| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
По разделу |
734471 | 1999 |
31 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
187 |
130 |
1 |
7 |
7 |
11 |
5 |
5 |
5 |
4 |
3 |
6 |
8 |
5 |
8 |
7 |
11 |
5 |
6 |
5 |
7 |
6 |
7 |
4 |
7 |
5 |
5 |
10 |
4 |
18 |
4 |
4 |
4 |
5 |
4 |
4 |
4 |
6 |
7 |
8 |
5 |
9 |
4 |
3 |
3 |
4 |
3 |
6 |
4 |
4 |
6 |
4 |
5 |
9 |
3 |
4 |
4 |
5 |
6 |
5 |
6 |
5 |
4 |
4 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2990 | 1205 |
11 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
158 |
90 |
0 |
1 |
4 |
3 |
3 |
0 |
1 |
4 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
4 |
0 |
1 |
2 |
2 |
4 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
3 |
2 |
3 |
2 |
0 |
4 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
3 |
3 |
4 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29563 | 1186 |
14 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
94 |
67 |
0 |
5 |
5 |
4 |
0 |
5 |
5 |
2 |
1 |
6 |
8 |
4 |
8 |
7 |
11 |
4 |
6 |
3 |
7 |
1 |
3 |
3 |
7 |
1 |
5 |
7 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
1 |
3 |
4 |
1 |
3 |
3 |
4 |
2 |
2 |
3 |
1 |
1 |
2 |
6 |
2 |
2 |
0 |
Поэтика абсурда. Часть 1 |
3059 | 626 |
14 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
35 |
40 |
0 |
2 |
4 |
3 |
5 |
1 |
0 |
4 |
0 |
1 |
2 |
4 |
2 |
5 |
2 |
5 |
5 |
2 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
3 |
2 |
5 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
3 |
4 |
0 |
3 |
2 |
1 |
3 |
1 |
3 |
1 |
Метод приведения к абсурду в школьной классике |
1884 | 604 |
14 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
42 |
38 |
0 |
1 |
7 |
5 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
1 |
2 |
3 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
2 |
0 |
2 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
3 |
3 |
1 |
В чем философский смысл фильма "Остров проклятых" |
1117 | 527 |
6 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
29 |
30 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
5 |
1 |
2 |
Гипербола и Гиперборея Маяковского |
1047 | 504 |
11 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
37 |
32 |
0 |
3 |
3 |
5 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
4 |
0 |
4 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
5 |
0 |
4 |
3 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
3 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
Мертвые души: хозяйственная бесхозяйственность |
2169 | 487 |
9 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
32 |
26 |
0 |
2 |
3 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
5 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
Внутренний монолог |
1013 | 467 |
9 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
30 |
28 |
0 |
0 |
4 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
2 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
3 |
2 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
3 |
1 |
4 |
0 |
4 |
0 |
4 |
0 |
2 |
Автобиографизм и автопсихологизм |
770 | 401 |
9 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
30 |
23 |
0 |
2 |
1 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
2 |
2 |
1 |
Печорин и декабристы - бесславие героев времени |
1374 | 399 |
5 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
39 |
26 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
4 |
1 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5837 | 379 |
11 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
17 |
18 |
0 |
3 |
1 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
Интерьер в "Капитанской дочке" |
1392 | 372 |
8 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
45 |
51 |
0 |
0 |
2 |
5 |
1 |
3 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2888 | 364 |
7 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
12 |
24 |
0 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
Полифония Блока |
1505 | 352 |
7 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
31 |
31 |
0 |
1 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
Антитеза |
558 | 342 |
7 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
28 |
27 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
Дуэль Онегина и Ленского |
1276 | 338 |
7 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
22 |
19 |
0 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
2 |
Кто убил старуху процентщицу? |
2055 | 338 |
6 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
29 |
31 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
6 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
3 |
0 |
Михаил Гарцев. История внутри нас |
4457 | 332 |
5 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
29 |
24 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
938 | 327 |
6 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
19 |
28 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Шукшин ли "Хозяин бани и огорода"? |
2033 | 324 |
9 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
19 |
21 |
0 |
1 |
1 |
6 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Смертная казнь как эротика государственного самоубийства |
7604 | 317 |
5 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
28 |
14 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11758 | 305 |
2 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
18 |
23 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
4 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Я играю вместе с мамой |
9680 | 304 |
6 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
18 |
24 |
0 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
Энтропия.net |
6102 | 303 |
7 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
17 |
26 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
Можно ли назвать Печорина фаталистом |
786 | 299 |
5 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
24 |
