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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
По разделу | 95918 | 2943 | 31 | 212 | 168 | 142 | 174 | 437 | 245 | 530 | 485 | 255 | 181 | 83 | 1 | 8 | 6 | 5 | 7 | 4 | 5 | 5 | 5 | 10 | 8 | 3 | 4 | 5 | 4 | 5 | 3 | 5 | 5 | 5 | 4 | 5 | 5 | 10 | 5 | 4 | 5 | 5 | 8 | 5 | 12 | 8 | 6 | 7 | 28 | 23 | 3 | 4 | 4 | 5 | 5 | 4 | 3 | 4 | 7 | 4 | 17 | 4 | 16 | 20 | 3 | 4 | 5 | 3 | 5 | 3 | 3 | 4 | 6 | 4 | 3 | 4 |
Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 646 | 646 | 5 | 29 | 34 | 32 | 20 | 28 | 34 | 464 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 3 | 0 | 2 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 |
Der Yuppie-Blues (written with the help of artificial intelligence) | 560 | 560 | 7 | 25 | 30 | 25 | 25 | 316 | 132 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 5 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 3 | 2 | 3 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Tilapia as a Sacred Symbol | 2318 | 547 | 16 | 57 | 67 | 59 | 49 | 51 | 51 | 44 | 47 | 44 | 32 | 30 | 0 | 4 | 3 | 4 | 3 | 2 | 5 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 4 | 0 | 4 | 2 | 2 | 0 | 4 | 1 | 1 | 0 | 5 | 2 | 3 | 3 | 1 | 0 | 2 | 3 | 2 | 3 | 2 | 0 | 2 | 3 | 3 | 1 | 0 | 4 | 1 | 5 | 4 | 2 | 2 | 2 | 4 | 1 | 3 | 3 | 1 | 1 | 4 | 3 | 1 | 2 | 2 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4532 | 448 | 15 | 61 | 41 | 39 | 33 | 35 | 37 | 39 | 36 | 53 | 29 | 30 | 0 | 3 | 3 | 3 | 4 | 2 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 3 | 3 | 1 | 2 | 0 | 10 | 4 | 3 | 5 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 4 | 1 | 1 | 0 | 4 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 5 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 2 |
Попытки возрождения древнейших засекреченных технологий | 432 | 432 | 10 | 30 | 37 | 27 | 17 | 51 | 26 | 36 | 198 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 6 | 0 | 3 | 1 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 411 | 411 | 14 | 30 | 28 | 26 | 18 | 31 | 25 | 29 | 41 | 47 | 122 | 0 | 0 | 4 | 0 | 3 | 6 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 4 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 400 | 400 | 7 | 27 | 29 | 28 | 26 | 31 | 29 | 39 | 184 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 511 | 392 | 12 | 28 | 37 | 26 | 60 | 38 | 41 | 38 | 38 | 30 | 26 | 18 | 0 | 1 | 1 | 1 | 7 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 3 | 3 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 655 | 391 | 10 | 26 | 41 | 27 | 29 | 52 | 34 | 53 | 36 | 42 | 28 | 13 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 0 | 3 | 7 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1769 | 374 | 11 | 37 | 37 | 30 | 23 | 34 | 31 | 49 | 42 | 33 | 20 | 27 | 0 | 3 | 2 | 3 | 2 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 3 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 1 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2928 | 372 | 7 | 29 | 39 | 28 | 29 | 22 | 42 | 40 | 40 | 42 | 25 | 29 | 0 | 1 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 812 | 370 | 11 | 48 | 44 | 51 | 27 | 39 | 19 | 41 | 28 | 28 | 18 | 16 | 1 | 3 | 1 | 2 | 4 | 0 | 2 | 0 | 3 | 1 | 8 | 0 | 2 | 1 | 3 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 4 | 1 | 0 | 3 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 3 | 4 | 3 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 4 |
Wünsche und Metamorphosen | 364 | 364 | 9 | 37 | 29 | 23 | 19 | 25 | 30 | 44 | 34 | 114 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 4 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1927 | 358 | 11 | 33 | 43 | 41 | 13 | 52 | 20 | 39 | 38 | 33 | 18 | 17 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 3 | 1 | 1 | 4 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 3 | 1 | 3 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 1207 | 342 | 12 | 36 | 41 | 33 | 18 | 35 | 29 | 36 | 35 | 33 | 25 | 9 | 0 | 3 | 2 | 4 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 1 | 4 | 0 | 0 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 1 | 2 |
Unguentum Morphosis | 337 | 337 | 12 | 26 | 26 | 39 | 20 | 18 | 21 | 37 | 138 | 0 | 0 | 0 | 0 | 2 | 3 | 2 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 |
Kandinsky | 1634 | 331 | 11 | 41 | 34 | 41 | 18 | 25 | 20 | 34 | 35 | 31 | 22 | 19 | 0 | 1 | 5 | 2 | 2 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 4 | 1 | 2 | 2 | 2 | 0 | 0 | 2 | 3 | 1 | 1 | 3 | 0 | 0 | 5 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 527 | 331 | 16 | 45 | 38 | 43 | 21 | 17 | 19 | 39 | 27 | 29 | 21 | 16 | 0 | 2 | 6 | 3 | 3 | 2 | 1 | 2 | 1 | 6 | 0 | 0 | 4 | 2 | 2 | 5 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 2 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 2 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 361 | 325 | 8 | 38 | 33 | 29 | 24 | 39 | 19 | 37 | 25 | 29 | 22 | 22 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 2 | 1 | 4 | 3 | 2 | 0 | 1 | 0 | 3 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
La Pasiega Cave | 1352 | 324 | 8 | 30 | 31 | 36 | 15 | 31 | 31 | 32 | 41 | 36 | 20 | 13 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 4 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 427 | 322 | 10 | 25 | 29 | 28 | 21 | 49 | 22 | 39 | 36 | 24 | 20 | 19 | 0 | 4 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 5 | 1 | 3 | 1 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 944 | 322 | 11 | 48 | 28 | 31 | 24 | 31 | 22 | 27 | 30 | 32 | 18 | 20 | 0 | 1 | 4 | 0 | 3 | 3 | 1 | 5 | 2 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 5 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 3 | 0 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 685 | 319 | 8 | 36 | 29 | 38 | 23 | 40 | 41 | 31 | 22 | 20 | 23 | 8 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 3 | 1 |
"Голос Вселенной" - подражание Кандинскому | 1653 | 314 | 13 | 34 | 29 | 32 | 17 | 29 | 49 | 30 | 25 | 29 | 16 | 11 | 0 | 4 | 3 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 819 | 313 | 9 | 25 | 29 | 29 | 17 | 34 | 23 | 36 | 55 | 24 | 19 | 13 | 0 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 712 | 312 | 14 | 28 | 28 | 29 | 20 | 31 | 34 | 33 | 27 | 31 | 20 | 17 | 0 | 1 | 5 | 3 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 0 |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2257 | 312 | 13 | 32 | 29 | 32 | 19 | 45 | 29 | 37 | 34 | 19 | 14 | 9 | 0 | 4 | 1 | 1 | 5 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 |
"Кандинский" / "Kandinsky" | 1292 | 308 | 6 | 39 | 30 | 33 | 24 | 31 | 20 | 30 | 22 | 36 | 27 | 10 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 2 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 3 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 3 | 3 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 2 | 0 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 513 | 307 | 13 | 38 | 30 | 30 | 17 | 34 | 24 | 31 | 35 | 23 | 21 | 11 | 0 | 1 | 2 | 2 | 5 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 0 | 2 | 3 | 4 | 3 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 4 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 |
От Абстракционизма (Беспредметности) к Панпсихореализму | 1120 | 306 | 7 | 23 | 23 | 34 | 19 | 48 | 17 | 34 | 36 | 33 | 19 | 13 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 690 | 306 | 13 | 37 | 35 | 27 | 19 | 38 | 22 | 22 | 26 | 34 | 16 | 17 | 0 | 3 | 2 | 2 | 5 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 4 | 0 | 0 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 5 | 0 | 2 | 0 | 0 | 4 | 2 | 2 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 |
The topic of white magic sessions in the 15th century is completely classified | 371 | 305 | 8 | 41 | 30 | 27 | 23 | 30 | 35 | 33 | 25 | 30 | 17 | 6 | 0 | 1 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 542 | 305 | 9 | 37 | 28 | 39 | 17 | 47 | 26 | 26 | 25 | 28 | 15 | 8 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 5 | 0 | 2 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 3 | 2 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 0 |
Doktor Hartlieb | 410 | 305 | 14 | 38 | 22 | 29 | 17 | 30 | 22 | 33 | 31 | 27 | 31 | 11 | 0 | 2 | 1 | 5 | 3 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 1 | 2 | 3 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 |
Агрегатор Панпсихизма | 1169 | 304 | 9 | 29 | 28 | 35 | 25 | 41 | 20 | 29 | 25 | 33 | 21 | 9 | 0 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 1173 | 303 | 8 | 31 | 36 | 32 | 29 | 28 | 26 | 31 | 24 | 23 | 23 | 12 | 0 | 3 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 4 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 1 |
Вода | 1140 | 301 | 8 | 27 | 34 | 24 | 24 | 33 | 23 | 37 | 27 | 33 | 21 | 10 | 0 | 1 | 3 | 0 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 4 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 5 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 |
Философия панпсихореализма и панпсихореалистическая культура | 664 | 301 | 9 | 18 | 38 | 27 | 16 | 40 | 15 | 30 | 50 | 31 | 16 | 11 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 5 | 2 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 0 | 4 | 1 | 1 | 1 |
Художник-Панпсихореалист Александр Амелькин | 1056 | 300 | 6 | 24 | 28 | 31 | 23 | 48 | 26 | 29 | 31 | 25 | 18 | 11 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 3 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 3 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1334 | 299 | 11 | 27 | 32 | 33 | 25 | 31 | 38 | 27 | 20 | 26 | 16 | 13 | 0 | 4 | 2 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 0 |
Сюжет (синопсис) фильма "Hartlieb" | 454 | 297 | 12 | 29 | 43 | 33 | 21 | 25 | 25 | 26 | 33 | 16 | 23 | 11 | 0 | 3 | 2 | 0 | 5 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 4 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 4 | 17 | 2 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 560 | 296 | 14 | 29 | 28 | 37 | 17 | 45 | 30 | 22 | 26 | 18 | 19 | 11 | 0 | 2 | 1 | 2 | 5 | 4 | 1 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 1 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1639 | 294 | 9 | 23 | 27 | 21 | 23 | 45 | 29 | 30 | 23 | 30 | 21 | 13 | 0 | 3 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 2 | 4 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 957 | 294 | 8 | 24 | 28 | 33 | 26 | 36 | 17 | 36 | 29 | 22 | 17 | 18 | 0 | 0 | 5 | 2 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 5 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 1100 | 293 | 10 | 38 | 27 | 37 | 24 | 31 | 21 | 28 | 24 | 25 | 19 | 9 | 0 | 1 | 3 | 4 | 2 | 0 | 1 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 4 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 3 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 1 | 0 |
Панпсихореализм / Panpsychorealism | 966 | 291 | 9 | 28 | 31 | 30 | 19 | 27 | 38 | 24 | 24 | 27 | 15 | 19 | 0 | 3 | 2 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1232 | 289 | 10 | 52 | 27 | 29 | 19 | 25 | 23 | 35 | 18 | 24 | 16 | 11 | 0 | 2 | 4 | 2 | 2 | 0 | 2 | 4 | 5 | 10 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 5 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 |
Вода | 1044 | 288 | 7 | 25 | 29 | 31 | 16 | 35 | 28 | 31 | 26 | 33 | 20 | 7 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 781 | 287 | 11 | 40 | 23 | 32 | 18 | 27 | 24 | 33 | 30 | 19 | 18 | 12 | 0 | 1 | 4 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 1 | 0 | 0 | 2 | 4 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1296 | 287 | 7 | 37 | 34 | 34 | 13 | 39 | 24 | 23 | 22 | 25 | 16 | 13 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 0 | 0 | 0 | 3 | 1 | 2 | 3 | 1 | 3 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 |
Манускрипт Войнича написал Абрахам Вормсский | 413 | 286 | 9 | 34 | 24 | 24 | 20 | 27 | 41 | 26 | 32 | 23 | 17 | 9 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 4 | 2 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 953 | 284 | 9 | 33 | 31 | 22 | 18 | 38 | 25 | 36 | 30 | 17 | 16 | 9 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 3 | 3 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 4 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 2 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 826 | 282 | 8 | 35 | 31 | 28 | 30 | 21 | 24 | 29 | 24 | 27 | 18 | 7 | 0 | 4 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 445 | 282 | 8 | 20 | 29 | 25 | 22 | 16 | 17 | 32 | 30 | 26 | 35 | 22 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 |
Wish ist the Essence of Life / Wunsch kann alles bewirken: Wunsch ist Essenz des Lebens | 282 | 282 | 6 | 22 | 21 | 29 | 19 | 21 | 115 | 49 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 |
Настройка механизма исполнения желаний | 281 | 281 | 7 | 19 | 26 | 22 | 15 | 32 | 20 | 29 | 42 | 69 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 2 | 0 |
Предпатентный Отчёт | 1042 | 280 | 7 | 30 | 33 | 43 | 15 | 41 | 16 | 25 | 23 | 22 | 11 | 14 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 3 | 1 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 |
Предупреждение: карается законом! | 322 | 279 | 9 | 24 | 26 | 21 | 16 | 37 | 23 | 47 | 28 | 19 | 15 | 14 | 0 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
Тот самый шоколад из детства, тот самый чарующий аромат! | 1015 | 279 | 8 | 29 | 30 | 30 | 26 | 27 | 19 | 32 | 27 | 22 | 19 | 10 | 0 | 2 | 2 | 2 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 3 | 4 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 278 | 278 | 12 | 26 | 25 | 21 | 17 | 23 | 21 | 30 | 37 | 66 | 0 | 0 | 0 | 3 | 2 | 0 | 6 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 0 | 0 | 4 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 858 | 278 | 16 | 28 | 23 | 31 | 18 | 38 | 23 | 28 | 25 | 21 | 21 | 6 | 0 | 5 | 3 | 2 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 |
Радио Войнич М - Radio Voynich M | 503 | 278 | 5 | 28 | 28 | 29 | 16 | 28 | 24 | 29 | 31 | 29 | 14 | 17 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 2 | 1 | 4 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 |
Утренний Кофе для Карманной Чёрной Дыры | 2206 | 278 | 8 | 37 | 28 | 30 | 14 | 37 | 24 | 27 | 20 | 25 | 21 | 7 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 1018 | 272 | 9 | 24 | 23 | 34 | 21 | 27 | 20 | 25 | 34 | 31 | 13 | 11 | 0 | 2 | 3 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 5 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 |
Машуня | 1356 | 272 | 8 | 29 | 26 | 29 | 26 | 28 | 20 | 33 | 22 | 21 | 16 | 14 | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 749 | 272 | 7 | 15 | 24 | 42 | 17 | 32 | 24 | 33 | 28 | 25 | 15 | 10 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 4 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
In Secret Archives there are several Voynich Manuscripts | 344 | 271 | 8 | 37 | 27 | 22 | 20 | 20 | 25 | 33 | 26 | 25 | 14 | 14 | 0 | 1 | 1 | 1 | 4 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1302 | 270 | 4 | 34 | 29 | 31 | 21 | 20 | 20 | 26 | 23 | 25 | 24 | 13 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 2 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 0 |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 966 | 268 | 5 | 36 | 30 | 27 | 20 | 35 | 20 | 30 | 19 | 22 | 13 | 11 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 990 | 267 | 9 | 26 | 37 | 44 | 17 | 25 | 19 | 28 | 15 | 24 | 13 | 10 | 0 | 1 | 2 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 4 | 0 | 0 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 393 | 266 | 9 | 22 | 26 | 31 | 14 | 22 | 26 | 30 | 25 | 29 | 19 | 13 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 5 | 1 | 1 | 0 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2355 | 266 | 9 | 27 | 29 | 28 | 17 | 35 | 22 | 26 | 22 | 24 | 14 | 13 | 0 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 4 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 |
Сильное Желание Улучшает Генетику! | 303 | 266 | 8 | 33 | 25 | 26 | 21 | 26 | 21 | 33 | 25 | 17 | 20 | 11 | 0 | 2 | 2 | 2 | 1 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 5 | 2 | 3 | 2 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 |
Hoax | 342 | 266 | 12 | 41 | 29 | 23 | 14 | 26 | 20 | 29 | 24 | 22 | 15 | 11 | 0 | 2 | 4 | 3 | 3 | 0 | 0 | 3 | 1 | 4 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 3 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 275 | 265 | 7 | 21 | 24 | 34 | 15 | 31 | 22 | 29 | 20 | 23 | 22 | 17 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 309 | 265 | 8 | 22 | 28 | 26 | 22 | 30 | 25 | 28 | 21 | 22 | 19 | 14 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 358 | 265 | 11 | 33 | 39 | 24 | 12 | 23 | 22 | 28 | 19 | 25 | 18 | 11 | 0 | 1 | 2 | 3 | 3 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 1 | 0 | 3 | 4 | 1 | 0 | 3 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 |
Der Yuppie-Blues | 914 | 265 | 10 | 27 | 31 | 29 | 16 | 34 | 21 | 27 | 26 | 20 | 15 | 9 | 0 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 2 | 3 | 2 | 4 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 |
Изгнание из Рая | 638 | 262 | 7 | 22 | 21 | 29 | 23 | 38 | 18 | 31 | 22 | 25 | 20 | 6 | 0 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 261 | 261 | 12 | 25 | 25 | 22 | 14 | 31 | 20 | 32 | 18 | 39 | 23 | 0 | 0 | 4 | 1 | 4 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 |
Тайна Рукописи Войнича раскрыта | 373 | 260 | 6 | 24 | 25 | 32 | 18 | 32 | 17 | 30 | 22 | 28 | 14 | 12 | 0 | 1 | 2 | 0 | 3 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 |
В начале был Образ... | 773 | 260 | 8 | 21 | 25 | 30 | 22 | 30 | 21 | 25 | 24 | 29 | 13 | 12 | 0 | 1 | 3 | 2 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 2 | 3 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 259 | 259 | 8 | 26 | 33 | 18 | 18 | 32 | 15 | 28 | 30 | 51 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 2 | 0 | 2 | 2 | 1 | 1 | 2 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 282 | 258 | 12 | 23 | 26 | 25 | 14 | 29 | 24 | 29 | 23 | 29 | 16 | 8 | 0 | 5 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 |
Системный подход в искусстве и истории | 384 | 257 | 5 | 23 | 29 | 20 | 13 | 36 | 33 | 25 | 20 | 21 | 22 | 10 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 2 | 0 |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 1114 | 256 | 11 | 23 | 25 | 24 | 19 | 29 | 25 | 25 | 23 | 26 | 16 | 10 | 0 | 2 | 3 | 0 | 4 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 3 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
Проект Спасения Человечества | 1298 | 255 | 13 | 26 | 24 | 26 | 18 | 21 | 23 | 30 | 19 | 30 | 15 | 10 | 0 | 4 | 2 | 3 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 4 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 1063 | 254 | 7 | 33 | 26 | 23 | 11 | 36 | 18 | 23 | 24 | 29 | 15 | 9 | 0 | 2 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 4 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 566 | 254 | 13 | 28 | 25 | 31 | 15 | 21 | 21 | 24 | 20 | 31 | 17 | 8 | 0 | 7 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 838 | 252 | 10 | 35 | 29 | 25 | 16 | 24 | 19 | 25 | 20 | 24 | 17 | 8 | 0 | 2 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 3 | 0 | 3 | 2 | 2 | 1 | 0 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 4 | 0 | 1 | 2 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 731 | 249 | 8 | 15 | 30 | 25 | 22 | 36 | 21 | 25 | 16 | 25 | 15 | 11 | 0 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 843 | 249 | 6 | 17 | 27 | 29 | 17 | 26 | 18 | 33 | 30 | 18 | 19 | 9 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
Das Voynich-Manuskript | 321 | 242 | 9 | 37 | 25 | 28 | 14 | 20 | 18 | 25 | 23 | 18 | 17 | 8 | 0 | 0 | 3 | 3 | 3 | 0 | 1 | 3 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 3 | 4 | 3 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 5 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 939 | 241 | 8 | 25 | 25 | 19 | 14 | 27 | 19 | 28 | 22 | 26 | 21 | 7 | 0 | 3 | 2 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 1010 | 241 | 8 | 19 | 30 | 25 | 15 | 12 | 27 | 29 | 22 | 23 | 18 | 13 | 0 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 4 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1480 | 234 | 8 | 22 | 28 | 32 | 17 | 18 | 18 | 22 | 22 | 22 | 14 | 11 | 0 | 1 | 2 | 0 | 5 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 4 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 798 | 233 | 6 | 17 | 28 | 23 | 15 | 22 | 23 | 26 | 25 | 20 | 17 | 11 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 4 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 |
"Панпсихореализм" / "Panpsychorealismus" | 999 | 233 | 6 | 22 | 28 | 23 | 21 | 17 | 19 | 26 | 21 | 22 | 24 | 4 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 4 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 551 | 232 | 10 | 20 | 26 | 26 | 17 | 21 | 22 | 26 | 26 | 18 | 14 | 6 | 0 | 3 | 1 | 4 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 272 | 232 | 3 | 20 | 20 | 26 | 18 | 26 | 16 | 33 | 21 | 23 | 14 | 12 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 737 | 229 | 6 | 20 | 28 | 21 | 14 | 29 | 17 | 25 | 18 | 26 | 12 | 13 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 3 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 536 | 228 | 10 | 23 | 23 | 27 | 15 | 24 | 20 | 18 | 17 | 24 | 16 | 11 | 0 | 1 | 5 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 904 | 220 | 5 | 24 | 24 | 24 | 13 | 26 | 16 | 27 | 21 | 19 | 13 | 8 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 3 | 0 | 3 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Информация о владельце раздела | 2385 | 208 | 8 | 19 | 24 | 23 | 17 | 11 | 22 | 20 | 23 | 17 | 16 | 8 | 0 | 3 | 2 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 5 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Der Yuppie-Blues 2025 | 206 | 206 | 7 | 30 | 33 | 28 | 13 | 95 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 3 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 |
"Essenz" - произведение, сочетающее литературные, музыкальные и философские элементы, основанное на концепции Panpsychorealismus (панпсихореализм) | 197 | 197 | 10 | 18 | 27 | 28 | 85 | 29 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Kulturelle Trends im Jahr 2030 (Kunst, Musik, Mode) / Ich habe den Schmerzen-Blues endlich fertiggestellt | 170 | 170 | 9 | 26 | 30 | 39 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 3 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 4 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 |
Radio | 156 | 156 | 14 | 43 | 61 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 1 | 2 | 2 | 1 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 0 | 3 | 5 | 1 | 1 | 0 | 2 | 2 | 6 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 3 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 3 | 4 |
The basis of changes in the body is desire (wish), reinforced by anti-desire (anti-wish) | 152 | 152 | 8 | 27 | 29 | 24 | 12 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 |
Film Project About The Object 3i/atlas | 122 | 122 | 15 | 50 | 57 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 4 | 1 | 1 | 4 | 1 | 3 | 2 | 2 | 1 | 3 | 2 | 2 | 2 | 3 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 3 | 3 | 1 | 1 | 3 | 1 | 0 | 2 | 1 | 3 | 4 | 1 | 5 | 4 | 2 | 2 | 0 | 2 | 2 | 3 | 4 | 5 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
3i/atlas | 121 | 121 | 14 | 107 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 1 | 2 | 3 | 2 | 2 | 2 | 3 | 0 | 1 | 2 | 2 | 5 | 3 | 1 | 1 | 2 | 2 | 3 | 0 | 4 | 0 | 2 | 4 | 0 | 3 | 2 | 2 | 5 | 12 | 5 | 6 | 5 | 28 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
История одной переписки | 103 | 103 | 10 | 46 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 4 | 4 | 0 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 4 | 7 | 0 | 0 | 3 | 3 | 1 | 2 | 2 | 4 | 6 | 4 | 5 | 1 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Viral Song & Viral Photo ( #3iatlas ) | 99 | 99 | 12 | 87 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 6 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 2 | 3 | 1 | 2 | 3 | 5 | 1 | 4 | 5 | 4 | 3 | 3 | 8 | 5 | 4 | 8 | 5 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Essenz | 81 | 81 | 6 | 40 | 35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 2 | 4 | 0 | 1 | 3 | 0 | 1 | 2 | 2 | 1 | 4 | 1 | 2 | 1 | 15 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Дисклеймер ко всем моим произведениям | 75 | 75 | 13 | 62 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 3 | 3 | 2 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 1 | 3 | 1 | 2 | 3 | 6 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"