| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
По разделу |
215879 | 796 |
83 |
90 |
68 |
69 |
80 |
59 |
42 |
49 |
56 |
72 |
71 |
57 |
0 |
5 |
3 |
5 |
4 |
5 |
4 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
2 |
4 |
4 |
3 |
3 |
2 |
2 |
4 |
3 |
3 |
2 |
3 |
3 |
2 |
5 |
3 |
3 |
3 |
2 |
3 |
2 |
3 |
4 |
3 |
2 |
4 |
3 |
2 |
2 |
3 |
2 |
2 |
2 |
3 |
3 |
4 |
4 |
2 |
2 |
3 |
2 |
3 |
4 |
2 |
5 |
4 |
2 |
3 |
Фантастика как форма психологических мастурбаций |
10761 | 235 |
22 |
25 |
25 |
22 |
51 |
13 |
11 |
10 |
8 |
18 |
16 |
14 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
4 |
0 |
3 |
О герое, кризисе и авангарде |
4984 | 205 |
28 |
26 |
21 |
22 |
12 |
8 |
7 |
9 |
12 |
18 |
20 |
22 |
0 |
0 |
0 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
Пелевин |
6136 | 202 |
37 |
32 |
23 |
15 |
18 |
10 |
8 |
12 |
8 |
16 |
13 |
10 |
0 |
2 |
2 |
2 |
2 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
2 |
Продолжение темы "о герое" |
5328 | 196 |
28 |
26 |
20 |
20 |
15 |
10 |
7 |
9 |
11 |
16 |
19 |
15 |
0 |
2 |
1 |
3 |
2 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
Литобзор 4 Любимов и Маркова |
2982 | 187 |
27 |
26 |
17 |
18 |
14 |
14 |
9 |
7 |
11 |
16 |
14 |
14 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
5 |
2 |
1 |
3 |
Самиздат останется |
4387 | 179 |
18 |
22 |
13 |
28 |
15 |
19 |
7 |
8 |
10 |
12 |
12 |
15 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Литобзор2 |
2879 | 170 |
27 |
30 |
15 |
16 |
10 |
5 |
6 |
10 |
7 |
15 |
16 |
13 |
0 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
5 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
3 |
2 |
1 |
3 |
Стихи Андрея Голубцова как предвестник возвращения галантного века |
2394 | 169 |
15 |
20 |
19 |
21 |
24 |
10 |
7 |
9 |
8 |
15 |
16 |
5 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
4 |
0 |
2 |
Военная проза и телесериа. Кто кого? |
3372 | 167 |
17 |
27 |
12 |
9 |
13 |
7 |
5 |
7 |
9 |
35 |
17 |
9 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
О необходимости редактирования на Самиздате |
3997 | 166 |
24 |
22 |
23 |
15 |
16 |
10 |
7 |
4 |
8 |
17 |
9 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
1 |
Жанр Фэнтэзи как сорняк на Литературном поле |
3043 | 166 |
33 |
27 |
12 |
16 |
11 |
14 |
6 |
6 |
6 |
12 |
12 |
11 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
0 |
Литобзор 7 |
3139 | 165 |
23 |
20 |
20 |
16 |
13 |
14 |
4 |
7 |
7 |
14 |
13 |
14 |
0 |
3 |
2 |
5 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
3 |
0 |
3 |
Top-10 |
3812 | 165 |
28 |
26 |
16 |
16 |
13 |
11 |
2 |
6 |
8 |
13 |
13 |
13 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
3 |
0 |
1 |
Стихи Андрея Голубцова как предвестник возвращения галантного века |
2416 | 165 |
15 |
21 |
18 |
17 |
22 |
9 |
5 |
6 |
12 |
17 |
15 |
8 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
Комитет 300 - продолжение 3 |
2598 | 163 |
17 |
22 |
20 |
9 |
22 |
10 |
3 |
9 |
3 |
17 |
18 |
13 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
Литобзор Эротические новеллы Князев |
5503 | 162 |
24 |
25 |
15 |
18 |
14 |
9 |
5 |
9 |
7 |
13 |
16 |
7 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
Соблазн славы и позитивная идея |
4028 | 162 |
15 |
25 |
21 |
14 |
14 |
8 |
6 |
9 |
9 |
17 |
13 |
11 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
4 |
1 |
2 |
Фэнтэзи - это гибель литературы |
2602 | 161 |
16 |
18 |
17 |
13 |
14 |
7 |
8 |
4 |
11 |
37 |
11 |
5 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
Маленький манифест движения "Литераторы за создание Идеального Романа" |
3695 | 161 |
28 |
26 |
17 |
17 |
14 |
10 |
7 |
3 |
10 |
11 |
10 |
8 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
Кто Убил Литвиненко ? |
2698 | 160 |
17 |
23 |
15 |
17 |
13 |
12 |
12 |
11 |
13 |
8 |
14 |
5 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
Литобзор3 |
3463 | 160 |
16 |
25 |
18 |
16 |
19 |
9 |
6 |
8 |
7 |
15 |
12 |
9 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
5 |
2 |
2 |
1 |
Стихи Андрея Голубцова как предвестник возвращения галантного века |
2420 | 159 |
18 |
21 |
13 |
14 |
19 |
14 |
7 |
7 |
10 |
15 |
17 |
4 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
Мини-очерк о русской интеллигенции |
3110 | 158 |
25 |
28 |
15 |
12 |
12 |
7 |
6 |
12 |
5 |
15 |
16 |
5 |
0 |
0 |
0 |
2 |
3 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
Творчество контраста или плач по гармонии |
4025 | 158 |
28 |
23 |
15 |
14 |
13 |
11 |
9 |
6 |
5 |
10 |
18 |
6 |
0 |
5 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
Литобзор "Паровозик из Ромашково" |
3909 | 157 |
18 |
24 |
12 |
26 |
14 |
10 |
4 |
4 |
8 |
16 |
12 |
9 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
2 |
Литобзор |
3397 | 156 |
25 |
29 |
14 |
15 |
11 |
9 |
3 |
7 |
8 |
10 |
13 |
12 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
Литобзор 5 |
3250 | 156 |
23 |
23 |
20 |
16 |
14 |
8 |
4 |
5 |
9 |
15 |
11 |
8 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
3 |
Нравственная разнузданность и ее причины |
3496 | 155 |
20 |
23 |
14 |
19 |
12 |
7 |
8 |
13 |
6 |
12 |
8 |
13 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
3 |
3 |
0 |
2 |
Начало Нового Разговора О Новой Литературе |
2141 | 152 |
31 |
17 |
17 |
14 |
16 |
7 |
8 |
4 |
6 |
11 |
12 |
9 |
0 |
1 |
1 |
2 |
4 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
Что |
3792 | 152 |
18 |
18 |
13 |
19 |
17 |
10 |
4 |
7 |
9 |
13 |
15 |
9 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
Снова о женской прозе |
4165 | 150 |
18 |
20 |
13 |
17 |
14 |
7 |
7 |
5 |
14 |
15 |
10 |
10 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
Ответ г-ну Шленскому и за г-на Мошкова, и за г-на Путина |
2329 | 149 |
16 |
20 |
13 |
18 |
14 |
11 |
6 |
5 |
8 |
12 |
16 |
10 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
Прометей прикованный |
2338 | 148 |
23 |
19 |
18 |
17 |
13 |
4 |
6 |
7 |
7 |
13 |
16 |
5 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
Стихи Андрея Голубцова как предвестник возвращения галантного века |
2548 | 147 |
14 |
17 |
19 |
16 |
17 |
9 |
6 |
6 |
9 |
14 |
12 |
8 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
Нужен ли редактор "этому" Самиздату? |
3973 | 146 |
22 |
22 |
10 |
21 |
12 |
6 |
7 |
4 |
12 |
15 |
8 |
7 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
Комитет 300 |
3462 | 144 |
23 |
28 |
13 |
17 |
11 |
7 |
7 |
7 |
2 |
10 |
12 |
7 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
1 |
Апология одиночества |
3257 | 142 |
15 |
21 |
15 |
18 |
11 |
10 |
6 |
6 |
4 |
11 |
18 |
7 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
3 |
Смерть - это не кризис - это смерть |
2397 | 142 |
21 |
23 |
14 |
16 |
13 |
6 |
5 |
5 |
5 |
11 |
14 |
9 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
О малой форме и зыбких образах |
3578 | 141 |
18 |
18 |
16 |
12 |
13 |
8 |
9 |
4 |
10 |
14 |
14 |
5 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
| Итого | За последние 12 месяцев | Feb | Jan | Dec |
| Всего | 12мес | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 |
Стихи Андрея Голубцова как предвестник возвращения галантного века |
2811 | 141 |
19 |
23 |
11 |
19 |
9 |
5 |
4 |
8 |
8 |
16 |
9 |
10 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
Нетерпение от нетерпения |
4010 | 139 |
10 |
22 |
11 |
18 |
14 |
9 |
6 |
10 |
9 |
12 |
8 |
10 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
Потребность в аспирине |
4167 | 137 |
15 |
19 |
11 |
20 |
11 |
7 |
6 |
6 |
9 |
13 |
11 |
9 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
Фантасты Ищут Новую Систему Страшилок |
2288 | 137 |
19 |
24 |
12 |
12 |
9 |
9 |
7 |
6 |
9 |
15 |
10 |
5 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
Литобзорчик, написанный в самолете по пути из Болгарии |
3455 | 137 |
19 |
19 |
15 |
18 |
10 |
6 |
7 |
7 |
8 |
12 |
9 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
Комитет 300 - продолжение 2 |
2729 | 135 |
23 |
19 |
13 |
14 |
14 |
7 |
5 |
4 |
5 |
13 |
14 |
4 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
Секрет популярности вольного стрелка |
3161 | 135 |
16 |
18 |
14 |
15 |
12 |
9 |
5 |
7 |
4 |
12 |
12 |
11 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
Литобзор 10 |
3305 | 132 |
21 |
20 |
15 |
13 |
12 |
7 |
3 |
2 |
8 |
12 |
9 |
10 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
Болезни Блоггерства |
2305 | 132 |
16 |
23 |
16 |
11 |
14 |
9 |
4 |
7 |
6 |
10 |
10 |
6 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
Утекай |
2252 | 131 |
22 |
19 |
17 |
10 |
14 |
9 |
4 |
5 |
5 |
8 |
13 |
5 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
По эту сторону добра |
3647 | 131 |
13 |
21 |
9 |
19 |
12 |
8 |
3 |
5 |
9 |
15 |
10 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
И снова о нравственном |
3624 | 129 |
21 |
20 |
15 |
11 |
13 |
6 |
3 |
4 |
5 |
13 |
9 |
9 |
0 |
1 |
3 |
0 |
0 |
2 |
4 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
Фактор ћгорячегоЋ и т.н. ћвоенная прозаЋ |
3922 | 128 |
22 |
20 |
12 |
12 |
10 |
7 |
7 |
5 |
7 |
12 |
6 |
8 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
К задержанию Ходорковского |
2568 | 128 |
15 |
20 |
16 |
14 |
12 |
9 |
4 |
10 |
7 |
7 |
11 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
Шарлатанство в эссеистике |
3254 | 127 |
18 |
20 |
13 |
9 |
12 |
7 |
5 |
4 |
5 |
13 |
15 |
6 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
Пойдет ли Путин на Норд-Ост? |
3064 | 127 |
18 |
21 |
8 |
15 |
12 |
11 |
5 |
6 |
8 |
10 |
6 |
7 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
Переписка Критика Баринова С Либерализованной Барышней По Поводу Женских Свобод |
2416 | 126 |
17 |
20 |
14 |
19 |
9 |
9 |
3 |
5 |
5 |
7 |
12 |
6 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
Про Фэнтэзи |
2376 | 126 |
17 |
25 |
11 |
11 |
13 |
8 |
5 |
8 |
4 |
6 |
11 |
7 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
Кто Убил ? |
2096 | 125 |
15 |
24 |
11 |
15 |
10 |
11 |
6 |
4 |
2 |
9 |
12 |
6 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
Поэзия Умерла - Почему ? |
2737 | 124 |
16 |
20 |
16 |
14 |
8 |
7 |
5 |
7 |
5 |
6 |
12 |
8 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |