weapon I am told," he said.
  "It's given me good service."
  "l merely wanted you to know that I am armed,
  and I will not hesitate to use it if I find the necessity
  arises. In addition, my people will be closely watch-
  ing you throughout the banquet. The slightest
  wrong move on your part will result in your imme-
  diate death. Do I make myself perfectly clear?"
  "Will I get to meet Brother Knox?" I asked.
  "Of course. You will be seated right next to
  him."
  'SAren't you afraid I might attack him?"
  Seidelman laughed out loud. "Not in the
  slightest," he said.
  
  
  
  
  
  
  
  
  
  TWELVE
  Seidelman followed me out of the Palace of Plea-
  sure and directed me up the hill toward the ultra
  modern church building. Many people were walk-
  ing slowly up the mall toward the huge doors at the
  front of the building, some of them in small
  groups, some of them in long, almost military lines,
  but none of them singly.
  It was noticeably cooler now, and the sun was
  low on the western horizon. It got dark fairly early
  on or near the equator, which was just as well, I
  thought. Whatever was going to happen, would
  probably happen tonight. Darkness would give us
  needed cover.
  Near the top of the hill I was able to spot a
  number of security men with their hands in their
  pockets. They circled the crowd and flanked the
  doorway. All of them were watching me.
  As we passed, they nodded at Seidelman still be-
  hind me, and then we were up on the broad, marble
  step that led to the entrance.
  The church was at least two hundred feet on a
  side and probably a hundred and fifty feet tall at
  the peak. Just inside the main doors, the crowd was
  moving through a broad hallway, down a wide cor-
  148
  RETREAT FOR DEATH
  149
  
  
  
  
  149
  ridor, and into the main chamber at the center of
  the pyramid.
  As Seidelman and I emerged from the corridor,
  I stopped in my tracks, my breath catching in my
  throat.
  The vast hall was magnificent. A latticework of
  steel beams and sharply angled sheets of plate glass
  and mirrors rose in a complex array from about
  thirty feet above the floor all the way up to the
  peak. Long, curved banquet tables set with crisp
  linen tablecloths and silver service, formed huge
  arched tiers, all facing toward a raised dais at the
  center, upon which was set a single long table that
  slowly rotated.
  At the far end of the hall, a twenty-piece or-
  chestra was playing what sounded like Debussy,
  the music barely competing with the hum of a
  thousand voices in the packed church.
  "It's wonderful, isn't it," Seidelman said at my
  elbow.
  I glanced at him. "With money you can do
  almost anything," I said.
  "If you'd only stick around for a day or two,
  you'd see just how true that is."
  ' 'No thanks," I said.
  "A pity," Seidelman replied, and we moved off
  across the hall toward the raised dais. "You'll be
  seated directly next to Brother Knox, on his left
  side. I'll be right next to you, the Luger under the
  table. "
  We were stopped repeatedly by people who
  wanted to say hello to Seidelman, and by others
  who were frankly curious about me.
  At one point I thought I had spotted Pat seated
  150
  
  
  
  150
  (160 of 228)
  150
  + 110%
  NICK CARTER
  I
  1
  with a number of other women, but when I looked
  again, I couldn't see her.
  Seidelman escorted me up on the dais, and to a
  seat at the table. The center chair, the one Knox
  would be sitting in, was tall, gracefully curved and
  made of transparent plastic or glass. It didn't
  match anything else in the hall and seemed oddly
  out of place.
  I sat down, Seidelman taking his place next to
  me, and immediately a young woman appeared at
  the front of the table and poured us both cham-
  pagne.
  Seidelman's associate, Larry Karsten, came up
  on the dais, nodded at us, and took his seat a cou-
  ple of chairs down from the center. A moment lat-
  er, Pat, escorted by two women, came down one of
  the aisles and stepped up on the dais.
  I started to get up, but Seidelman stopped me.
  "Another half inch off your chair and there
  wouldn't be a thing I could do to save you," he
  said.
  "Hello, Nicholas," Pat said. She sat down in the
  chair just to the right of Knox's. Champagne was
  poured for her, and she picked up the glass and
  sipped, ignoring me.
  She was doing the right thing. If any of them got
  wind of the fact that she had not taken her tran-
  quilizer, they'd force her to take it.
  But seeing her here, seated next to Knox's posi-
  tion, gave me the shivers. I knew exactly what was
  planned for her.
  Gradually the last of the people filed into the
  hall, took their places, and a silence began to de-
  scend, broken only by the lovely strains of the mu-
  sic.
  RETREAT FOR DEATH
  151
  
  
  
  
  151
  Looking out across the crowd, I could see that
  everyone seemed expectant, as if they were waiting
  for something spectacular to happen. Even
  Seidelman had the same look on his face, as he
  hunched slightly forward in his seat.
  I was about to ask him about it, when the or-
  chestra broke off its playing, sounded a drum roll,
  and every light in the vast hall went out, plunging
  us into total darkness.
  Immediately I felt the barrel of the Luger
  jammed into my side. "Do not move a muscle,
  Carter," Seidelman's voice came from the dark.
  An eerie, high-pitched keening sound began
  from somewhere directly overhead, rising slowly in
  pitch and volume so that the sound seemed to fill
  the entire hall.
  About the moment it became unbearable it sud-
  denly ceased, and a blindingly bright blue light
  came on, illuminating the Reverend Franklin
  Knox seated regally on his modernistic chair.
  A sigh rippled through the crowd, and as they
  began to applaud, lights came on directly over each
  table, including ours.
  The applause swelled to a thunder, and people
  began cheering and screaming and whistling. I
  couldn't help but stare at Knox. There was some-
  thing wrong with his image. At first I thought it
  was my eyes, or the harsh blue light that caused his
  figure to waver.
  Pat was staring at him as well, and suddenly I
  realized what was wrong, and why Seidelman had
  not been concerned with the fact I would be seated
  so close to him. Knox was not here. What we all
  were looking at was a holographic projection of his
  image.
  152
  
  
  
  
  
  152
  + 110%
  NICK CARTER
  I glanced up toward the area just above him.
  There was a strong blue light. Behind him there
  was another light, and from the floor a third light
  shown through the chair.
  Knox was somewhere else seated at a table that
  matched this one. Totally protected.
  His image turned toward me, and he smiled, the
  gesture totally devoid of humor or warmth. His
  eyes seemed to glow with a deep red light, and his
  skin was cast in a pale blue pallor.
  "Welcome to Reward," he said, his voice boom-
  ing powerfully across the hall.
  Instantly the thunderous applause ceased, plung-
  ing the vast hall into absolute silence.
  "Thank you for your hospitality, Brother
  Knox," I said evenly.
  Knox laughed, the sound booming. 'S This, my
  brother in sin, is merely a way station on the long,
  arduous road to the final reward." He turned to
  look out over his audience that was hanging on his
  every word. "Tonight we will dedicate this banquet
  to all the lost souls of this world who have yet to
  see the light. To all the avarice and mendacity, to
  all the pestilence and famine, to all the wars and
  money mongers, who can be saved if only they
  would reach out their hand for salvation." He
  reached out his hands, as if he was beseeching his
  congregation. "Will you be saved?" he cried.
  "Yes!" the crowd roared.
  "Will you be saved?" Knox screamed louder.
  "Yes .
  oh yes, Brother Knox, we will be
  saved!" the audience screamed.
  ' 'Then join me in our feast. Join me in the festi-
  val of the lights tonight. Join me in a day of fasting
  on the morrow. And join me, Brothers and Sisters,
  RETREAT FOR DEATH
  153
  
  
  
  
  153
  (163 of 228)
  + 110%
  RETREAT FOR DEATH
  for the celebration of the Final Reward!"
  153
  At least three dozen white-robed waiters and
  waitresses seemed to appear out of nowhere, and
  began serving food and more wine to the throng.
  Two young women served our table, neither of
  them approaching Knox, who sat there looking
  over his congregation.
  It was a great show, I had to admit. And I sus-
  pected that no one down on the main floor could
  tell that Knox wasn't really there, that his image
  was nothing more than a technological trick of
  electronics.
  From time •to time Knox sipped at a glass of
  wine, but he never looked right or left. He kept
  staring out across the hall as the dais continued to
  slowly rotate.
  Twice I managed to catch Pat's eye, but each
  time she just nodded at me vacantly, then went
  back to her meal.
  The orchestra had started up again, and there
  was a low hum of conversation and occasional
  laughter. I just picked at my food which consisted
  of oysters on the half shell, an excellent French on-
  ion soup, a fresh spinach salad, pheasant and wild
  rice, but I drank a second glass of the good wine,
  and then sat back with a cigarette.
  About two hours after the banquet had begun,
  the orchestra again stopped playing, and a drum
  roll sounded. A silence fell, and the same eerie
  high-pitched sound began. The lights went out,
  leaving Knox's figure starkly illuminated. He
  waved.
  "Let the festival of the lights begin in one hour,"
  his voice boomed, and then he was gone, the hall
  completely dark until the house lights came up
  154
  NIC
  
  
  
  
  154
  (164 of 228)
  + 110%
  slowly to more applause.
  Seidelman pushed back his chair and got up as
  the people down on the main floor began leaving.
  I got to my feet. "I'd like to speak with Pat for a
  moment," I said.
  Seidelman nodded, and I turned and went
  around Knox's chair to where Pat was still seated.
  Karsten had gotten up. He glared at me and then
  moved off as I bent down to kiss Pat's neck.
  "l know where you're staying. I'll try to come
  for you late tonight."
  She looked up at me and giggled, a vacant ex-
  pression in her dilated eyes. They had gotten to
  her. They had discovered she had not taken her
  tranquilizer.
  "What did ygu say, Nicholas?" she asked.
  Christ. "I said, it was a lovely dinner."
  "l'm so glad you enjoyed it," she said.
  I shook my head and sighed deeply as I straight-
  ened up. It would have been difficult getting her
  . out of here with her cooperation. Now the task was
  going to be next to impossible.
  Seidelman was waiting for me at the edge of the
  dais, and I went over to him.
  "What's on the agenda now?" I asked.
  "Brother Knox would like to speak with you, in
  person, in his quarters before the festival of lights
  begins."
  "An exclusive interview?"
  "Something like that," he said. He stepped down
  from the dais, and I followed him to the back of the
  hall, several of his henchmen coming right behind
  us.
  We went through a wide door, down a plushly-
  carpeted, softly-lit corridor, and then into an
  RETREAT FOR DEATH
  155
  
  
  
  
  155
  elevator that went up rapidly, emerging from the
  sloping side of the pyramid and through the floor
  of a large projection from the building.
  The doors opened on the most opulent suite of
  rooms I had ever scen in my life. I had been to
  Paris and Monte Carlo, to Berlin and Rome, and
  to Buenos Aires and Mexico City, but never had I
  ever seen anything to match Knox's living quar-
  ters.
  Gold icons, fine paintings, soft leather furniture
  and what appeared to be a carpet sewn of mink and
  ermine filled the apartment, whose back wall was
  clear glass from floor to ceiling, looking over the
  sports stadium and the jungle beyond.
  Knox himself, a brandy snifter in hand, stood
  with his back to us, looking out the windows. Peo-
  ple were already filling the stadium, and he was
  nodding as he watched them.
  He was a very tall man, nearly seven feet, with a
  husky build and a thick shock of black hair.
  "Be so kind as to pour Mr. Carter a drink,
  Brother Michael, and then leave us," Knox said.
  Seidelman complied, returning to me with a
  brandy snifter of what tasted like a fine cognac,
  and then he and the guards stepped back onto the
  elevator and were gone.
  "Is it really you?" I asked. "Or another clever
  projection."
  Knox turned toward me. "You have caused me
  no end of trouble, Mr. Carter. Or would you prefer
  to be addressed by your alpha-numeric designation
  . N3, I believe it is."
  I was momentarily stunned. There were damn
  few people in the world who had that information,
  outside of AXE.
  156
  
  
  
  
  156
  (166 of 228)
  + 110%
  15
  "Killmaster status, I believe," Knox was saying.
  "Curious. '
  Then I understood where he had gotten the in-
  formation. From Pat. And suddenly a deep, very
  dark anger began to well up inside of me. They had
  her on tranquilizers. But what other drugs had they
  used on her to obtain that information? What had
  they done to her mind?
  "You would like very much to kill me at this
  moment, but it would be of no avail, even if you
  could accomplish it."
  I took another sip of the cognac. The drink
  could have been drugged, or poisoned, but I didn't
  think Knox had called me up here to kill me that
  way. There was something else. Something deep in
  his eyes, almost a sadness, that made me think dif-
  ferently.
  "I don't understand," I said, looking around the
  apartment.
  "No, you don't. Your kind never have. Nor will
  you ever. Because understanding of this comes
  from the heart, not the head."
  "Bullshit,"
  I said sharply. "You have a great
  racket going here. Last I heard, you and your
  church were worth more than a billion dollars."
  "Seven-point-eight billion U.S. dollars, at cur-
  rent market prices," Knox said.
  "Which makes you the richest man in the
  world. "
  "Yes," he said flatly. He turned his back on me
  again and looked out the window at the rapidly-
  filling stadium. "What have you come looking for,
  Mr. Carter?"
  "I came for Pat Staley," I said.
  "I'm afraid that's not possible," Knox said. "Al-
  RETREAT FOR DEATH
  157
  
  
  
  157
  though I knew it would be impossible, I had almost
  hoped that once you arrived, you could somehow
  be convinced that what we are doing is right and
  good. "
  "Convinced? With some fancy parlor tricks?"
  "Have you seen an unhappy person since you've
  been here?"
  "If there was enough Valium to go around, the
  entire world would be happy, Knox. Which means
  nothing."
  Knox shuddered. "Get out of here, Carter. Take
  thc elevator downstairs, and you will be escorted
  back to the despicable little boat that brought you.
  Arimå and the boy are already aboard."
  "Not without Pat."
  Knox spun around, and I tensed thinking he was
  going to spring at me.
  "Get out of here. Leave us in peace, or I will take
  you where all of us are going tomorrow night!" he
  screamed like a wild man, spittle flying from his
  lips, his teeth bared.
  V' You're crazy," I said. "What in God's name
  are you planning for tomorrow night?"
  "The Final Reward," he screeched. "Stay and
  you will be a part of it. Leave and your life will be
  your own!"
  The elevator doors opened behind me. "Let's go,
  Carter, your boat is waiting."
  I turned to face Seidelman and two of his guards.
  They all had guns pointing at me.
  What was going to happen wasn't scheduled un-
  til tomorrow night, which gave me at least twenty-
  four hours. Not enough time to bring in help, but
  certainly enough time for me to come up with
  something.
  158
  
  
  
  
  
  158
  (168 of 228)
  158
  + 110%
  NICK CARTER
  I drank the rest of my cognac, set the glass down
  on one of the low tables, and without looking back
  at Knox. stepped aboard the elevator, and rode
  down with Seidelman and the other two.
  They escorted me back through the church, out
  the front door, and down the mall toward the
  docks. The town seemed deserted. Everyone by
  now would be up at the stadium.
  "About my clothing and weapons?" I asked, as
  we walked.
  "Your clothing is aboard the boat, which we
  have refueled and reprovisioned for you. But you
  will go unarmed in peace."
  "To be massacred by the Indians."
  "Whatever fate decrees, so be it," Seidelman
  said with satisfaction.
  The diesel on Arimå's boat was idling when we
  came down to the docks. I stopped by the boat and
  turned around to look up beyond Seidelman and
  the others, toward the church. Behind it, the night
  sky was lit with a soft glow from the lights around
  the stadium.
  "Tomorrow night will be another Jonestown,
  with one important difference," I said, looking
  back at Seidelman.
  The man had a half-smile on his lips, but he said
  nothing.
  "You and Karsten and your goons won't be tak-
  ing the fall, although Knox will." I shook my head.
  "He's quite crazy, you know. I think he actually
  believes in all this mumbo jumbo."
  "Get aboard, Carter."
  "What about Pat?"
  Again Seidelman smiled. "She'll be well taken
  care of."
  RETREAT FOR DEATH
  159
  
  
  
  159
  (169 of 228)
  + 110%
  RETREAT FOR DEATH
  159
  I almost sprung at him then, but I held myself
  back. Pat wasn't the only one at risk down here.
  Suddenly the stakes had risen much higher. Sud-
  denly there were more than a thousand potential
  and likely victims of Knox's madness and
  Seidelman's greed.
  ' 'I will be seeing you again, Seidelman," I said.
  "l don't think so," he replied.
  I turned and jumped aboard the boat. The little
  boy, Domingo, was up in the wheelhouse, and he
  waved down at me when I looked up.
  I released the dock line at the bow, then went
  back to the stern and released that line. Immedi-
  ately Domingo eased us away from the dock, and
  we headed across the lagoon and downriver.
  As I started up the ladder to the wheelhouse, I
  looked back in time to see Seidelman and his two
  guards heading away from the dock, while one of
  the large, sleek speedboats pulled away and fell in
  behind us.
  They were going to make sure that we didn't
  turn around and attempt to come back. Either
  that, or they were going to follow us until we got
  well away from the town, and then attempt to sink
  us.
  I hurried the rest of the way up to the wheel-
  house and went inside.
  Domingo looked frightened, but he was doing
  well with the boat. Arimå was not here.
  "Where is the captain?" I asked, joining him at
  the helm,
  Domingo looked up at me, his wide brown eyes
  filling with tears. "He is dead," he choked out the
  words. "They say it was the poison that kill my
  papa."
  160
  
  
  
  
  160
  + 110%
  NICK CARTER
  I said half to myself in En-
  "Your father . . . "
  glish, but the boy understood.
  He nodded his head. "He was my papa. They
  brought him below. The sonsabitches!"
  He was crying hard now, and I took the wheel
  from him with one hand, while I cradled him
  against me with the other.
  "Why?" he cried. "Why?" Over and over. I had
  no answer for him.
  We made it across the wide lagoon in a couple of
  minutes, and then plunged down the deep, but nar-
  row Arauå, the night closing in around us now
  that we were away from the town.
  The speedboat was a hundred yards behind us,
  its running lights clearly visible in an inky back-
  drop.
  "You must listen to me now, Domingo," I said.
  The boy pulled away and looked up at me. He
  nodded, sniffling.
  "I want you to search the boat for weapons.
  Guns, ammunition, knives, machetes—anything
  we can use."
  I glanced back. The other boat was still there
  about a hundred yards aft.
  Domingo had started for the door.
  "Is there anv fuel aboard other than diesel for
  the engines?"
  He nodded. "Paraffin."
  Kerosene. It would work. "Good," I said. "Af-
  ter you have searched for weapons, bring the paraf-
  fin out onto the after deck."
  Again he nodded, and then he scrambled out the
  door and down the ladder.
  If they meant to sink us, they would be in for a
  very large surprise.
  RETREAT FOR DEATH
  161
  
  
  
  
  161
  I was reaching up and flipping off the cabin
  lights, when I noticed the softly illuminated fuel
  gauges. One of them was on empty; the other nee-
  dle hovered just above the empty mark. They had
  not refueled us! It had never been their intention to
  let us go. It still didn't answer the question, how-
  ever, of their exact intentions, although I thought it
  was likely that they wanted us to run out of fuel
  here, without weapons. Easy pickings for the Indi-
  ans who had attacked us on the way up.
  Keeping the boat steadily on course, I kept
  glancing back. The speedboat remained a hundred
  yards behind us. Probably waiting for us to run out
  of fuel.
  Domingo returned a few minutes later carrying a
  ten-foot-length of chain, and a machete.
  "Was that all?"
  Domingo nodded. "Si. The paraffin is on the af-
  ter deck as you wished. There are two cans, maybe
  eight liters. "
  "All right. Take the wheel. Give me two minutes
  to get below and get ready, then turn off all our
  running lights and throttle back. But listen up for
  my order to get the hell out of here at full throttle."
  Domingo looked up at me, a grin starting.
  "We're going to kill the sonsabitches?"
  "We're going to try, kid. We're going to try. "
  
  
  
  
  
  
  
  
  THIRTEEN
  Outside on the after deck of the boat, near the
  stern, I opened one of the deck lockers, and with
  the machete cut a ten inch section of thick rope
  from a coil, then quickly frayed one end of it.
  The speedboat was still behind us, its running
  lights bright points in the night.
  Opening one of the four-liter cans of kerosene, I
  dipped the frayed end of the rope into the fuel,
  soaking it well. Then I pulled out my lighter and
  waited for Domingo to flip off the lights and throt-
  tle back.
  The speedboat following us was made of
  fiberglass, the hull fairly thin and light for speed;
  whereas this boat was constructed of heavy
  wooden timbers with a thick hull and a bow strong
  enough to bring down a barn.
  Our chances of success were slim, but I could
  think of no other way.
  Our running lights were suddenly flicked out,
  plunging us into darkness. An instant later Domin-
  go throttled back, the wake we had thrown catch-
  ing up with us, slopping us forward until we settled
  down in the water.
  162
  RETREAT FOR DEATH
  163
  
  
  
  
  
  163
  Quickly I picked up the open can of kerosene
  and poured it into the water, holding it well out
  away from the stern.
  The speedboat behind us suddenly revved up,
  and I could see by her lights she was riding high up
  on the water.
  Once I had emptied the can of kerosene into the
  river, I looked up over my shoulder. Domingo was
  hanging out one of the wheelhouse windows.
  "Full throttle!" I shouted.
  He ducked back inside. At the same moment I
  flicked my lighter and set fire to the frayed rope
  soaked with kerosene. It flared brightly in the
  night, and Domingo jammed the throttle full for-
  ward and we shot ahead.
  I flipped the burning rope overboard, and the
  kerosene lying on the surface of the water ignited in
  a small patch that worked its way rapidly into a
  large Sheet of flame that rose twenty feet above the
  river.
  Working my way admidships, I scrambled up
  the river into the wheelhouse and took the helm
  from Domingo.
  Behind us the river was a sheet of flame, beyond
  which the speed boat was invisible. But even as I
  watched, the flames were beginning to die down.
  I angled the boat over toward the left bank, and
  when I figured we had come as close as we could
  get, I slammed the helm hard over to the right. The
  boat responded sluggishly even though we were
  running at full throttle, and for a couple of anxious
  seconds, I didn't think we'd make the turn without
  running aground. But then we were heading up-
  stream, directly towård the dying flames.
  164
  
  
  
  
  164
  + 110%
  NICK CARTER
  Domingo was standing braced next to me, a wild
  look on his face. For him, this was all nothing
  more than a simple matter of vengeance. They had
  killed his father. He wanted to kill them.
  "Hang on," I shouted over the roar of the en-
  gine.
  About twenty yards from the now nearly dead
  fire, I spotted the big speedboat riding at a slight
  angle in midstream, and I braced myself for the
  collision.
  Something crashed through one of the wheel-
  house windows at the same moment I spotted a
  flash from the forward deck of the other boat.
  They were shooting at us. "Down!" I shouted,
  and Domingo dropped below the level of the win-
  dows as several more shots were fired.
  The speedboat was starting to move, trying to
  get out of our way. But instead of turning his bow
  toward us, to present a much smaller target, the
  helmsman was turning downstream, laying his en-
  tire flank open.
  At the last moment, I could see white-robed men
  leaping off the deck of the boat into the river, and
  then I ducked down below the level of the win-
  dows, and we crashed. Our boat seemed to lift up
  into the air, a deep-throated, grating sound re-
  verberating through the night, and then we canted
  to the right and settled at the bow.
  I jumped back up and threw our boat into re-
  verse. We had struck the speedboat just below its
  bridge, shoving it over on its side.
  As we backed off, finally pulling free, I could see
  water pouring through a huge hole in the hull. The
  speedboat rapidly settled, bow first, her stern rid-
  RETREAT FOR DEATH
  165
  
  
  
  
  165
  (175 of 228)
  + 110%
  RETREAT FOR DEATH
  165
  ing high up, but then sinking rapidly out of sight.
  "Turn the lights back on," I shouted, turning the
  wheel over to Domingo, and then heading out the
  door, down the ladder to the deck.
  Several men were screaming wildly around the
  wreckage. At first I couldn't tell what was happen-
  ing until our lights came on.
  The river was boiling and blood red. Three men
  to one side of the oil slick, where Rhe speedboat had
  gone down, were screaming and thrashing in the
  water that seemed to have come alive with fish.
  Piranha. The river seemed alive with them. And
  there wasn't a thing [could do for the poor devils
  in the water.
  Domingo held the boat against the current, and
  within a few seconds the water was quiet again.
  The only sign that anything had happened here was
  a slight oil slick and a few pieces offloating debris.
  Domingo had seen what happened, and I could
  see him up in the wheelhouse with a large, feral
  grin on his face.
  We circled the area for several minutes looking
  for survivors, but there was no one, and I finally
  climbed back up to the wheelhouse, took the helm
  from Domingo, and headed back upstream toward
  Reward.
  "We going back to kill the rest of them, Senhor?"
  the boy asked. He was excited. His eyes were wide.
  "We're going back to save the other people. No
  more killing."
  "They killed my papa!" Domingo shouted.
  C' There's been enough killing," I said again. "No
  more." But even as I said it, I knew it wasn't likely
  that that would happen. There was going to be
  166
  
  
  
  
  
  166
  (176 of 228)
  + 110%
  1
  166
  more fighting. A lot more, before this was over.
  The fuel gauge needle was right on the empty
  mark as I angled the boat over to the right bank,
  throttling back so that we were barely crawling
  against the current.
  I figured we were about a mile downstream from
  the town, but if we ran out of gas here, we would
  drift farther away. There would be no swimming to
  shore, and I didn't believe we had enough fuel to
  get us all the way to the docks. We were going to
  have to go ashore here.
  "Go below, and as soon as we hit the bank, jump
  ashore and make us fast to a tree," I told Domin-
  go.
  He left the wheelhouse, scrambled down to the
  deck, and hurried to the bow line as I gently eased
  the boat over.
  The moment we touched, he jumped over the
  side with the bow line. A minute later he scrambled
  aboard, hurried aft, grabbed the stern line and
  jumped ashore again.
  I shut the engine down and flipped off all the
  lights. Grabbing the chain and machete Domingo
  had found, I went down to the deck as he was com-
  ing back aboard. The boat was secured.
  With the boat lying still in the water, it was very
  quiet here, and nearly pitch black. Finding the
  town would be easy. We'd just have to follow the
  river upstream for about a mile, and we'd run into
  the docks.
  I wasn't worried about that. It was the Indians.
  Their attack on us out in the river had been under-
  standable. Yet the fact that they had backed off so
  easily was almost as bothersome as the fact that I
  RETREAT FOR DEATH
  167
  
  
  
  
  167
  had seen no defensive measures in the town.
  It was almost as if the church and the Indians
  had some kind of an agreement, some kind of a
  pact together. The Indians apparently never at-
  tacked the town. But what did Knox and the others
  give them in return? What held the Indians off?
  I left the chain on deck; it wouldn't do us much
  good in the thick underbrush anyway. I stuffed the
  machete into my belt and jumped off the boat onto
  the shore, the ground wet and springy beneath my
  feet.
  Domingo followed, and we struck out toward
  the town, the vague outlines of a plan beginning to
  form in my mind.
  Within twenty yards, the jungle had become so
  dense and dark that we were not able to see the
  river, only the vague outlines of the thicker trees
  around us.
  I had visions of stumbling around out here all
  night, becoming hopelessly lost. I was about to
  turn back toward the river, when a streak of light
  crossed the sky, and then was gone.
  Domingo and I stopped in our tracks and looked
  up. Only snatches of the night sky were visible
  through the treetops, and for a few moments I
  wasn't completely sure I had seen anything. But
  then another thin beam of light crossed the night
  sky from the west.
  "What is it?" Domingo asked in a small voice.
  He was beginning to get frightened.
  A third and a fourth light beam flashed in the
  sky, and I suddenly knew what we were seeing. Ev-.
  eryone had talked about a "festival of lights" to-
  night at the stadium. It was starting now, offering
  168
  
  
  
  168
  + 110%
  NICK CARTER
  us an easy way back to the town.
  More light beams of many different colors
  crisscrossed the sky, and I set out directly toward
  it, Domingo right behind me.
  Within a quarter of a mile, we emerged from the
  dense jungle, finding ourselves on the opposite
  shore of the lagoon.
  Across from where we stood, we could see the
  docks. There was still'one speedboat tired up down
  there, but as far as I could tell, there were no
  guards posted.
  From this point we could see the town, which
  was mostly in darkness, the church lit in red, blue
  and green lights. Beyond was the stadium, from
  where the light beams were flashing across the sky.
  "What are the lights, Senhor?" Domingo asked
  once more in a small voice.
  They were laser beams, I could see that. But
  what their significance was, I had no idea. I didn't
  think Knox and the church did anything just for
  show; so there was probably some meaning to the
  light show. But what?
  '61 don't know," I said, looking down at the boy.
  ' 'But I'm going to find out."
  "I'm coming with you," Domingo said, stepping
  back.
  "To the boat over there. We're going to take it,
  and you're going to stay aboard. As soon as I get
  Pat, we're getting out of here."
  "You won't leave me?"
  "l won't leave you. I promise."
  We worked our way slowly around the lagoon,
  coming at length to the pilings that held up the end
  of the dock. We crouched there in the shadows.
  Still no guards were visible. They were probably
  RETREAT FOR DEATT
  169
  
  
  
  169
  (179 of 228)
  + 110%
  RETREAT FOR DEATT
  169
  all up at the stadium for the light show which was
  still going on. But I didn't want to take any
  chances with Domingo.
  "Stay here," I whispered. "If I make it to the
  boat, you can follow. But if anything happens, get
  out of here."
  The boy nodded. I pulled the machete out of my
  belt and climbed up on the dock. I stayed there a
  moment, and then keeping low, raced down the
  wide dock directly toward the speedboat.
  As I passed the opening up to the mall, I looked
  up toward the church. The entire town seemed
  deserted, but from here I could hear the crowd up
  at the stadium cheering.
  Quickly I scrambled aboard the boat, stopped a
  minute to listen, then climbed up the outside ladder
  to the bridge.
  There was no one there, and within a couple of
  minutes I had looked through the entire boat, con-
  firming that no one was aboard.
  Domingo came silently aboard as I was prying
  open a cabinet in the forward cabin.
  The lock parted with a loud snap, and I threw
  open the door. Inside were three M16 automatic
  rifles and loaded clips of ammunition stacked in
  the bottom.
  I grabbed one of the rifles, loaded it, and then
  pocketed a couple of extra clips.
  ' 'No matter what happens, I want you to stay
  here on the boat," I said, closing the cabinet door
  and hanging the lock back on the hasp.
  We went back out on the deck. "You can watch
  from here," I said. "If anyone comes down to the
  dock, hide yourself."
  "You won't leave me," the boy said.
  —170
  
  
  
  
  
  170
  (180 of 228)
  I
  + 110%
  "No," I said looking into his eyes. "But if I'm
  not back by morning, I want you to take this boat
  and get the hell out of here. Get back to Manaus,
  if you can, and call the authorities."
  The boy finally nodded and I jumped back down
  to the dock and headed quickly up behind the
  buildings that faced the mall, keeping low and in
  the shadows as much as possible.
  When I reached the dispensary, the last building
  at the top of the mall before the church itself, I
  could see the stadium about two hundred yards
  away. The bleachers were filled with people, and
  the laser beams flashing up into the night sky came
  from equipment set up in the middle of the field.
  The rear door of the dispensary was unlocked,
  and just inside I stopped a moment to listen. But
  there were absolutely no sounds other than the
  people cheering in the stadium.
  I hurried through the dispensary, down a long
  corridor, and into the main room at the front
  where I went immediately to the three machines
  used to air-inject the tranquilizer.
  Laying my rifle down, I pulled the machete out
  of my belt and started on the machines, damaging
  them as much as I could, while making as little
  noise as possible. I cut hoses and wires, pried parts
  loose, and smashed the various dials and controls.
  The machinery would be fixable, given time. But
  I only wanted to delay tomorrow's scheduled injec-
  tions at-noon. If the entire congregation came off
  the tranquilizer, there would be at least some of
  them willing to fight.
  I couldn't handle Knox and his crew alone. Nor
  did I want to simply run off and leave his congrega-
  
  
  
  
  
  171
  (181 of 228)
  + 110%
  tion to whatever he had planned for them.
  I slipped out the front door and stood a moment
  on the dispensary porch watching and listening for
  any sign of posted sentries. But as far as I could
  tell, there was no one anywhere on the mall, or
  even up by the church.
  Checking first to make sure the safety was off
  and a round was in the chamber of my M16, I
  sprinted down off the porch and across the top of
  the mall to the wide steps leading up to the church
  entrance.
  The doors were still open, and just inside I
  stopped to catch my breath and look back the way
  I had come. I half expected to see someone coming
  after me, but there was no one.
  I turned and went down the corridor into the
  huge main hall. The tables had all been cleared
  from the banquet, the chairs all back in place, and
  the dais was standing stationary.
  Only a couple of dim lights high up in the lat-
  ticework were on, providing just enough light for
  me to make my way across the hall and into the
  back corridor to the elevator that led up to Knox's
  quarters.
  Like the dock and the mall, this place was
  deserted too. My luck was running high at the mo-
  ment. If it continued to hold just a little longer, it
  was just possible I'd pull this off.
  I punched the button for the elevator, then
  stepped back, raising the M16 to my hip. The
  doors slid open, but no one was in the car, and I
  stepped inside.
  The doors closed automatically and the elevator
  started up.
  172
  
  
  
  172
  (182 of 228)
  + 110%
  Knox was the center of the entire organization.
  If I could get to him, it was possible that I could
  not only gain Pat's release, but the release of
  everyone else down there. Just how the hell I'd get
  them all out was another question; but I would
  deal with that when the time came—if it came.
  The elevator bumped to a halt, and I raised the
  M16 as the doors slid open.
  Knox's apartment was in darkness, except for
  the light coming through the glass wall from the
  stadium far below.
  I stepped off the elevator, the doors closing be-
  hind me, and quickly searched the apartment. Be-
  sides the living room, there was a spacious master
  bedroom with a large, round bed, a huge bathroom
  with a sunken tub and a sauna, a small kitchenette,
  and a dining nook. The place was empty. Knox
  was evidently either down on the field or in the
  control room with the holographic projector.
  I made -myself a sandwich in the kitchen,
  grabbed a cold bottle of beer from the refrigerator,
  and went back into the living room where I sat
  down on one of the thick chairs in front of the win-
  dow.
  The light show was still going full force, multi-
  colored beams of light stabbing high into the night
  sky, almost like fireworks on a Fourth of July cele-
  bration.
  Tonight was the festival of Lights fot the Depart-
  ing Souls, as they ali called it. Apparently a
  harmless ceremony leading up to a day of fasting
  tomorrow, and then something tomorrow night.
  The Final Reward, Knox had said, was coming
  tomorrow night. If he meant what I thought he did,
  it was going to have to be stopped.
  RETREAT FOR DEATH
  173
  
  
  
  
  
  173
  I had just finished my sandwich, and had drunk
  the last of the beer, when I heard the elevator com-
  ing up.
  Jumping up and grabbing the M16, I stepped
  away from the glass wall, moving into the deep
  shadows in the corner.
  The elevator stopped, the doors slid open, and
  the Reverend Knox stepped into the living room,
  Pat Staley right behind him.
  "Stand very still and I won't kill you," I said.
  Knox and Pat both stopped in midstride as the
  elevator doors closed, and I stepped out from the
  corner.
  "Nick?" Pat said vacantly.
  "You!" Knox hissed stepping forward.
  "Stop!" I shouted. Knox complied. "I won't
  hesitate to shoot you down," I said.
  "What do you want?"
  "The three of us are leaving here. You're going
  to provide an escort for us down to the docks. I
  have a boat waiting for me there."
  "You'll never get out of this building.
  I smiled. "You'll be the first to die if anything
  happens."
  "You're crazy!" Knox screamed. "You're going
  to ruin everything!"
  "You should have thought about that when you
  caused Pat's brother to kill himself,"
  I snapped
  stepping forward. "And you should have thought
  about it even harder when you came after me."
  ' 'What are you doing, Nick?" Pat asked, holding
  her hands out to me.
  "We're leaving this place, right now," I said.
  There was definitely something wrong with her.
  She was on the tranquilizer, but there was some-
  174
  
  
  
  174
  + 110%
  NICK CARTER
  thing else the matter with her. They had
  brainwashed her or something.
  "No, Nicholas,"
  she said. "Don't you see,
  Brother Knox is correct. It is beautiful here. And
  tomorrow night, at the Final Reward, everything
  will be perfect."
  "Listen to her," Knox said.
  "We're getting on the elevator," I said, coming a
  little closer to them. They both backed up a step.
  "Call the elevator, Pat."
  She shook her head.
  "Are you going to shoot her if she doesn't com-
  ply?" Knox asked. He was smiling now.
  Pat was staring at me, her mouth open.
  I raised the M16 a little higher, pointing it direct-
  ly at Knox's chest. "Call the elevator, Pat, or I will
  kill Brother Knox. "
  "No!" Knox shouted, but Pat turned and hit the
  elevator button, the doors coming immediately
  open.
  "All right, step aboard," I said.
  "You'll never get out of here," Knox said, but he
  and Pat both backed into the elevator.
  The doors started to close as I jumped aboard. I
  jammed the barrel of the gun into Knox's chest. "I
  want no trouble," I said softly.
  We started down, Knox's eyes locked onto mine,
  Pat watching us, a horrified expression on her face.
  At the ground floor the doors opened and we
  stepped out into the empty corridor and started
  across to the main hall.
  "Why are you doing this to us, Nick?" Pat
  asked, walking ahead of me.
  "I'll explain later," I said. ' 'For now you've got
  to trust me."
  RETREAT FOR DEATH
  175
  
  
  
  
  175 (185 of 228)
  
  — + 110%
  RETREAT FOR DEATH 175
  We stepped through the doors into the main hall, and Pat stopped a moment. "No ... Nick, no ... don't do this." "Don't you remember Don? Don't you re-member how he jumped out the window?" She was nodding, a smile on her face. At that moment I almost shot Knox for what he and his people had done to her. "He's in a better place now. Nick. We can all be there together." "Let's get down to the boat, and I'll explain it all there. Can you do that for me?" I asked reason-ably. She looked uncertainly from me to Knox, who nodded. We then started across the wide hall, Knox right behind her. I brought up the rear. "You'll never get that far," Knox said to me over his shoulder. "We'll see . ." I started to say, when I heard what sounded like a crowd roaring outside, and Knox laughed.
  
  
  
  
  
  
  
  
  
  
  FOURTEEN
  There was a huge commotion in the corridor op-posite where we stood, and we all stopped as hun-dreds of screaming, shouting people burst into the main hall. "Arise my people, and cast out the infidel!" Knox screamed. I raced forward to where he stood, his arms over his head, grabbed him around the neck, and hauled him back a couple of steps. The crowd roared even louder, answered by an-other mass of people streaming in from the cor-ridor we had just left. Other people burst into the hall from doors on the left and right, all of them screaming and shout-ing. "Stop or Knox dies!" I shouted, but my voice was lost in the din as the mass of people advanced on us from all four directions. "Oh Nick . . . please," Pat cried, and although I could not hear her, I could pick out what she was saying. Knox was hanging loosely in my grasp and was not struggling with me. I raised the M16 over my head and fired a short burst, the shells breaking the glass and mirrors overhead, some of them whining off the steel beams. 6 Still the crowd advanced, and I suspected that even if I began tiring into them, they would not
  176
  MIRETREAT FOR DEATH 177
  T (DH8IcC»
  
  
  
  
  177 I (187 of 228)
  — • 110%
  RETREAT FOR DEATH 177
  stop. They were all on drugs, and evidently all hyped up after the festival of lights at the stadium. I shoved Knox away and turned and raced to the middle of the hall, where I jumped up on the dais. The crowd surged forward totally surrounding me, and for a few brief moments I was certain they would come up on the dais and tear me down. But then they stopped. Knox came forward, his people making a re-spectful path for him, until he stood just below me, his hands outstretched. "Escape is impossible, Brother," he said. "You can not kill all of my people." Out at the fringes of the crowd I spotted Seidelman and several of his men. They had Do-mingo. One of Seidelman's goons was holding a gun to the boy's head. "Give it up and come with us in peace, Brother," Knox was shouting to me. "We will offer you no harm, on my word. Tomorrow you will participate in the day of fast with all of us, and in the evening, the Final Reward will be yours." I have been in difficult situations in my life. But this was the first time I felt truly overwhelmed. I was armed. Yet there was simply nothing I could do to get out of here. Killing Knox would do noth-ing but hasten my own death, without having the slightest effect on what I knew was going to happen tomorrow night. Alive, however, there was a possibility I still might be able to get us all out of this. I clicked the safety back on, laid the rifle down on the table behind me. and clasped my hands be-hind my head.
  NICK CARTER
  
  
  
  
  
  178 (188 of 27-8)
  — 110%
  178 NICK CARTER Knox beamed his approval. He jumped up on the dais with me, grabbed the gun, threw it out to one of Seidelman's men in the crowd, and then took my machete and handed it down as well. "You may put your hands down, Brother Nich-olas," Knox said gently. "We are all friends here." I complied, and the crowd began to break up, turning and leaving the hall through the four doors. Pat left with them, and within five minutes I was alone with Knox on the dais, four of Seidelman's men armed with pistols standing below. Knox shook his head sadly, stepped down from the podium, looked up at me one last time. then turned and strode across the hall, back toward the elevator. "Convert him," he shouted over his shoulder. "Make him mine!" "Down off there," one of the guards said rough-ly when Knox was gone. I jumped down off the dais, and immediately two of the guards grabbed my arms at the elbows and yanked them back, while a third stepped up and gave me an injection in my neck just below my right ear. flinched with the sharp prick and started to struggle out of their grasp, but my legs suddenly began to get wobbly, a roaring sounded in my head, and a sense of peace and well-being seemed to course through my body, like waves on a beach. Within a few seconds the guards released my arms. One of them took my hand and helped me walk along, down the aisle, through the corridor and out the front doors. The lights from the stadium were out, and most
  RETREAT FOR DEATI I 179
  
  
  
  
  
  179 (189 01228) — 110%
  
  RETREAT FOR DEATH 179
  of the people were heading back to their rooms when I crossed with my escorts to the Palace of Pleasure. Charlene, my masseuse from earlier, was there on the porch waiting for us. She wore a broad smile. "Brother Nicholas, you don't know how much we worried about you here," she said. She took my hand and led me inside, my guards leaving us. Everything around me seemed to be hazy as I went with Charlene into the same room where I had been brought before. Gently she undressed me, helped me take a shower, and then when I was dried off, walked me back to the wide bed where she laid me down. She was nude, and suddenly she was in the bed with me kissing me everywhere and caressing me, her lovely breasts brushing against my chest and then my legs, and I could feel myself responding. It was as if I was in a dream. She straddled me, and I slipped inside her at the same moment she broke something under my nose, and a sharply sweet odor wafted up into my nostrils at the same time I took a deep breath. It seemed as if the top of my head was coming off, and I was flying higher and higher, Charlene's body wonderfully warm and soft and secure. Higher and higher I soared, the pleasure cours-ing through me in gigantic waves, while all the while I was dimly aware that my breath was com-ing far too fast, and my heart was racing out of control, ready to burst from my chest. And Yet the feeling seemed to go on and on, the pleasure rising higher and higher, becoming stronger and stronger, until it was almost pain, but lovely pain, and then stars, and spots, and bright flashes, but all
  1%0 NICK CARTER
  
  
  
  
  667
  
  
  
  
  
  
  
  
  
  
  
  

 Ваша оценка:

Связаться с программистом сайта.

Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души" М.Николаев "Вторжение на Землю"

Как попасть в этoт список

Кожевенное мастерство | Сайт "Художники" | Доска об'явлений "Книги"