| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
По разделу |
759041 | 2050 |
56 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
1 |
8 |
6 |
18 |
9 |
6 |
8 |
3 |
6 |
5 |
5 |
5 |
6 |
4 |
5 |
6 |
4 |
7 |
9 |
5 |
9 |
4 |
5 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
6 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29844 | 1306 |
41 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
0 |
8 |
3 |
18 |
3 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
6 |
2 |
0 |
6 |
4 |
5 |
9 |
4 |
9 |
2 |
5 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
3 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3147 | 1114 |
31 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
0 |
5 |
5 |
3 |
4 |
6 |
8 |
1 |
2 |
1 |
3 |
4 |
3 |
3 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
|
Поэтика абсурда. Часть 1 |
3249 | 741 |
30 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
0 |
5 |
6 |
4 |
9 |
0 |
6 |
1 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
3 |
2 |
7 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
6 |
|
Метод приведения к абсурду в школьной классике |
2009 | 649 |
18 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
0 |
3 |
4 |
3 |
3 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
|
Мертвые души: хозяйственная бесхозяйственность |
2319 | 579 |
20 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
0 |
5 |
3 |
5 |
2 |
3 |
2 |
0 |
4 |
4 |
4 |
5 |
3 |
0 |
4 |
1 |
4 |
2 |
0 |
4 |
0 |
4 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
|
Гипербола и Гиперборея Маяковского |
1183 | 571 |
16 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
0 |
2 |
6 |
0 |
4 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
|
Внутренний монолог |
1155 | 551 |
18 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
0 |
3 |
3 |
3 |
5 |
0 |
4 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
4 |
3 |
0 |
4 |
2 |
4 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
2 |
|
В чем философский смысл фильма "Остров проклятых" |
1192 | 543 |
8 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Автобиографизм и автопсихологизм |
898 | 476 |
15 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
0 |
4 |
0 |
5 |
3 |
0 |
3 |
2 |
2 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
3 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
1 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5935 | 442 |
8 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
|
Печорин и декабристы - бесславие героев времени |
1460 | 420 |
17 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
0 |
3 |
3 |
2 |
3 |
3 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2975 | 415 |
9 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
|
Полифония Блока |
1604 | 389 |
12 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
0 |
2 |
2 |
1 |
5 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
|
Интерьер в "Капитанской дочке" |
1502 | 386 |
8 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
2 |
|
Дуэль Онегина и Ленского |
1356 | 377 |
13 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
0 |
2 |
1 |
4 |
2 |
1 |
3 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
|
Шукшин ли "Хозяин бани и огорода"? |
2123 | 374 |
14 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
0 |
1 |
1 |
2 |
4 |
2 |
4 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Антитеза |
643 | 372 |
12 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
4 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Михаил Гарцев. История внутри нас |
4538 | 360 |
9 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
0 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11854 | 360 |
13 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
0 |
4 |
3 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
1 |
0 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1017 | 359 |
11 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
0 |
3 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
|
Смертная казнь как эротика государственного самоубийства |
7688 | 359 |
9 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Кто убил старуху процентщицу? |
2136 | 359 |
11 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
0 |
3 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Энтропия.net |
6193 | 351 |
14 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
0 |
4 |
0 |
5 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
|
Я играю вместе с мамой |
9769 | 351 |
9 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
0 |
1 |
4 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
|
Пестрый дятел |
4766 | 343 |
17 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
0 |
1 |
5 |
4 |
4 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
2 |
1 |
4 |
2 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
|
Образ России в арт-среде Интернета |
2678 | 341 |
7 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
|
"История Рода Толстых - история России". Фоторепортаж |
5727 | 331 |
15 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
0 |
2 |
3 |
4 |
2 |
1 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5771 | 329 |
14 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
0 |
3 |
2 |
2 |
4 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
|
Медвежонок |
9086 | 324 |
10 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
|
Древесная лирика Хельги Ольшванг |
3810 | 324 |
11 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
|
Можно ли назвать Печорина фаталистом |
849 | 322 |
7 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Кот Васька в своей квартире |
7940 | 320 |
14 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
0 |
2 |
2 |
1 |
2 |
3 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
|
Что на небе |
8169 | 319 |
11 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
0 |
1 |
4 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
|
Кто как кричит |
4576 | 319 |
16 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
0 |
0 |
3 |
4 |
6 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
|
Каждый знает |
6763 | 316 |
10 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1150 | 311 |
11 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
0 |
3 |
0 |
2 |
3 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Учимся мыслить логически |
3773 | 309 |
13 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
0 |
3 |
1 |
3 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
|
Маяковский и его философия |
1495 | 308 |
12 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
906 | 306 |
17 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
0 |
4 |
2 |
5 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Александр Кушнер. Аполлон в траве |
4658 | 302 |
12 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
0 |
1 |
3 |
3 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
|
Михаил Гарцев и сетевое письмо |
4569 | 302 |
10 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4098 | 302 |
10 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
0 |
1 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
|
Замятин "Мы". Конспект урока |
1006 | 302 |
13 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
0 |
4 |
1 |
3 |
4 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Ослик |
8436 | 302 |
10 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
|
К вопросу о Фрейде и православии |
3174 | 300 |
12 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
|
План анализа стихотворения |
651 | 297 |
10 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
0 |
3 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
|
Средства художественной изобразительности |
1622 | 294 |
11 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
0 |
2 |
1 |
2 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Волчонок |
4269 | 294 |
12 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
0 |
1 |
3 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
|
Карнавал и декарнавализация |
4179 | 293 |
12 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
0 |
1 |
2 |
2 |
3 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Почему в Прибалтике не проходит русский бунт |
2658 | 292 |
8 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
|
Зеркало |
2975 | 292 |
8 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1133 | 291 |
13 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
0 |
3 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Липки |
2881 | 291 |
13 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
0 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
|
Стихи для детей |
5524 | 291 |
12 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
0 |
2 |
0 |
0 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
|
Язык и генетика |
4557 | 291 |
11 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
0 |
2 |
4 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Потомки "Метрополя" |
5874 | 290 |
10 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
0 |
3 |
0 |
1 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
|
О любви к правителям и поэтам |
1271 | 290 |
11 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
|
Рифма к городу |
3614 | 289 |
11 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
0 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
|
В защиту массовой литературы |
5689 | 288 |
11 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
0 |
3 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Психология - наука рабов |
6805 | 288 |
10 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Поэтика абсурда и образ Святой Земли |
3584 | 288 |
9 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
953 | 287 |
9 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
|
Сон как нонсенс в "Войне и мире" |
695 | 287 |
12 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
0 |
3 |
0 |
2 |
5 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Кирилл Юрьевич отбывает в Канаду |
3209 | 287 |
13 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
0 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Сказка о гейзере на Стихире |
3033 | 287 |
12 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
0 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
999 | 286 |
10 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
|
Возвращение |
3389 | 285 |
8 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
|
Избранница народного слова |
2495 | 284 |
8 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Про что поэзия Барто? - да все про то! |
5885 | 284 |
12 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
0 |
3 |
4 |
2 |
3 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
|
Гегельянство в России |
1137 | 284 |
11 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
0 |
0 |
4 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
|
О курсе реформ и курсе литературы |
1037 | 283 |
11 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
|
Самоубийство разума |
3171 | 283 |
11 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
|
С кем я познакомилась на Си |
3542 | 282 |
14 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
0 |
5 |
3 |
1 |
1 |
3 |
1 |
1 |
4 |
0 |
1 |
2 |
5 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
971 | 282 |
11 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
0 |
4 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
|
Ушки, ножки, рожки |
6557 | 281 |
10 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
|
Ирония и автоирония |
528 | 281 |
12 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
0 |
2 |
1 |
6 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
|
Островский о романтической ипостаси русской литературы |
1269 | 281 |
11 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
0 |
1 |
0 |
1 |
7 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
|
Фотомастерская Вадима Месяца |
3005 | 281 |
17 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
0 |
1 |
2 |
3 |
7 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
|
Достоевский и конец истории |
3539 | 280 |
7 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Монтаж у Гоголя и Алексиевич |
828 | 280 |
11 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
0 |
2 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2465 | 280 |
11 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
|
Ведение в чтение Гоголя |
1174 | 280 |
11 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Достоевский как оптимальная точка видения |
3041 | 279 |
12 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
0 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
|
Информация о владельце раздела |
3362 | 279 |
6 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
5 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Алексиевич. Чернобыль |
1180 | 277 |
9 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
881 | 277 |
9 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
0 |
0 |
0 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
|
Ботинок |
4092 | 277 |
10 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
|
Пейзаж в поэме Лермонтова |
835 | 277 |
13 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
0 |
1 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Демократия как искусство для искусства |
2894 | 277 |
7 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
0 |
0 |
5 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
|
Сюжет: событие, действие, мотив |
588 | 276 |
11 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
0 |
2 |
3 |
3 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
|
Ницше, ценности и Гегель |
3150 | 275 |
6 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Бунт против Гегеля |
3229 | 275 |
11 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
|
Почему поэзия должна быть глуповата |
3198 | 274 |
11 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
0 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
|
Какой плод у дерева |
3082 | 274 |
11 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
0 |
0 |
3 |
2 |
4 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
|
В поисках смысла сетевой литературы |
2741 | 274 |
11 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
0 |
1 |
2 |
1 |
4 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Введение в чтение Гоголя. Хлестаков |
717 | 273 |
14 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
0 |
3 |
1 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
|
Пьер и Андрей |
1233 | 273 |
10 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
О "Медном всаднике" |
1187 | 272 |
15 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
0 |
3 |
1 |
3 |
4 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
|
Галич и Мандельштам вокруг образа вождя |
542 | 272 |
15 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
0 |
4 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
673 | 271 |
11 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
0 |
2 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
|
Интервью с Игорем Панариным |
2577 | 271 |
11 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
|
Автопортрет, оксюморон |
788 | 271 |
10 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Юрий Поляков. Грибной царь |
3690 | 271 |
9 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
0 |
0 |
3 |
3 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
|
Об одном фильме |
1421 | 270 |
5 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1649 | 270 |
10 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
|
Расширит ли виртуальная реальность возможности познания истины |
3353 | 270 |
10 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
|
Где же новая поэзия |
2505 | 269 |
13 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
0 |
2 |
2 |
1 |
5 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
|
Мир как книга |
1024 | 268 |
11 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
0 |
1 |
6 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
|
Между прошлым и будущим |
694 | 268 |
12 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Утенок |
4596 | 267 |
12 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
1 |
1 |
3 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Социальные болезни Стихи.ру |
7074 | 267 |
12 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
1 |
1 |
2 |
1 |
3 |
0 |
4 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Поэтика абсурда при свете совести |
2805 | 267 |
12 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
0 |
1 |
4 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
|
Андрей Болконский - Дон Кихот |
750 | 267 |
10 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
0 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
|
Нам много миллионов лет. Каждому |
922 | 266 |
9 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
0 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Вирус абсурда в истории человеческой культуры |
2360 | 266 |
10 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
704 | 266 |
8 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
|
Памятник Румянцеву в "Капитанской дочке" |
865 | 266 |
14 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
0 |
2 |
0 |
6 |
4 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
|
"Коршун" Тютчева - материализм и идеализм |
711 | 266 |
9 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
|
Самосознание сетевой литературы |
4034 | 265 |
9 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
0 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Буддистский колобок |
2817 | 265 |
8 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
|
Ведьмостиший больше не будет |
3037 | 264 |
11 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Возвращение блудного Чацкого |
923 | 264 |
14 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
0 |
1 |
0 |
4 |
7 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
|
Бессмертие и спасение |
2672 | 264 |
11 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
0 |
5 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
|
Трагический герой |
577 | 264 |
12 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
0 |
0 |
4 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Ленин как поэт Серебряного века |
1403 | 264 |
13 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
706 | 264 |
5 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Конечный смысл страдания |
2527 | 263 |
10 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Короля делает свита |
2322 | 262 |
6 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1658 | 262 |
11 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
0 |
0 |
2 |
6 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Anti-Dan |
3273 | 262 |
10 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
|
Двуединство добра |
2866 | 261 |
10 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
|
Манифест |
2691 | 261 |
13 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
956 | 261 |
12 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
0 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
|
Реформы Путина и моя им гегельянская поддержка |
2808 | 260 |
8 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
|
Что в имени мне твоем |
3018 | 260 |
13 |
28 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
0 |
4 |
4 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2420 | 260 |
12 |
30 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
1 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1473 | 259 |
9 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Государство и общество: свобода и необходимость |
5005 | 259 |
10 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
0 |
1 |
3 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
2 |
6 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
|
Автометафора |
676 | 259 |
13 |
24 |
29 |
19 |
23 |
24 |
18 |
18 |
17 |
22 |
24 |
28 |
0 |
5 |
3 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
787 | 259 |
6 |
31 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
5 |
1 |
0 |
3 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
|
19 августа 1991 года |
2431 | 259 |
5 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Мысль изреченная |
2662 | 259 |
11 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
3 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
|
Эмоции |
1097 | 259 |
9 |
31 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Проклятое место, проклятые вопросы |
3176 | 259 |
10 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Снова по поводу "Тихого Дона" |
1186 | 258 |
7 |
26 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
|
Паломничество убогой |
2781 | 258 |
11 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Этапы эволюции вируса абсурда в России |
3342 | 258 |
10 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
5 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
|
Образы русской природы в лирике Рубцова |
710 | 258 |
7 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
631 | 257 |
5 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Вот и обсудили! |
2698 | 257 |
8 |
33 |
39 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Клопы от Фейербаха |
3175 | 257 |
8 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Кто в окошке. Сказочные звери |
3866 | 256 |
8 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3337 | 256 |
9 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1692 | 256 |
4 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Незабудки |
256 | 256 |
10 |
33 |
35 |
18 |
18 |
11 |
11 |
43 |
77 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Необходимое или цель - искусство? |
745 | 256 |
6 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Отчуждение |
1216 | 255 |
6 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
|
О романе "Обратная Перспектива А.Столярова |
1439 | 255 |
7 |
33 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
|
Байрон - предтеча русского реализма |
825 | 255 |
12 |
36 |
35 |
19 |
19 |
12 |
20 |
18 |
22 |
22 |
14 |
26 |
0 |
1 |
3 |
1 |
6 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
0 |
4 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Премия "Поэзия" что хотят жюри |
1426 | 255 |
13 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
0 |
3 |
4 |
1 |
5 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
|
Ноосфера |
658 | 255 |
12 |
37 |
30 |
20 |
21 |
17 |
24 |
13 |
21 |
19 |
12 |
29 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
4 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
|
Поэтика абсурда Маяковского |
1550 | 254 |
4 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
|
Чужая сказка |
2533 | 254 |
10 |
28 |
34 |
20 |
23 |
22 |
16 |
8 |
28 |
16 |
16 |
33 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Введение в чтение Гоголя. Нос |
741 | 254 |
11 |
32 |
31 |
38 |
23 |
13 |
20 |
6 |
21 |
18 |
13 |
28 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Вмешиваясь в разговор с богом |
3365 | 254 |
10 |
26 |
34 |
21 |
23 |
14 |
26 |
13 |
28 |
21 |
17 |
21 |
0 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
5 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
|
Символизм |
530 | 254 |
8 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Форум в контексте книги |
3101 | 253 |
8 |
25 |
36 |
37 |
26 |
16 |
16 |
14 |
19 |
18 |
20 |
18 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
|
Евгений Водолазкин и поэтика абсурда |
1258 | 253 |
8 |
31 |
33 |
23 |
22 |
14 |
16 |
13 |
18 |
23 |
23 |
29 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
3 |
5 |
1 |
0 |
1 |
0 |
4 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
3 |
|
Мастер и Маргарита. Кто написал притчу? |
1150 | 252 |
7 |
32 |
39 |
26 |
25 |
15 |
16 |
12 |
22 |
18 |
19 |
21 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
0 |
3 |
4 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
|
Хлестаков и Печорин |
1379 | 252 |
7 |
32 |
36 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
5 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
|
Теория диссоциаций и Булгаков |
1323 | 251 |
9 |
30 |
42 |
16 |
24 |
10 |
20 |
12 |
21 |
26 |
18 |
23 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
3 |
3 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
4 |
1 |
0 |
0 |
4 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
|
Художник у Христа за пазухой |
2723 | 251 |
10 |
29 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
0 |
2 |
2 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
|
Горе от ума или ум от горя. Перевертыши |
905 | 251 |
10 |
25 |
33 |
21 |
24 |
22 |
17 |
12 |
26 |
20 |
19 |
22 |
0 |
2 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
2 |
3 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Ферапонтово. Коллекция |
2025 | 251 |
8 |
35 |
32 |
20 |
23 |
14 |
17 |
15 |
24 |
18 |
17 |
28 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
|
Диалектика пути |
2789 | 251 |
12 |
33 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
0 |
1 |
4 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Как работает поэтика абсурда |
4479 | 251 |
9 |
34 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3446 | 251 |
12 |
27 |
42 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
|
+7 |
2217 | 250 |
8 |
27 |
37 |
22 |
25 |
18 |
22 |
11 |
29 |
16 |
16 |
19 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
|
От финских хладных скал... |
3168 | 250 |
9 |
28 |
41 |
22 |
26 |
19 |
20 |
12 |
16 |
18 |
17 |
22 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Три пальмы |
1315 | 250 |
6 |
32 |
31 |
20 |
23 |
13 |
20 |
18 |
23 |
18 |
19 |
27 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
|
Романтизм |
541 | 250 |
7 |
36 |
40 |
27 |
18 |
16 |
11 |
13 |
21 |
15 |
20 |
26 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
3 |
0 |
4 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
4 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
|
Методология работы критика над текстом |
2522 | 250 |
14 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
0 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
|
Ангел в круге десятом |
808 | 250 |
9 |
27 |
46 |
19 |
21 |
14 |
16 |
12 |
23 |
20 |
20 |
23 |
0 |
1 |
1 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
3 |
3 |
5 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
|
Постновогодний синдром |
664 | 250 |
11 |
36 |
31 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
0 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
|
О чем поют сферы Гоголя |
946 | 249 |
10 |
31 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
0 |
3 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
|
Онегин - лицеист? |
710 | 249 |
10 |
25 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
|
Модель романа-эпопеи |
998 | 249 |
10 |
29 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
Рубцов и формальный метод |
2638 | 249 |
11 |
31 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
0 |
2 |
5 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
|
Лирика |
3215 | 249 |
9 |
29 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
0 |
0 |
3 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
|
Все по Салтыкову-Щедрину! |
4337 | 249 |
6 |
28 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
0 |
0 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1204 | 248 |
10 |
32 |
34 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
|
Страсть и поэзия |
1961 | 248 |
7 |
31 |
35 |
30 |
19 |
15 |
12 |
11 |
22 |
21 |
21 |
24 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
|
Атрибуты беса |
3134 | 248 |
9 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Лисенок в курятнике Стихи.ру |
6045 | 248 |
10 |
31 |
30 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
995 | 248 |
13 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
0 |
2 |
5 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4136 | 248 |
8 |
32 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
556 | 248 |
9 |
27 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
|
По поводу некоторых неточностей Евгения Клюева |
2430 | 248 |
10 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
0 |
1 |
2 |
0 |
3 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
|
Совенок |
3726 | 248 |
8 |
35 |
35 |
19 |
27 |
16 |
15 |
14 |
15 |
19 |
15 |
30 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
4 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Джулиан Барнс в защиту критики |
2693 | 247 |
8 |
27 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
|
Рванет-не рванет |
703 | 247 |
9 |
36 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Ведение в чтение Гоголя |
914 | 247 |
9 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
|
Достоевский и риторические вопросы (диатриба) |
684 | 246 |
9 |
28 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Технические болезни Стихиры |
2599 | 246 |
6 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
5 |
3 |
1 |
1 |
1 |
4 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
|
Воинство Сергия Радонежского |
4426 | 246 |
6 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
|
Молчание - литературная преемственность |
727 | 246 |
7 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
|
Дан прислал |
979 | 245 |
9 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
|
Базаров |
995 | 245 |
8 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Легенда о великом инквизиторе |
1086 | 244 |
10 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Быков и Навальный |
701 | 244 |
13 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
1 |
1 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
"Хлыстовская богородица" Маяковского |
1369 | 243 |
6 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
|
Крочечка Хаврошечка |
774 | 243 |
7 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Государство Платона и Акунина |
955 | 243 |
10 |
28 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
0 |
1 |
1 |
4 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3457 | 242 |
7 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
|
Национальность биографа |
2944 | 242 |
9 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
|
Инструкция создателям искусственного разума |
2505 | 242 |
7 |
37 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Лампа Мафусаила |
1661 | 241 |
11 |
27 |
34 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
0 |
0 |
4 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
|
Доказательство несовершенства Бога |
2658 | 241 |
7 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
|
Маркетинг науки, или Научный маркетинг |
3060 | 241 |
8 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
0 |
2 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Чудачество и донкихотство. Шукшин и Сервантес |
1419 | 241 |
14 |
27 |
31 |
25 |
19 |
12 |
14 |
16 |
17 |
23 |
19 |
24 |
0 |
4 |
3 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
|
Воспитание гениев |
1017 | 240 |
6 |
30 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Собрание обратных цитат о любви |
3015 | 240 |
8 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
505 | 240 |
7 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
|
Сексуальность Гоголя |
771 | 240 |
9 |
29 |
32 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Недоросль в меняющемся мире |
689 | 240 |
3 |
32 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
|
Печорин как писатель |
1015 | 240 |
10 |
21 |
31 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
0 |
2 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
2 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
|
Молодежь и общество потребления |
3755 | 240 |
8 |
35 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
|
Сеть и чудаки |
2978 | 240 |
12 |
36 |
34 |
20 |
24 |
9 |
15 |
14 |
21 |
21 |
12 |
22 |
0 |
1 |
4 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Абсурдизм |
3745 | 239 |
6 |
31 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
|
Смысл и убеждение |
2277 | 239 |
5 |
27 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
|
"Шиповник цветет" - не сжигай |
715 | 238 |
9 |
39 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
Миф о времени |
2431 | 238 |
8 |
27 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
|
"Добрый Филя" и проекция собеседника |
766 | 238 |
8 |
29 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
0 |
0 |
5 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
Отчуждение. стадия Ад |
1290 | 238 |
7 |
29 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Заголовок |
425 | 237 |
6 |
31 |
33 |
22 |
16 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
|
Введение в философию сказок |
718 | 237 |
7 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
|
Анализ прозы |
519 | 237 |
11 |
24 |
28 |
15 |
25 |
19 |
14 |
21 |
24 |
17 |
16 |
23 |
0 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
|
Киев старый и новый |
2343 | 236 |
6 |
36 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
То было двух бесов изображенье |
542 | 236 |
5 |
25 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Почему Путин заинтересован в развитии гражданского общества |
2639 | 236 |
11 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
|
Как в "Превращении" Кафки выражена идея торжества разума |
886 | 236 |
10 |
31 |
39 |
16 |
18 |
14 |
16 |
15 |
19 |
22 |
15 |
21 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
5 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
|
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
889 | 236 |
9 |
30 |
36 |
21 |
22 |
16 |
11 |
16 |
20 |
19 |
15 |
21 |
0 |
2 |
4 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
|
Удача и капуста |
2442 | 236 |
7 |
28 |
43 |
27 |
22 |
16 |
21 |
9 |
16 |
17 |
11 |
19 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
1 |
0 |
5 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
3 |
|
Лимерик |
2332 | 236 |
7 |
29 |
29 |
15 |
24 |
14 |
16 |
11 |
33 |
20 |
13 |
25 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Шаров и его теодицея |
699 | 236 |
5 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
|
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1378 | 236 |
6 |
28 |
33 |
16 |
23 |
17 |
21 |
15 |
18 |
16 |
22 |
21 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
|
Письмо Ольги Пушкину |
1219 | 235 |
8 |
24 |
31 |
21 |
21 |
15 |
16 |
12 |
22 |
22 |
15 |
28 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
|
Пространство в живописи текста у Гоголя |
775 | 235 |
5 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Компьютер и сексуальная революция писателя |
2863 | 235 |
11 |
28 |
33 |
17 |
17 |
13 |
19 |
12 |
31 |
16 |
11 |
27 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
|
О времени |
1201 | 235 |
8 |
32 |
36 |
22 |
21 |
13 |
17 |
12 |
23 |
14 |
15 |
22 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
|
Литературоведение - наука или "Humanities and Arts"... |
2472 | 235 |
4 |
27 |
33 |
26 |
18 |
9 |
17 |
13 |
29 |
18 |
17 |
24 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Литературоведение, рабство и пенсионная реформа |
1103 | 235 |
11 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
0 |
2 |
5 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
|
Невозможность гения эпохи |
602 | 235 |
5 |
29 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
|
Монтажная композиция |
487 | 235 |
7 |
27 |
36 |
14 |
23 |
17 |
11 |
8 |
29 |
22 |
12 |
29 |
0 |
0 |
1 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
5 |
4 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
|
Реминисценция |
578 | 234 |
7 |
26 |
29 |
14 |
19 |
21 |
13 |
14 |
21 |
21 |
18 |
31 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Чему нужно верить: словам персонажа или читательскому сердцу? |
505 | 234 |
7 |
18 |
40 |
18 |
22 |
11 |
17 |
20 |
21 |
21 |
17 |
22 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
3 |
0 |
0 |
4 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
|
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
530 | 234 |
7 |
25 |
35 |
21 |
21 |
17 |
20 |
11 |
21 |
16 |
18 |
22 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Бог как конечное воплощение жажды славы |
2146 | 234 |
8 |
26 |
42 |
21 |
17 |
14 |
17 |
11 |
23 |
15 |
15 |
25 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
|
Дурное общество |
1001 | 233 |
7 |
31 |
30 |
20 |
15 |
12 |
18 |
12 |
29 |
13 |
17 |
29 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
735 | 233 |
8 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
|
Обломов и реализм |
664 | 233 |
8 |
28 |
31 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
|
Неравный брак (лунное) |
887 | 233 |
5 |
29 |
32 |
22 |
20 |
12 |
13 |
12 |
32 |
15 |
14 |
27 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Сила детской публицистики |
1405 | 233 |
10 |
29 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Миф о запахе |
2446 | 233 |
6 |
31 |
30 |
22 |
19 |
13 |
21 |
12 |
19 |
19 |
17 |
24 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Долой ыгэ! |
668 | 232 |
9 |
31 |
37 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
5 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
|
Искушение как психологический прием |
2900 | 232 |
9 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
0 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Вирус абсурда в рамках боровской Дополнительности |
2157 | 232 |
12 |
27 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
0 |
2 |
6 |
0 |
2 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
|
Конек-горбунок |
1019 | 231 |
8 |
30 |
27 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
|
Инструкция создателям искусственного разума |
3107 | 231 |
10 |
30 |
36 |
15 |
24 |
16 |
12 |
17 |
18 |
16 |
15 |
22 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
4 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
|
Паломничество убогой (2 редакция) |
542 | 231 |
11 |
25 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
0 |
5 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
|
Радио Свобода, Цру и великая русская литература |
2472 | 231 |
9 |
27 |
35 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
0 |
1 |
5 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Пушкинский пленник |
709 | 231 |
12 |
27 |
33 |
27 |
18 |
13 |
15 |
11 |
20 |
16 |
16 |
23 |
0 |
0 |
3 |
4 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
|
Монтажная композиция |
575 | 230 |
10 |
22 |
39 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
|
Введение в чтение Гоголя |
897 | 230 |
8 |
29 |
32 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Форма абсолютной сути созидаемого |
846 | 230 |
7 |
30 |
30 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Категории добра и зла |
459 | 230 |
5 |
25 |
39 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Я начинаю обретать себя |
2433 | 230 |
6 |
32 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
|
Кто виноват и что делать? Проклятые вопросы в |
478 | 229 |
13 |
25 |
31 |
17 |
22 |
13 |
18 |
10 |
22 |
18 |
13 |
27 |
0 |
0 |
1 |
2 |
6 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
2 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
|
Проблематика произведений. Богатство и бедность |
613 | 229 |
7 |
27 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |