| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
По разделу |
355035 | 1664 |
17 |
105 |
101 |
105 |
102 |
128 |
128 |
417 |
185 |
197 |
87 |
92 |
0 |
4 |
5 |
5 |
3 |
4 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
3 |
4 |
5 |
9 |
3 |
4 |
3 |
5 |
2 |
2 |
3 |
4 |
3 |
4 |
3 |
2 |
5 |
2 |
3 |
3 |
4 |
2 |
3 |
3 |
3 |
3 |
3 |
3 |
2 |
2 |
2 |
3 |
4 |
3 |
5 |
3 |
4 |
3 |
3 |
2 |
5 |
5 |
5 |
4 |
3 |
4 |
3 |
4 |
Графики Самары |
2472 | 605 |
13 |
58 |
50 |
46 |
47 |
63 |
56 |
56 |
51 |
52 |
58 |
55 |
0 |
4 |
3 |
5 |
1 |
4 |
0 |
1 |
3 |
3 |
0 |
1 |
5 |
0 |
0 |
1 |
5 |
9 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
3 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
3 |
2 |
0 |
1 |
2 |
0 |
4 |
Елена Титова.пленница красоты |
541 | 541 |
3 |
14 |
24 |
25 |
11 |
20 |
28 |
350 |
66 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
Дина Богусонова. Амазонка неоабстракционизма |
3009 | 440 |
10 |
36 |
42 |
41 |
48 |
49 |
58 |
45 |
39 |
29 |
23 |
20 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
Кутяков Сергей. Династия Кутяковых. Простая история |
2121 | 399 |
5 |
33 |
31 |
36 |
31 |
51 |
46 |
45 |
42 |
31 |
24 |
24 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
Бакумов Вячеслав летописец нашей жизни |
365 | 365 |
3 |
12 |
20 |
23 |
10 |
30 |
26 |
33 |
69 |
139 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
Самаринкина Алиса. Из чего же вырастают художники? |
2568 | 285 |
4 |
22 |
23 |
25 |
13 |
28 |
20 |
32 |
34 |
37 |
25 |
22 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
Артур Фонвизин |
1228 | 281 |
3 |
25 |
28 |
24 |
19 |
34 |
31 |
37 |
27 |
26 |
16 |
11 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
Портрет семьи в советской живописи.20век |
1234 | 278 |
5 |
27 |
27 |
23 |
22 |
53 |
23 |
27 |
22 |
20 |
12 |
17 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
Самарские графики. Живое наследие |
1386 | 276 |
4 |
17 |
20 |
15 |
9 |
36 |
25 |
40 |
30 |
37 |
19 |
24 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
Горовых Ксения.Большая и малая жизнь в творчестве |
2095 | 267 |
5 |
23 |
25 |
21 |
17 |
27 |
40 |
29 |
27 |
26 |
13 |
14 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
Юрий Скачков |
1267 | 266 |
4 |
21 |
29 |
24 |
15 |
37 |
16 |
28 |
27 |
25 |
18 |
22 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
Виноградова Анна. Блеск национальной романтики |
1678 | 260 |
1 |
22 |
26 |
19 |
15 |
31 |
22 |
39 |
28 |
24 |
12 |
21 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
797 | 259 |
5 |
12 |
26 |
21 |
19 |
38 |
17 |
28 |
27 |
28 |
14 |
24 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
Художник Вадим Петрович Свешников |
640 | 259 |
5 |
30 |
27 |
20 |
21 |
23 |
23 |
30 |
25 |
28 |
17 |
10 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
Наталья Сюзева. Девичьи игры |
2500 | 257 |
4 |
27 |
24 |
25 |
22 |
27 |
19 |
27 |
28 |
20 |
14 |
20 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
Георгий Кикин.Женщины,подруги и ню |
1156 | 255 |
5 |
25 |
25 |
16 |
22 |
19 |
20 |
19 |
29 |
36 |
19 |
20 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
Западоевропейское искусство в собрании Сохм |
2405 | 252 |
3 |
14 |
20 |
26 |
18 |
31 |
20 |
38 |
27 |
22 |
20 |
13 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
Марко Грасси и его Персонажи |
3025 | 249 |
4 |
36 |
20 |
20 |
15 |
30 |
18 |
37 |
22 |
21 |
15 |
11 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Рудольф Баранов и академическая живопись России |
2897 | 247 |
4 |
19 |
22 |
25 |
16 |
21 |
18 |
25 |
48 |
24 |
16 |
9 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Евгений Чертыковцев. На тропе к образу |
1569 | 246 |
5 |
20 |
23 |
19 |
18 |
26 |
26 |
25 |
38 |
28 |
5 |
13 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
Маковские. Братья |
939 | 245 |
3 |
17 |
33 |
31 |
13 |
32 |
19 |
27 |
25 |
18 |
15 |
12 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
Городу модерна - Музей Модерна |
2387 | 245 |
5 |
21 |
19 |
22 |
15 |
27 |
24 |
33 |
34 |
25 |
11 |
9 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Валентин Пурыгин. Мифы о художнике |
1884 | 244 |
5 |
19 |
19 |
28 |
8 |
22 |
22 |
41 |
32 |
22 |
13 |
13 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Карл Брюллов - наследие из Петербурга |
