| Итого | За последние 12 месяцев | Nov | Oct | Sep | 
 | Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 
| 
По разделу | 
41040 | 813 | 
14 | 
88 | 
73 | 
90 | 
66 | 
72 | 
72 | 
68 | 
74 | 
78 | 
69 | 
49 | 
0 | 
2 | 
9 | 
3 | 
2 | 
3 | 
3 | 
3 | 
3 | 
2 | 
2 | 
3 | 
6 | 
4 | 
2 | 
1 | 
2 | 
1 | 
2 | 
2 | 
2 | 
3 | 
2 | 
1 | 
3 | 
2 | 
3 | 
3 | 
4 | 
7 | 
4 | 
5 | 
2 | 
4 | 
2 | 
1 | 
3 | 
3 | 
1 | 
2 | 
2 | 
2 | 
2 | 
3 | 
3 | 
2 | 
2 | 
3 | 
5 | 
5 | 
3 | 
2 | 
4 | 
2 | 
2 | 
1 | 
2 | 
3 | 
0 | 
3 | 
2 | 
3 | 
| 
Гламур и дискурс Владимира Позднера | 
5041 | 510 | 
14 | 
55 | 
45 | 
53 | 
43 | 
39 | 
39 | 
43 | 
56 | 
60 | 
41 | 
22 | 
0 | 
2 | 
9 | 
3 | 
2 | 
3 | 
3 | 
3 | 
2 | 
2 | 
1 | 
2 | 
4 | 
0 | 
1 | 
0 | 
2 | 
1 | 
2 | 
2 | 
2 | 
0 | 
2 | 
0 | 
3 | 
0 | 
2 | 
0 | 
1 | 
3 | 
1 | 
5 | 
0 | 
4 | 
2 | 
1 | 
3 | 
1 | 
1 | 
0 | 
2 | 
0 | 
1 | 
3 | 
0 | 
2 | 
1 | 
1 | 
5 | 
5 | 
2 | 
2 | 
0 | 
0 | 
1 | 
0 | 
1 | 
3 | 
0 | 
3 | 
0 | 
3 | 
| 
"пикап: съем без правил". Искусство и жизнь | 
4291 | 434 | 
3 | 
35 | 
23 | 
49 | 
31 | 
43 | 
48 | 
48 | 
39 | 
50 | 
40 | 
25 | 
0 | 
1 | 
2 | 
0 | 
2 | 
0 | 
2 | 
3 | 
2 | 
0 | 
0 | 
3 | 
0 | 
2 | 
2 | 
0 | 
2 | 
0 | 
1 | 
0 | 
2 | 
0 | 
0 | 
1 | 
0 | 
1 | 
0 | 
2 | 
2 | 
0 | 
4 | 
0 | 
1 | 
1 | 
2 | 
0 | 
0 | 
0 | 
0 | 
2 | 
1 | 
0 | 
0 | 
2 | 
0 | 
0 | 
2 | 
0 | 
0 | 
0 | 
2 | 
1 | 
1 | 
2 | 
2 | 
0 | 
2 | 
1 | 
0 | 
0 | 
1 | 
0 | 
| 
Иронический словарь А Хули (по Пелевину) | 
12545 | 370 | 
7 | 
54 | 
39 | 
45 | 
30 | 
39 | 
26 | 
30 | 
24 | 
37 | 
22 | 
17 | 
0 | 
1 | 
3 | 
3 | 
1 | 
3 | 
1 | 
3 | 
0 | 
2 | 
1 | 
2 | 
6 | 
4 | 
2 | 
1 | 
0 | 
0 | 
2 | 
0 | 
2 | 
3 | 
0 | 
0 | 
1 | 
1 | 
3 | 
1 | 
1 | 
7 | 
0 | 
3 | 
2 | 
2 | 
0 | 
0 | 
0 | 
3 | 
0 | 
2 | 
1 | 
1 | 
1 | 
2 | 
1 | 
1 | 
1 | 
3 | 
2 | 
0 | 
1 | 
2 | 
4 | 
0 | 
1 | 
1 | 
2 | 
0 | 
0 | 
2 | 
0 | 
2 | 
| 
Десять парадоксов альтернативной истории | 
3930 | 273 | 
5 | 
41 | 
27 | 
31 | 
14 | 
17 | 
20 | 
25 | 
19 | 
20 | 
21 | 
33 | 
0 | 
0 | 
4 | 
1 | 
2 | 
1 | 
3 | 
2 | 
3 | 
1 | 
1 | 
2 | 
0 | 
3 | 
1 | 
1 | 
0 | 
0 | 
1 | 
1 | 
0 | 
2 | 
0 | 
0 | 
1 | 
1 | 
1 | 
3 | 
3 | 
0 | 
2 | 
4 | 
0 | 
1 | 
1 | 
0 | 
0 | 
2 | 
1 | 
1 | 
1 | 
2 | 
1 | 
0 | 
3 | 
0 | 
1 | 
0 | 
2 | 
0 | 
1 | 
0 | 
0 | 
1 | 
0 | 
1 | 
2 | 
1 | 
0 | 
0 | 
2 | 
3 | 
| 
Преданная Россия (исторические работы Н. Старикова) | 
4309 | 262 | 
10 | 
39 | 
24 | 
34 | 
20 | 
10 | 
18 | 
19 | 
22 | 
24 | 
28 | 
14 | 
0 | 
1 | 
8 | 
1 | 
1 | 
2 | 
2 | 
1 | 
2 | 
1 | 
2 | 
1 | 
2 | 
2 | 
2 | 
0 | 
1 | 
1 | 
2 | 
0 | 
1 | 
0 | 
1 | 
0 | 
0 | 
1 | 
1 | 
1 | 
4 | 
3 | 
1 | 
2 | 
1 | 
1 | 
0 | 
0 | 
1 | 
1 | 
0 | 
0 | 
1 | 
0 | 
1 | 
2 | 
0 | 
1 | 
1 | 
0 | 
2 | 
0 | 
2 | 
2 | 
1 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
2 | 
2 | 
2 | 
| 
Этьен Кассе против Дэна Брауна | 
8508 | 257 | 
9 | 
37 | 
26 | 
32 | 
19 | 
9 | 
17 | 
25 | 
27 | 
18 | 
23 | 
15 | 
0 | 
2 | 
5 | 
2 | 
1 | 
1 | 
3 | 
1 | 
2 | 
2 | 
0 | 
3 | 
3 | 
2 | 
1 | 
1 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
2 | 
1 | 
0 | 
3 | 
0 | 
2 | 
1 | 
2 | 
3 | 
2 | 
1 | 
1 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
2 | 
1 | 
1 | 
1 | 
0 | 
2 | 
2 | 
2 | 
0 | 
0 | 
0 | 
0 | 
0 | 
1 | 
0 | 
0 | 
2 | 
2 | 
3 | 
| 
Информация о владельце раздела | 
2416 | 190 | 
4 | 
28 | 
15 | 
32 | 
19 | 
10 | 
11 | 
17 | 
14 | 
13 | 
17 | 
10 | 
0 | 
2 | 
2 | 
0 | 
1 | 
0 | 
2 | 
1 | 
1 | 
1 | 
0 | 
3 | 
0 | 
0 | 
2 | 
1 | 
0 | 
1 | 
1 | 
0 | 
1 | 
0 | 
1 | 
0 | 
1 | 
1 | 
0 | 
1 | 
2 | 
2 | 
0 | 
2 | 
0 | 
2 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
2 | 
0 | 
2 | 
1 | 
0 | 
0 | 
2 | 
0 | 
0 | 
0 | 
3 | 
2 | 
0 | 
0 | 
1 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
| 
Пелевин: диалектика и критика | 
0 | 0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
| 
Дэн Браун и роман-андрогин | 
0 | 0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
| 
Дэн Браун: точка обмана или рыночный Антей | 
0 | 0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 | 
0 |