16 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
Образ России в арт-среде Интернета |
2597 | 297 |
6 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
18 |
19 |
0 |
0 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
Древесная лирика Хельги Ольшванг |
3729 | 284 |
7 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
28 |
13 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
4 |
4 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
Кот Васька в своей квартире |
7855 | 282 |
6 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
16 |
31 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
Каждый знает |
6689 | 279 |
10 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
15 |
22 |
0 |
2 |
4 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
План анализа стихотворения |
575 | 274 |
9 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
28 |
25 |
0 |
1 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
"История Рода Толстых - история России". Фоторепортаж |
5626 | 272 |
8 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
16 |
26 |
0 |
1 |
1 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
Замятин "Мы". Конспект урока |
930 | 271 |
9 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
25 |
20 |
0 |
2 |
1 |
6 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
2 |
2 |
0 |
Пестрый дятел |
4660 | 270 |
11 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
14 |
19 |
0 |
1 |
7 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5674 | 269 |
6 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
18 |
19 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
Комментариии к статье А.Виноградова о сетевой литературе |
4026 | 269 |
4 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
16 |
23 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
Медвежонок |
8989 | 268 |
7 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
24 |
17 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
4 |
0 |
0 |
Кто как кричит |
4487 | 264 |
5 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
15 |
19 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
2 |
1 |
1 |
0 |
Сказка о гейзере на Стихире |
2960 | 262 |
5 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
21 |
27 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
Александр Кушнер. Аполлон в траве |
4571 | 261 |
11 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
23 |
23 |
0 |
0 |
6 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
924 | 261 |
8 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
25 |
25 |
0 |
3 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
Что на небе |
8079 | 260 |
6 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
11 |
20 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
Волчонок |
4195 | 259 |
7 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
14 |
25 |
0 |
0 |
2 |
5 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
Ведение в чтение Гоголя |
1099 | 259 |
7 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
23 |
31 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
К вопросу о Фрейде и православии |
3090 | 258 |
5 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
17 |
25 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
Поэтика абсурда и образ Святой Земли |
3508 | 257 |
5 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
23 |
22 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
Михаил Гарцев и сетевое письмо |
4490 | 256 |
9 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
17 |
16 |
0 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
Ослик |
8360 | 256 |
12 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
12 |
18 |
0 |
3 |
4 |
3 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
2 |
2 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
891 | 255 |
9 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
15 |
15 |
0 |
1 |
3 |
5 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
Ирония и автоирония |
457 | 255 |
6 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
24 |
21 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
Почему поэзия должна быть глуповата |
3129 | 255 |
6 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
25 |
25 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
Карнавал и декарнавализация |
4105 | 253 |
8 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
19 |
15 |
0 |
3 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
Маяковский и его философия |
1409 | 253 |
5 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
14 |
17 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
3 |
1 |
Учимся мыслить логически |
3679 | 252 |
8 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
14 |
23 |
0 |
0 |
1 |
5 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
818 | 252 |
5 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
15 |
19 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
Потомки "Метрополя" |
5795 | 250 |
7 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
21 |
18 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
Достоевский и конец истории |
3478 | 250 |
7 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
12 |
19 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
О любви к правителям и поэтам |
1198 | 250 |
5 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
8 |
25 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
Язык и генетика |
4476 | 249 |
10 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
18 |
21 |
0 |
6 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
816 | 248 |
11 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
16 |
20 |
0 |
2 |
3 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Избранница народного слова |
2423 | 248 |
8 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
16 |
20 |
0 |
0 |
3 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
1 |
Зеркало |
2897 | 247 |
3 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
14 |
19 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
5 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
В защиту массовой литературы |
5616 | 246 |
7 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
8 |
23 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Почему в Прибалтике не проходит русский бунт |
2584 | 246 |
11 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
12 |
16 |
0 |
1 |
3 |
6 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
Автопортрет, оксюморон |
720 | 245 |
6 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
20 |
22 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
Натюрморт (Гоголь, Бродский, Есенин) |
893 | 245 |
8 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
25 |
16 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1581 | 244 |
6 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
19 |
23 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Сюжет: событие, действие, мотив |
509 | 244 |
10 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
22 |
25 |
0 |
1 |
4 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
Гегельянство в России |
1057 | 243 |
6 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
17 |
22 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
Информация о владельце раздела |
3291 | 243 |
5 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
17 |
18 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
Психология - наука рабов |
6734 | 242 |
4 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
10 |
15 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
Фотомастерская Вадима Месяца |
2926 | 242 |
11 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
15 |
25 |
0 |
0 |
3 |
5 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
Ботинок |
4012 | 241 |
7 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
16 |
28 |
0 |
2 |
1 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
0 |
1 |
2 |
2 |
Расширит ли виртуальная реальность возможности познания истины |
3287 | 241 |
4 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
15 |
22 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
Пейзаж в поэме Лермонтова |
762 | 241 |
8 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
17 |
20 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Пьер и Андрей |
1165 | 241 |
8 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
15 |
21 |
0 |
1 |
2 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
Сон как нонсенс в "Войне и мире" |
613 | 240 |
7 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
17 |
18 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
3 |
4 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
Про что поэзия Барто? - да все про то! |
5807 | 240 |
5 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
15 |
19 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
Стихи для детей |
5443 | 240 |
8 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
12 |
18 |
0 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
С кем я познакомилась на Си |
3461 | 239 |
7 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
12 |
26 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
9 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Рифма к городу |
3534 | 239 |
10 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
12 |
18 |
0 |
1 |
2 |
6 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
Островский о романтической ипостаси русской литературы |
1197 | 239 |
6 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
14 |
16 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
Самоубийство разума |
3089 | 238 |
9 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
16 |
21 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
603 | 237 |
7 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
22 |
14 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1047 | 237 |
10 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
18 |
14 |
0 |
3 |
2 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Средства художественной изобразительности |
1540 | 237 |
10 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
13 |
12 |
0 |
2 |
1 |
6 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
Поэтика абсурда при свете совести |
2739 | 237 |
5 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
18 |
18 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
645 | 237 |
13 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
16 |
18 |
0 |
7 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
В поисках смысла сетевой литературы |
2665 | 237 |
5 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
18 |
21 |
0 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
О "Медном всаднике" |
1106 | 236 |
7 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
23 |
22 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
Три пальмы |
1250 | 235 |
4 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
20 |
30 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
0 |
Ницше, ценности и Гегель |
3081 | 234 |
11 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
11 |
17 |
0 |
1 |
6 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
Достоевский как оптимальная точка видения |
2963 | 234 |
5 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
12 |
21 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
Возвращение |
3304 | 234 |
7 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
16 |
18 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
Вирус абсурда в истории человеческой культуры |
2293 | 233 |
6 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
15 |
19 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
Липки |
2789 | 233 |
6 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
13 |
21 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
Эмоции |
1032 | 233 |
5 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
17 |
22 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
Какой плод у дерева |
3014 | 232 |
5 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
10 |
16 |
0 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
Буддистский колобок |
2750 | 232 |
6 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
14 |
20 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
1041 | 232 |
6 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
7 |
23 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Кирилл Юрьевич отбывает в Канаду |
3120 | 232 |
6 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
13 |
21 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
Юрий Поляков. Грибной царь |
3620 | 232 |
6 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
15 |
16 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
Поэтика абсурда Маяковского |
1493 | 231 |
4 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
19 |
15 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
Утенок |
4532 | 231 |
8 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
10 |
18 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1408 | 230 |
6 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
14 |
22 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
Галич и Мандельштам вокруг образа вождя |
464 | 230 |
7 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
19 |
17 |
0 |
2 |
0 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
Об одном фильме |
1345 | 230 |
3 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
16 |
20 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
723 | 230 |
10 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
16 |
19 |
0 |
2 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
Снова по поводу "Тихого Дона" |
1124 | 229 |
6 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
14 |
19 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
Автометафора |
616 | 229 |
6 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
16 |
14 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
633 | 229 |
6 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
19 |
15 |
0 |
2 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
Интервью с Игорем Панариным |
2505 | 228 |
6 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
14 |
15 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
Лирика |
3154 | 228 |
9 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
24 |
16 |
0 |
1 |
6 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
574 | 227 |
5 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
17 |
10 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
Алексиевич. Чернобыль |
1099 | 227 |
3 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
15 |
16 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
О курсе реформ и курсе литературы |
957 | 227 |
6 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
7 |
17 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
Андрей Болконский - Дон Кихот |
678 | 227 |
7 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
19 |
13 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
Ушки, ножки, рожки |
6477 | 226 |
13 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
10 |
15 |
1 |
2 |
5 |
3 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
495 | 226 |
4 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
17 |
22 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
6 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
Манифест |
2622 | 225 |
5 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
15 |
18 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1625 | 225 |
5 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
17 |
19 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
Этапы эволюции вируса абсурда в России |
3274 | 225 |
8 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
18 |
17 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
792 | 225 |
7 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
15 |
17 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2378 | 225 |
9 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
15 |
17 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Иду, а к ногам моим падает вдруг кипятильник |
2351 | 225 |
5 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
18 |
16 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
Anti-Dan |
3199 | 224 |
5 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
17 |
19 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1189 | 224 |
3 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
24 |
16 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
"Коршун" Тютчева - материализм и идеализм |
636 | 224 |
9 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
15 |
18 |
0 |
0 |
2 |
6 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
Трагический герой |
503 | 223 |
11 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
15 |
18 |
0 |
1 |
4 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
Самосознание сетевой литературы |
3962 | 223 |
7 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
11 |
19 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
Форум в контексте книги |
3040 | 223 |
8 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
14 |
17 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
Монтаж у Гоголя и Алексиевич |
745 | 223 |
10 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
13 |
13 |
0 |
1 |
4 |
5 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
Что в имени мне твоем |
2946 | 223 |
6 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
15 |
20 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
Образы русской природы в лирике Рубцова |
639 | 223 |
5 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
19 |
17 |
0 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
Проклятое место, проклятые вопросы |
3112 | 223 |
7 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
8 |
20 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
Двуединство добра |
2795 | 222 |
7 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
11 |
21 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
Бунт против Гегеля |
3155 | 222 |
7 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
6 |
15 |
0 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
5 |
0 |
1 |
1 |
0 |
Конечный смысл страдания |
2454 | 222 |
6 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
14 |
18 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
885 | 222 |
6 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
17 |
15 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
Где же новая поэзия |
2426 | 221 |
9 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
14 |
17 |
0 |
3 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Введение в чтение Гоголя. Хлестаков |
633 | 221 |
7 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
19 |
13 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
Демократия как искусство для искусства |
2809 | 221 |
6 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
9 |
20 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
2 |
Отчуждение |
1153 | 220 |
6 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
10 |
18 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
Горе от ума или ум от горя. Перевертыши |
843 | 220 |
6 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
15 |
16 |
0 |
1 |
2 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
Ферапонтово. Коллекция |
1955 | 220 |
5 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
17 |
22 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1591 | 220 |
4 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
11 |
14 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
Анализ прозы |
462 | 220 |
6 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
18 |
22 |
0 |
0 |
1 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
0 |
Кто в окошке. Сказочные звери |
3797 | 219 |
6 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
11 |
21 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
Короля делает свита |
2251 | 219 |
7 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
16 |
12 |
0 |
0 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Ведьмостиший больше не будет |
2963 | 219 |
8 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
12 |
17 |
0 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
Нам много миллионов лет. Каждому |
844 | 219 |
9 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
13 |
18 |
0 |
1 |
3 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4070 | 219 |
7 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
18 |
19 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
Вмешиваясь в разговор с богом |
3301 | 219 |
6 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
14 |
15 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
Художник у Христа за пазухой |
2656 | 218 |
8 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
15 |
19 |
0 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Чужая сказка |
2468 | 218 |
7 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
14 |
15 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2366 | 218 |
5 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
16 |
18 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
Введение в чтение Гоголя. Нос |
673 | 218 |
6 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
16 |
16 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
3 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
19 августа 1991 года |
2362 | 217 |
9 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
14 |
13 |
0 |
3 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
Между прошлым и будущим |
616 | 217 |
8 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
16 |
11 |
0 |
2 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
671 | 216 |
6 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
19 |
28 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Ведение в чтение Гоголя |
853 | 216 |
7 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
14 |
16 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
0 |
1 |
Мир как книга |
947 | 216 |
6 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
10 |
15 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
2 |
6 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
Молчание - литературная преемственность |
671 | 216 |
9 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
11 |
15 |
0 |
2 |
2 |
5 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
Достоевский и риторические вопросы (диатриба) |
618 | 215 |
6 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
18 |
17 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
Теория диссоциаций и Булгаков |
1251 | 215 |
9 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
15 |
21 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2736 | 215 |
9 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
8 |
19 |
0 |
1 |
2 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
Мастер и Маргарита. Кто написал притчу? |
1083 | 215 |
11 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
14 |
16 |
0 |
3 |
3 |
5 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
Вот и обсудили! |
2625 | 215 |
7 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
14 |
17 |
0 |
0 |
2 |
5 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
Клопы от Фейербаха |
3106 | 215 |
6 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
5 |
22 |
0 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
5 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
Хлестаков и Печорин |
1311 | 215 |
7 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
14 |
17 |
0 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
Маркетинг науки, или Научный маркетинг |
3002 | 215 |
6 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
19 |
13 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
4 |
0 |
3 |
1 |
1 |
0 |
3 |
Все по Салтыкову-Щедрину! |
4276 | 215 |
9 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
7 |
20 |
0 |
2 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
5 |
3 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
То было двух бесов изображенье |
486 | 214 |
4 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
18 |
16 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
Пространство в живописи текста у Гоголя |
720 | 214 |
10 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
20 |
14 |
0 |
1 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
Необходимое или цель - искусство? |
676 | 214 |
7 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
15 |
12 |
0 |
0 |
1 |
5 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
Символизм |
458 | 214 |
8 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
12 |
20 |
0 |
1 |
1 |
5 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
Бессмертие и спасение |
2596 | 213 |
7 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
8 |
17 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
Базаров |
930 | 213 |
5 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
18 |
15 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
Воспитание гениев |
953 | 212 |
5 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
12 |
24 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
+7 |
2150 | 212 |
5 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
11 |
18 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Лисенок в курятнике Стихи.ру |
5977 | 208 |
3 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
14 |
14 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
Онегин - лицеист? |
645 | 208 |
4 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
13 |
11 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
Модель романа-эпопеи |
931 | 208 |
6 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
13 |
13 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
442 | 207 |
4 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
14 |
16 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
"Хлыстовская богородица" Маяковского |
1304 | 207 |
8 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
13 |
16 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
Абсурдизм |
3685 | 207 |
5 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
13 |
15 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
Воинство Сергия Радонежского |
4364 | 207 |
7 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
12 |
11 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
Собрание обратных цитат о любви |
2951 | 206 |
7 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
15 |
15 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
О романе "Обратная Перспектива А.Столярова |
1363 | 206 |
8 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
11 |
16 |
0 |
0 |
3 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
Обломов и реализм |
602 | 206 |
5 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
16 |
19 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
3 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Диалектика пути |
2719 | 206 |
12 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
9 |
16 |
0 |
1 |
5 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
Мысль изреченная |
2580 | 206 |
5 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
14 |
15 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
Методология работы критика над текстом |
2451 | 206 |
8 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
12 |
15 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
Доказательство несовершенства Бога |
2597 | 206 |
7 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
8 |
18 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
Лимерик |
2274 | 206 |
7 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
14 |
14 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
Постновогодний синдром |
591 | 206 |
5 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
13 |
16 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
Монтажная композиция |
422 | 206 |
5 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
20 |
16 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Лампа Мафусаила |
1594 | 205 |
5 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
15 |
16 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
Конек-горбунок |
960 | 204 |
6 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
16 |
16 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
445 | 204 |
5 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
16 |
14 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Премия "Поэзия" что хотят жюри |
1350 | 204 |
7 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
9 |
16 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
Ангел в круге десятом |
736 | 204 |
10 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
12 |
14 |
0 |
2 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
Чудачество и донкихотство. Шукшин и Сервантес |
1351 | 204 |
4 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
13 |
18 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
Совенок |
3657 | 204 |
9 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
7 |
18 |
0 |
3 |
2 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
Невозможность гения эпохи |
536 | 204 |
4 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
17 |
18 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
Дурное общество |
940 | 203 |
7 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
16 |
15 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
Как в "Превращении" Кафки выражена идея торжества разума |
816 | 203 |
10 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
19 |
18 |
0 |
5 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
Недоросль в меняющемся мире |
621 | 203 |
6 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
15 |
16 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
Ленин как поэт Серебряного века |
1317 | 203 |
9 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
13 |
12 |
0 |
3 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
Сальери как образец |
1157 | 203 |
5 |
13 |
21 |
17 |
16 |
10 |
25 |
19 |
13 |
27 |
17 |
20 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
3 |
3 |
0 |
0 |
Ноосфера |
584 | 203 |
5 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
10 |
12 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
469 | 202 |
6 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
17 |
12 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
Символика цвета |
345 | 202 |
6 |
16 |
15 |
17 |
12 |
12 |
20 |
27 |
19 |
24 |
16 |
18 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
822 | 202 |
8 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
13 |
20 |
0 |
3 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
"Добрый Филя" и проекция собеседника |
698 | 202 |
7 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
14 |
18 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1316 | 202 |
5 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
13 |
15 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
Государство и общество: свобода и необходимость |
4924 | 201 |
8 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
9 |
14 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
Атрибуты беса |
3064 | 201 |
6 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
6 |
17 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
Темное вещество, абсолютный дух и человеческая цивилизация |
918 | 201 |
9 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
12 |
18 |
0 |
0 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
Смысл и убеждение |
2216 | 201 |
4 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
9 |
14 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Почему Путин заинтересован в развитии гражданского общества |
2576 | 197 |
8 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
11 |
13 |
0 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
Сила детской публицистики |
1341 | 197 |
5 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
11 |
17 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
621 | 196 |
6 |
21 |
20 |
11 |
18 |
12 |
18 |
16 |
14 |
25 |
17 |
18 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
Форма абсолютной сути созидаемого |
785 | 196 |
6 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
9 |
18 |
0 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
Категории добра и зла |
397 | 196 |
7 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
11 |
17 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
Рубцов и формальный метод |
2565 | 196 |
5 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
8 |
12 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Государство Платона и Акунина |
883 | 196 |
7 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
11 |
14 |
0 |
3 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
Ведение в чтение Гоголя. Шинель |
975 | 196 |
7 |
20 |
23 |
11 |
15 |
14 |
21 |
17 |
15 |
25 |
13 |
15 |
0 |
1 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
3 |
2 |
0 |
Миф о запахе |
2383 | 196 |
4 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
13 |
13 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
Шаров и его теодицея |
635 | 196 |
7 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
12 |
12 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
Детство после взросления |
1042 | 195 |
6 |
15 |
20 |
14 |
19 |
16 |
22 |
12 |
15 |
25 |
14 |
17 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
"Сретенье " Бродского как трансляция |
524 | 195 |
6 |
27 |
21 |
17 |
15 |
16 |
17 |
14 |
17 |
20 |
10 |
15 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
Молодежь и общество потребления |
3689 | 195 |
9 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
5 |
16 |
0 |
1 |
2 |
6 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
Сеть и чудаки |
2900 | 195 |
4 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
12 |
21 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
О чем умолчал в своем докладе доктор Борменталь |
641 | 194 |
4 |
17 |
20 |
18 |
23 |
14 |
13 |
20 |
15 |
18 |
13 |
19 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
"Шиповник цветет" - не сжигай |
642 | 194 |
7 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
15 |
14 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
Аллегория как эпитет |
1342 | 194 |
7 |
21 |
19 |
14 |
14 |
15 |
22 |
12 |
16 |
25 |
12 |
17 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Суздаль |
1797 | 194 |
6 |
14 |
24 |
22 |
15 |
12 |
13 |
19 |
18 |
20 |
15 |
16 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
Онтологическое обоснование гения эпохи |
1199 | 194 |
8 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
13 |
13 |
0 |
0 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
Долой ыгэ! |
598 | 193 |
7 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
19 |
12 |
0 |
3 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Бог как конечное воплощение жажды славы |
2077 | 193 |
7 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
12 |
16 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
Проблематика произведений. Богатство и бедность |
548 | 193 |
8 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
15 |
14 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
О времени |
1130 | 193 |
5 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
13 |
16 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
Миф о числах |
2554 | 192 |
5 |
20 |
19 |
15 |
19 |
17 |
18 |
14 |
15 |
23 |
12 |
15 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
Паломничество убогой (2 редакция) |
475 | 192 |
5 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
8 |
20 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
Эпилог |
355 | 192 |
6 |
16 |
23 |
12 |
12 |
8 |
18 |
23 |
19 |
25 |
16 |
14 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
Блок и его мэоническая легенда |
696 | 192 |
6 |
23 |
19 |
13 |
17 |
11 |
17 |
18 |
14 |
23 |
16 |
15 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
Введение в философию сказок |
646 | 192 |
7 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
13 |
14 |
0 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
Честь как главная жизненная ценность у Достоевского |
548 | 191 |
7 |
25 |
22 |
11 |
13 |
12 |
19 |
16 |
15 |
21 |
15 |
15 |
0 |
2 |
0 |
5 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
Теософия и поэзия |
1011 | 191 |
5 |
20 |
23 |
12 |
11 |
14 |
19 |
14 |
25 |
20 |
13 |
15 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
Советы |
2354 | 191 |
5 |
19 |
23 |
10 |
16 |
13 |
14 |
21 |
15 |
25 |
14 |
16 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
Инструкция создателям искусственного разума |
2430 | 191 |
6 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
9 |
15 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
Каким должен быть правитель |
486 | 190 |
8 |
17 |
24 |
12 |
16 |
14 |
17 |
20 |
10 |
22 |
12 |
18 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
Инструкция создателям искусственного разума |
3037 | 190 |
6 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
11 |
18 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
Я начинаю обретать себя |
2370 | 190 |
8 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
9 |
14 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
Ну и реклама сейчас у Проханова |
2037 | 189 |
7 |
13 |
23 |
12 |
15 |
24 |
19 |
18 |
8 |
23 |
14 |
13 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
Становление гения |
2403 | 189 |
4 |
23 |
19 |
19 |
13 |
12 |
19 |
17 |
12 |
26 |
9 |
16 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
Белая ворона |
2327 | 189 |
6 |
22 |
19 |
14 |
13 |
15 |
15 |
15 |
15 |
28 |
11 |
16 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
Был ли влюблен Иван Васильевич в Вареньку? |
534 | 189 |
3 |
11 |
21 |
12 |
18 |
16 |
22 |
14 |
16 |
21 |
19 |
16 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
2088 | 189 |
8 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
11 |
15 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
Удача и капуста |
2371 | 188 |
7 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
8 |
15 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
Убийственная преданность. Введение в чтение Пушкина |
683 | 188 |
6 |
23 |
16 |
12 |
15 |
9 |
15 |
21 |
17 |
27 |
13 |
14 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
Что есть человек |
1247 | 187 |
3 |
14 |
22 |
16 |
16 |
15 |
17 |
20 |
15 |
20 |
14 |
15 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
К проблеме Израиля |
1305 | 187 |
10 |
21 |
21 |
12 |
17 |
15 |
14 |
16 |
13 |
25 |
11 |
12 |
0 |
2 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
Введение в чтение Лермонтова. Система отражений |
522 | 187 |
6 |
16 |
21 |
15 |
10 |
13 |
22 |
14 |
15 |
24 |
19 |
12 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
Бегемотик |
3303 | 187 |
5 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
5 |
18 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
Незабудки |
187 | 187 |
9 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
Искушение как психологический прием |
2830 | 187 |
5 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
10 |
15 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
Исход |
2152 | 186 |
5 |
24 |
19 |
16 |
16 |
11 |
18 |
15 |
12 |
24 |
10 |
16 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
0 |
Возможен ли герой нашего времени? |
593 | 186 |
3 |
9 |
24 |
15 |
13 |
24 |
20 |
16 |
13 |
23 |
7 |
19 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
Велика ли дань Пушкина мифологии |
3156 | 186 |
9 |
17 |
17 |
17 |
15 |
10 |
18 |
20 |
17 |
23 |
9 |
14 |
0 |
4 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
Грамматика абсурдиста |
2138 | 185 |
6 |
20 |
20 |
14 |
15 |
10 |
22 |
15 |
15 |
18 |
11 |
19 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
Радио Свобода, Цру и великая русская литература |
2407 | 185 |
6 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
7 |
12 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Смех без причины |
2607 | 184 |
6 |
17 |
21 |
6 |
18 |
11 |
17 |
19 |
20 |
31 |
5 |
13 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
Литературные пейзажи Толстого |
1193 | 184 |
4 |
12 |
15 |
10 |
13 |
15 |
27 |
16 |
21 |
21 |
18 |
12 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
О Бродском - Имперский поэт? |
821 | 184 |
7 |
22 |
20 |
11 |
16 |
13 |
22 |
15 |
12 |
22 |
10 |
14 |
0 |
0 |
3 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
Бы да кабы |
813 | 183 |
7 |
22 |
18 |
11 |
16 |
17 |
19 |
15 |
18 |
18 |
11 |
11 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2134 | 183 |
9 |
20 |
24 |
14 |
10 |
14 |
20 |
14 |
15 |
23 |
9 |
11 |
0 |
1 |
2 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
Хельга Ольшванг в новом веке |
847 | 182 |
4 |
17 |
18 |
12 |
15 |
18 |
16 |
20 |
12 |
19 |
18 |
13 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3123 | 182 |
4 |
18 |
23 |
17 |
14 |
11 |
22 |
20 |
11 |
20 |
9 |
13 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |