Meta-Tag |
Meaning |
Placement |
Values |
Sample Usage |
Advice |
accelerando |
Indicates a gradual increase in tempo. |
Before or within structural tags. |
Gradual tempo increase, speed descriptors (e.g., 'slight', 'rapid'). |
[accelerando: Gradually increases tempo in the bridge section.] |
Use for creating excitement or tension in transitions. |
ad-lib |
Specifies improvisational or spontaneous elements. |
Within structural tags such as verse, bridge, or solo. |
Improvisational elements (e.g., 'scat singing', 'guitar solo'). |
[ad-lib: Jazz-inspired piano solo over the chord progression.] |
Best used in sections like bridges or transitions to add creativity. |
ambient |
Creates an atmospheric or textural background. |
Before structure or inside '[mixing]'. |
Background styles (e.g., 'calm', 'mysterious', 'dark'). |
[ambient: Ethereal pads create a calm atmosphere throughout.] |
Combine with sound effects or field recordings for richer textures. |
arpeggio |
Specifies use of arpeggiated notes or chords. |
Within structural or instrument-related tags. |
Instrument or style (e.g., 'guitar', 'piano'). |
[arpeggio: Gentle piano arpeggios accompany the verse.] |
Use for melodic embellishments or rhythmic textures. |
arrangement |
Defines the overall structure or layering of elements. |
Before '[structure]' or '[instruments]'. |
Descriptors for structure (e.g., 'minimal', 'orchestral'). |
[arrangement: Minimal layers with focus on lead vocals.] |
Set a clear vision for track complexity or simplicity. |
articulation |
Specifies how notes are played in terms of attack and transition. |
Within '[instruments]' or '[style]'. |
Descriptors like 'staccato', 'legato', 'marcato'. |
[articulation: Staccato violins for a sharp rhythmic effect.] |
Use to refine how an instrument delivers notes. |
attack |
Defines how quickly a note or sound reaches its full volume. |
Within '[dynamics]' or '[mixing]'. |
Descriptors like 'soft', 'sharp', 'gradual'. |
[attack: Sharp attack on electronic bass.] |
Sharp attacks create percussive effects, while soft attacks smooth transitions. |
background-vocals |
Specifies supporting vocals accompanying the lead. |
Within '[vocals]' or structural tags like '[chorus]'. |
Harmonies, roles, or styles (e.g., 'soft harmonies', 'call-response'). |
[background-vocals: Gentle harmonies in thirds for the chorus.] |
Layer for richer vocal textures in choruses or bridges. |
bass |
Defines the bassline characteristics and role in the track. |
Within `[instruments]` or `[mixing]`. |
Descriptors like 'deep', 'pulsing', 'sub-bass', 'saturated'. |
[bass: Deep sub-bass with rhythmic pulsation.] |
Use to emphasize the low-end and define groove, especially in electronic, hip-hop, and rock music. |
bass-slide |
Describes a sliding bass effect or technique. |
Within '[instruments]' or '[verse]' descriptions. |
Direction or style (e.g., 'upward slide', 'smooth'). |
[bass-slide: Smooth upward slides accentuate transitions.] |
Use sparingly for impactful transitions or climaxes. |
beat-switch |
Indicates a rhythmic or percussive shift within the track. |
Within structural tags or '[rhythm]'. |
Switch type (e.g., 'double-time', 'offbeat'). |
[beat-switch: Changes to half-time in the bridge.] |
Effective for keeping rhythmic variety in dynamic sections. |
big finish |
Indicates a climactic conclusion to the track. |
Within '[outro]' or '[finale]' tags. |
Descriptors like 'dramatic', 'layered'. |
[big finish: Climactic orchestral tutti with cymbal crashes.] |
Use for cinematic or impactful endings. |
break |
Defines a pause or breakdown in the music. |
Within structural tags like '[bridge]' or '[verse]'. |
Pause descriptors (e.g., 'sudden', 'dramatic'). |
[break: Sudden pause after the second chorus.] |
Effective for building suspense before climaxes. |
breakdown |
Defines a simplified or stripped-back section. |
Within structural tags like '[bridge]' or '[verse]'. |
Descriptors like 'minimal', 'percussive'. |
[breakdown: Stripped percussion with faint synth pads.] |
Best used to contrast with fuller sections. |
bridge |
Defines a transitional section in the track. |
In '[structure]' or as its own tag. |
Bridge content or style (e.g., 'lyrical contrast', 'instrumental'). |
[bridge: A soaring melody contrasts the verses.] |
Use for variety and narrative shifts in tracks. |
buildup |
Indicates a rising intensity leading to a climax. |
Within '[structure]' or '[dynamics]'. |
Descriptors like 'orchestral swell', 'percussive rise'. |
[buildup: Rising synth pads and accelerating drums.] |
Use to create anticipation before a drop or climax. |
cadence |
Defines the harmonic resolution at the end of a phrase. |
Within '[structure]' or '[theme]'. |
Descriptors like 'perfect', 'plagal', 'deceptive'. |
[cadence: Deceptive cadence before final resolution.] |
Use for emotional impact and finality. |
cadential |
Refers to chord progressions leading into a cadence. |
Within '[harmony]' or '[structure]'. |
Descriptors like 'strong', 'weak', 'suspended'. |
[cadential: Strong V-I cadence for a classical feel.] |
Important for harmonic movement. |
call-and-response |
Defines a musical conversation between different instruments or voices. |
Within '[structure]' or '[vocals]'. |
Descriptors like 'echoing', 'dialogue'. |
[call-and-response: Trumpet phrase followed by string echoes.] |
Useful in blues, gospel, jazz, and world music. |
chant |
Defines a rhythmic or repetitive vocal element. |
Within '[vocals]' or '[chorus]'. |
Style or intensity (e.g., 'tribal', 'crowd chant'). |
[chant: Rhythmic tribal chanting builds intensity in the bridge.] |
Layer with percussion or effects for dramatic impact. |
choir |
Specifies choral or ensemble vocal elements. |
Within '[vocals]' or '[chorus]'. |
Style or range (e.g., 'ethereal', 'baritone'). |
[choir: Ethereal harmonies create a celestial atmosphere.] |
Use for grand or spiritual themes. |
chorus |
Defines the primary refrain or hook of the track. |
In '[structure]' or as its own tag. |
Descriptors of content or mood (e.g., 'uplifting', 'anthemic'). |
[chorus: Uplifting melody with harmonized vocals.] |
Ensure contrast and memorability for the chorus. |
chromatic |
Indicates frequent use of semitones outside the main scale. |
Within '[harmony]' or '[melody]'. |
Descriptors like 'ascending', 'descending'. |
[chromatic: Descending chromatic line in strings.] |
Used in jazz, classical, and modern experimental music. |
climax |
Defines the most intense or dramatic moment of the track. |
Within structural tags like '[verse]', '[bridge]', or '[chorus]'. |
Descriptors for intensity or instrumentation (e.g., 'orchestral', 'layered'). |
[climax: Orchestral buildup with soaring strings and brass.] |
Position near the end or during transitions for maximum impact. |
cluster |
Defines a dense group of close notes played simultaneously. |
Within '[harmony]' or '[theme]'. |
Descriptors like 'soft', 'aggressive'. |
[cluster: Dissonant piano clusters add tension.] |
Common in avant-garde and experimental compositions. |
coda |
Specifies the concluding section of the track. |
Within '[structure]' or as its own tag. |
Descriptors for mood or texture (e.g., 'soft', 'repetitive'). |
[coda: Repeated piano motif fading into silence.] |
Use to create a definitive or lingering end to the composition. |
compression |
Controls dynamic range to balance loud and soft elements. |
Before '[mixing]' or '[structure]'. |
Levels or style (e.g., 'light', 'heavy'). |
[compression: Light compression for smooth transitions.] |
Apply sparingly to retain natural dynamics. |
consonance |
Defines harmonic intervals that sound stable and pleasant. |
Within '[harmony]' or '[chords]'. |
Descriptors like 'soft', 'bright'. |
[consonance: Bright consonant harmonies in the refrain.] |
Use to contrast with dissonance for emotional depth. |
content |
Describes thematic or lyrical content of the track. |
Before structural tags or as a global directive. |
Keywords or phrases describing themes (e.g., 'romantic', 'melancholic'). |
[content: Reflective themes of loss and recovery.] |
Provide a concise description to guide the track's mood or narrative. |
control |
Directs specific aspects of the track's production or arrangement. |
Before '[structure]' or '[mixing]'. |
Parameters like 'length', 'tempo', or 'no-repeat'. |
[control: No repetition of verses.] |
Use to fine-tune the structure or flow of the track. |
counterpoint |
Specifies use of independent melodic lines that interact harmoniously. |
Within '[instruments]' or '[verse]' tags. |
Instruments or interaction styles (e.g., 'strings and woodwinds'). |
[counterpoint: Strings and brass weave contrasting melodies.] |
Best used in classical or cinematic compositions. |
crescendo |
Indicates a gradual increase in volume or intensity. |
Within structural tags or as a directive for '[dynamics]'. |
Intensity or duration (e.g., 'gradual', 'dramatic'). |
[crescendo: Gradually builds to a dramatic peak in the chorus.] |
Combine with '[climax]' for a powerful effect. |
development |
Specifies thematic or melodic evolution in a section. |
Within '[verse]', '[bridge]', or '[section]' tags. |
Descriptors of change (e.g., 'layered', 'expanding'). |
[development: Expanding harmonic layers in the bridge.] |
Use to maintain interest and build complexity. |
diminuendo |
Indicates a gradual decrease in volume or intensity. |
Within '[dynamics]' or structural tags. |
Descriptors for duration or effect (e.g., 'gentle', 'abrupt'). |
[diminuendo: Gradual fade of strings and pads in the outro.] |
Use to create a sense of resolution or calm. |
dissonance |
Refers to harmonic tension created by unstable note combinations. |
Within '[harmony]' or '[chords]'. |
Descriptors like 'mild', 'harsh'. |
[dissonance: Harsh dissonance in the climax.] |
Use to create tension that needs resolution. |
distortion |
Specifies audio processing that adds harmonic saturation or clipping. |
Within '[instruments]' or '[mixing]'. |
Descriptors like 'light', 'heavy', 'crushed'. |
[distortion: Heavy guitar distortion in the chorus.] |
Use in rock, metal, and industrial music for an aggressive feel. |
drop |
Defines a sudden transition or release of energy in the track. |
Within '[chorus]', '[bridge]', or '[verse]' tags. |
Descriptors for style (e.g., 'bass-heavy', 'dramatic'). |
[drop: Bass-heavy impact with distorted synths.] |
Commonly used in electronic or cinematic genres. |
drum-fill |
Specifies a short drum pattern to transition between sections. |
Within '[bridge]', '[chorus]', or '[verse]' tags. |
Descriptors for style or intensity (e.g., 'rapid', 'complex'). |
[drum-fill: Rapid snare and tom pattern builds into the chorus.] |
Use sparingly to avoid over-complicating transitions. |
dynamics |
Controls changes in volume and intensity across the track. |
Before '[structure]' or within '[mixing]'. |
Descriptors like 'soft', 'intense', 'gradual'. |
[dynamics: Gradual swells leading to intense peaks.] |
Combine with '[crescendo]' or '[diminuendo]' for expressive tracks. |
echo |
Defines reverberant repetitions of sound. |
Within '[effects]' or '[mixing]'. |
Descriptors like 'short', 'long', 'delayed'. |
[echo: Long vocal echoes for a spacey effect.] |
Works well in ambient, cinematic, and dub music. |
effects |
Specifies additional sound effects applied to instruments or the track as a whole. |
Within `[mixing]` or `[sfx]`. |
Descriptors like 'reverb', 'delay', 'distortion', 'flanger'. |
[effects: Heavy distortion on the lead guitar.] |
Use to shape the sonic character of instruments and add depth to the mix. |
element |
Specifies key components or features of a section. |
Within '[structure]' or '[instruments]'. |
Descriptors for instrumentation or focus (e.g., 'melodic', 'textural'). |
[element: Textural pads create an atmospheric backdrop.] |
Use to highlight specific parts of the arrangement. |
emotional |
Sets the emotional tone or feeling of a section. |
Before '[mood]' or structural tags. |
Descriptors like 'uplifting', 'melancholic'. |
[emotional: Melancholic strings add depth to the verse.] |
Combine with '[content]' or '[harmony]' for greater impact. |
end |
Marks the conclusion of the track. |
Within '[structure]' or as its own tag. |
Descriptors like 'fading', 'abrupt'. |
[end: Fading strings with ambient echoes.] |
Use to signal a clear or lingering resolution. |
ensemble |
Defines the group of instruments or performers used in the track. |
Before '[instruments]' or '[structure]' tags. |
Descriptors like 'chamber', 'orchestral', 'jazz trio'. |
[ensemble: Small string quartet for a classical theme.] |
Specify to set the overall sound palette or style. |
epic |
Indicates a grand or dramatic scale for the composition. |
Before '[structure]' or in '[style]'. |
Descriptors for mood or instrumentation (e.g., 'heroic', 'cinematic'). |
[epic: Cinematic orchestral arrangement with a heroic climax.] |
Combine with '[climax]' and '[crescendo]' for maximum impact. |
episode |
Specifies a contrasting section in the composition, common in classical forms like fugues. |
Within '[structure]' or as a section directive. |
Descriptors for development or contrast (e.g., 'lyrical', 'intense'). |
[episode: Lyrical woodwind section provides contrast.] |
Use in larger forms to add variety and depth. |
eq |
Controls the tonal balance by emphasizing or de-emphasizing certain frequencies. |
Before '[mixing]' or '[structure]'. |
Descriptors like 'bass-heavy', 'bright', 'mid-focused'. |
[eq: Bright treble with reduced mids for clarity.] |
Use to shape the overall sound profile. |
exposition |
Defines the initial presentation of themes, commonly in classical forms. |
Before '[structure]' or within '[intro]'. |
Descriptors like 'bold', 'lyrical'. |
[exposition: Bold piano motif introduces the main theme.] |
Effective in sonata or fugue structures. |
extend-style |
Extends or modifies the stylistic elements of the track. |
Before '[style]' or '[structure]'. |
Descriptors like 'fusion', 'hybrid'. |
[extend-style: Blends jazz with ambient textures.] |
Use to mix genres or styles creatively. |
fade |
Indicates a gradual fade-in or fade-out effect. |
Within '[intro]' or '[outro]' tags. |
Descriptors like 'slow', 'abrupt'. |
[fade: Slow fade-out with reverberating pads.] |
Use in intros or outros for smooth transitions. |
female |
Specifies female vocals or voice type. |
Within '[vocals]' or '[style]'. |
Descriptors like 'soprano', 'alto'. |
[vocals: Female soprano with ethereal harmonies.] |
Specify pitch and style for vocal tracks. |
fermata |
Indicates a note or chord held longer than usual. |
Within '[harmony]' or '[structure]'. |
Descriptors like 'sustained', 'dramatic'. |
[fermata: Dramatic fermata on the final chord.] |
Use to create emotional emphasis or suspense. |
filter |
Applies audio filters like high-pass, low-pass, or band-pass effects. |
Before '[mixing]' or within '[instruments]'. |
Descriptors like 'low-pass', 'resonant'. |
[filter: Low-pass filter applied to synth bass.] |
Use to add texture or alter the tone dynamically. |
finale |
Defines the concluding and often dramatic section of the composition. |
Within '[structure]' or as its own tag. |
Descriptors like 'grand', 'layered'. |
[finale: Grand orchestral tutti with full brass and strings.] |
Combine with '[crescendo]' for a strong finish. |
focus |
Specifies the main element or instrument in a section. |
Before '[structure]' or '[instruments]'. |
Descriptors like 'melody', 'bassline'. |
[focus: Emphasis on the cello in the bridge.] |
Use to direct attention in multi-layered arrangements. |
fragmentation |
Indicates breaking down a melody into smaller motifs. |
Within '[theme]' or '[variation]'. |
Descriptors like 'short', 'detailed'. |
[fragmentation: Breaking the main theme into smaller parts.] |
Use for variation and musical development. |
fugue |
Specifies contrapuntal techniques common in fugues. |
Within '[structure]' or '[style]'. |
Descriptors like 'three-part', 'canon'. |
[fugue: Three-part counterpoint with overlapping themes.] |
Use for classical or complex melodic interactions. |
genre |
Defines the primary genre(s) of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'ambient', 'classical', 'jazz'. |
[genre: Ambient with dark undertones.] |
Combine with '[style]' for specific hybrids. |
glissando |
Indicates a continuous slide between two pitches. |
Within '[melody]' or '[instruments]'. |
Descriptors like 'fast', 'slow'. |
[glissando: Slow descending violin glissando.] |
Used in orchestral music, jazz, and experimental electronic. |
glitch |
Incorporates glitch effects or sound textures. |
Before '[sfx]' or within '[style]'. |
Descriptors like 'distorted', 'static'. |
[glitch: Distorted static patterns create rhythmic textures.] |
Effective for experimental or electronic genres. |
grind |
Defines grinding or distorted sound textures. |
Within '[instruments]' or '[mixing]'. |
Descriptors like 'metallic', 'rough'. |
[grind: Rough metallic textures accentuate the bridge.] |
Use sparingly for tension or dramatic effects. |
happy |
Specifies a cheerful or uplifting mood for the track. |
Within '[mood]' or '[style]'. |
Descriptors like 'bright', 'joyful', 'playful'. |
[mood: Happy and bright with playful melodies.] |
Combine with upbeat tempos and major keys for effectiveness. |
harmonics |
Defines overtone frequencies produced above the fundamental pitch. |
Within '[instruments]' or '[style]'. |
Descriptors like 'natural', 'artificial', 'ringing'. |
[harmonics: Natural string harmonics for an ethereal tone.] |
Used to create shimmering, resonant textures in acoustic and electronic music. |
harmony |
Defines harmonic structure or layering. |
Within '[structure]' or '[instruments]'. |
Descriptors like 'simple', 'complex', 'thirds', 'fifths'. |
[harmony: Rich layered harmonies in thirds and fifths.] |
Use to add depth to choral or instrumental parts. |
hook |
Specifies the central, catchy part of the track. |
Within '[chorus]' or '[verse]' tags. |
Descriptors like 'melodic', 'lyrical'. |
[hook: A catchy guitar riff opens the chorus.] |
Ensure repetition and prominence for memorability. |
improvisation |
Allows performers to spontaneously create melodic or harmonic variations. |
Within '[style]' or '[structure]'. |
Descriptors like 'freeform', 'jazzy', 'ornamental'. |
[improvisation: Freeform saxophone over sustained chords.] |
Best used in jazz, blues, and experimental music. |
inflection |
Specifies tonal or dynamic variation within a phrase. |
Within '[dynamics]' or '[melody]'. |
Descriptors like 'subtle', 'dramatic'. |
[inflection: Subtle vocal inflection for expressive delivery.] |
Useful for expressive and emotional emphasis in vocal or instrumental passages. |
instrument |
Defines specific instruments used in the track. |
Within '[instruments]' or '[structure]'. |
Any instrument (e.g., 'piano', 'violin', 'synth'). |
[instrument: Soft piano leads the melody.] |
Specify instruments clearly to shape the soundscape. |
instrumental |
Indicates that the track has no vocals. |
Before '[structure]' or '[style]'. |
Used as a standalone directive. |
[instrumental] Defines a purely instrumental track. |
Use when generating music without lyrical content. |
instruments |
Specifies the set of instruments used in the arrangement. |
Before or within '[structure]'. |
Multiple instruments (e.g., 'strings, brass, piano'). |
[instruments: Strings, brass, and piano create the foundation.] |
Combine with '[ensemble]' for more specific arrangements. |
interlude |
Defines a brief instrumental or transitional section. |
Within '[structure]' or as its own tag. |
Descriptors like 'piano solo', 'ambient'. |
[interlude: A calm piano solo bridges the verses.] |
Use for variety and to separate sections effectively. |
intermezzo |
A short, contrasting piece inserted between larger sections. |
Within '[structure]' or '[section]' tags. |
Descriptors like 'lyrical', 'dramatic'. |
[intermezzo: Dramatic string passage contrasts the main theme.] |
Common in classical or cinematic arrangements. |
intro |
Defines the opening section of the track. |
Within '[structure]' or as its own tag. |
Descriptors like 'soft', 'dramatic'. |
[intro: Soft ambient pads introduce the mood.] |
Set the tone for the track's narrative or mood. |
key |
Specifies the key or tonality of the track. |
Before '[structure]' or '[style]'. |
Keys like 'C major', 'A minor'. |
[key: A minor for a melancholic tone.] |
Align key choice with the desired mood or emotion. |
language |
Specifies the language of any vocals or lyrics. |
Before '[vocals]' or '[lyrics]'. |
Languages like 'English', 'French', 'Spanish'. |
[language: French vocals for a romantic mood.] |
Use for multilingual or culturally specific tracks. |
laughter |
Adds laughing sound effects or textures. |
Within '[sfx]' or '[vocals]'. |
Descriptors like 'haunting', 'playful'. |
[sfx: Haunting laughter echoes through the background.] |
Combine with reverb or delay for atmospheric effects. |
layering |
Defines the stacking of multiple sounds or instruments. |
Within '[mixing]' or '[orchestration]'. |
Descriptors like 'dense', 'thin', 'gradual'. |
[layering: Thick layered synth pads for a cinematic feel.] |
Use to enhance depth and texture in the track. |
legato |
Indicates smooth, connected note transitions. |
Within '[instruments]' or '[style]'. |
Descriptors like 'strings', 'melodic'. |
[legato: Smooth legato strings enhance the verse.] |
Use for flowing and emotive sections. |
length |
Defines the duration of the track. |
Before '[structure]' or '[control]'. |
Time in minutes or seconds (e.g., '2:30'). |
[length: 3:45 for a standard pop structure.] |
Ensure length matches the intended format or purpose. |
loop |
Defines repeating sections or patterns within the track. |
Within '[structure]' or as its own tag. |
Descriptors like 'short', 'layered', or 'seamless'. |
[loop: Seamless synth patterns in the background.] |
Use for rhythmic consistency or background textures. |
male |
Specifies male vocals or voice type. |
Within '[vocals]' or '[style]'. |
Descriptors like 'tenor', 'baritone'. |
[vocals: Male tenor voice leads the melody.] |
Combine with '[harmony]' for layered vocal effects. |
marcato |
Indicates strong, emphasized notes or accents. |
Within '[instruments]' or '[style]'. |
Descriptors like 'strings', 'brass'. |
[marcato: Strong brass accents in the intro.] |
Use for bold and dramatic sections. |
melody |
Defines the main melodic content and characteristics. |
Within `[theme]` or `[structure]`. |
Descriptors like 'lyrical', 'flowing', 'syncopated', 'chromatic'. |
[melody: Flowing piano melody with subtle syncopation.] |
Essential for defining the song's identity; pair with `[harmony]` for fuller arrangements. |
minuet |
Specifies a classical dance form in 3/4 time signature. |
Before '[structure]' or within '[style]'. |
Descriptors like 'light', 'elegant'. |
[minuet: Elegant string arrangement in 3/4 time.] |
Combine with '[orchestra]' for authenticity. |
mixing |
Defines the audio balance and spatial characteristics. |
Before '[structure]' or within '[control]'. |
Descriptors like 'wide', 'centered', 'balanced'. |
[mixing: Wide stereo field with focused vocals.] |
Use to shape the overall track's soundscape. |
modulation |
Defines a shift in key within the composition. |
Within '[harmony]' or '[structure]'. |
Descriptors like 'subtle', 'dramatic'. |
[modulation: Sudden shift from C major to A minor.] |
Used for dynamic key changes and mood shifts. |
mood |
Specifies the emotional tone or feeling of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'happy', 'sad', 'mysterious'. |
[mood: Mysterious and suspenseful with dark undertones.] |
Align with the narrative or intended atmosphere. |
mutation |
Refers to transformation of a melody, harmony, or rhythm. |
Within '[structure]' or '[theme]'. |
Descriptors like 'gradual', 'abrupt'. |
[mutation: Gradual transformation of main theme into a distorted motif.] |
Useful in experimental and progressive compositions. |
no |
Prevents inclusion of specific elements or features. |
Before '[structure]' or '[style]'. |
Descriptors like 'vocals', 'repetition', 'sfx'. |
[no: Vocals and percussive elements.] |
Use to exclude unwanted elements. |
no-repeat |
Prevents repetition of specified sections or themes. |
Before '[structure]' or '[control]'. |
Used as a standalone directive. |
[no-repeat: Avoid repetition of verses.] |
Use for unique, non-repetitive structures. |
orchestra |
Specifies orchestral elements or ensembles. |
Before '[instruments]' or '[structure]'. |
Descriptors like 'chamber', 'symphonic', 'full'. |
[orchestra: Full symphonic arrangement with strings and brass.] |
Combine with '[ensemble]' for detailed instrumentation. |
orchestration |
Defines arrangement and distribution of instruments in a composition. |
Within '[ensemble]' or '[structure]'. |
Descriptors like 'dense', 'transparent', 'layered'. |
[orchestration: Full orchestral arrangement with brass emphasis.] |
Essential for structuring symphonic or large-scale arrangements. |
outro |
Defines the closing section of the track. |
Within '[structure]' or as its own tag. |
Descriptors like 'fading', 'resolving'. |
[outro: Fading piano chords with soft pads.] |
Ensure it provides a sense of closure. |
pad |
Specifies the use of sustained background textures. |
Within '[instruments]' or '[style]'. |
Descriptors like 'warm', 'evolving', 'ambient'. |
[pad: Evolving synth pads create an atmospheric backdrop.] |
Use for ambient or cinematic effects. |
pedal-point |
Indicates a sustained or repeated note, typically in the bass. |
Within '[harmony]' or '[bass]'. |
Descriptors like 'low', 'high', 'suspended'. |
[pedal-point: Sustained low D in the bass throughout the section.] |
Used for tension-building or grounding harmonic movement. |
personae |
Defines a virtual persona or voice type for vocals. |
Within '[vocals]' or '[style]'. |
Descriptors like 'calm', 'dramatic', 'ethereal'. |
[personae: Ethereal female voice leads the melody.] |
Use to customize vocal performance characteristics. |
pizzicato |
Indicates plucked string techniques. |
Within '[instruments]' or '[style]'. |
Descriptors like 'light', 'bouncy'. |
[pizzicato: Light pizzicato strings add rhythmic texture.] |
Use for playful or textural effects. |
power-off drop |
Describes a sudden cut in audio for dramatic effect. |
Within '[structure]' or '[style]'. |
Descriptors like 'abrupt', 'smooth fade'. |
[power-off drop: Abrupt silence before the chorus drop.] |
Use sparingly to maintain impact. |
pre-chorus |
Defines a transitional section leading to the chorus. |
Within '[structure]' or as its own tag. |
Descriptors like 'building', 'melodic'. |
[pre-chorus: Building tension with rising synths and layered vocals.] |
Use to build anticipation for the chorus. |
prelude |
Defines the introductory section of a track, often setting the mood. |
Within '[structure]' or as its own tag. |
Descriptors like 'soft', 'mysterious'. |
[prelude: Mysterious piano chords with soft ambient pads.] |
Use for tracks with a narrative or cinematic quality. |
pronunciation |
Specifies vocal pronunciation style or accent. |
Within '[vocals]' or '[lyrics]'. |
Descriptors like 'British', 'neutral', 'emphasized'. |
[pronunciation: Neutral accent with soft emphasis on vowels.] |
Use for multilingual tracks or precise vocal control. |
pulse |
Defines rhythmic or percussive pulsation. |
Within '[rhythm]' or '[structure]'. |
Descriptors like 'steady', 'dynamic'. |
[pulse: Dynamic bass pulse drives the rhythm.] |
Use for creating motion and energy in the track. |
recapitulation |
Marks the return of the main theme, often in classical forms. |
Within '[structure]' or as its own tag. |
Descriptors like 'dramatic', 'lyrical'. |
[recapitulation: Return of the main theme with full orchestration.] |
Position near the end for resolution and emphasis. |
refrain |
Defines a repeated section, often the chorus or hook. |
Within '[structure]' or '[chorus]'. |
Descriptors like 'uplifting', 'anthemic'. |
[refrain: Uplifting melody with harmonized vocals.] |
Ensure repetition for memorability. |
register |
Defines the pitch range of a melody or harmony. |
Within '[melody]' or '[harmony]'. |
Descriptors like 'high', 'low', 'mid'. |
[register: High register violin melodies for a soaring effect.] |
Use to specify instrument range and create contrast. |
resolution |
Marks the resolution of harmonic tension. |
Within '[harmony]' or '[structure]'. |
Descriptors like 'strong', 'soft'. |
[resolution: Strong V-I resolution for a satisfying ending.] |
Use to conclude phrases with a sense of completion. |
retrograde |
Reverses a melody or motif. |
Within '[theme]' or '[variation]'. |
Descriptors like 'melodic', 'harmonic'. |
[retrograde: The main theme played in reverse order.] |
Used in classical fugues and avant-garde compositions. |
reverb |
Applies reverb effects to instruments or vocals. |
Within '[mixing]' or '[instruments]'. |
Descriptors like 'light', 'cathedral', 'ambient'. |
[reverb: Light ambient reverb for soft vocal echoes.] |
Use sparingly to avoid muddying the mix. |
reverberate |
Specifies resonant echoes or reverb-like effects. |
Within '[sfx]' or '[structure]'. |
Descriptors like 'deep', 'metallic'. |
[reverberate: Deep metallic echoes create a haunting atmosphere.] |
Combine with '[ambient]' for cinematic soundscapes. |
rhythm |
Defines the rhythmic structure or style of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'syncopated', 'steady', 'complex'. |
[rhythm: Syncopated beats drive the verses.] |
Match rhythm with genre and mood for coherence. |
rhythmic-motif |
Defines a recurring rhythmic idea or pattern. |
Within '[rhythm]' or '[structure]'. |
Descriptors like 'syncopated', 'driving'. |
[rhythmic-motif: Syncopated rhythm repeating throughout the chorus.] |
Use to establish groove and rhythmic identity in the track. |
ritardando |
Indicates a gradual slowing of tempo. |
Within '[tempo]' or '[structure]'. |
Descriptors like 'subtle', 'dramatic'. |
[ritardando: Dramatic tempo decrease leading to the coda.] |
Use to transition to slower, reflective sections. |
riff |
Specifies a repeated instrumental motif or phrase. |
Within '[structure]' or '[instruments]'. |
Descriptors like 'guitar', 'bass'. |
[riff: Energetic guitar riff opens the track.] |
Use for hooks or thematic consistency. |
rise |
Defines a buildup or crescendo effect. |
Within '[structure]' or '[dynamics]'. |
Descriptors like 'gradual', 'intense'. |
[rise: Gradual orchestral rise leads to the climax.] |
Combine with '[climax]' for dramatic effect. |
rondo |
Defines a classical form with alternating themes (ABACA). |
Before '[structure]' or as its own tag. |
Descriptors like 'playful', 'contrasting'. |
[rondo: Alternating piano and string themes create contrast.] |
Use for classical or structured compositions. |
sad |
Sets a melancholic or emotional mood. |
Within '[mood]' or '[style]'. |
Descriptors like 'melancholic', 'haunting'. |
[mood: Sad with soft, haunting piano melodies.] |
Combine with minor keys for emotional depth. |
scale |
Specifies the musical scale or mode of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'major', 'minor', 'dorian'. |
[scale: Minor scale for a dark, mysterious tone.] |
Align scale choice with mood and genre. |
scherzo |
Defines a playful, fast-paced classical movement. |
Before '[structure]' or as its own tag. |
Descriptors like 'light', 'humorous'. |
[scherzo: Light, playful string movement in 3/4 time.] |
Use for energetic or contrasting sections in classical forms. |
secondary theme |
Defines a contrasting theme to the primary melody. |
Within '[structure]' or '[theme]' tags. |
Descriptors like 'lyrical', 'contrasting'. |
[secondary theme: Contrasting lyrical flute melody in A minor.] |
Use to add depth and variation to thematic compositions. |
section |
Defines a segment or part of the track. |
Before '[structure]' or as its own tag. |
Descriptors like 'intro', 'bridge', 'chorus'. |
[section: A brief instrumental interlude with soft pads.] |
Use for structural clarity and to organize the track. |
sequence |
Specifies the order of sections in the track. |
Before '[structure]' or as a global directive. |
Descriptors like 'intro, verse, chorus, outro'. |
[sequence: intro, verse, bridge, chorus, outro.] |
Ensure sequence aligns with the intended narrative. |
sforzando |
Indicates a strong, sudden emphasis on a note or chord. |
Within '[instruments]' or '[dynamics]'. |
Descriptors like 'brass', 'strings'. |
[sforzando: Strong brass accents in the climax.] |
Use sparingly for dramatic or energetic sections. |
sfx |
Adds sound effects to the track. |
Before '[structure]' or as its own tag. |
Descriptors like 'wind', 'footsteps', 'laughter'. |
[sfx: Wind howling creates an eerie atmosphere.] |
Combine with '[ambient]' for immersive soundscapes. |
shout |
Defines a shouted vocal effect or phrase. |
Within '[vocals]' or '[style]'. |
Descriptors like 'energetic', 'group'. |
[shout: Group shouts add energy to the chorus.] |
Use for emphasis in dynamic or aggressive tracks. |
signal-processing |
Indicates electronic effects applied to audio signals. |
Within '[mixing]' or '[effects]'. |
Descriptors like 'reverb', 'compression', 'delay'. |
[signal-processing: Heavy reverb on vocals for ethereal ambiance.] |
Use to enhance sound design and texture. |
silence |
Specifies pauses or breaks in the audio. |
Within '[structure]' or '[dynamics]'. |
Descriptors like 'brief', 'dramatic'. |
[silence: Brief pause before the climax.] |
Use for tension or to highlight transitions. |
sincopation |
Defines offbeat or syncopated rhythms. |
Within '[rhythm]' or '[structure]'. |
Descriptors like 'jazzy', 'percussive'. |
[sincopation: Jazzy syncopated rhythm drives the verses.] |
Use to create rhythmic interest and complexity. |
solo |
Defines a prominent instrumental or vocal solo. |
Within '[structure]' or '[instruments]'. |
Descriptors like 'guitar', 'violin'. |
[solo: Energetic guitar solo in the bridge.] |
Highlight key moments or transitions with solos. |
sonority |
Defines the richness and tonal quality of a sound or harmony. |
Within '[harmony]' or '[tone]'. |
Descriptors like 'bright', 'dark', 'rich'. |
[sonority: Dark, rich brass sonorities for a cinematic feel.] |
Important for shaping the overall timbral character of a composition. |
staccato |
Indicates short, detached notes. |
Within '[instruments]' or '[style]'. |
Descriptors like 'strings', 'playful'. |
[staccato: Playful staccato strings accentuate the melody.] |
Use for rhythmic texture or light, energetic sections. |
start |
Marks the beginning of the track or section. |
Before '[structure]' or as its own tag. |
Descriptors like 'abrupt', 'gradual'. |
[start: Abrupt piano chords introduce the track.] |
Set the tone and mood with a strong start. |
stereo |
Defines stereo field properties. |
Within '[mixing]' or '[structure]'. |
Descriptors like 'wide', 'centered', 'panned'. |
[stereo: Wide stereo field with panned instruments.] |
Use to create depth and spatial awareness. |
structure |
Specifies the overall structure of the track. |
Before '[sequence]' or as its own tag. |
Descriptors like 'intro, verse, chorus'. |
[structure: intro, verse, chorus, outro.] |
Ensure structure aligns with genre conventions. |
style |
Defines the stylistic approach of the track. |
Before '[structure]' or '[instruments]'. |
Descriptors like 'ambient', 'jazz', 'orchestral'. |
[style: Ambient with orchestral undertones.] |
Combine with '[genre]' for detailed customization. |
subharmonic |
Indicates frequencies below the fundamental pitch. |
Within '[bass]' or '[mixing]'. |
Descriptors like 'deep', 'rumbling'. |
[subharmonic: Deep subharmonic bass frequencies for added depth.] |
Useful for low-end reinforcement in electronic and orchestral music. |
sustain |
Defines how long a note or chord is held before fading. |
Within '[dynamics]' or '[instruments]'. |
Descriptors like 'long', 'short', 'moderate'. |
[sustain: Long sustained strings for a cinematic feel.] |
Use for dramatic or atmospheric effects in ambient, orchestral, and cinematic music. |
swell |
Indicates a gradual increase in volume or intensity. |
Within '[dynamics]' or '[structure]'. |
Descriptors like 'orchestral', 'crescendo'. |
[swell: Gradual orchestral swell leads to the climax.] |
Use for transitions or dramatic buildups. |
syncopation |
Specifies offbeat rhythms that contrast the main beat. |
Within '[rhythm]' or '[style]'. |
Descriptors like 'jazzy', 'stuttering'. |
[syncopation: Jazzy offbeat groove in the bassline.] |
Works well in funk, jazz, reggae, and electronic genres. |
tempo |
Defines the speed or pace of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'slow', 'moderate', 'fast', or BPM (e.g., '120 BPM'). |
[tempo: Slow tempo around 60 BPM for a reflective mood.] |
Match tempo to the mood and purpose of the track. |
tension-release |
Defines moments of tension and their resolution in the composition. |
Within '[structure]' or '[harmony]'. |
Descriptors like 'gradual', 'sudden'. |
[tension-release: Gradual buildup resolving into a major chord.] |
Essential for building drama and emotional impact in orchestral and cinematic pieces. |
tenuto |
Indicates notes played with sustained emphasis. |
Within '[instruments]' or '[style]'. |
Descriptors like 'smooth', 'emphatic'. |
[tenuto: Smooth, sustained violin notes in the bridge.] |
Use for lyrical or emotive passages. |
tessitura |
Defines the most frequently used pitch range of an instrument or voice. |
Within '[vocals]' or '[melody]'. |
Descriptors like 'high', 'low', 'mid'. |
[tessitura: High tessitura soprano line for expressive melodies.] |
Useful for defining vocal or instrumental ranges and ensuring comfortable performance dynamics. |
texture |
Specifies the density or complexity of the sound. |
Before '[structure]' or within '[style]'. |
Descriptors like 'rich', 'sparse', 'layered'. |
[texture: Layered strings with light synth pads.] |
Combine with '[arrangement]' for detailed sound design. |
theme |
Defines the primary melodic or harmonic idea of the track. |
Within '[structure]' or '[style]'. |
Descriptors like 'lyrical', 'repetitive', 'contrasting'. |
[theme: Lyrical piano melody in C major.] |
Use to establish the track's identity and emotional core. |
timbre |
Defines the tonal color of an instrument or sound. |
Within '[mixing]' or '[style]'. |
Descriptors like 'warm', 'cold', 'metallic'. |
[timbre: Metallic percussion tones with a dark texture.] |
Used to shape the sonic identity of a track. |
tone |
Specifies the tonal quality or mood of the track. |
Before '[structure]' or '[style]'. |
Descriptors like 'bright', 'dark', 'warm'. |
[tone: Warm and soft with minimal harshness.] |
Align tone with the desired mood and instrumentation. |
tone-cluster |
Refers to large groups of adjacent notes played together. |
Within '[harmony]' or '[theme]'. |
Descriptors like 'soft', 'chaotic'. |
[tone-cluster: Chaotic piano tone clusters for dramatic tension.] |
Used in avant-garde and contemporary classical compositions. |
transition |
Defines the connection between two sections of the track. |
Within '[structure]' or '[sequence]'. |
Descriptors like 'smooth', 'abrupt', 'layered'. |
[transition: Smooth fade from intro to verse.] |
Use transitions to maintain flow and coherence. |
tremolo |
Specifies rapid repetition or oscillation of notes. |
Within '[instruments]' or '[style]'. |
Descriptors like 'violin', 'intense'. |
[tremolo: Rapid tremolo strings add tension to the climax.] |
Use for dramatic or suspenseful effects. |
trio |
Specifies a composition for three instruments or voices. |
Before '[structure]' or within '[ensemble]'. |
Descriptors like 'piano, violin, cello'. |
[trio: Piano, violin, and cello create a chamber ensemble.] |
Combine with '[arrangement]' for specific voicing. |
variation |
Indicates alterations or developments of a theme. |
Within '[structure]' or '[theme]'. |
Descriptors like 'ornamental', 'contrasting'. |
[variation: Contrasting variation of the main theme in minor.] |
Use to maintain interest and complexity. |
verse |
Defines a lyrical or thematic section of the track. |
Within '[structure]' or as its own tag. |
Descriptors like 'lyrical', 'narrative'. |
[verse: Reflective lyrics with soft guitar accompaniment.] |
Ensure verses build towards the chorus or refrain. |
vibe |
Specifies the overall feel or atmosphere of the track. |
Before '[style]' or '[structure]'. |
Descriptors like 'chill', 'intense', 'playful'. |
[vibe: Chill and relaxed with soft beats.] |
Combine with '[mood]' for more specificity. |
vocals |
Defines the type and style of vocals in the track. |
Before '[structure]' or within '[style]'. |
Descriptors like 'female', 'male', 'choir'. |
[vocals: Female soprano with ethereal harmonies.] |
Specify pitch and style for tailored vocal effects. |
voicing |
Defines how notes are distributed across instruments or voices. |
Within '[harmony]' or '[orchestration]'. |
Descriptors like 'open', 'close', 'spread'. |
[voicing: Open chord voicings for a spacious feel.] |
Used to control the harmonic texture and clarity of chords in orchestral and jazz arrangements. |
whisper |
Specifies whispered vocal elements. |
Within '[vocals]' or '[style]'. |
Descriptors like 'soft', 'haunting'. |
[whisper: Haunting whispers echo in the background.] |
Use sparingly for atmospheric or eerie effects. |
whispering |
Indicates continuous or rhythmic whispered vocals. |
Within '[vocals]' or '[style]'. |
Descriptors like 'rhythmic', 'layered'. |
[whispering: Layered whispers create an unsettling atmosphere.] |
Combine with '[ambient]' or '[sfx]' for cinematic soundscapes. |