1965 | 243 |
2 |
11 |
21 |
26 |
14 |
30 |
17 |
33 |
35 |
26 |
10 |
18 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
Дубровин Игорь Викторович |
239 | 239 |
5 |
27 |
18 |
12 |
16 |
18 |
66 |
77 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
Образ и время в советской живописи 30-х годов |
1528 | 236 |
2 |
14 |
19 |
21 |
19 |
27 |
22 |
26 |
19 |
33 |
17 |
17 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
Сергей Цедилов - мастер книги |
1539 | 235 |
1 |
10 |
15 |
17 |
20 |
15 |
20 |
38 |
33 |
30 |
20 |
16 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Константин Коровин. Моцарт русской живописи |
2253 | 235 |
3 |
13 |
26 |
16 |
17 |
23 |
35 |
29 |
26 |
27 |
11 |
9 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
Левитан и его современники |
1233 | 234 |
4 |
17 |
21 |
19 |
19 |
29 |
17 |
31 |
23 |
29 |
8 |
17 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
Карпунов Иван. Я всегда хотел быть художником |
2598 | 233 |
6 |
23 |
18 |
24 |
16 |
31 |
22 |
26 |
19 |
21 |
11 |
16 |
0 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
Уильям Хогарт -основатель английской живописи |
1940 | 231 |
3 |
19 |
27 |
21 |
13 |
23 |
17 |
27 |
30 |
20 |
14 |
17 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
0 |
4 |
2 |
1 |
2 |
1 |
0 |
Свечников Владимир |
777 | 229 |
5 |
11 |
20 |
20 |
20 |
24 |
21 |
29 |
28 |
24 |
16 |
11 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
Валентин Белоусов. Творчество |
3178 | 228 |
3 |
10 |
19 |
18 |
13 |
28 |
20 |
23 |
31 |
19 |
16 |
28 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
5.Людмила Петтоки. Рассказы музейного человечка |
814 | 225 |
6 |
19 |
20 |
14 |
14 |
25 |
22 |
25 |
27 |
24 |
16 |
13 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
Дмитрий Мантров.Теплая выставка в холодный сезон |
1288 | 224 |
6 |
22 |
20 |
21 |
14 |
31 |
18 |
24 |
28 |
20 |
10 |
10 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
Александр Шуринов, Андрей Иноземцев. Под одним небом |
2541 | 223 |
4 |
22 |
29 |
19 |
14 |
23 |
20 |
28 |
20 |
23 |
6 |
15 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
Панкратов Василий - портретист |
882 | 222 |
3 |
29 |
19 |
17 |
12 |
24 |
21 |
30 |
26 |
17 |
14 |
10 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
Портрет семьи в русской живописи 18-19вв |
844 | 221 |
4 |
19 |
18 |
18 |
16 |
20 |
22 |
28 |
23 |
21 |
15 |
17 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
Карэн Саркисов |
2331 | 221 |
3 |
40 |
21 |
19 |
11 |
23 |
11 |
26 |
26 |
20 |
10 |
11 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
5 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Южанин Сергей |
305 | 221 |
5 |
18 |
10 |
16 |
14 |
19 |
22 |
40 |
21 |
27 |
10 |
19 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
Станислав Щеглов |
756 | 220 |
4 |
20 |
27 |
19 |
16 |
18 |
20 |
27 |
28 |
18 |
16 |
7 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
3 |
3 |
3 |
0 |
1 |
1 |
1 |
2 |
От утопии до игры.Новые поступления авангарда в Сохм |
1581 | 219 |
4 |
16 |
14 |
17 |
12 |
28 |
15 |
30 |
54 |
14 |
7 |
8 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Ю.И.Филиппов художник - жизнелюб |
1498 | 219 |
1 |
17 |
18 |
21 |
12 |
14 |
20 |
31 |
34 |
25 |
11 |
15 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
Юрий Маланенков.Зима, весна, лето, осень - четыре времени года или - дороги России |
2053 | 218 |
3 |
22 |
23 |
17 |
16 |
19 |
18 |
27 |
25 |
26 |
10 |
12 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
Павел Филонов и его механика Вселенной |
1521 | 217 |
3 |
14 |
25 |
22 |
15 |
32 |
17 |
30 |
21 |
19 |
10 |
9 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Кулебакин Николай |
649 | 216 |
2 |
14 |
19 |
26 |
12 |
19 |
12 |
30 |
30 |
23 |
17 |
12 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
Иван Комиссаров.Красота и восторг как необходимость для художника |
2689 | 215 |
2 |
12 |
22 |
21 |
13 |
28 |
24 |
27 |
23 |
24 |
6 |
13 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
Аннэта Басс. Музей как смысл жизни |
724 | 214 |
1 |
13 |
20 |
24 |
11 |
37 |
19 |
22 |
28 |
21 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
Мария Бабич.Молодые голоса в стиле фьюжн |
1822 | 214 |
2 |
23 |
22 |
18 |
14 |
27 |
17 |
26 |
28 |
19 |
10 |
8 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
Татьяна Пудова. Новые технологии в творчестве художников |
1789 | 213 |
2 |
13 |
23 |
20 |
12 |
23 |
17 |
28 |
28 |
23 |
14 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Палех. Маленькие шедевры |
1621 | 212 |
3 |
17 |
22 |
18 |
13 |
20 |
21 |
24 |
28 |
24 |
15 |
7 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
Кустодиев.Наследие художника в живописи,графике и фотографии |
992 | 211 |
5 |
13 |
30 |
23 |
21 |
22 |
22 |
19 |
27 |
14 |
7 |
8 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
Семейные ценности из Росизо |
1383 | 211 |
2 |
20 |
19 |
19 |
11 |
12 |
12 |
33 |
55 |
12 |
5 |
11 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Дневник влюбленного предпринимателя |
2852 | 211 |
5 |
18 |
21 |
15 |
16 |
32 |
21 |
21 |
25 |
20 |
9 |
8 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
В.Пентюх и Н.Непьянова.Образ Отечества |
2059 | 210 |
3 |
18 |
18 |
19 |
10 |
21 |
24 |
28 |
27 |
22 |
10 |
10 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Борис Иевлев.Живопись мазками |
1458 | 210 |
4 |
16 |
22 |
16 |
12 |
22 |
19 |
23 |
25 |
22 |
15 |
14 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1445 | 210 |
2 |
13 |
20 |
23 |
13 |
18 |
17 |
23 |
35 |
15 |
11 |
20 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
Н.Какошкина и В. Рябцев. Уходящая натура |
1941 | 210 |
3 |
18 |
20 |
20 |
12 |
20 |
19 |
30 |
28 |
18 |
9 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
6. Василий Ващенко. Рассказы музейного человечка |
880 | 209 |
5 |
16 |
17 |
20 |
12 |
20 |
19 |
23 |
21 |
22 |
17 |
17 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Шульпин Михаил. Образ Венеции для России |
2173 | 209 |
3 |
16 |
17 |
19 |
17 |
18 |
22 |
26 |
28 |
20 |
8 |
15 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
Солдат Победы. История жизни |
2539 | 208 |
4 |
14 |
22 |
21 |
11 |
26 |
17 |
21 |
24 |
24 |
11 |
13 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
Станислав Федоров. Графика |
1232 | 207 |
3 |
25 |
19 |
20 |
10 |
31 |
18 |
22 |
21 |
14 |
10 |
14 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2093 | 207 |
5 |
21 |
21 |
21 |
14 |
20 |
22 |
21 |
23 |
21 |
6 |
12 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
Арнольд Лаховский.Наследие Эмигранта |
2186 | 207 |
1 |
15 |
26 |
18 |
15 |
19 |
16 |
28 |
29 |
24 |
10 |
6 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
Время волшебников, кукольники |
2421 | 207 |
3 |
16 |
18 |
19 |
10 |
29 |
21 |
25 |
26 |
23 |
7 |
10 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
Запечатленное время в мировоззрении поколения семидесятых |
2053 | 207 |
3 |
10 |
12 |
23 |
12 |
24 |
19 |
24 |
37 |
22 |
12 |
9 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2159 | 207 |
4 |
15 |
23 |
20 |
17 |
16 |
17 |
33 |
22 |
21 |
7 |
12 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
Рерих и его держава на долгую память |
1814 | 206 |
2 |
27 |
25 |
16 |
17 |
17 |
16 |
27 |
24 |
19 |
8 |
8 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
5 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
Виктор Норкин и его Вантастическая живопись |
2205 | 206 |
3 |
16 |
21 |
18 |
12 |
24 |
19 |
26 |
21 |
21 |
12 |
13 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1600 | 206 |
4 |
13 |
27 |
22 |
16 |
17 |
16 |
23 |
23 |
19 |
11 |
15 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
Японская гравюра |
1292 | 205 |
2 |
16 |
23 |
22 |
16 |
21 |
19 |
22 |
24 |
18 |
13 |
9 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
Рассказы из прошлого века |
2480 | 205 |
3 |
10 |
29 |
25 |
14 |
24 |
18 |
24 |
21 |
13 |
9 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
Попов Алексей (1955 -2013).Прекрасно небо голубое |
2328 | 205 |
5 |
13 |
18 |
18 |
18 |
21 |
15 |
26 |
31 |
22 |
8 |
10 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
Андреев Юрий. Найди себе учителя и приобрети друга |
2137 | 204 |
3 |
15 |
14 |
18 |
16 |
29 |
23 |
25 |
20 |
19 |
12 |
10 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Нижегородский художественный музей и его шедевры |
744 | 204 |
3 |
20 |
18 |
14 |
9 |
25 |
16 |
21 |
27 |
20 |
19 |
12 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
Михаил Нестеров.Внутренняя жизнь и красота духа |
2107 | 204 |
4 |
21 |
19 |
15 |
8 |
33 |
17 |
29 |
21 |
13 |
10 |
14 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Галина Лемкова.Время города, мгновенья хайку |
2060 | 204 |
4 |
21 |
31 |
26 |
12 |
16 |
15 |
26 |
19 |
17 |
8 |
9 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
Игорь Петров Гений места |
1663 | 203 |
4 |
16 |
22 |
19 |
13 |
29 |
15 |
21 |
24 |
18 |
10 |
12 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
Самарские мечтатели или новое на Арт-рынке Самары |
2242 | 203 |
4 |
14 |
13 |
23 |
13 |
21 |
15 |
29 |
19 |
22 |
11 |
19 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Оттепель 60х в искусстве.Все оттенки оттепели |
1710 | 202 |
3 |
15 |
16 |
13 |
18 |
31 |
17 |
26 |
21 |
21 |
9 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Острецов Анатолий -художник наблюдатель |
2119 | 201 |
2 |
20 |
21 |
20 |
12 |
17 |
16 |
20 |
26 |
20 |
11 |
16 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Художники к 70-летию Победы. Выставка.Память, ставшая далекой тенью в новой весне |
1904 | 200 |
4 |
20 |
23 |
19 |
11 |
19 |
18 |
23 |
24 |
22 |
7 |
10 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
0 |
Вилковы.На нашей маленькой земле |
2267 | 200 |
4 |
18 |
24 |
14 |
9 |
19 |
21 |
23 |
24 |
17 |
13 |
14 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
Олег Рамодин -творец сказочной вселенной |
2128 | 200 |
3 |
17 |
21 |
17 |
7 |
15 |
19 |
29 |
31 |
20 |
9 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Юлия Кузнецова ее пленэрная живопись |
1854 | 200 |
2 |
12 |
21 |
14 |
12 |
28 |
17 |
31 |
29 |
20 |
8 |
6 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
Арон Бух. главное его достижение - свобода |
1110 | 200 |
1 |
16 |
21 |
26 |
11 |
17 |
13 |
31 |
26 |
21 |
8 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
Коновалов Ген Гри -художник 20 века |
1846 | 199 |
3 |
14 |
20 |
22 |
11 |
19 |
17 |
21 |
24 |
24 |
13 |
11 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
Восток в Сохм |
1677 | 199 |
2 |
13 |
24 |
25 |
14 |
19 |
17 |
25 |
22 |
15 |
11 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
Дмитрий Кондратьев |
1256 | 199 |
4 |
17 |
24 |
16 |
14 |
22 |
15 |
24 |
28 |
16 |
10 |
9 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
Женя Бабушкин.Пыльные цветы |
2178 | 199 |
5 |
25 |
20 |
21 |
12 |
20 |
17 |
19 |
23 |
15 |
12 |
10 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
Валерий Самаринкин.Дорога к храму |
571 | 199 |
4 |
15 |
15 |
20 |
9 |
26 |
18 |
25 |
23 |
20 |
11 |
13 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
Эрбштейн Борис. Часть первая |
687 | 197 |
4 |
15 |
17 |
23 |
12 |
26 |
16 |
20 |
20 |
20 |
9 |
15 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
Дхш им Марка Шагала -30 лет |
767 | 197 |
5 |
17 |
15 |
17 |
15 |
18 |
18 |
26 |
27 |
16 |
10 |
13 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2518 | 195 |
3 |
15 |
26 |
18 |
16 |
19 |
13 |
24 |
20 |
15 |
13 |
13 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
О чем молчат куклы. Третья кукольная выставка |
1817 | 195 |
3 |
15 |
14 |
19 |
10 |
25 |
19 |
22 |
25 |
20 |
11 |
12 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Передвижники и портретный жанр |
673 | 194 |
6 |
15 |
12 |
17 |
11 |
29 |
15 |
20 |
17 |
30 |
12 |
10 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
Обзор выставок ноября 2016 |
1522 | 194 |
2 |
12 |
19 |
19 |
10 |
34 |
17 |
20 |
24 |
18 |
7 |
12 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
Лариса Кондратова. Валяние не Валенков |
2392 | 193 |
4 |
23 |
21 |
18 |
10 |
19 |
16 |
22 |
26 |
14 |
10 |
10 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
Сон в осеннюю ночь |
2353 | 193 |
3 |
18 |
28 |
19 |
12 |
30 |
13 |
17 |
23 |
14 |
7 |
9 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Корнелия Функе.Волшебные сказки для взрослых" |
2314 | 193 |
3 |
16 |
21 |
19 |
9 |
11 |
18 |
28 |
24 |
25 |
6 |
13 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
Сергей Шнуров про брендреализм |
1174 | 193 |
5 |
9 |
17 |
14 |
16 |
24 |
14 |
29 |
22 |
17 |
11 |
15 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
В Лабиринте книжной иллюстрации |
2018 | 192 |
3 |
15 |
21 |
17 |
11 |
24 |
18 |
19 |
26 |
17 |
11 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
Геннадий Филатов.Мастер видового пейзажа |
1246 | 191 |
4 |
13 |
18 |
14 |
12 |
12 |
19 |
27 |
23 |
22 |
15 |
12 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
Владимир Романов.Портреты и акварели |
1163 | 191 |
2 |
12 |
19 |
21 |
10 |
20 |
15 |
26 |
26 |
19 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
Передвижники и бытовой жанр |
585 | 191 |
4 |
13 |
12 |
17 |
12 |
15 |
17 |
26 |
25 |
23 |
13 |
14 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
В.Башкиров. Нестареющая Природа в его живописи |
1877 | 191 |
2 |
11 |
18 |
17 |
12 |
20 |
22 |
27 |
22 |
19 |
11 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
Любить жизнь глазами Виктора Новокрещенова |
2917 | 191 |
3 |
15 |
19 |
23 |
10 |
15 |
13 |
24 |
23 |
21 |
13 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
Анна Голубкина - русский гений |
723 | 191 |
3 |
19 |
22 |
13 |
12 |
24 |
16 |
23 |
20 |
19 |
9 |
11 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
Концептуалисты. Увидели и живем,или повидали и оживились |
1764 | 190 |
6 |
22 |
20 |
17 |
12 |
16 |
19 |
21 |
20 |
19 |
8 |
10 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1798 | 190 |
5 |
20 |
23 |
14 |
10 |
16 |
18 |
22 |
23 |
21 |
8 |
10 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
Иван Карпунов.Как я позировала художнику |
961 | 190 |
6 |
21 |
16 |
17 |
22 |
9 |
31 |
15 |
17 |
19 |
6 |
11 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2047 | 190 |
2 |
18 |
19 |
17 |
11 |
28 |
22 |
17 |
20 |
16 |
9 |
11 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
Рецензия на книгу Вудхауса "Любовь со взломом |
1931 | 189 |
5 |
24 |
17 |
17 |
8 |
34 |
16 |
18 |
22 |
15 |
4 |
9 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1. Чернова Валентина.Пленники искусства |
2594 | 189 |
2 |
16 |
16 |
18 |
15 |
17 |
18 |
24 |
25 |
17 |
8 |
13 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2138 | 189 |
5 |
15 |
19 |
20 |
10 |
15 |
24 |
22 |
30 |
11 |
7 |
11 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Народное искусство и его новая жизнь |
1348 | 189 |
4 |
17 |
21 |
20 |
10 |
24 |
17 |
27 |
20 |
17 |
5 |
7 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
Андрей Бодров -мастер сухой иглы |
1708 | 189 |
3 |
21 |
20 |
18 |
7 |
19 |
10 |
32 |
25 |
13 |
10 |
11 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
Валентина Крушинина.Своя тема |
1662 | 189 |
3 |
18 |
25 |
15 |
10 |
18 |
15 |
27 |
22 |
17 |
8 |
11 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
1992 | 189 |
2 |
13 |
22 |
15 |
15 |
18 |
15 |
25 |
24 |
18 |
10 |
12 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Выставка.Лицо старого дома.Самара |
1628 | 188 |
3 |
17 |
17 |
15 |
10 |
12 |
17 |
29 |
36 |
13 |
9 |
10 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
Летние вернисажи |
1723 | 188 |
4 |
19 |
20 |
19 |
14 |
15 |
19 |
24 |
21 |
16 |
7 |
10 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Е.Поленова и М.Якунчикова творительницы красоты |
509 | 188 |
3 |
14 |
20 |
22 |
10 |
16 |
19 |
21 |
23 |
23 |
9 |
8 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
Альфред фон Вакано. Саркофаг из египетской коллекции |
545 | 188 |
3 |
19 |
15 |
17 |
13 |
16 |
15 |
21 |
27 |
17 |
9 |
16 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
Ковалева Дина и ее теория Красоты |
777 | 188 |
5 |
15 |
17 |
12 |
16 |
21 |
17 |
24 |
24 |
17 |
9 |
11 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
Маргарита Бортникова. Кружево |
2103 | 188 |
2 |
15 |
23 |
21 |
7 |
28 |
16 |
19 |
22 |
20 |
6 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1728 | 187 |
5 |
19 |
23 |
13 |
14 |
11 |
19 |
18 |
23 |
21 |
10 |
11 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
Наталья Шепелева. Мастер детского портрета |
1896 | 187 |
5 |
29 |
14 |
20 |
9 |
11 |
13 |
24 |
18 |
20 |
9 |
15 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
Три рассказа о грустном Фане |
2043 | 187 |
7 |
20 |
22 |
16 |
13 |
23 |
20 |
16 |
17 |
17 |
8 |
8 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Станислав Федоров |
1466 | 187 |
2 |
19 |
18 |
25 |
10 |
17 |
15 |
23 |
23 |
18 |
7 |
10 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
Бородачев Юрий Петрович. Вспоминая современника |
1045 | 186 |
4 |
15 |
18 |
14 |
13 |
14 |
23 |
21 |
23 |
17 |
11 |
13 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1738 | 186 |
4 |
13 |
21 |
18 |
11 |
14 |
18 |
20 |
27 |
19 |
13 |
8 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
Европейские фаянсы 18 века в собрании Сохм |
1810 | 186 |
1 |
17 |
21 |
21 |
12 |
18 |
19 |
21 |
21 |
14 |
7 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
Вадим Сушко.Я люблю судьбу свою |
2622 | 185 |
3 |
8 |
15 |
19 |
11 |
19 |
15 |
34 |
17 |
21 |
11 |
12 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Альфред фон Вакано. Его музей |
591 | 185 |
4 |
16 |
13 |
18 |
13 |
18 |
16 |
28 |
22 |
15 |
10 |
12 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Альфред фон Вакано.Путешествие в Японию начинается |
526 | 185 |
1 |
14 |
18 |
16 |
10 |
25 |
20 |
19 |
22 |
22 |
9 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
1 |
Обзор выставок в Самаре. Экспозиция это? |
1991 | 184 |
4 |
15 |
23 |
16 |
14 |
22 |
20 |
22 |
19 |
13 |
8 |
8 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
Портретная галерея "Сыны Отечества" |
2321 | 184 |
2 |
11 |
19 |
17 |
13 |
20 |
15 |
26 |
25 |
17 |
6 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
1975 | 184 |
3 |
16 |
17 |
17 |
9 |
17 |
15 |
27 |
20 |
21 |
10 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
Тольятти.Союз художников |
517 | 184 |
3 |
22 |
14 |
21 |
14 |
18 |
16 |
20 |
19 |
18 |
10 |
9 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Юферев Геннадий |
549 | 184 |
2 |
15 |
14 |
19 |
11 |
13 |
17 |
23 |
23 |
22 |
14 |
11 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
По закону племени |
2106 | 182 |
5 |
13 |
18 |
20 |
12 |
18 |
18 |
23 |
23 |
18 |
6 |
8 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
Информация о владельце раздела |
2097 | 182 |
1 |
16 |
22 |
20 |
11 |
11 |
16 |
22 |
19 |
23 |
11 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2488 | 182 |
2 |
16 |
19 |
21 |
11 |
25 |
16 |
16 |
23 |
15 |
9 |
9 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
Владимир Булеков.Экспрессивный портрет художника |
452 | 182 |
4 |
18 |
22 |
24 |
9 |
20 |
9 |
19 |
20 |
17 |
11 |
9 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
Гобелены - славное ремесло из старого Парижа |
2774 | 182 |
6 |
15 |
17 |
16 |
11 |
22 |
22 |
21 |
18 |
17 |
10 |
7 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
Художники Казахстана.Лицо невесты из Великой степи |
1903 | 181 |
4 |
19 |
21 |
16 |
17 |
16 |
18 |
17 |
18 |
19 |
9 |
7 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
Елена Макеева. Стремительная живопись |
2201 | 181 |
3 |
19 |
17 |
16 |
10 |
14 |
14 |
23 |
24 |
21 |
6 |
14 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
Выставка к 100 -летию революции |
1253 | 181 |
3 |
11 |
20 |
20 |
12 |
13 |
17 |
22 |
23 |
15 |
12 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
Дина Богусонова мастер эмали |
466 | 180 |
4 |
21 |
18 |
15 |
13 |
16 |
17 |
19 |
25 |
14 |
8 |
10 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Егорова Любовь. Творчество под знаком воздуха и потока |
979 | 180 |
1 |
20 |
21 |
16 |
7 |
17 |
18 |
25 |
21 |
17 |
11 |
6 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1667 | 179 |
5 |
13 |
20 |
17 |
11 |
25 |
16 |
17 |
22 |
13 |
8 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
Гений ар- деко. Эрте |
1036 | 179 |
5 |
15 |
21 |
18 |
10 |
16 |
18 |
22 |
18 |
18 |
7 |
11 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
В.Герасимов -монументалист,живописец,график |
1533 | 179 |
4 |
13 |
18 |
17 |
14 |
13 |
23 |
19 |
24 |
15 |
8 |
11 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2259 | 179 |
4 |
25 |
13 |
12 |
10 |
20 |
13 |
23 |
21 |
13 |
12 |
13 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
Самара в творчестве семидесятников |
2432 | 179 |
2 |
13 |
13 |
19 |
16 |
28 |
14 |
22 |
19 |
18 |
8 |
7 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3.Чернова Валентина.Еще три портрета |
1872 | 178 |
5 |
21 |
16 |
19 |
5 |
25 |
15 |
19 |
16 |
15 |
12 |
10 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Счастливый мир детства в зеркале русской живописи |
3616 | 178 |
2 |
14 |
15 |
12 |
15 |
22 |
16 |
23 |
19 |
15 |
8 |
17 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Бойчукисты в Самаре |
2308 | 177 |
2 |
19 |
16 |
14 |
9 |
11 |
16 |
30 |
22 |
20 |
9 |
9 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
Юлия Кузнецова.Игры Солнца и теней |
1575 | 177 |
2 |
11 |
16 |
17 |
9 |
15 |
15 |
26 |
26 |
18 |
16 |
6 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Кукольный марш |
2129 | 177 |
4 |
11 |
21 |
17 |
11 |
15 |
13 |
23 |
19 |
18 |
12 |
13 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
Юрий Филиппов. Паломники в Древнюю Русь |
1692 | 177 |
1 |
19 |
16 |
13 |
10 |
26 |
15 |
23 |
21 |
18 |
8 |
7 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
Самарский художественный музей. Дары |
1106 | 177 |
3 |
17 |
19 |
15 |
12 |
14 |
20 |
20 |
17 |
17 |
10 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2. Чернова Валентина. В мастерской художника |
2203 | 176 |
11 |
25 |
16 |
14 |
11 |
13 |
16 |
24 |
17 |
14 |
8 |
7 |
0 |
3 |
2 |
5 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2018 | 176 |
3 |
11 |
14 |
19 |
13 |
11 |
18 |
26 |
21 |
20 |
10 |
10 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
Что собирают в Самаре |
2173 | 176 |
5 |
11 |
19 |
17 |
11 |
24 |
15 |
19 |
24 |
14 |
9 |
8 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
Выставка.Краски Солнцеворота |
1726 | 176 |
3 |
10 |
20 |
17 |
15 |
18 |
15 |
23 |
21 |
19 |
6 |
9 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Хохлова Наталья |
427 | 175 |
3 |
18 |
17 |
16 |
6 |
23 |
20 |
21 |
18 |
15 |
8 |
10 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
Самарские амазонки в интерьере цветущего папорпотника |
1495 | 175 |
2 |
18 |
14 |
17 |
9 |
22 |
17 |
19 |
25 |
17 |
8 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
Туман Жумабаев. Свет старой Самары |
2094 | 175 |
3 |
12 |
16 |
15 |
14 |
16 |
16 |
23 |
20 |
18 |
8 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1711 | 174 |
7 |
17 |
17 |
19 |
11 |
8 |
20 |
21 |
18 |
18 |
8 |
10 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
Евгений Штыров.По дорогам Древней Руси |
929 | 174 |
2 |
18 |
14 |
13 |
10 |
11 |
24 |
18 |
22 |
17 |
10 |
15 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
Цыганская рапсодия |
1938 | 174 |
4 |
19 |
21 |
15 |
12 |
13 |
15 |
22 |
22 |
16 |
6 |
9 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
За кулисами театра |
1669 | 173 |
4 |
31 |
15 |
16 |
6 |
10 |
16 |
22 |
21 |
16 |
6 |
10 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
Мальвы самарского кэмпа |
2709 | 171 |
3 |
14 |
16 |
21 |
11 |
14 |
15 |
21 |
22 |
16 |
6 |
12 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
Николай Вдовкин и Ирина Елизарова.Эмали |
1940 | 171 |
5 |
12 |
20 |
15 |
9 |
15 |
14 |
29 |
17 |
17 |
9 |
9 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
Все краски весенней выставки |
1304 | 170 |
4 |
15 |
17 |
15 |
16 |
22 |
12 |
20 |
18 |
13 |
8 |
10 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2161 | 170 |
4 |
16 |
19 |
17 |
8 |
12 |
11 |
25 |
24 |
17 |
8 |
9 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
Карнавал в искусстве. Посвящение |
1343 | 170 |
4 |
12 |
23 |
13 |
8 |
16 |
18 |
21 |
22 |
15 |
8 |
10 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Акварель -хорошая девка |
2098 | 170 |
4 |
17 |
14 |
14 |
11 |
14 |
16 |
17 |
27 |
15 |
8 |
13 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Мужская гостиная в Музее Модерна |
1850 | 170 |
1 |
14 |
18 |
19 |
11 |
17 |
14 |
18 |
20 |
17 |
10 |
11 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
4. Рассказы музейного человечка. Похищение Курильщиков |
1993 | 169 |
4 |
14 |
18 |
15 |
11 |
22 |
18 |
15 |
22 |
13 |
8 |
9 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
Рецензия на серию книг Артема Каменистого - "Девятый" |
1826 | 169 |
3 |
11 |
13 |
15 |
12 |
13 |
28 |
19 |
21 |
18 |
9 |
7 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
Аромат сластей над садами |
2095 | 169 |
3 |
16 |
19 |
17 |
11 |
12 |
15 |
20 |
19 |
15 |
8 |
14 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
Виктор Новокрещенов,музыка,воплощенная в красках |
646 | 169 |
4 |
11 |
13 |
18 |
12 |
22 |
18 |
20 |
21 |
14 |
6 |
10 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
Степан Эрьзя - русский Роден ? |
2769 | 168 |
3 |
23 |
16 |
16 |
6 |
10 |
19 |
20 |
19 |
19 |
7 |
10 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Грани 20 века |
1422 | 168 |
5 |
15 |
15 |
13 |
10 |
22 |
12 |
19 |
23 |
11 |
12 |
11 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
Многообразие фактур и таинство стиля |
2094 | 168 |
2 |
15 |
16 |
20 |
11 |
12 |
17 |
19 |
25 |
15 |
8 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2011 | 168 |
2 |
11 |
15 |
20 |
10 |
14 |
15 |
25 |
18 |
19 |
7 |
12 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Зураб Церетели. Мелодии Грузии |
1567 | 168 |
4 |
18 |
15 |
17 |
7 |
11 |
17 |
20 |
27 |
18 |
8 |
6 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
Осенние вернисажи 2016 |
1550 | 167 |
6 |
9 |
17 |
13 |
8 |
24 |
15 |
21 |
19 |
17 |
6 |
12 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
С любовью из Крыма". Выставка |
1924 | 167 |
3 |
11 |
15 |
16 |
7 |
17 |
17 |
27 |
19 |
16 |
7 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
Мысли вслух в технике гобелена |
1299 | 167 |
3 |
15 |
17 |
12 |
8 |
20 |
19 |
19 |
21 |
15 |
6 |
12 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
Художественное образование в Самаре |
797 | 166 |
4 |
8 |
16 |
18 |
6 |
19 |
15 |
22 |
15 |
21 |
11 |
11 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
Дина Богусонова.Эмали |
764 | 165 |
3 |
11 |
14 |
20 |
9 |
15 |
15 |
19 |
21 |
16 |
10 |
12 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
100 картин из Оренбурга для Самары |
2052 | 164 |
3 |
14 |
13 |
12 |
6 |
15 |
17 |
19 |
19 |
26 |
8 |
12 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Посвящается Франции |
1919 | 163 |
4 |
21 |
15 |
20 |
7 |
13 |
14 |
27 |
12 |
13 |
8 |
9 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
Иван Айвазовский. Среди стихий |
2087 | 162 |
3 |
15 |
16 |
13 |
11 |
13 |
17 |
24 |
22 |
14 |
6 |
8 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Великие модернисты. Взгляд Artmedia Plei |
1670 | 161 |
3 |
16 |
19 |
18 |
8 |
13 |
13 |
17 |
19 |
16 |
5 |
14 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
Передвижники |
561 | 160 |
3 |
16 |
12 |
16 |
10 |
16 |
12 |
26 |
20 |
12 |
7 |
10 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Эрбштейн Борис.Часть вторая |
547 | 160 |
3 |
12 |
10 |
12 |
9 |
13 |
13 |
27 |
18 |
20 |
12 |
11 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Три выставки. Вернисажи ноября 2019 |
828 | 159 |
3 |
7 |
14 |
13 |
14 |
23 |
18 |
21 |
14 |
13 |
11 |
8 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
Чернова Валентина. Итоги |
1799 | 159 |
9 |
15 |
19 |
17 |
6 |
14 |
16 |
16 |
16 |
19 |
6 |
6 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
Сад ее глазами ,и сад тот -райская страна |
1757 | 158 |
4 |
16 |
14 |
14 |
9 |
20 |
13 |
17 |
18 |
17 |
6 |
10 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
Шепелева Наталья.Цели и грезы |
495 | 157 |
2 |
11 |
15 |
14 |
8 |
20 |
14 |
19 |
20 |
16 |
8 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
Илья Репин, наше все? |
1865 | 157 |
2 |
14 |
19 |
14 |
8 |
12 |
17 |
19 |
19 |
20 |
6 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1598 | 157 |
4 |
11 |
8 |
17 |
11 |
11 |
17 |
31 |
15 |
16 |
6 |
10 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1657 | 155 |
3 |
11 |
14 |
13 |
6 |
23 |
16 |
22 |
20 |
13 |
6 |
8 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
Восточный десерт |
2137 | 152 |
3 |
18 |
13 |
16 |
11 |
11 |
14 |
21 |
16 |
13 |
6 |
10 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
Волжский самовар в экзистенциальных поисках |
1002 | 150 |
1 |
19 |
11 |
12 |
6 |
10 |
13 |
21 |
21 |
18 |
8 |
10 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
Свет живописи старых мастеров |
1308 | 147 |
1 |
7 |
17 |
15 |
7 |
10 |
18 |
23 |
18 |
13 |
7 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
Куклы из особняка Клодта. Самара |
1617 | 146 |
6 |
13 |
14 |
16 |
7 |
9 |
14 |
19 |
16 |
17 |
7 |
8 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Кукольная страна |
2576 | 137 |
2 |
11 |
11 |
17 |
7 |
7 |
17 |
19 |
19 |
14 |
6 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Евгений Казнин |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Сливкова Анна |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |